Category: Entertainment

LOS ANGELES — “Hacks” won the comedy series at Sunday’s Emmy Awards, topping “The Bear,” which took home several of the night’s honors.

“Shogun” won the best drama series win, collecting a whopping 18 Emmys for its first season, just one of several historic wins.

Hiroyuki Sanada won best actor in a drama for “Shogun” on Sunday night at the Emmy Awards, and Anna Sawai won best actress as they became the first two Japanese actors to win Emmys.

Their wins gave the FX series momentum going into one of the night’s top awards, where “Shogun” won best drama series.

“The Bear” came back for seconds in a big way at the ceremony four times including best actor, best supporting actor and best supporting actress in a comedy, while British upstart “Baby Reindeer” won four of its own, including best limited series.

The star of FX’s “The Bear” Jeremy Allen White won best actor in a comedy for the second straight year, and Ebon Moss-Bachrach repeated as best supporting actor.

A surprise came when Liza Colón-Zayas won best supporting actor over major competition.

“How could I have thought it would be possible to be in the presence of Meryl Streep and Carol Burnett,” Colón-Zayas said as tears welled in her eyes as she accepted the award on the stage of the Peacock Theater in Los Angeles.

She is the first Latina to win in the category.

“To all the Latinas who are looking at me,” she said, “keep believing and vote.”

Netflix’s darkly quirky “Baby Reindeer” won best actor and best writing for the show’s creator and star Richard Gadd and best supporting actress for Jessica Gunning, who plays his tormentor.

Accepting the best limited series award, Gadd urged the makers of television to take chances.

“The only constant across any success in television is good storytelling,” he said. “Good storytelling that speaks to our times. So take risks, push boundaries. Explore the uncomfortable. Dare to fail in order to achieve.”

“Baby Reindeer” is based on a one man-stage show in which Gadd describes being sexually abused along with other emotional struggles.

Accepting that award, he said, “no matter how bad it gets, it always gets better.”

The Associated Press does not typically name people who say they have been sexually abused unless they come forward publicly as Gadd has.

Jodie Foster won her first Emmy to go with her two Oscars when she took best actress in a limited series for “True Detective: Night Country.”

The creator of “The Bear” was also a repeat winner. Christopher Storer took his second straight Emmy for directing, an award handed out by reunited “Happy Days” co-stars Ron Howard and Henry Winkler.

White said backstage that he was watching in the wings as Colón-Zayas won and “that was just the greatest.”

He also shouted out two acting wins the show had already scored at last weekend’s Creative Arts Emmy Awards, when Jamie Lee Curtis won best guest actress in a comedy for playing his mother, and Jon Bernthal won best guest actor for playing his big brother.

“The Bear” won six times including most of the top comedy categories at the strike-delayed Emmys in January.

While the third season of FX’s “The Bear” has already dropped, the trio won their second Emmys for its second, in which White’s chef Carmen “Carmy” Berzatto attempts to turn his family’s grungy Chicago sandwich shop into an elite restaurant. It could still win more Sunday night including best comedy series.

The father-son hosting duo of Eugene and Dan Levy in their monologue at the top of the show mocked the very dramatic “The Bear” being in the comedy category.

“In honor of ‘The Bear’ we will be making no jokes,” Eugene Levy said, to laughs.

Jean Smart won best actress in a comedy for “Hacks.” She has won for all three seasons of “Hacks,” and has six Emmys overall.

She beat nominees including Ayo Edebiri, who as co-star of “The Bear” moved from supporting actress, which she won in January, to lead actress.

Coming into the show the big story was “Shogun,” which had already taken the most Emmys for a show in a single season with 14 at the Creative Arts ceremony.

The FX series about lordly politicking in feudal Japan can still win best drama series.

If “Shogun” faces competition for the best drama prize, it could come for the sixth and final season of “The Crown,” the only show among the nominees that has won before in a category recently dominated by the retired “Succession.”

Elizabeth Debicki took best supporting actress in a drama for playing Princess Diana at the end of her life in the sixth and final season of the show.

“Playing this part, based on this unparalleled, incredible human being, has been my great privilege,” Debicki said. “It’s been a gift.”

Billy Crudup won best actor in a drama for “The Morning Show.”

Streep wasn’t the only Oscar winner trumped by a little-known name. Robert Downey Jr., the reigning best supporting actor winner for “Oppenheimer,” was considered the favorite to win best supporting actor in a limited series for “The Sympathizer,” but that award went to Lamorne Morris for “Fargo.”

“Robert Downey Jr. I have a poster of you in my house!” Morris said from the stage as he accepted his first Emmy.

Several awards were presented by themed teams from TV history, including sitcom dads George Lopez, Damon Wayans and Jesse Tyler Ferguson and TV moms Meredith Baxter, Connie Britton, and Susan Kelechi Watson.
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LOS ANGELES — The 76th annual Emmy Awards were handed out Sunday at the Peacock Theater in downtown Los Angeles.

“Shogun” set a single season record for most wins with 18. “Shogun” won best drama series, and Hiroyuki Sanada and Anna Sawai won acting awards for their roles.

