Category: Entertainment

Lausanne, Switzerland — The head of the International Olympic Committee, Thomas Bach, has backed the World Anti-Doping Agency in a row over its handling of positive drug tests by 23 Chinese swimmers.

“We have full confidence in WADA and the regulations and that WADA have followed their regulations,” Bach told AFP in an exclusive interview Friday at the committee’s headquarters in Lausanne, Switzerland.

WADA has faced criticism since media reports last weekend revealed that the Chinese swimmers tested positive for heart drug trimetazidine (TMZ) — which can enhance performance — ahead of the Tokyo Olympics in 2021.

The swimmers were not suspended or sanctioned after WADA accepted the explanation of Chinese authorities that the results were caused by food contamination at a hotel where they had stayed.

The head of the United States Anti-Doping Agency (USADA), Travis Tygart, has called the situation a “potential cover-up” with the positive tests never made public at the time.

Bach stressed that WADA was run independently, despite being funded by the International Olympic Committee (IOC), and he said he had learned of the positive tests via the media.

The IOC was awaiting the results of a new investigation ordered by WADA on Thursday, but Bach said the Chinese swimmers could compete at the Paris Olympics this year if cleared.

“If the procedures are followed, there is no reason for them not to be there,” the 70-year-old former German fencer added.

‘Iconic’ Paris

The Paris Games are set to be important to “revive the Olympic spirit” after the last COVID-affected edition in Tokyo in 2021 saw sport play out in empty stadiums, Bach said.

The hugely ambitious opening ceremony being planned by French organizers remains one of the biggest doubts, with infrastructure for the Games either already built or on track.

Instead of a traditional parade through the athletics stadium on the first night, teams are set to sail down the Seine on a flotilla of river boats in front of up to 500,000 spectators.

Worries about a terror attack have led to persistent speculation that the ceremony might need to be scrapped or scaled back dramatically.

“The very meticulous, very professional approach (from French authorities) gives us all the confidence that we can have this opening ceremony on the river Seine and that this opening ceremony will be iconic, will be unforgettable for the athletes, and everybody will be safe and secure,” Bach said.

Recent grumbling from Paris residents and negative media reports were typical of the run-up to any Olympics, he said, and also a symptom of broader anxiety.

“It’s part of our zeitgeist because we are living in uncertain times. And there are people who are skeptical. Some are even scared. Some are worried about their future,” the IOC president said.

Diplomatic tightrope

As with previous Olympics, international politics and diplomacy are set to intrude on the world’s biggest sporting event.

Bach reiterated his support for the IOC’s policy of excluding Russia from the Paris Games over the “blatant violation” of the Olympic charter when it annexed Ukrainian sporting organizations.

A small number of Russian athletes will be able to compete as neutrals in Paris, providing they have not declared public support for the invasion of Ukraine or are associated with the security forces.

Any Russian athlete that expressed political views on the field of play, including the “Z” sign that has come to symbolize Russian President Vladimir Putin’s war, could be excluded.

“Immediately a disciplinary procedure would be opened and the necessary measures and or sanctions be taken,” Bach said, adding: “This can go up to immediate exclusion from the Games.”

Addressing Israel’s military campaign in Gaza, he said between six and eight Palestinian athletes were expected to compete in Paris, with some set to be invited by the IOC even if they fail to qualify.

Bach dismissed any suggestion that the IOC had treated Russia differently over its invasion of Ukraine compared with Israel and its war in Gaza.

“The situation between Israel and Palestine is completely different,” he said.

He said he had been even-handed in his public statements on Ukraine, the Hamas attack on Israel on October 7 and the subsequent Israeli invasion of Gaza.

“From day one, we expressed how horrified we were, first on the seventh of October and then about the war and its horrifying consequences,” Bach said.

Palestinian militants from Hamas attacked Israel on October 7, resulting in the deaths of about 1,170 people, according to an AFP tally of Israeli official figures.

Israel’s retaliatory military campaign to destroy Hamas has killed 34,356 people, mostly women and children, according to the health ministry in Hamas-run Gaza.

Bach is in the last year of what should be a second and final four-year term according to IOC rules.

