Day: December 8, 2024

‘Moana 2’ cruises to another record weekend, $600 million globally

The Walt Disney Co.’s animated film “Moana 2” remained at the top of the box office in its second weekend in theaters as it brought in another record haul. 

The film added $52 million, according to studio estimates Sunday. That brings its domestic total to $300 million, surpassing the original, and its global tally to a staggering $600 million.

The amount set a record gross for a movie on the weekend following Thanksgiving weekend, unseating “Frozen II,” which earned $35.2 million in the same time frame in 2019. The numbers are not adjusted for inflation. Originally conceived as a Disney+ series, “Moana 2” has already broken into the top five highest grossing releases of the year. Its performance means Disney has three films in this year’s top five, including “Inside Out 2” and “Deadpool & Wolverine.” The studio also has another big movie on the way before the year ends: Barry Jenkins’ “Mufasa,” out Dec. 20.

The weekend also showcased several new releases, including A24’s horror comedy “Y2K” and the Jude Law crime thriller “The Order.” But nothing was ever going to present significant competition to the enticing Thanksgiving leftovers, “Moana 2,” “Wicked” and “Gladiator II.”

Second place at the box office was occupied by “Wicked,” which added $34.9 million, bringing its domestic total to $320.5 million in three weeks. Globally, the musical adaptation released by Universal is at $455.6 million. “Gladiator II” followed in third place with $12.5 million, while “Red One” came in fourth with $7 million.

“These holdovers are going to create the momentum that’s going to put an $8.5 billion-plus box office year on the horizon,” said Paul Dergarabedian, the senior media analyst for Comscore.

Pre-pandemic, $11 billion had become the annual norm for the movie business. Since then, the closest the industry has gotten to that number was last year, which cracked $9 billion. This year started off slow and up to a few months ago, Dergarabedian said, even hitting $8 billion for the year was in doubt. But in the two weeks since Thanksgiving, the deficit from last year has narrowed by over 5%. 

The newcomers struggled to make a significant impact. Even the 10th anniversary rerelease of Christopher Nolan’s “Interstellar,” which played in only 165 theaters, did better than “Y2K” ($2.1 million) and “The Order” ($878,000) combined. Paramount reported that the science fiction epic starring Matthew McConaughey and Anne Hathaway brought in an estimated $4.4 million. IMAX also noted that all the 70mm IMAX presentations of “Interstellar” were sold out through the weekend.

“I was thrilled so many moviegoers took advantage of the original IMAX experience of ‘Interstellar’ this weekend,” Nolan said in a statement.

The biggest of the many newcomers was the Indian action pic “Pushpa: The Rule – Part 2,” which earned $4.9 million. Sony and Crunchyroll’s anime release, “Solo Leveling – ReAwakening,” made $2.4 million. Fathom also released pop duo for KING + COUNTRY’s “A Drummer Boy Christmas” concert in theaters where it made $2.1 million.

“It’s a really diverse marketplace,” Dergarabedian said. “There’s event cinema, international cinema, a rerelease of a 10-year-old film. It’s easily one of the most eclectic and interesting lineups I’ve ever seen.”

Next weekend theaters are in for another influx of bigger movies, with both Sony’s comic book film “Kraven the Hunter” and the animated “The Lord of the Rings: The War of the Rohirrim” opening in wide release. Awards contenders “Nickel Boys” and “September 5” will also open in a limited number of theaters.

Estimated ticket sales for Friday through Sunday at U.S. and Canadian theaters, according to Comscore. Final domestic figures will be released Monday.

  1. “Moana 2,” $52 million. 

  2. “Wicked,” $34.9 million. 

  3. “Gladiator II,” $12.5 million. 

  4. “Red One,” $7 million. 

  5. “Pushpa: The Rule – Part 2,” $4.9 million. 

  6. “Interstellar” rerelease, $4.4 million. 

  7. “Solo Leveling – ReAwakening,” $2.4 million. 

  8. “Y2K,” $2.1 million. 