“Hacks’’ won the award for best comedy series. ”Baby Reindeer” and “The Bear’’ won four awards apiece.

Early winners included Ebon Moss-Bachrach, Jeremy Allen White and Liza Colón-Zayas, who won awards for their work in the comedy series “The Bear.”

Stars presenting Emmys to their peers included: Billy Crystal, Viola Davis, Selena Gomez, Steve Martin, Maya Rudolph and Martin Sheen.

Several actors and shows, including Rudolph, won last week. Rudolph won her sixth Emmy Award at last weekend’s Creative Arts Emmys for her voice work on “Big Mouth.” Jamie Lee Curtis also picked up a supporting actress Emmy last weekend for her appearance on “The Bear.”

Here’s a list of winners at Sunday’s Emmys:

Supporting actor in a comedy series

Ebon Moss-Bachrach, “The Bear”

Supporting actor in a drama series

Billy Crudup, “The Morning Show”

Actor in a comedy series

Jeremy Allen White, “The Bear”

Supporting actress in a comedy series

Liza Colón-Zayas, “The Bear”

Supporting actress in a drama series

Elizabeth Debicki, “The Crown”

Actress in a comedy series

Jean Smart, “Hacks”

Reality competition program

“The Traitors,” Peacock

Supporting actress limited

Jessica Gunning, “Baby Reindeer”

Scripted variety series

“Last Week Tonight with John Oliver,” HBO/Max

Writing for a variety special

Alex Edelman, “Just for Us”

Directing for a limited or anthology series

Steven Zaillian, “Ripley”

Writing for a comedy series

Lucia Aniello, Paul W. Downs and Jen Statsky, “Hacks”

Talk series

“The Daily Show,” Comedy Central

Supporting actor in a limited or anthology series

Lamorne Morris, “Fargo”

Writing for a drama series

Will Smith, “Slow Horses”

Writing for a limited series, anthology or movie

Richard Gadd, “Baby Reindeer”

Directing for a comedy series

Christopher Storer, “The Bear”

Governors award

Greg Berlanti

Directing for a drama series

Frederick E.O. Toye, “Shogun”

Actor in a limited, anthology series or movie

Richard Gadd, “Baby Reindeer”

Actress in a limited, anthology series or movie

Jodie Foster, “True Detective: Night Country”

Limited, anthology series or movie

“Baby Reindeer”

Actor in a drama series

Hiroyuki Sanada, “Shogun”

Actress in a drama series

Anna Sawai, “Shogun”

Drama series

“Shogun”

Comedy series

“Hacks”
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What is Art? It’s an age-old question: is it paint on canvas, ceramics or sculpture? The fun part is – art can be anything – and can even be created with a chainsaw. That’s the medium of one artist from the U.S. state of Virginia. Maxim Adams has the story. (Camera: Andrey Degtyarev; Produced by: Andrey Degtyarev, Anna Rice)
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MEJICANOS, El Salvador — From the window of her tin-sided shop outside El Salvador’s capital, San Salvador, Esmeralda Quintanilla watches artists get to work in her neighborhood on walls still pockmarked by bullet holes from the country’s civil war and gang conflict.

Armed with brushes, paint and spray cans, muralists and graffiti artists have already covered the walls of several of the 40 five-story units in a housing complex in the Zacamil neighborhood of the Mejicanos district.

“With the murals, everything looks really nice,” said Quintanilla, a 55-year-old seamstress who has lived in the neighborhood nearly half her life. “You start to see all this, and it gives the place a different image. I feel really happy, proud.”

The dozen murals already completed include a Mesoamerican pyramid, pixelated depictions of the Virgin Mary and works straight out of the artists’ imaginations.

The initiative in the once-violent neighborhood is led by a Salvadoran foundation that seeks to fill communities with art. Its aim in Zacamil is to create stories-high murals over the next two years on nearly every wall of the complex, which houses around 4,000 residents.

Zacamil got a break from decades of violence two years ago when President Nayib Bukele launched a nationwide crackdown on gangs. The state of emergency — which human rights groups have said Bukele must end amid reports of abuses — has put almost 82,000 alleged gang members in prison.

Even with the murals improving the neighborhood’s appearance, chronic infrastructure issues remain, with garbage piled up in the streets and storm drains clogged. TV antennas, power cables and clothes strewn out windows across clotheslines also dot the neighborhood.

Many Zacamil residents fled in 1989 when fighting between the Salvadoran army and the former leftist guerrilla group, Farabundo Marti National Liberation Front, or FMLN, nearly destroyed the Mejicanos district.

When they returned, many found homes damaged by two earthquakes in 2001 or invaded by gang members.

“There are always problems, but this is a facelift,” said a 70-year-old resident who declined to give his name.

El Salvador’s 12-year civil war from late 1979 to January 1992 killed more than 75,000 people.
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rio de janeiro — Rio de Janeiro’s main beaches bustle with commotion on sunny weekends. But activity ground to a near standstill on one stretch of sand. People held up their phones to record athletic feats they’d never before witnessed, or even imagined.

The game? Footvolley, a combination of soccer and beach volleyball. The athlete? A 3-year-old border collie named Floki.