But some IOC members have suggested changing the organization’s statutes to enable him to stay at the helm — an issue he declined to address.

“The IOC Ethics Commission has given me the strict recommendation not to address this question before the end of (the) Paris (Olympics) and I think they have good reasons for this,” he said.
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Washington — Iran’s handing of a death sentence this week to dissident rapper Toomaj Salehi has drawn outrage from the Islamic republic’s domestic and international critics, including a German lawmaker who says Tehran risks fueling the backlash if it moves toward executing the artist.

In an interview for the Friday edition of VOA’s Flashpoint Global Crises program, German parliament member Ye-One Rhie said the Iranian government is using the death sentence to monitor who is still reacting to developments in Salehi’s case and how they are reacting. Rhie has been acting as a “political sponsor” or advocate for the 33-year-old Iranian singer since shortly after his initial arrest in October 2022.

“The Islamic Republic of Iran is testing the waters,” Rhie said, noting that Tehran did the same when it staged an unprecedented aerial assault on Israel earlier this month. Israeli forces largely thwarted the attack with military assistance from a coalition of Western allies and Arab neighbors.

Iranian state-approved newspaper Shargh first reported the death sentence against Salehi in an article published Wednesday, citing one of his lawyers who vowed to appeal it.

Salehi was charged upon arrest with “spreading corruption on earth,” an offense punishable by death. Days earlier, he had posted videos on Instagram, showing himself joining a nationwide protest movement against Iran’s Islamist government and releasing a music video denouncing the government for 44 years of “failure.”

The rapper was sentenced last July to six years in prison, but Iran’s Supreme Court reviewed the ruling and declared it flawed, enabling his release in November. He was re-arrested two weeks later, after posting another video online complaining of being tortured in custody.

Wednesday’s report of Salehi’s death sentence drew swift condemnations from other dissidents and artists in Iran and from Iranian teachers’ trade unions.

VOA’s Persian Service also received and vetted several videos that appeared to show protest actions inside Iran. VOA could not verify the videos independently because it is barred from reporting inside Iran.

One video shows a banner with Salehi’s image on a bridge over Tehran’s Modarres Expressway, as a woman filming the scene says the date is April 25.

Another clip shows a Persian slogan citing Salehi scrawled onto a building’s exterior wall in an unidentified location. The graffiti says: “We will return to the streets with strength.”

Criticism of Salehi’s death sentence also came quickly from the United States and U.N. human rights bodies. In a Wednesday post on the X platform, U.S. Deputy Special Envoy for Iran Abram Paley said the U.S. “strongly” condemns the move. U.N. rights experts issued a statement Thursday demanding that Iran release Salehi immediately and reverse the sentence.

As those calls were made, some Iranian state media appeared to downplay the possibility of Salehi being executed. In articles published Thursday, they cited Iran’s Judiciary Media Center as saying that even if the Supreme Court confirms Salehi’s death sentence upon appeal, a Pardon and Forgiveness Commission would review the case for possible commutation.

Rhie said her efforts to raise international awareness of Salehi’s plight for the past year-and-a-half have kept his case on the radar and agenda of Western media and governments.

“It is important for the Iranian regime to know that Salehi has a status that they cannot touch. I would warn them against doing anything to him, because they don’t want to know what the backlash would be,” Rhie said.

While Iran has signaled that Salehi’s death sentence could be reversed, the German lawmaker said she will keep up her fight. “I don’t think that there is anything that will stop us from our activism,” she said.

VOA’s Persian Service contributed to this report.
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Victorian dress was forcibly imposed on Namibia’s indigenous ǂNūkhoe women by German colonizers in the late 1800s. Despite the origins, these styles persist today as a symbol of resilience. Lee Garises reports from Windhoek, Namibia. Camera: Jesaya Abraham
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When a person dies, it often falls to their children, loved ones, lawyers or even friends to sort through the things they’ve left behind. Sometimes, those things are unfinished projects or hobbies, that’s where the group Loose Ends comes in. Nina Vishneva has the story, narrated by Anna Rice.
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Africa’s entertainment industry is another stage where global competition between China and the U.S. is playing out. African artists see it as an opportunity. Kate Bartlett has the details from Johannesburg. Camera and video editing by Zaheer Cassim.
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new york — Mary J. Blige,Cher, Foreigner, A Tribe Called Quest, Kool & The Gang and Ozzy Osbourne have been inducted into the Rock & Roll Hall of Fame, a class that also includes folk-rockers Dave Matthews Band and singer-guitarist Peter Frampton.