  9. “for KING + COUNTRY’S: A Drummer Boy Christmas,” $2.1 million. 

  10. “The Best Christmas Pageant Ever,” $1.5 million.

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Japanese artist finds global fans with intricate leaf-cutting

TOKYO — A frog holding a taro-leaf umbrella. A parade of frolicking animals. An Ukiyo-e style Mount Fuji. Giant waves. A Japanese artist who goes by the name Lito carves these delicate designs on fallen leaves, giving life back to them.

The world of Lito’s delicate art, which he began in 2020 and posts on social media almost daily, has won fans from around the world. The leaf art has also given him solace after earlier struggles with attention-deficit hyperactivity disorder, and a purpose in life — the joy of making people happy with his art.

He enjoys working at night. From a pile of leaves treated with a wrinkle-free chemical, he picks one and places it on a cutting board.

First, he outlines the design on the leaf with a pen in his right hand. Then he takes a design knife in his left hand and starts cutting the leaf carefully. Slowly, the leaf begins to take the shape of a frog carrying an umbrella — a simple design he demonstrated in a recent interview with The Associated Press.

More complex, highly intensive work on a single leaf can take more than eight hours to complete.

His leaf-cutting works include titles such as Scrolls of Frolicking Animals, Leaf Aquarium and Thirty-six Views of Mt. Fuji: The Great Wave off Kanagawa. Each piece includes his own twists and often uses animals.

“I would rather finish it in one go when I am focused,” Lito, 38, said. He didn’t want to disclose his real name for personal reasons.

Since his childhood, Lito says he has had high levels of concentration and patience. But he had trouble fitting into what was considered the norm at school or at work, despite all his efforts. He struggled to interpret others’ feelings and to avoid confrontations.

After years of difficulty, he went to a hospital at age 30 and was told he has ADHD, a diagnosis that he felt explained why he has always done things differently.

He saw no point in forcing himself to do things the same way as other people, and began to adjust his life.

In early 2020, Lito came across the art of leaf cutting. He saw it as the perfect use of his patience and concentration.

Word of his skills has spread across social media, and he has published books on his leaf-cutting work. He holds a near monthly solo exhibition in various places in Japan.

“If I can make people happy by doing what I am doing, I want to do more. That’s my driving force for what’s next,” Lito says. 

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$45M stegosaurus on display in NY. Here’s what scientists hope to learn about it

NEW YORK — The most expensive dinosaur fossil ever discovered will be on view in New York starting this weekend, American Museum of Natural History officials announced Wednesday.

The giant stegosaurus fossil, dubbed “Apex,” is 3.3 meters tall and 8.2 meters nose to tail. The display will start in a giant atrium at the museum’s entrance before being moved to the museum’s existing fossil halls next year.

The museum also confirmed the identity of the philanthropist who purchased Apex. Billionaire hedge fund manager and longtime museum donor Ken Griffin bought it at an auction in July for $45 million, the most ever paid for dinosaur remains. Sean Decatur, president of the American Museum of Natural History, said that Griffin approved a long-term loan of Apex, as well as allowing scientists to take samples from the fossil for analysis.

“This partnership allows Apex to have pride of place at a museum world-renowned for its dinosaur collection and for its longstanding leadership in paleontology and, even more exciting, enables us to pursue specialized stegosaurus research centered around this extraordinary and scientifically important specimen,” Decatur said in a statement Wednesday.

Of the more than 80 stegosauri made available to scientific institutions, very few are substantially complete, the statement said. Apex is the most complete specimen ever found, Decatur said. With about 80% of its 320 bones preserved, it is miraculous for creature that has been dead for 150 million years. The specimen is also prized by scientists because it is estimated to have died at a relatively old age, and it could reveal insights into stegosaurus metabolism and bone growth.

Scientists will make CT scans of the internal structures of the dinosaur’s skull and analyze a small sample extracted from one of its giant thigh bones, the statement said.

“As exciting as is it is to have this dinosaur on display, it is even more exciting to have the opportunity to study it and make important scientific data available for research,” said Roger Benson, who curates the American Museum of Natural History’s fossil amphibians, reptiles, birds and plants.

