Day: March 2, 2025

‘Captain America: Brave New World’ on top during weak Oscars’ weekend

LOS ANGELES — “Captain America: Brave New World” kept falling but still hovered above all others at a weak weekend box office. 

The latest Disney-Marvel offering brought in another $15 million according to studio estimates Sunday, when most of Hollywood’s attention was on the Oscars. 

The Anthony Mackie-led “Captain America: Brave New World” opened strong at about $120 million on a three-day weekend last month, but plunged to $28.2 million last week in one of the most significant second-week drops for a Marvel movie. It’s earned $163.7 since its release. 

It was slammed by many critics and audiences, failing to bring the Marvel reset some had hoped for. That task now falls to May’s “Thunderbolts” and July’s “Fantastic Four: First Steps.” But “Captain America” will face little competition through March and could remain at No. 1 for a while. 

The weekend’s only significant new release, Focus Features’ “Last Breath,” earned just $7.8 million. The based-on-a-true-story adventure starring Woody Harrelson, Simi Liu and Chris Lemons is about a routine deep-sea diving mission that goes terribly wrong when a young diver is stranded some 300 feet below the surface. 

It got strong reviews, with Lindsey Bahr of The Associated Press praising the “white-knuckle experience” and “pure suspense and anxiety” it brings. 

At No. 3 was Oz Perkins’ “The Monkey,” which brought in $6.4 million for a two-week total of $24.6 million. It’s among the strongest openings for indie distributor Neon, whose film “Anora,” and its director Sean Baker could make a major mark at the Oscars later Sunday. 

“The Monkey” marks another successful low-budget collaboration between Perkins and Neon, whose “Longlegs” brought in $126.9 million globally last year. 

“Paddington in Peru” was fourth with $4.5 million in its third weekend for a total of $31.4 million. 

Top 10 movies by domestic box office 

With final domestic figures being released Monday, this list factors in the estimated ticket sales for Friday through Sunday at U.S. and Canadian theaters, according to Comscore. 

  1. “Captain America: Brave New World,” $15 million. 

  2. “Last Breath,” $7.8 million. 

  3. “The Monkey,” $6.4 million. 

  4. “Paddington in Peru,” $4.5 million. 

  5. “Dog Man,” $4.2 million. 

  6. “Mufasa: The Lion King,” $1.9 million. 

  7. “Ne Zha 2,” $1.8 million. 

  8. “Heart Eyes,” $1.3 million. 

9 “The Unbreakable Boy,” $1.2 million. 

  1. “One of Them Days,” $925,000. 
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Oscars take the stage on Sunday with best picture up for grabs

LOS ANGELES — The Academy Awards, the highest honors in the film business, take place on Sunday with no clear frontrunner among “Anora,” “The Brutalist,” “Conclave” and other movies contending for the prestigious best picture prize.

Timothee Chalamet and Demi Moore are vying for their first Oscars at the red-carpet ceremony in Hollywood. The show will air live on Walt Disney’s ABC network starting at 4 p.m. Pacific time (0000 GMT on Monday).

Comedian and host Conan O’Brien said he planned to mix jokes, celebrations of filmmakers and serious moments including tributes to Los Angeles as it recovers from January’s wildfires. He likely will address U.S. politics but not dwell on it, he said.

“Good jokes are really important, but there’s also more than that,” O’Brien told reporters last week as he prepared for his first Oscars hosting gig. “We’re trying to go for different tones, different textures.”

This year’s Oscars race has featured twists and turns, and no movie has dominated the precursor film awards.

That will keep the drama going until the end of Sunday’s show. Any of three films could score best picture, according to Oscars pundits. One is “Anora,” the story of a sex worker with a shot at a Cinderella story. The other two are “The Brutalist,” about a Jewish immigrant and architect chasing the American dream, and “Conclave,” which imagines the secret proceedings for choosing a pope.

Others in the best picture field include blockbuster musical “Wicked,” a prequel to “The Wizard of Oz,” and “A Complete Unknown,” the Bob Dylan biopic starring Chalamet. 

Netflix musical “Emilia Perez” heads into the ceremony with the most nominations. But its chances of victory dwindled when offensive social media posts surfaced from star Karla Sofia Gascon. The actress, the first openly transgender person nominated for an acting Oscar, disappeared from the awards circuit but is expected to attend Sunday’s ceremony. 

Her co-star, Zoe Saldana, is the favorite to win the supporting actress trophy for playing a fixer who helps a Mexican drug lord (Gascon) transition to a woman and start a new life. 