Alexis Korner, John Mayall and Big Mama Thornton earned the Musical Influence Award, while the late Jimmy Buffett, MC5, Dionne Warwick and Norman Whitfield will get the Musical Excellence Award. Pioneering music executive Suzanne de Passe won the Ahmet Ertegun Award.

“Rock ‘n’ roll is an ever-evolving amalgam of sounds that impacts culture and moves generations,” John Sykes, chairman of the Rock & Roll Hall of Fame Foundation, said in a statement. “This diverse group of inductees each broke down musical barriers and influenced countless artists that followed in their footsteps.”

The induction ceremony will be held October 19 at the Rocket Mortgage Fieldhouse in the city of Cleveland in the U.S. state of Ohio. It will stream live on Disney+ with an airing on ABC at a later date and available on Hulu the next day.

The music acts nominated this year but didn’t make the cut included Mariah Carey, Lenny Kravitz, the late Sinead O’Connor, soul-pop singer Sade, Britpoppers Oasis, hip-hop duo Eric B. & Rakim, and alt-rockers Jane’s Addiction.

There had been a starry push to get Foreigner — with the hits “Urgent” and Hot Blooded” — into the hall, with Mark Ronson, Jack Black, Slash, Dave Grohl and Paul McCartney all publicly backing the move. Ronson’s stepfather is Mick Jones, Foreigner’s founding member, songwriter and lead guitarist.

Osbourne, who led many parents in the 1980s to clutch their pearls with his devil imagery and sludgy music, goes in as a solo artist, having already been inducted into the hall with metal masters Black Sabbath.

Four of the eight nominees — Cher, Foreigner, Frampton and Kool & the Gang — were on the ballot for the first time.

Cher — the only artist to have a Number 1 song in each of the past six decades — and Blige, with eight multi-platinum albums and nine Grammy Awards, will help boost the number of women in the hall, which critics say is too low.

Artists must have released their first commercial recording at least 25 years before they’re eligible for induction.

Nominees were voted on by more than 1,000 artists, historians and music industry professionals. Fans voted online or in person at the museum, with the top five artists picked by the public making up a “fans’ ballot” that was tallied with the other professional ballots.

Last year, Missy Elliott, Willie Nelson, Sheryl Crow, Chaka Khan, “Soul Train” creator Don Cornelius, Kate Bush, and the late George Michael were some of the artists who got into the hall.
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A Ukrainian version of the Minecraft game features Canadian actress Katheryn Winnick, U.S. astronaut Scott Kelly, and other celebrities from around the globe. The new game, called Minesalt, is based on Ukraine’s famous Soledar salt mines. Anna Kosstutschenko reports. Camera: Pavel Suhodolskiy.
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New York — “Civil War,” Alex Garland’s ominous American dystopia, remained the top film in theaters in its second week of release, according to studio estimates Sunday.

The A24 election-year gamble, the indie studio’s biggest budgeted film yet, took in $11.1 million in ticket sales at 3,929 theaters over the weekend. The $50 million film, set in a near-future U.S. in which Texas and California have joined in rebellion against a fascist president, has grossed $44.9 million in two weeks.

Its provocative premise — and A24’s marketing, which included images of U.S. cities ravaged by war — helped keep “Civil War” top of mind for moviegoers.

But it was a painfully slow weekend in theaters — the kind sure to add to concern over what’s thus far been a down year for Hollywood at the box office.

Going into the weekend, Universal Pictures’ “Abigail,” a critically acclaimed R-rated horror film about the daughter of Dracula, had been expected to lead ticket sales. It came in second with $10.2 million in 3,384 theaters.

That was still a fair result for a film that cost a modest $28 million to make. “Abigail,” which remakes the 1936 monster film “Dracula’s Daughter,” is about a 12-year-old girl taken by kidnappers who soon realize they’ve made a poor choice of hostage. It’s directed by the duo Matt Bettinelli-Olpin and Tyler Gillett whose production company goes by the name Radio Silence.