The museum’s paleontologists have a long record of breaking ground in dinosaur research, including identifying the first dinosaur eggs and early evidence of dinosaur feathers, the statement said.

Commercial paleontologist Jason Cooper discovered in Apex on his land near Dinosaur, Colorado, on the Utah border near Dinosaur National Monument.

Griffin’s successful $44.6 million bid for Apex over the summer set a record for dinosaur remains, beating out the $31.8 million paid for “Stan,” the remains of a Tyrannosaurus rex sold in 2020. Like Apex, the Stan fossils were purchased by a private individual with plans to make it available to the public. The T. rex has been slated to be on display in Abu Dhabi, in United Arab Emirates, at a museum that opens in late 2025.

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As data centers proliferate, conflict with local communities follows

ALEXANDRIA, VIRGINIA — Richard Andre Newman thought he would live the rest of his life in his quiet, leafy neighborhood in suburban Virginia. He was born and raised in Bren Mar Park, where children ride their bikes and neighbors wave hello.

But now, as he’s approaching 60, he’s considering selling his Fairfax County home and moving away. That’s because he’s getting a new neighbor: Plaza 500, a 466,000-square-foot data center and an adjacent electrical substation to be built a few hundred feet from townhomes, playgrounds and a community center.

Newman feels helpless to stop it.

“I planned on staying here until I died,” he said, “until this came up.”

The sprawling, windowless warehouses that hold rows of high-speed servers powering almost everything the world does on phones and computers are increasingly becoming fixtures of the American landscape, popping up in towns, cities and suburbs across the United States.

Demand for data centers ballooned in recent years due to the rapid growth of cloud computing and artificial intelligence, and local governments are competing for lucrative deals with big tech companies. But as data centers begin to move into more densely populated areas, abutting homes and schools, parks and recreation centers, some residents are pushing back against the world’s most powerful corporations over concerns about the economic, social and environmental health of their communities.

Tyler Ray, a vocal critic of data centers and leader in the fight against the Virginia project, said the incentives offered are not enough to counteract the consequences of building a facility so close to homes.

“All that we are asking for is, as the county is trying to bring in this data center income, that they are doing it in a way that doesn’t run residents away from their homes,” he said.

Dotting the hills in Northern Virginia

In Northern Virginia, more than 300 data centers dot the rolling hills of the area’s westernmost counties. Cyclists who ride the popular Washington & Old Dominion trail are at times flanked by data centers, and the thousands of commuters who head into the nation’s capital each day can see them in the distance from the Metro.

Plaza 500, one of the latest proposals in the area, is encroaching on neighborhoods like never before, said Newman, who heads a homeowners association in the community.

The pitch from Starwood Capital Group, the private investment firm founded by billionaire Barry Sternlicht, to Fairfax County officials promised a significant property tax boost and, in addition to permanent positions in the data center itself, hundreds of temporary construction and electrical jobs to build the facility.

Tyler Ray and his husband moved to the Bren Pointe community in 2022, hoping to balance proximity to Washington with a desire for green space.

But shortly after the couple moved in, Starwood Capital began scoping out a commercial property near their new home as a possible location for the Plaza 500 project.

When Ray and his neighbors learned of the proposal, they held protests, attended regular county meetings and drew media attention to their concerns to try and stop the development. But their efforts were largely unsuccessful: the Fairfax County Board of Supervisors in September said all newly proposed data centers must adhere to stricter zoning rules, but the Plaza 500 project would be grandfathered in under the old rules.

Ray worries that more data centers in the area could compromise the already stressed power grid: Over 25% of all power produced in Virginia in 2023 went to data centers, a figure that could rise as high as 46% by 2030 if data center growth continues at its current pace. Some estimates also show a mid-sized data center commands the same water usage every day as 1,000 households, prompting concerns over the cost of water. Ray also frets over air quality, as the massive diesel generators that help power the data centers’ hardware send plumes of toxic pollutants into the atmosphere.