Floki sparks wonder among bystanders because he hangs tough in a game that even humans struggle to get a handle on. Footvolley rules are essentially the same as beach volleyball, but with a slightly lower net and, like soccer, players are forbidden from using hands and arms. Floki springs up from the sand to drive the ball with his snout. He has become something of an internet sensation in Brazil, with hundreds of thousands of followers on Instagram and TikTok.

Floki’s owner, Gustavo Rodrigues, is a footvolley coach, but swears he didn’t plan this. He had wanted an American Bully, a decidedly less sprightly breed. Floki came into Rodrigues’ life instead and quickly revealed his potential when, at just 2 months old, he started jumping after birthday balloons.

Rodrigues started Floki out on what’s called “altinha,” where a group standing in a circle juggles a soccer ball for as long as possible. In 2023, Floki made his debut in the much more complex, competitive game of footvolley — a hobby enjoyed by some Brazilian soccer stars after they retire, including World Cup winners Ronaldinho and Romario.

Footvolley players need poise, agility, coordination, timing, finesse. Covering one side of the court between just two people means quick sprints back and forth on soft sand under the baking sun. It’s no mean feat, but Floki was a natural. A star was born.

“He does things that even some professionals don’t — like positioning on the court,” said Rodrigues, 26. “Sometimes the ball goes from one side (of the court) to the other, and he doesn’t keep his back turned to it. He turns toward the ball to always hit it straight on.”

It’s clear this high-energy pup lives for this game. Even resting under the shade of the beach’s caipirinha bar, he was laser-focused on the action of the adjacent court’s match.

When playing, he barks at Rodrigues to pass him the ball and seems to at least understand the basic rules. At times, rather than passing back to Rodrigues for the third and final touch their opponents expect, he sneaks the ball over the net himself to score a point. Then he jumps into Rodrigues’ arms to celebrate.

One of the awestruck onlookers Sunday was Luiza Chioli, who had traveled to Rio from Sao Paulo. She already knew the famous Floki from TikTok, but hadn’t expected front-row seats to watch him while sipping her gin and tonic.

“Seeing social media, we had thought it was just cuts, that they used the best takes,” said Chioli, 21. “But we saw he played, performed the whole time, did really well. It’s really cool.”

As Floki’s follower count has grown, partnerships and endorsement deals have come rolling in. Rodrigues and Floki live in the inland capital Brasilia, but often travel to Rio — footvolley’s mecca — and other Brazilian states to show off his skills, do marketing appearances and create monetized social media content.

Floki’s Sunday began with almost an hour playing beside former footvolley champion Natalia Guitler, who’s been called Queen of the Beach. Between attempts to film her doing a trick pass to him, he scampered for drinks of water or to dip in the ocean. By the end, both she and Floki were scrambling for shade.

“We’re dead,” she said as she collapsed onto the sand next to a panting Floki. Someone passed her a phone to check out the best clips for her Instagram, where she has almost 3 million followers.

“Me and my bestie @dog_altinha playing footvolley,” she wrote in a later post showing their long rally, and which included her bicycle kicking the ball over the net.

After a rest and another footvolley session, Floki headed to a more remote beach to do a marketing shoot for Farm, a fashion designer that’s become the paragon of Rio’s breezy tropical style, both in Brazil and abroad.

Then Floki was on Instagram hyping a brand of dog popsicles, gnawing a banana-flavored one himself, and giving an altinha demonstration to mall shoppers. His evening stroll along Copacabana’s beachside promenade showed him straining against his leash, still evidently bursting with his boundless energy.

With their weekend marketing blitz in Rio over, Rodrigues and Floki would head back to Brasilia, where their influencer hustle takes a back seat to the hustle of playing competitive matches. They win about one in every three, Rodrigues said, and their opponents are always desperate to avoid being beaten by a dog.

“It generates talk, and people make fun,” said Rodrigues. “No one likes to lose a point to him, so people play their hearts out against us.”
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FORT LAUDERDALE, Florida — Ballet dancer Michaela Mabinty DePrince, who came to the United States from an orphanage in war-ravaged Sierra Leone and performed on some of the world’s biggest stages, has died, her family said in a statement. She was 29.

“Michaela touched so many lives across the world, including ours. She was an unforgettable inspiration to everyone who knew her or heard her story,” her family said in a statement posted Friday on DePrince’s social media accounts. “From her early life in war-torn Africa, to stages and screens across the world, she achieved her dreams and so much more.”

A cause of death was not provided.

DePrince was adopted by an American couple and by age 17 she had been featured in a documentary film and had performed on the TV show “Dancing with the Stars.”

After graduating from high school and the American Ballet Theatre’s Jacqueline Kennedy Onassis School, she became a principal dancer with the Dance Theatre of Harlem. She then went to the Netherlands, where she danced with the Dutch National Ballet. She later returned to the U.S. and joined the Boston Ballet in 2021.

“We’re sending our love and support to the family of Michaela Mabinty DePrince at this time of loss,” the Boston Ballet said in a statement to The Associated Press on Saturday. “We were so fortunate to know her; she was a beautiful person, a wonderful dancer, and she will be greatly missed by us all.”