More concerning was the overall tepid response for a handful of new wide releases — and the likelihood that there will be more similar weekends throughout 2024. Last year’s actors and writers’ strikes, which had a prolonged effect on the movie pipeline, exacerbated holes in Hollywood’s release schedule.

Horror films, in recent years among the most reliable cash cows in theaters, also haven’t thus far been doing the automatic business they previously did. According to David A. Gross, who runs the consulting firm Franchise Entertainment Research, horror releases accounted for $2 billion in worldwide sales in 2023.

Guy Ritchie’s “The Ministry of Ungentlemanly Warfare” debuted with $9 million in 2,845 theaters. In the based-on-a-true-story Lionsgate release, which reportedly cost $60 million to produce, Henry Cavill leads a World War II mission off the coast of West Africa.

Though Ritchie has been behind numerous box-office hits, including the live-action “Aladdin” and a pair of Sherlock Holmes films, his recent movies have struggled to find big audiences. The Lionsgate spy comedy “Operation Fortune: Ruse de Guerre” grossed $48 million against a $50 million budget, while MGM’s “The Covenant,” also released last year, made $21 million while costing $55 million to make.

A bright sign for “The Ministry of Ungentlemanly Warfare” — audiences liked it. The film earned an A-minus CinemaScore.

The anime “Spy x Family Code: White,” from Sony’s Crunchyroll, also struggled to stand out with audiences. Though the adaptation of the Tatsuya Endo manga TV series “Spy x Family” has already been a hit with international moviegoers, it debuted below expectations with $4.9 million in 2,009 U.S. theaters.

The mightiest film globally, though, continues to be “Godzilla x Kong: The New Empire.” The Warner Bros. monster movie has for the past month led worldwide ticket sales. It added another $9.5 million domestically and $21.6 million internationally to bring its four-week global total to $485.2 million.

Estimated ticket sales for Friday through Sunday at U.S. and Canadian theaters, according to Comscore. Final domestic figures will be released Monday.

1. “Civil War,” $11.1 million.

2. “Abigail,” $10.2 million.

3. “Godzilla x Kong: The New Empire,” $9.5 million.

4. “The Ministry of Ungentlemanly Warfare,” $9 million.

5. “Spy x Family Code: White,” $4.9 million.

6. “Kung Fu Panda 4,” $4.6 million.

7. “Ghostbusters: Frozen Empire,” $4.4 million.

8. “Dune: Part Two,” $2.9 million.

9. “Monkey Man,” $2.2 million.

10. “The First Omen,” $1.7 million.
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TYBEE ISLAND, Georgia — Thousands of Black college students expected this weekend for an annual spring bash at the largest public beach in the U.S. state of Georgia will be greeted by dozens of extra police officers and barricades closing off neighborhood streets. While the beach will remain open, officials are blocking access to nearby parking.

Tybee Island east of Savannah has grappled with the April beach party known as Orange Crush since students at Savannah State University, a historically Black school, started it more than 30 years ago. Residents regularly groused about loud music, trash littering the sand and revelers urinating in yards.

Those complaints boiled over into fear and outrage a year ago when weekend crowds of up to 48,000 people daily overwhelmed the 4.8-kilometer island. That left a small police force scrambling to handle a flood of emergency calls reporting gunfire, drug overdoses, traffic jams and fistfights.

Mayor Brian West, elected last fall by Tybee Island’s 3,100 residents, said roadblocks and added police aren’t just for limiting crowds. He hopes the crackdown will drive Orange Crush away for good.

“This has to stop. We can’t have this crowd anymore,” West said. “My goal is to end it.”

Critics say local officials are overreacting and appear to be singling out Black visitors to a Southern beach that only white people could use until 1963. They note Tybee Island attracts vast crowds for the Fourth of July and other summer weekends when visitors are largely white, as are 92% of the island’s residents.