A spokesperson for the firm declined to respond to questions for this story.

“I don’t know how a general resident, even someone who has been engaging intently on an issue,” Ray said, “has any chance to go up against the data center industry.”

Local leaders say data centers a financial boon

For local governments, attracting data centers to their municipalities means a financial boon: Virginia Gov. Glenn Youngkin said in 2024 that Virginia’s existing data centers brought in $1 billion in tax revenue, more than the $750 million in tax breaks given to the tech companies that own them in 2023.

For average-sized facilities, data centers offer a small number of direct jobs — often fewer than 100 positions. Google announced recently that its two data centers in Loudoun County, which has about 440,000 residents, created only around 150 direct jobs. But data center advocates argue that the number of indirect jobs like construction, technology support and electrical work make the projects worthwhile. In that same announcement, Google said their investment spurred 2,730 indirect jobs.

Kathy Smith, the vice chair of the Fairfax County Board of Supervisors, voted in favor of the Plaza 500 proposal because, in her estimation, data center growth is inevitable in the region, and Fairfax County should reap the benefits.

“I have a responsibility to step back from what we do and look at the big picture,” Smith said. “Data centers are not going away.”

Amazon data centers welcomed by some in Oregon 

On the other side of the country, in Morrow County, Oregon, Amazon Web Services has built at least five data centers surrounding the 4,200-person town of Boardman, nestled among vast stretches of farmland flecked with mint patches and wind turbines, next to the Columbia river.

Last year, AWS, which is owned by Amazon, paid roughly $34 million in property taxes and fees stipulated in the agreements after receiving a $66 million tax break. The company also paid out $10 million total in two, one-time payments to a community development fund and spent another $1.7 million in charitable donations in the community in 2023.

That money has been instrumental in updating infrastructure and bolstering services for the roughly 12,000-person county, going toward a new ladder fire engine, a school resource officer, police body cameras, and $5,000 grants for homebuyers among other things.

Still, some residents are skeptical of the scale of tax break deals. Suspicions started years ago, when three formerly elected officials allegedly helped approve data center deals while owning a stake in a company that contracted with AWS to provide fiber optic cables for the data centers. In June, they each paid $2,000 to settle an ethics complaint against them.

Those officials are no longer in office. But some remain wary of the relationships between the company and local officials, and raised eyebrows at one of the latest data center deals which gives AWS an estimated $1 billion in tax breaks spread over the 15 years to build five new data centers.

Former county commissioner Jim Doherty described a meeting with AWS officials soon after he was elected to office at an upscale restaurant in Boardman, where large windows opened onto the Columbia River.

The AWS representatives asked what Doherty wanted to accomplish as a commissioner. “They said, ‘Tell us what your dreams are. Tell us what you need. Tell us what we can do for you,'” Doherty recalled. Other former officials have described similar interactions. Doherty said AWS didn’t ask for anything in return, but the exchange left him uneasy.

“We engage with stakeholders in every community where we operate around the world, and part of that outreach is to better understand a community’s goals,” said Kevin Miller, AWS’ Vice President of global data centers. “This helps AWS be a catalyst for communities to achieve those goals, and reflects our ongoing commitment to being good neighbors.”

Doherty and another former county commissioner Melissa Lindsay said they pushed unsuccessfully in 2022 for AWS to pay more in taxes in new data center negotiations. They also lobbied to hire outside counsel to negotiate on their behalf, feeling outgunned by the phalanx of AWS-suited lawyers.

“We didn’t want to blow it up. We didn’t want to run them off,” said Lindsay. “But there were better deals to be made.”

Boardman Mayor Paul Keefer and Police Chief Rick Stokoe say their direct line to AWS allows them to get the most out of the company.

“This road right here? Wouldn’t happen if it wasn’t for AWS,” said Keefer, riding in the passenger seat of Stokoe’s cruiser, pointing out the window at construction workers shifting dirt and laying pavement. Both Keefer and Stokoe have been in positions to vote on whether to authorize tax breaks for AWS.