In her memoir, Taking Flight: From War Orphan to Star Ballerina, she shared her journey from the orphanage to the stage. She also wrote a children’s book, Ballerina Dreams.

DePrince suffered from a skin pigmentation disorder that had her labeled “the devil’s child” at the orphanage.

“I lost both my parents, so I was there [the orphanage] for about a year, and I wasn’t treated very well because I had vitiligo,” DePrince told the AP in a 2012 interview. “We were ranked as numbers, and number 27 was the least favorite and that was my number, so I got the least amount of food, the least amount of clothes and whatnot.”

She added that she remembered seeing a photo of an American ballet dancer on a magazine page that had blown against the gate of the orphanage during Sierra Leone’s civil war.

“All I remember is she looked really, really happy,” DePrince told the AP, adding that she wished “to become this exact person.”

She said she saw hope in that photo, “and I ripped the page out and I stuck it in my underwear because I didn’t have any place to put it,” she said.

Her passion helped inspire young Black dancers to pursue their dreams, her family said.

“We will miss her and her gorgeous smile forever and we know you will, too,” their statement said.

Her sister, Mia Mabinty DePrince, recalled in the statement that they slept on a shared mat in the orphanage and used to make up their own musical theater plays and ballets.

“When we got adopted, our parents quickly poured into our dreams and arose the beautiful, gracefully strong ballerina that so many of you knew her as today. She was an inspiration,” Mia DePrince wrote. “Whether she was leaping across the stage or getting on a plane and flying to third-world countries to provide orphans and children with dance classes, she was determined to conquer all her dreams in the arts and dance.”
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LONDON — Prince Harry was always something different.

From the moment he first appeared in public, snuggled in Princess Diana’s arms outside the London hospital where he was born in 1984, Harry was the ginger-haired scamp who stuck his tongue out at photographers. He grew to be a boisterous adolescent who was roundly criticized for wearing a Nazi uniform to a costume party, and then a young man who gave up the trappings of royal life and moved to Southern California with his American wife.

Through it all, there was a sense that Harry was rebelling against an accident of birth that made him, in the harsh calculus of the House of Windsor, just “the spare.” As the second son of the man who is now King Charles III, he was raised as a prince but wouldn’t inherit the throne unless brother William came to harm.

Now the angry young man is turning 40, the halfway point in many lives, providing a chance to either dwell on the past or look forward to what might still be achieved.

For the past four years, Harry has focused mainly on the past, making millions of dollars by airing his grievances in a wildly successful memoir and a Netflix docu-series. But he faces the likelihood that the royal aura so critical to his image may be fading, said Sally Bedell Smith, author of “Charles: The Passions and Paradoxes of an Improbable Life.”

“He is at a sort of crossroads,’’ Smith told The Associated Press. “And he appears to be struggling with how he wants to proceed.’’

How did we get here?

It wasn’t always this way.

Six years ago, Harry and his wife were among the most popular royals, a glamorous young couple who reflected the multicultural face of modern Britain and were expected to help revitalize the monarchy.

Their wedding on May 19, 2018, united a grandson of Queen Elizabeth II with the former Meghan Markle, a biracial American actress who had starred for seven years in the U.S. television drama “Suits.” George Clooney, Serena Williams and Elton John attended their wedding at Windsor Castle, after which the couple were formally known as the Duke and Duchess of Sussex.

But the optimism quickly faded amid allegations that Britain’s tabloid media and even members of the royal household treated Meghan unfairly because of racism.

By January 2020, the pressures of life in the gilded cage had become too much, and the couple announced they were giving up royal duties and moving to America, where they hoped to become “financially independent.” They signed lucrative deals with Netflix and Spotify as they settled into the wealthy enclave of Montecito, near Santa Barbara, California.

Since then, Harry has missed few opportunities to bare his soul, most famously in his memoir, aptly titled “Spare.”

In the ghostwritten book, Harry recounted his grief at the death of Princess Diana, a fight with Prince William and his unease with life in the royal shadow of his elder brother. From accounts of cocaine use and losing his virginity to raw family rifts, the book was rife with damning allegations about the royal family.

Among the most toxic was Harry’s description of how some family members leaked unflattering information about other royals in exchange for positive coverage of themselves. The prince singled out his father’s second wife, Queen Camilla, accusing her of feeding private conversations to the media as she sought to rehabilitate an image tarnished by her role in the breakup of Charles’ marriage to Diana.

The allegations were so venomous that there is little chance of a return to public duty, Smith said.

“He criticized the royal family in such a powerful and damaging way. You can’t un-say those things,” she said. “And you can’t unsee things like Meghan in that Netflix series doing a mock curtsey. It’s such a demeaning gesture to the queen.’’

Harry, who agreed not to use the honorific HRH, or “his royal highness,” after he stepped away from front-line royal duties, is now fifth in line to the British throne, behind his brother and William’s three children.

While he grew up in a palace and is said to be in line to inherit millions of dollars on his 40th birthday from a trust set up by his great-grandmother, applied developmental psychologist Deborah Heiser thinks that, in many ways, Harry is just like the rest of us.