Winners of the gold Oscar statuettes are chosen by the roughly 11,000 actors, producers, directors and film craftspeople who make up the Academy of Motion Picture Arts and Sciences. 

Behind the glitz, Hollywood is fighting a battle to keep its place at the center of the global film business. None of the 10 best picture contenders were filmed in Los Angeles, home to most major film companies for more than a century. 

Supporting actor nominee Kieran Culkin is the favorite for his role as a man who travels with his cousin to Poland to study family history in “A Real Pain.” 

Best actor could go to either Chalamet or “The Brutalist” star Adrien Brody, according to awards experts. 

Brody became the youngest best actor winner when he landed the prize at age 29 for “The Pianist” in 2002. Chalamet is nine months younger than Brody was at the time. 

Best actress is widely expected to go to Moore for “The Substance,” though one pundit said the category could produce an upset win for Brazil’s Fernanda Torres of “I’m Still Here.” The academy has increased its international membership, which could favor Torres, said Ian Sandwell, movies editor at Digital Spy. 

“She could well be a surprise and the only one to take it away from Demi on the night,” Sandwell said. 

Producers scrapped the annual tradition of having musicians perform each of the nominated original songs, saying they wanted to focus instead on the songwriters. 

They do promise many musical moments, including a performance by “Wicked” stars Ariana Grande and Cynthia Erivo and a tribute to music producer Quincy Jones, who died in November. 

Also, expect some previously unannounced guests. 

“We absolutely love the element of surprise,” executive producer Raj Kapoor said.

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Private lunar lander Blue Ghost touches down on the moon with special delivery for NASA

CAPE CANAVERAL, FLORIDA — A private lunar lander carrying a drill, vacuum and other experiments for NASA touched down on the moon Sunday, the latest in a string of companies looking to kickstart business on Earth’s celestial neighbor ahead of astronaut missions.

Firefly Aerospace’s Blue Ghost lander descended from lunar orbit on autopilot, aiming for the slopes of an ancient volcanic dome in an impact basin on the moon’s northeastern edge of the near side.

Confirmation of touchdown came from the company’s Mission Control outside Austin, Texas, following the action some 360,000 kilometers away.

“We’re on the moon,” Mission Control reported, adding the lander was “stable.”

A smooth, upright landing makes Firefly — a startup founded a decade ago — the first private outfit to put a spacecraft on the moon without crashing or falling over. Even countries have faltered, with only five claiming success: Russia, the U.S., China, India and Japan.

Two other companies’ landers are hot on Blue Ghost’s heels, with the next one expected to join it on the moon later this week.

Launched in mid-January from Florida, the 2-meter-tall lander carried 10 experiments to the moon for NASA. The space agency paid $101 million for the delivery, plus $44 million for the science and tech on board. It’s the third mission under NASA’s commercial lunar delivery program, intended to ignite a lunar economy of competing private businesses while scouting around before astronauts show up later this decade.

The demos should get two weeks of run time, before lunar daytime ends and the lander shuts down.

It carried a vacuum to suck up moon dirt for analysis and a drill to measure temperature as deep as 3 meters below the surface. Also on board: a device for eliminating abrasive lunar dust — a scourge for NASA’s long-ago Apollo moonwalkers, who got it caked all over their spacesuits and equipment.

On its way to the moon, Blue Ghost beamed back exquisite pictures of the home planet. The lander continued to stun once in orbit around the moon, with detailed shots of the moon’s gray pockmarked surface. At the same time, an on-board receiver tracked and acquired signals from the U.S. GPS and European Galileo constellations, an encouraging step forward in navigation for future explorers.

The landing set the stage for a fresh crush of visitors angling for a piece of lunar business.

Another lander — a tall and skinny 4-meter-tall craft built and operated by Houston-based Intuitive Machines — is due to land on the moon Thursday. It’s aiming for the bottom of the moon, just 160 kilometers from the south pole. That’s closer to the pole than the company got last year with its first lander, which broke a leg and tipped over.

Despite the tumble, Intuitive Machines’ lander put the U.S. back on the moon for the first time since NASA astronauts closed out the Apollo program in 1972.

A third lander from the Japanese company ispace is still three months from landing. It shared a rocket ride with Blue Ghost from Cape Canaveral on Jan. 15, taking a longer, windier route. Like Intuitive Machines, ispace is also attempting to land on the moon for the second time. Its first lander crashed in 2023.

The moon is littered with wreckage not only from ispace, but dozens of other failed attempts over the decades.

NASA wants to keep up a pace of two private lunar landers a year, realizing some missions will fail, said the space agency’s top science officer Nicky Fox.