“Our weekends are packed with people all season, but when Orange Crush comes, they shut down the parking, bring extra police and act like they have to take charge,” said Julia Pearce, one of the island’s few Black residents and leader of a group called the Tybee MLK Human Rights Organization. She added: “They believe Black folks to be criminals.”

During the week, workers placed metal barricades to block off parking meters and residential streets along the main road parallel to the beach. Two large parking lots near a popular pier are being closed. And Tybee Island’s roughly two dozen police officers will be augmented by about 100 sheriff’s deputies, Georgia state troopers and other officers.

Security plans were influenced by tactics used last month to reduce crowds and violence at spring break in Miami Beach, which was observed by Tybee Island’s police chief.

Officials insist they’re acting to avoid a repeat of last year’s Orange Crush party, which they say became a public safety crisis with crowds at least double their typical size.

“To me, it has nothing to do with race,” said West, who believes city officials previously haven’t taken a stronger stand against Orange Crush because they feared being called racist. “We can’t let that be a reason to let our citizens be unsafe and so we’re not.”

Tybee Island police reported 26 total arrests during Orange Crush last year. Charges included one armed robbery with a firearm, four counts of fighting in public and five DUIs. Two officers reported being pelted with bottles, and two women told police they were beaten and robbed of a purse.

On a gridlocked highway about a mile off the island, someone fired a gun into a car and injured one person. Officials blamed the shooting on road rage.

Orange Crush’s supporters and detractors alike say it’s not college students causing the worst problems.

Joshua Miller, a 22-year-old Savannah State University senior who plans to attend this weekend, said he wouldn’t be surprised if the crackdown was at least partly motivated by race.

“I don’t know what they have in store,” Miller said. “I’m not going down there with any ill intent. I’m just going out there to have fun.”

Savannah Mayor Van Johnson was one of the Black students from Savannah State who helped launch Orange Crush in 1988. The university dropped involvement in the 1990s, and Johnson said that over time the celebration “got off the rails.” But he also told reporters he’s concerned about “over-representation of police” at the beach party.

At Nickie’s 1971 Bar & Grill near the beach, general manager Sean Ensign said many neighboring shops and eateries will close for Orange Crush though his will stay open, selling to-go food orders like last year. But with nearby parking spaces closed, Ensign said his profits might take a hit, “possibly a few thousand dollars.”

It’s not the first time Tybee Island has targeted the Black beach party. In 2017, the city council banned alcohol and amplified music on the beach only during Orange Crush weekend. A discrimination complaint to the U.S. Justice Department resulted in city officials signing a non-binding agreement to impose uniform rules for large events.

West says Orange Crush is different because it’s promoted on social media by people who haven’t obtained permits. A new state law lets local governments recoup public safety expenses from organizers of unpermitted events.

In February, Britain Wigfall was denied an permit for space on the island for food trucks during Orange Crush. The mayor said Wigfall has continued to promote events on the island.

Wigfall, 30, said he’s promoting a concert this weekend in Savannah, but nothing on Tybee Island involving Orange Crush.

“I don’t control it,” Wigfall said. “Nobody controls the date that people go down there.”
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JERUSALEM — Every year, Alon Gat’s mother led the family’s Passover celebration of the liberation of the ancient Israelites from Egypt thousands of years ago. But this year, Gat is struggling with how to reconcile a holiday commemorating freedom after his mother was slain and other family members abducted when Hamas attacked Israel.

Gat’s sister, Carmel, and wife, Yarden Roman-Gat, were taken hostage in the October 7 attack. His wife was freed in November, but his sister remains captive.

“We can’t celebrate our freedom because we don’t have this freedom. Our brothers and sisters and mothers and fathers are still in captivity and we need to release them,” Gat said.

On Monday, Jews around the world will begin celebrating the weeklong Passover holiday, recounting the biblical story of their exodus from Egypt after hundreds of years of slavery. But for many Israelis, it’s hard to fathom a celebration of freedom when friends and family are not free.

The Hamas attack killed some 1,200 people, while about 250 others were taken hostage. About half were released in a weeklong cease-fire in November, while the rest remain in Gaza, more than 30 of them believed to be dead.

For many Jews, Passover is a time to reunite with family and recount the exodus from Egypt at a meal known as the Seder. Observant Jews avoid grains, known as chametz, a reminder of the unleavened bread the Israelites ate when they fled Egypt quickly with no time for dough to rise.