Like anyone turning 40, he is likely to have learned a few lessons and has a good idea of who his real friends are, and that will help him chart the next phase of his life, said Heiser, who writes a blog called “The Right Side of 40” for Psychology Today.

“He has had a very public display of what a lot of people have gone through,” Heiser said. “I mean, most people are not princes, but … they have all kinds of issues within their families. He’s not alone. That’s why he’s so relatable.’’

Harry’s next chapter

Of course, Harry’s story isn’t just about the drama within the House of Windsor.

If he wants to write a new chapter, Harry can build on his 10 years of service in the British Army. Before retiring as a captain in 2015, the prince earned his wings as a helicopter pilot, served two tours in Afghanistan and shed the hard-partying reputation of his youth.

Harry also won accolades for establishing the Invictus Games in 2014, a Paralympic-style competition to inspire and aid in the rehabilitation of sick and wounded servicemembers and veterans.

Harry and Meghan made headlines this year with their two international trips to promote mental health and internet safety. While some in British media criticized them for accepting royal treatment in Nigeria and Colombia, the couple said they visited at the invitation of local officials.

Will Charles see the grandkids?

The prospects of reconciliation are unclear, although Harry did race home to see his father after Charles’ cancer diagnosis. And in what may be seen as a tentative olive branch, the paperback edition of “Spare” slated for October has no additions — so nothing new to stir the pot.

But plainly at this point, Harry is thinking about his family in California. He told the BBC about the importance of his two young children, Archie and Lilibet.

“Being a dad is one of life’s greatest joys and has only made me more driven and more committed to making this world a better place,” the prince said in a statement released by his spokesperson.
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london — An animal rights group trying to get real fur out of the bearskin caps worn by King’s Guards at Buckingham Palace took aim Thursday at the cost of the ceremonial garb. 

The price of the caps soared 30% in a year to more than 2,000 pounds ($2,600) apiece for the hats made of black bear fur, the Ministry of Defense said in response to a freedom of information request by People for the Ethical Treatment of Animals. 

“Stop wasting taxpayer pounds on caps made from slaughtered wildlife and switch to faux fur today,” the group said in a statement. 

A luxury fake fur maker has offered to supply the army with free faux bear fur for 10 years, PETA said. 

Military willing to consider alternatives

The military said it was open to exploring alternatives if they pass muster in durability, water protection and appearance. But “no alternative has met all those criteria to date,” a ministry spokesperson said in a statement. 

The distinctive tall black hats, worn by guards in bright scarlet tunics, are seen by millions who watch the regular changing of the guard ceremony at the palace. They also appear at other royal events including the annual Trooping the Color ceremony honoring the monarch’s birthday in June.

The cost of the caps rose from 1,560 pounds ($2,035) each in 2022 to 2,040 pounds ($2,660) in 2023, the ministry said. More than 1 million pounds ($1.3 million) was spent on them in the past decade. 

The price went up because of a contract change for fur that comes from bears killed in licensed hunts in Canada, the military said.

PETA, which has been pushing for more than two decades to scrap the fur hats, said each cap requires one bear pelt. The group claimed that the defense department is propping up the “cruel” Canadian bear-hunting industry. 

The ministry denied that charge and said if it stopped buying the pelts, it would not reduce the numbers of bears being killed. 

Petition calls for fake fur

Parliament debated the issue in July 2022 after an online petition with more than 100,000 signatures called for using fake fur in the caps. 

“This hunting involves the violent killing of bears, with many bears being shot several times,” Martyn Day, then a Scottish National Party member of Parliament, said at the time. “It seems undeniable, therefore, that by continuing to purchase hats made from the fur of black bears the MOD is funding the suffering of bears in Canada by making the baiting and killing of those animals and the sale of their pelts a profitable pursuit for the hunters.” 

Day said a poll at the time found 75% of the U.K. population found real bearskins were a bad use of taxpayer money and supported replacing the hats. 

He noted that the late Queen Elizabeth II had ceased buying fur for her wardrobe. 

Earlier this year, Queen Camilla, wife of King Charles III, pledged to buy no more fur products. 
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RIO DE JANEIRO — Brazil formally received on Thursday the return from Denmark of an Indigenous cloak made with 4,000 red feathers of the scarlet ibis bird, a sacred mantle that was taken by Europeans during the 17th century colonial era.

President Luiz Inacio Lula da Silva attended the ceremony outside Brazil’s National Museum in Rio de Janeiro, marking the importance that Brazil gives to the item’s repatriation.

The cloak, a feathered ceremonial cape used in religious rituals of the Tupinamba people of Bahia in northeastern Brazil, was removed during the Dutch occupation of the area.

Its first mention comes in a Danish inventory in 1689, although it is thought to have been taken from Brazil some 50 years before.

By the 21st century it was held in the ethnographic collection of Denmark’s National Museum, the Nationalmuseet. In 2000, the museum lent the cloak out for an exhibition in Sao Paulo.

A Tupinamba leader saw it there and demanded its return. Last year, after lengthy diplomatic negotiations, the Danish museum announced it would donate the cloak to Brazil’s National Museum, and it was repatriated in July.