Unlike NASA’s successful Apollo moon landings that had billions of dollars behind them and ace astronauts at the helm, private companies operate on a limited budget with robotic craft that must land on their own, said Firefly CEO Jason Kim.

“Every time we go up, we’re learning from each other,” Kim said. 

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Pope Francis stable in hospital, had peaceful night, Vatican says

VATICAN CITY — Pope Francis is in a stable condition as he fights double pneumonia in hospital for the 17th day, and is resting having had a peaceful night, the Vatican said on Sunday.

The Vatican said on Saturday evening that the 88-year-old pontiff’s condition had stabilized, following an “isolated” breathing crisis a day earlier.

“The night was peaceful, the pope is still resting,” said a one-line note from the Vatican on Sunday morning that did not provide more details. A full medical update on the pope’s condition is expected Sunday evening.

Francis was admitted to Rome’s Gemelli hospital on Feb. 14 with severe respiratory problems that swiftly degenerated into double pneumonia – a serious infection in both lungs that can inflame and scar them, making it difficult to breathe.

The pope suffered a constriction of his respiratory airways on Friday, akin to an asthma attack.

However, in a more upbeat tone on Saturday, the Vatican said the pope did not have a fever and did not show signs of an increased white blood cell count, adding that his blood flow and circulation remained stable.

An elevated white blood cell count often indicates the presence of an active infection or inflammation.

“The Holy Father’s clinical condition remained stable,” the Vatican said on Saturday, adding that the prognosis was still guarded, meaning he was not yet out of danger.

The Vatican added on Saturday that for a second day running the pope required noninvasive, mechanical ventilation, alternating between this and “long periods of high-flow oxygen therapy.”

Francis has experienced several bouts of ill health over the last two years and is prone to lung infections because he had pleurisy as a young adult and had part of one lung removed.

The pope has not been seen in public since entering hospital, his longest absence from view since his papacy started in March 2013, and his doctors have not said how long his treatment might last.

Francis will not lead his usual Sunday prayer with pilgrims for the third week running. The text of the prayer will be published rather than read out by the pontiff. 

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Uganda reports second Ebola death, a 4-year-old, WHO says

KAMPALA, UGANDA — A second Ebola patient, a 4-year-old child, has died in Uganda, the World Health Organization said, citing the country’s health ministry.

The fatality brings the number of confirmed cases in Uganda to 10.

The East African country declared an outbreak of the highly infectious and often fatal hemorrhagic disease in January after the death of a male nurse at the Mulago National Referral Hospital in the capital of Kampala.

The WHO’s Uganda office posted late on Saturday on X that the ministry had reported “an additional positive case in Mulago hospital of a 4 1/2-year-old child, who tragically passed away” on Tuesday.

Mulago is the country’s sole national referral hospital for Ebola cases.

The ministry said on Feb. 18 that all eight Ebola patients under care had been discharged but that at least 265 contacts remained under strict quarantine in Kampala and two other cities.

Ebola symptoms include fever, headache and muscle pains. The virus is transmitted through contact with infected bodily fluids and tissue. 

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‘Bernd das Brot,’ a depressed German loaf of bread, has spent 25 years as a TV cult classic

berlin — Forget SpongeBob SquarePants, Sesame Street and the sourdough starter craze — a depressed German loaf of bread named Bernd das Brot is celebrating his 25th anniversary as the reluctant star of a children’s television program that accidentally became equally popular with adults.  

A cult classic in Germany, Bernd das Brot (Bernd the Bread) is a puppet renowned for his deep, gloomy voice, his perpetual pessimism and his signature expression, “Mist!” (Think “Crap!” in English.)  

Played and voiced by puppeteer Jorg Teichgraeber, Bernd is a television presenter who wants nothing to do with TV and can’t wait to go home to stare at the wallpaper. This year, his friends — a sheep and a flower bush — are urging him to become a bread influencer.  

Born as a sketch on the back of a napkin in a pizzeria, Bernd was drawn by Tommy Krappweis, who modeled it after co-creator Norman Coster’s face. The duo had been asked to come up with mascots for KiKA, a German children’s public television channel.

Comic artist Georg Graf von Westphalen designed Bernd as a pullman loaf — white bread typically sliced for sandwiches — with short arms and a permanent scowl. Bernd channels German stereotypes with his grumpy disposition, penchant for complaining, and dry sense of humor and irony.  

Bernd’s first episode aired on KiKA in 2000 alongside his more optimistic pals, Chili the Sheep and Briegel the Bush. 