“These companies would not be here if they weren’t getting some kind of incentive,” Stokoe said. “There wouldn’t be any money to talk about.”

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Sumo wrestlers bring 1,500 years of tradition to London as sport has international moment

LONDON — London’s Royal Albert Hall, the gilded concert venue known for an annual Rule Britannia singalong, is preparing to host a different kind of spectacle: Sumo wrestling.

Camera shutters clicked furiously and reporters “Ahhhed” in delight Wednesday as wrestlers Daisuke Kitanowaka and Akira Fukutsuumi demonstrated a sideways stamp and put on an exhibition of heavyweight grappling to promote a tournament scheduled for next October.

It marks only the second time an elite five-day tournament will be held outside Japan. The first was in 1991 at the same venue.

Organizers are hoping to whip up the kind of excitement that was generated three decades ago, when the deeply ritualistic sport attracted sell-out crowds and a national television audience.

“It wasn’t just an event here at the hall,” said James Ainscough, chief executive of the Royal Albert Hall. “It became a national moment. People talked about it in the workplace. You could see kids acting it out each day in playgrounds the length and breadth of the country. So it’s a huge honor and a huge matter of excitement to welcome it back in 2025.”

A variety of factors, including a series of sumo wrestling scandals, the financial crisis and the COVID-19 pandemic, delayed the sport’s return to London. But organizers believe the time is right because sumo is having a bit of a moment.

Two Netflix series have introduced audiences to the intricacies of the sport, which has roots stretching back 1,500 years. Earlier this year, Hanshin Contents Link opened a sumo hall in Osaka, Japan’s third-largest city, that entertains foreign tourists with explanatory exhibitions and actual bouts.

Organizers of the London event say they hope to show Japan’s rich culture as well as its traditional sport that pits two huge men clad in very little against each other in a test of strength and technique.

On hand Wednesday was the winner of the previous U.K. tournament, Nobuyoshi Hakkaku, nicknamed “bulldog” by British fans in 1991. Now the chairman of the Japan Sumo Association, he reminisced about how the only thing that made him really nervous was preparing for a victory speech in English.

Japan’s ambassador to the U.K., Hiroshi Suzuki, also made an appearance, a reflection of the event’s importance to the nation. Organizers promised that spectators also would see exhibitions of Kabuki theater and other Japanese traditions.

But the main attraction were the wrestlers.

Kitanowaka and Fukutsuumi gamely tried to show off their sport. Clad in their mawashi, or ceremonial aprons, they faced off on a mat in front of several dozen journalists. The big men slammed into each other with an “oomph” as flesh slapped flesh. A grunt or two broke the silence.

No sweat was evident. It was over in a flash.

Then they went outside, dropping their robes and exposing their flesh to the frosty November air as they entered and exited a classic London black cab for photographers.

Nothing seemed to bother them. Not the cold. Not the demands to stand this way or that. As the concert hall loomed behind them, they did their best to be sumo diplomats.

“Sumo has a wonderfully intriguing collection of culture and ritual and sport and excitement,” Ainscough said. “And to bring sumo back to the Royal Albert Hall again doesn’t just create a sporting moment, it creates a moment where we can learn and be inspired by another culture and another set of principles to live by. It’s a moment where we can all grow closer together.'”

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US House to vote to provide $3 billion to remove Chinese telecoms equipment

WASHINGTON — The U.S. House of Representatives is set to vote next week on an annual defense bill that includes just over $3 billion for U.S. telecom companies to remove equipment made by Chinese telecoms firms Huawei and ZTE 000063.SZ from American wireless networks to address security risks.

The 1,800-page text was released late Saturday and includes other provisions aimed at China, including requiring a report on Chinese efforts to evade U.S. national security regulations and an intelligence assessment of the current status of China’s biotechnology capabilities.

The Federal Communications Commission has said removing the insecure equipment is estimated to cost $4.98 billion but Congress previously only approved $1.9 billion for the “rip and replace” program.

Washington has aggressively urged U.S. allies to purge Huawei and other Chinese gear from their wireless networks.