Some 170 Tupinamba traveled from southern Bahia to Rio to celebrate its return.

“It is crucial they return what isn’t theirs and rightfully belongs to us. Our heritage strengthens our identity,” said cacique, or chief, Jamopoty Tupinamba to Agencia Brasil on Wednesday.

From the first Portuguese voyages to Brazil in the early 16th century, Indigenous cultural items were taken to Europe as evidence of the “discovery” of new territories and then entered museums or private collections.

A fresco painted in 1674 on the ceiling of the Apollo Salon at the Palace of Versailles, the king’s throne room, depicts newly found America as a woman wearing a Tupinamba cloak as if it were a headdress.

According to cultural heritage activist Gliceria Tupinamba, there are another 10 such cloaks in Europe, held in museums and libraries in Italy, France, Belgium, Switzerland and Denmark, where the National Museum still has one large and three partial ones.

“It took more than 20 years to get the cloak back. Its return is a symbol of the protection of our cultural and land rights that are under threat today in Brazil,” she said.
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“Law & Order: Special Victims Unit” has just been renewed for its 25th season. It is the longest-running prime-time drama on U.S. television. The show’s lead character, Captain Olivia Benson, played by Mariska Hargitay, has become such a fixture in American life she was recently honored by the Smithsonian’s National Museum of American History. VOA’s Maxim Adams reports. Videographer: Aleksandr Bergan
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Singapore — Pope Francis wrapped up an arduous 12-day tour of the Asia-Pacific on Friday, defying health concerns to connect with believers from the jungle of Papua New Guinea to the skyscrapers of Singapore.

The 87-year-old pontiff flies home to Rome from Singapore, completing his longest trip in duration and distance since he became head of the world’s estimated 1.4 billion Roman Catholics more than 13 years ago.

The Argentine pope has relied on a wheelchair since 2022 because of knee pain and sciatica. He had a hernia operation in June 2023, and earlier this year he battled flu and bronchitis.

Occasionally, during his four-nation trip, the pope struggled to keep his eyes open when listening to late-night liturgical readings or to remain engaged during formal military parades.

But he was clearly energized by more freewheeling exchanges — cheerfully goading young people to shout out their agreement with his calls to help those in need.

In a lively final inter-religious meeting with young Singaporeans, the pope urged them to respect other beliefs, avoid being slaves to technology and to get out of their comfort zones.

“Don’t let your stomach get fat, but let your head get fat,” the pope said, raising a laugh from his audience.

“I say take risks, go out there,” he said. “A young person that is afraid and does not take risks is an old person.”

The historic tour, initially planned for 2020 but postponed by the COVID-19 pandemic, has included 43 hours of flight time and a distance of 32,000 kilometers.

But neither the pace — 16 speeches and up to eight hours of time difference — nor the heat, nor multiple meetings have forced any rescheduling of his international odyssey.

On a trip that took him to the outer edges of the church’s world, the pope delivered a sometimes uncomfortable message for leaders not to forget the poor and marginalized.

In Indonesia, the world’s most populous Muslim-majority state, he visited the Istiqlal Mosque to deliver a joint message against conflict and climate change.

In sweltering Papua New Guinea, he donned a bird of paradise headdress in a remote, jungle village where he told inhabitants to halt violence and renounce “superstition and magic.”

Addressing political and business leaders, he insisted that the country’s vast natural resources should benefit the entire community — a demand likely to resound in a nation where many believe their riches are being stolen or squandered.

And in staunchly Roman Catholic East Timor, he addressed nearly half the population, drawing about 600,000 rapturous believers in the tropical heat to a celebration of mass on the island’s coast.

Francis addressed East Timor’s leaders, hailing a new era of “peace” since independence in 2002.

But he also called on them to do more to prevent abuse against young people, in a nod to recent Catholic Church child abuse scandals.

In the affluent city-state of Singapore, the pope called for “special attention” to be paid to protecting the dignity of migrant workers.

“These workers contribute a great deal to society and should be guaranteed a fair wage,” he said.

There are an estimated 170 million migrant workers around the world. Most live in the Americas, Europe or Central Asia.

But the Argentine pope was otherwise full of praise for the “entrepreneurial spirit” and dynamism that built a “mass of ultra-modern skyscrapers that seem to rise from the sea” in his final destination.

Sandra Ross, 55, a church administrator in Singapore, said she was still “feeling the warmth and joy” after attending mass led by the pope.

“I was deeply touched by Pope Francis’ courage and dedication to his mission, despite his health challenges. His spirit and enthusiasm are truly inspiring,” she said.
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One Washington teacher’s attempt to help one student has turned into something much larger. VOA’s Philip Alexiou has this story of a chess academy for kids. (Camera and produced by: Philip Alexiou)
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NEW YORK — He had some help: Morgan Wallen tops the 2024 Country Music Association Awards nominations with seven.

For a third year in a row, Wallen is up for both the top prize — entertainer of the year — and the male vocalist categories.

Rounding out the entertainer of the year categories are Luke Combs, Jelly Roll, Chris Stapleton and Lainey Wilson.