But this year many families are torn about how — or even if — to celebrate.

When Hamas attacked Kibbutz Be’eri, Gat, his wife, 3-year-old daughter, parents and sister hid for hours in their rocket-proof safe room. But fighters entered the house and killed or abducted everyone inside, except for his father who hid in the bathroom. His mother was dragged into the street and shot.

Gat, his arms and legs bound, was shoved into a car with his wife and daughter. During a brief stop, they managed to flee. Knowing he could run faster, Roman-Gat handed him their daughter. Gat escaped with her, hiding in a ditch for nearly nine hours. His wife was recaptured and held in Gaza for 54 days.

Passover this year will be more profound as freedom has taken on a new meaning, Roman-Gat told The Associated Press.

“To feel wind upon your face with your eyes closed. To shower. To go to the toilet without permission, and with the total privacy and privilege to take as long as I please with no one urging me, waiting for me at the other side to make sure I’m still theirs,” she said in a text message.

Still, Passover will be overshadowed by deep sorrow and worry for her sister-in-law and the other hostages, she said. The family will mark the holiday with a low-key dinner in a restaurant, without celebration.

As hard as it is in times of pain, Jews have always sought to observe holidays during persecution, such as in concentration camps during the Holocaust, said Rabbi Martin Lockshin, professor emeritus at Canada’s York University, who lives in Jerusalem.

“They couldn’t celebrate freedom but they could celebrate the hope of freedom,” he said.

The crisis affects more than the hostage families. The war, in which 260 soldiers have been killed, casts a shadow over a normally joyous holiday. The government has also scaled back festivities for Independence Day in May in light of the mood and fearing public protests.

Likewise, the Muslim holy month of Ramadan, capped by the three-day Eid al-Fitr feast, was a sad, low-key affair for Palestinians. Over 80% of Gaza’s 2.3 million people have been displaced by the fighting, and Hamas health officials say nearly 34,000 people have been killed in the Israeli offensive.

The scenes of suffering, devastation and hunger in Gaza have received little attention in Israel, where much of the public and national media remain heavily focused on the aftermath of the October 7 attack and ongoing war.

After several months of fits and starts, negotiations on a deal to release the remaining hostages appears at a standstill — making it unlikely they will be home for Passover.

The hostages’ pain has reverberated around the world, with some in the Jewish diaspora asking rabbis for prayers specifically for the hostages and Israel to be said at this year’s Seder. Others have created a new Haggadah, the book read during the Seder, to reflect the current reality.

Noam Zion, the author of the new Haggadah, has donated 6,000 copies to families impacted by the war.

“The Seder is supposed to help us to relive past slavery and liberation from Egypt and to learn its lessons, but in 2024 it must also ask contemporary questions about the confusing and traumatic present and most important, generate hope for the future,” said Zion, emeritus member of the faculty of Jewish studies at the Hartman Institute in Jerusalem.

The revised Haggadah includes excerpts from hostage families urging people not to hate despite their pain. It offers a guide for navigating the mixed feelings during the holiday, while posing existential questions about the Jews and the state of Israel.

Some families say it’s too painful to celebrate at all.

The girlfriend of Nirit Lavie Alon’s son was abducted from the Nova music festival. Two months later the family was informed by Israel’s military that Inbar Haiman, a 27-year-old graffiti artist, was dead, her body still in Gaza.

“It’s impossible to celebrate a freedom holiday,” said Alon. Instead of being with family this year, she’s going to spend a few days in the desert. There will be no closure until all of the hostages are back, including the remains of those who were killed, she said.

Ahead of Passover, some families are still holding out hope their relatives will be freed in time.

Shlomi Berger’s 19-year-old daughter, Agam, was abducted two days after the start of her army service along the border with Gaza.

Videos of her bloodied face emerged shortly after the Hamas attack, one showing an armed man pushing her into a truck, another showing her inside the vehicle with other hostages. The only proof of life he’s had since was a call from a released hostage, wishing him happy birthday from Agam, who she’d been with in the tunnels, he said.