FCC Chair Jessica Rosenworcel last week again called on the U.S. Congress to provide urgent additional funding, saying the program to replace equipment in the networks of 126 carriers faces a $3.08 billion shortfall “putting both our national security and the connectivity of rural consumers who depend on these networks at risk.”

She has warned the lack of funding could result in some rural networks shutting down, which “could eliminate the only provider in some regions” and could threaten 911 service.

Competitive Carriers Association CEO Tim Donovan on Saturday praised the announcement, saying “funding is desperately needed to fulfill the mandate to remove and replace covered equipment and services while maintaining connectivity for tens of millions of Americans.”

In 2019, Congress told the FCC to require U.S. telecoms carriers that receive federal subsidies to purge their networks of Chinese telecoms equipment. The White House in 2023 asked for $3.1 billion for the program.

Senate Commerce Committee chair Maria Cantwell said funding for the program and up to $500 million for regional tech hubs will be covered by funds generated from a one-time spectrum auction by the FCC for advanced wireless spectrum in the band known as AWS-3 to help meet rising spectrum demands of wireless consumers. 

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Garland’s ruby slippers from ‘The Wizard of Oz’ auctioned for $28M

MINNEAPOLIS — A pair of iconic ruby slippers that were worn by Judy Garland in The Wizard of Oz and stolen from a museum nearly two decades ago fetched $28 million in an auction Saturday.

Heritage Auctions had estimated that they would fetch $3 million or more. Online bidding opened last month and by Friday had reached $1.55 million, or $1.91 million including the buyer’s premium, a commission that the buyer pays, said Robert Wilonsky, a vice president with the Dallas-based auction house. More than 800 people were tracking the slippers, and the company’s web page for the auction had hit nearly 43,000 page views by Thursday, he said.

As Rhys Thomas, author of the book, The Ruby Slippers of Oz, puts it, the sequined shoes from the beloved 1939 musical have seen “more twists and turns than the Yellow Brick Road.”

They were on display at the Judy Garland Museum in her hometown of Grand Rapids, Minnesota, in 2005 when Terry Jon Martin used a hammer to smash the glass of the museum’s door and display case.

Their whereabouts remained a mystery until the FBI recovered them in 2018. Martin, now 77, who lives near Grand Rapids in northern Minnesota, wasn’t publicly exposed as the thief until he was indicted in May 2023. He pleaded guilty in October 2023. He was in a wheelchair and on supplementary oxygen when he was sentenced last January to time served because of his poor health.

His attorney, Dane DeKrey, explained ahead of sentencing that Martin, who had a long history of burglary and receiving stolen property, was attempting to pull off “one last score” after an old associate with connections to the mob told him the shoes had to be adorned with real jewels to justify their $1 million insured value. But a fence — a person who buys stolen goods — later told him the rubies were just glass, DeKrey said. So Martin got rid of the slippers. The attorney didn’t specify how.

The alleged fence, Jerry Hal Saliterman, 77, of the Minneapolis suburb of Crystal, was indicted in March. He was also in a wheelchair and on oxygen when he made his first court appearance. He’s scheduled to go on trial in January and hasn’t entered a plea, though his attorney has said he’s not guilty.

The shoes were returned in February to memorabilia collector Michael Shaw, who had lent them to the museum. They were one of several pairs that Garland wore during the filming, but only four pairs are known to have survived. In the movie, to return from Oz to Kansas, Dorothy had to click her heels three times and repeat, “There’s no place like home.”

Among those bidding was the Judy Garland Museum. The city of Grand Rapids raised money for the slippers at its annual Judy Garland festival to supplement the $100,000 set aside this year by Minnesota lawmakers to help the museum purchase the slippers.

The Wizard of Oz story has gained new attention in recent weeks with the release of the movie Wicked, an adaptation of the megahit Broadway musical, a prequel of sorts that reimagines the character of the Wicked Witch of the West.

The auction also included other memorabilia from The Wizard of Oz, such as a hat worn by Margaret Hamilton, who played the original Wicked Witch of the West. 

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