Post Malone’s massive radio hit, “I Had Some Help,” which features Wallen, is the main reason why the country singer leads the pack this year. It is up for single, song, musical event and music video of the year. His last nomination is a second one in the musical event category, for his collaboration with Eric Church, “Man Made a Bar.”

Single of the year is awarded to the artist, producer and mix engineers; song of the year is given to the songwriters.

Ahead of the nominations announcement, some fans speculated that Beyoncé, whose landmark country-and-then-some reclamation Cowboy Carter was released during the eligibility window, could receive a nomination at the 2024 CMAs. She did not.

Earlier this year, the album hit No. 1 on the Billboard country albums chart, making her the first Black woman to top the chart since its 1964 inception.

The album was five years in the making, a direct result of what Beyoncé has called “an experience that I had years ago where I did not feel welcomed … and it was very clear that I wasn’t,” most likely a reference to a 2016 CMAs performance that resulted in racist backlash.

The CMA Awards are nominated and voted on by members of the Country Music Association, which includes music executives, artists, publicists, songwriters and other industry professionals.

Wallen is followed by both Cody Johnson, who is also nominated in the male vocalist category for the third year in a row, and 7-time male vocalist of the year winner, Stapleton.

Stapleton and Johnson have five nominations each.

But Stapleton could take home seven trophies, should he sweep his categories.

Stapleton is both an artist and producer on “White Horse,” up for single of the year, and Higher, up for album of the year.

At the CMAs, production credits are not counted as separate nominations, although they are factored into trophy counts.

First-time nominee Post Malone and Wilson, last year’s entertainer of the year winner, are tied with four nominations. All of Malone’s nominations are for “I Had Some Help.”

Louis Bell, Charlie Handsome and Hoskins are tied with three nominations for their work as producers and co-writers on “I Had Some Help.”

Jelly Roll, Combs, Kacey Musgraves and Megan Moroney also boast three nods each. The latter three could take home four trophies: Combs is both artist and producer on Fathers & Sons, up for album of the year. The same is true for Musgraves’ album Deeper Well.

And Moroney is both artist and director of her nominated music video, “I’m Not Pretty.”

The CMA Awards will air on November 20 on ABC at 8 p.m. Eastern. It can be streamed the next day on Hulu.
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NEW YORK — James Earl Jones, who overcame racial prejudice and a severe stutter to become a celebrated icon of stage and screen — eventually lending his deep, commanding voice to CNN, The Lion King and Darth Vader — has died. He was 93.

His agent, Barry McPherson, confirmed Jones died Monday morning at home in New York’s Hudson Valley region. The cause was not immediately clear.

The pioneering Jones, who was one of the first African American actors in a continuing role on a daytime drama and worked deep into his 80s, won two Emmys, a Golden Globe, two Tony Awards, a Grammy, the National Medal of Arts, the Kennedy Center Honors and was given an honorary Oscar and a special Tony for lifetime achievement. In 2022, a Broadway theater was renamed in his honor.

He cut an elegant figure late in life, with a wry sense of humor and a ferocious work habit. In 2015, he arrived at rehearsals for a Broadway run of The Gin Game having already memorized the play and with notebooks filled with comments from the creative team. He said he was always in service of the work.

“The need to storytell has always been with us,” he told The Associated Press then. “I think it first happened around campfires when the man came home and told his family he got the bear, the bear didn’t get him.”

Jones created such memorable film roles as the reclusive writer coaxed back into the spotlight in Field of Dreams, the boxer Jack Johnson in the stage and screen hit The Great White Hope, the writer Alex Haley in Roots: The Next Generation and a South African minister in Cry, the Beloved Country.

He was also a sought-after voice actor, expressing the villainy of Darth Vader (“No, I am your father,” commonly misremembered as “Luke, I am your father”), as well as the benign dignity of King Mufasa in Disney’s animated The Lion King and announcing “This is CNN” during station breaks. He won a 1977 Grammy for his performance on the Great American Documents audiobook.

“If you were an actor or aspired to be an actor, if you pounded the payment in these streets … one of the standards we always had was to be a James Earl Jones,” Samuel L. Jackson once said.

Some of his other films include Dr. Strangelove, The Greatest (with Muhammad Ali), Conan the Barbarian, Three Fugitives and playing an admiral in three Tom Clancy blockbuster adaptations — The Hunt for Red October, Patriot Games and Clear and Present Danger. In a rare romantic comedy, Claudine, Jones had an onscreen love affair with Diahann Carroll.

Jones made his Broadway debut in 1958’s Sunrise At Campobello and would win his two Tony Awards for The Great White Hope (1969) and Fences (1987). He also was nominated for On Golden Pond (2005) and Gore Vidal’s The Best Man (2012). He was celebrated for his command of Shakespeare and Athol Fugard alike. More recent Broadway appearances include Cat on a Hot Tin Roof, Driving Miss Daisy, The Iceman Cometh, and You Can’t Take It With You.

As a rising stage and television actor, he appeared in As the World Turns in 1965, one of the first Black actors to have such a role on daytime TV. He performed with the New York Shakespeare Festival Theater in Othello, Macbeth and King Lear and in off-Broadway plays.