A reluctant popularity  

Because KiKA is a children’s channel, there was typically dead air from 9 p.m. to 6 a.m. 

On Jan. 1, 2003, the network put Bernd’s short episodes into the night loop for the first time. The move brought an adult audience into Bernd’s world, often those sitting at home and smoking pot, or returning after a long night of partying.  

The night loop cemented his popularity as a German cult classic.  

In 2004, Bernd won the Adolf Grimme Prize, the German television equivalent of an Emmy. The jury said he represents “the right to be in a bad mood.”  

“Bernd shows you that you are less vulnerable with humor and self-irony. And perhaps the most important point is: It’s totally OK if you don’t feel well sometimes. That’s completely fine,” Krappweis said in a KiKA Q&A about Bernd’s anniversary.  

Bernd’s broken heart 

Bernd is depressed for a multitude of reasons, including his failed attempt to be the mascot for a bakery’s advertising campaign (that’s how he ended up as a TV presenter, as a last resort).  

But it’s in Episode 85 that we finally learn about Bernd’s broken heart. “A long, long time ago I fell in love with a beautiful, slim baguette. She was so incredibly charming and funny,” Bernd tells Chili and Briegel. 

But unfortunately it was in vain. “She only had eyes for this run-of-the-mill multigrain bread with its 10 types of grain. It was so depressing.”  

The kidnapping 

Despite Bernd’s best efforts — one of his catchphrases is “I would like to leave this show” — the episodes have never become stale. He sings, he dances, he’s been to space. He’s the star of merchandise, a video game and headlines like “Give Us Our Daily Bernd.”  

He was even kidnapped. In 2009, his 2-meter-tall statue was stolen from his traditional place outside the town hall in Erfurt, where KiKA is based.  

A claim of responsibility surfaced on YouTube, by sympathizers of a group of demonstrators who were protesting a company that had produced cremation ovens for the Nazis’ Auschwitz extermination camp. The demonstrators, however, denied involvement in Bernd’s kidnapping, and the video was removed from the internet.  

Bernd was held hostage for nearly two weeks before being discovered unharmed in an abandoned barracks.  

KiKA is honoring Bernd’s 25th anniversary, despite his complaints. New episodes, an update to his hit song, and online activities for kids and adults alike will be featured.  

The celebrations are at hand, as Bernd’s birthday is Feb. 29. The latest series will premiere in September as Bernd, Chili and Briegel launch the social media channel “Better with Bernd” in their efforts to make him into a bread influencer.  

The trio will present inventions to make school, and life, easier for viewers, but naturally their concoctions backfire. Bernd instead becomes a defluencer — and an involuntary trendsetter. 

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Singer Charli XCX wins top prizes at BRIT Awards

LONDON — Singer Charli XCX, whose album Brat inspired a cultural phenomenon last summer, was the big winner at the BRIT Awards, Britain’s pop music honors, in London on Saturday, picking up five prizes.

Brat, which inspired fans to film themselves dancing to its tracks and whose lime green cover look was adopted by U.S. presidential hopeful Kamala Harris’ campaign on social media after the singer referenced her in a post, won the coveted album of the year category.

Charli XCX, who had led nominations, was also named artist of the year and best dance act. Her single Guess, featuring Billie Eilish, won song of the year, beating tracks including the Beatles’ Now and Then. 

The 32-year-old pop star won her first BRIT, songwriter of the year, earlier this week.

“I’ve always felt like an outsider in the industry but particularly in the British music industry and so it feels really nice to be recognized on this album,” she said as she received the album of the year award.

“I would just like to share this with all artists who have ever felt that they need to compromise to be recognized and to have their moment in the sun because I think I’m living proof that maybe it takes a long time, but … you don’t need to compromise your vision.”

Jazz quintet Ezra Collective was named group of the year.

“This moment right here is because of the great youth clubs and great teachers and the great schools that support young people playing music,” drummer Femi Koleoso said in one of several of the night’s acceptance speeches that called for more support for young musicians and grassroots venues.

U.S. singer Chappell Roan won international artist of the year while her track Good Luck, Babe! won international song of the year.

Espresso singer Sabrina Carpenter was named as the first international recipient of the global success award, which recognizes artists with “phenomenal global sales,” following in the footsteps of One Direction, Adele, Ed Sheeran and Sam Smith.

The ceremony also featured a tribute dedicated to late One Direction singer Liam Payne, who died in October after falling from a third-floor hotel room balcony in Buenos Aires, shocking fans of the boy band, one of the most popular of all time. 

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