Still, he refuses to give up hope.

“The Passover story says we come from slaves to free people, so this is a parallel story,” Berger said. “This is the only thing I believe that will happen. That Agam will get out from darkness to light. She and all of the other hostages.”
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Roller derby is a fast-paced, hard-hitting sport played on roller skates and dominated by women. VOA’s Genia Dulot takes us out to the skating rink with competitors from the Angel City Derby league in Los Angeles.
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santa fe, new mexico — A movie weapons supervisor was sentenced to 18 months in prison in the fatal shooting of a cinematographer by Alec Baldwin on the set of the Western film “Rust,” during a hearing Monday in which tearful family members and friends gave testimonials that included calls for justice and a punishment that would instill greater accountability for safety on film sets.

Movie armorer Hannah Gutierrez-Reed was convicted in March by a jury on a charge of involuntary manslaughter in the death of cinematographer Halyna Hutchins and has been held for more than a month at a county jail on the outskirts of Santa Fe.

Prosecutors blamed Gutierrez-Reed for unwittingly bringing live ammunition onto the set of “Rust” where it was expressly prohibited and for failing to follow basic gun safety protocols.

Gutierrez-Reed was unsuccessful in her plea for a lesser sentencing, telling the judge she was not the monster that people have made her out to be and that she had tried to do her best on the set despite not having “proper time, resources and staffing.”

Baldwin, the lead actor and co-producer for “Rust,” was pointing a gun at Hutchins during a rehearsal on a movie set outside Santa Fe in October 2021 when the revolver went off, killing Hutchins and wounding director Joel Souza.

Baldwin has pleaded not guilty to a charge of involuntary manslaughter. He is scheduled for trial in July at a courthouse in Santa Fe.

The sentence against Gutierrez-Reed was delivered by New Mexico Judge Mary Marlowe Summer, who is overseeing proceedings against Baldwin. The judge said anything less than the maximum sentence would not be appropriate given that Gutierrez-Reed’s recklessness amounted to a serious violent offense.

“You were the armorer, the one that stood between a safe weapon and a weapon that could kill someone,” the judge told Gutierrez-Reed. “You alone turned a safe weapon into a lethal weapon. But for you, Ms. Hutchins would be alive, a husband would have his partner and a little boy would have his mother.”

Gutierrez-Reed teared up as Hutchins’ agent, Craig Mizrahi, spoke about the cinematographer’s creativity and described her as a rising star in Hollywood. He said it was a chain of events that led to Hutchins’ death and that had the armorer been doing her job, that chain would have been broken.

Los Angeles-based attorney Gloria Allred read a statement by Hutchins’ mother, Olga Solovey, who said her life had been split in two and that time didn’t heal, rather it only prolonged her pain and suffering. A video of a tearful Solovey, who lives in Ukraine, also was played for the court.

“It’s the hardest thing to lose a child. There’s no words to describe,” Solovey said in her native language.

Defense attorneys for Gutierrez-Reed requested leniency in sentencing — including a possible conditional discharge that would avoid further jail time and leave an adjudication of guilt off her record if certain conditions are met.

Gutierrez-Reed was acquitted at trial of allegations she tampered with evidence in the “Rust” investigation. She also has pleaded not guilty to a separate felony charge that she allegedly carried a gun into a bar in Santa Fe where firearms are prohibited.

Defense attorneys have highlighted Gutierrez-Reed’s relatively young age “and the devastating effect a felony will have on her life going forward.”

They said the 26-year-old will forever be affected negatively by intense publicity associated with her prosecution in parallel with an A-list actor, and has suffered from anxiety, fear and depression as a result.

Special prosecutor Kari Morrissey urged the judge to impose the maximum prison sentence and designate Gutierrez-Reed as a “serious violent offender” to limit her eligibility for a sentence reduction later, describing the defendant’s behavior on the set of “Rust” as exceptionally reckless.

Defense attorneys argued Monday that Gutierrez-Reed was remorseful and had breakdowns over Hutchins’ death. They also pointed to systemic problems that led to the shooting.