Early years

Jones was born by the light of an oil lamp in a shack in Arkabutla, Mississippi, on Jan. 17, 1931. His father, Robert Earl Jones, had deserted his wife before the baby’s arrival to pursue life as a boxer and, later, an actor.

When Jones was 6, his mother took him to her parents’ farm near Manistee, Michigan. His grandparents adopted the boy and raised him.

“A world ended for me, the safe world of childhood,” Jones wrote in his autobiography, Voices and Silences. “The move from Mississippi to Michigan was supposed to be a glorious event. For me it was a heartbreak, and not long after, I began to stutter.”

Too embarrassed to speak, he remained virtually mute for years, communicating with teachers and fellow students with handwritten notes. A sympathetic high school teacher, Donald Crouch, learned that the boy wrote poetry, and demanded that Jones read one of his poems aloud in class. He did so faultlessly.

Teacher and student worked together to restore the boy’s normal speech. “I could not get enough of speaking, debating, orating — acting,” he recalled in his book.

At the University of Michigan, he failed a pre-med exam and switched to drama, also playing four seasons of basketball. He served in the Army from 1953 to 1955.

In New York, he moved in with his father and enrolled with the American Theater Wing program for young actors. Father and son waxed floors to support themselves while looking for acting jobs.

True stardom came suddenly in 1970 with The Great White Hope. Howard Sackler’s Pulitzer Prize-winning Broadway play depicted the struggles of Jack Johnson, the first Black heavyweight boxing champion, amid the racism of early 20th-century America. In 1972, Jones repeated his role in the movie version and was nominated for an Academy Award as best actor.

Jones’ two wives were also actors. He married Julienne Marie Hendricks in 1967. After their divorce, he married Cecilia Hart, best known for her role as Stacey Erickson in the CBS police drama Paris, in 1982. She died in 2016. They had a son, Flynn Earl, born in 1983.

No artist ‘has served America more’

In 2022, the Cort Theater on Broadway was renamed after Jones, with a ceremony that included Norm Lewis singing “Go the Distance,” Brian Stokes Mitchell singing “Make Them Hear You” and words from Mayor Eric Adams, Samuel L. Jackson and LaTanya Richardson Jackson.

“You can’t think of an artist that has served America more,” director Kenny Leon told the AP. “It’s like it seems like a small act, but it’s a huge action. It’s something we can look up and see that’s tangible.”

Citing his stutter as one of the reasons he wasn’t a political activist, Jones nonetheless hoped his art could change minds.

“I realized early on, from people like Athol Fugard, that you cannot change anybody’s mind, no matter what you do,” he told the AP. “As a preacher, as a scholar, you cannot change their mind. But you can change the way they feel.”
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Havana, Cuba — Socialist Cuba, the birthplace of salsa and other rhythms that have conquered the world, is now surrendering to the invasion of South Korean pop music.

Thirteen thousand kilometers of distance separate the Asian nation and the communist-run island, as well as a different language and cultural traditions. However, all of these barriers would seem to vanish in a split second thanks to K-pop’s infectious beat and elaborate choreography.

Korean popular music, or K-pop, has spread far and wide from its Asian roots as boy bands like BTS and NCT and their female counterpart Blackpink rival Taylor Swift for downloads and album sales globally.

But it was slow to catch on in Cuba, where salsa is king and internet speeds were glacial until recently.

On Saturday, far from Seoul, dozens of teenagers clad in plaid, prep school skirts, baggy bomber pants and heavy black eyeliner busted their best moves as images of the genre’s idols were projected on a large screen of a Havana dance club.

“K-pop has opened a new world to me,” said 24-year-old Fransico Piedra, who when not working with his father as a blacksmith dreams up meticulous dance steps. Known by his artistic name Ken he one day aspires to be a professional K-pop choreographer. “It’s a place where I can be myself, and share with friends the joy of laughter, song and dance.”

Many of the teenagers hope to follow in the footsteps of two Cuban groups — Limitless and LTX — that before the pandemic traveled to South Korea to partake in the K-POP World Festival, an annual talent competition.

K-pop — a catch all for musical styles ranging from R&B to rock — first penetrated the island when Cubans fell in love with South Korean soap operas about a decade ago. As internet speeds improved, and government controls eased, more young Cubans got online and started streaming videos like teenagers everywhere.

While Cuban kids may be mesmerized by K-pop, an older generation of leaders have had frostier ties to South Korea. The two countries only restored diplomatic relations that were severed following the 1959 Cuban revolution this year and have yet to exchange ambassadors.

Meanwhile, Cuba remains a staunch ally of North Korea, which views K-pop as a dangerous form of propaganda from a capitalist enemy with whom is has been locked in a military standoff since the 1950s.
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MIP Africa — an event that matches African film and TV creatives to the people and countries that produce their work, wrapped up last week [Sept. 4] with several signed deals. Industry members and legislators from film meccas worldwide attended the event, part of the larger Fame Week Africa conference for creative professionals. Reporter Vicky Stark has the story from Cape Town, South Africa.
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