“Rust” assistant director and safety coordinator Dave Halls last year pleaded no contest to negligent handling of a firearm and completed a sentence of six months unsupervised probation. “Rust” props master Sarah Zachry, who shared some responsibilities over firearms on the set of “Rust,” signed an agreement with prosecutors to avoid prosecution in return with her cooperation.
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ANCIENT OLYMPIA, Greece — No one knows what music in ancient Greece sounded like or how dancers once moved.

Every two years, a new interpretation of the ancient performance gets a global audience. It takes place in southern Greece at a site many still consider sacred: the birthplace of the Olympic Games.

Forty-eight performers, chosen in part for their resemblance to youths in antiquity as seen in statues and other surviving artwork, will take part Tuesday in the flame-lighting ceremony for the Paris Olympics. 

Details of the 30-minute performance are fine-tuned — and kept secret — right up until a public rehearsal Monday.

The Associated Press got rare access to rehearsals that took place during weekends, mostly at an Olympic indoor cycling track in Athens. 

As riders whiz around them on the banked cycling oval, the all-volunteer Olympic performers snatch poses from ancient vases. Sequences are repeated and re-repeated under the direction of the hyper-focused head choreographer Artemis Ignatiou.

“In ancient times there was no Olympic flame ceremony,” Ignatiou said during a recent practice session.

“My inspiration comes from temple pediments, from images on vases, because there is nothing that has been preserved — no movement, no dance — from antiquity,” she said. “So basically, what we are doing is joining up those images. Everything in between comes from us.”

Ceremonies take place at Olympia every two years for the Winter and Summer Games, with the sun’s rays focused on the inside of a parabolic mirror to produce the Olympic flame and start the torch relay to the host city.

Women dressed as priestesses are at the heart of the ceremony, first held for the 1936 Olympics in Berlin. Leading the group is an actress who performs the role of high priestess and makes a dramatic appeal to Apollo, the ancient god of the sun, for assistance moments before the torch is lit.

Over the decades, new ingredients have been progressively added: music, choreography, new colors for the costumes, male performers known as “kouroi” and subtle style inclusions to give a nod to the culture of the Olympic host nation.

Adding complexity also has introduced controversy, inevitably amplified by social media. Criticism this year has centered on the dresses and tunics to be worn by the performers, styled to resemble ancient Greek columns. Faultfinders have called it a rude departure from the ceremony’s customary elegance.

Organizers hope the attire will create a more positive impression when witnessed at the ruins of ancient Olympia.

Counting out the sequences, Ignatiou controls the music with taps on her cell phone while keeping track of the male dancers at the velodrome working on a stop motion-like routine and women who glide past them like a slowly uncoiling spring.

Ignatiou has been involved with the ceremony for 36 years, as priestess, high priestess, assistant and then head choreographer since 2008. She takes in the criticism with composure.

She’s still moved to tears when describing the flame lighting, but defers to her dancers to describe their experience of the five-month participation at practices.

Most in their early twenties, the performers are selected from dance and drama academies with an eye on maintaining an athletic look and classic Greek aesthetic, the women with hair pulled back in neat double-braids.

Christiana Katsimpraki, a 23-year-old drama school student who is taking part at Olympia for the first time, said she wants to repay the kindness shown to her by older performers.

“Before I go to bed, when I close my eyes, I go through the whole choreography — a run through — to make sure I have all the steps memorized and that they’re in the right order,” she said. “It’s so that the next time I can come to the rehearsal, it all goes correctly and no one gets tired.”

The ceremony is performed to sparse music, and final routine modifications are made at Olympia, in part to cope with the pockmarked and uneven ground at the site.

Dancers describe the fun they have in messaging groups, the good-natured pranks played on newcomers and fun they have on the four-hour bus ride to the ancient site in southern Greece — but also the significance of the moment and the pull of the past.

“I’m in awe that we’re going there and that I’m going to be part of this whole team,” 23-year-old performer Kallia Vouidaski said. “I’m going to have this entire experience that I watched when I was little on TV. I would say, ’Oh! How cool would it be if I could do this at some point.’ And I did it.”

The flame-lighting ceremony will start at 0830 GMT Tuesday. A separate flame-handover ceremony to the Paris 2024 organizing committee will be held in Athens on April 26. 
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