Day: February 4, 2024

Documentary About Holocaust Photographer Captures Images of Jewish Life

A new documentary called “Vishniac” tells the story of 20th century Jewish photographer Roman Vishniac, who was born in Russia, escaped the Holocaust, and eventually settled in America. His iconic photographs later helped inform the movie “Schindler’s List.” Anna Nelson has this report, narrated by Anna Rice. VOA footage by: Elena Matusovsky, Natalia Latukhina.

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Deepfake Scam Video Cost Company $26 Million, Hong Kong Police Says

Hong Kong — Scammers tricked a multinational firm out of some $26 million by impersonating senior executives using deepfake technology, Hong Kong police said Sunday, in one of the first cases of its kind in the city.

Law enforcement agencies are scrambling to keep up with generative artificial intelligence, which experts say holds potential for disinformation and misuse — such as deepfake images showing people mouthing things they never said.

A company employee in the Chinese finance hub received “video conference calls from someone posing as senior officers of the company requesting to transfer money to designated bank accounts,” police told AFP.

Police received a report of the incident on January 29, at which point some HK$200 million ($26 million) had already been lost via 15 transfers.

“Investigations are still ongoing and no arrest has been made so far,” police said, without disclosing the company’s name.

The victim was working in the finance department, and the scammers pretended to be the firm’s U.K.-based chief financial officer, according to Hong Kong media reports.

Acting Senior Superintendent Baron Chan said the video conference call involved multiple participants, but all except the victim were impersonated.

“Scammers found publicly available video and audio of the impersonation targets via YouTube, then used deepfake technology to emulate their voices… to lure the victim to follow their instructions,” Chan told reporters.

The deepfake videos were pre-recorded and did not involve dialogue or interaction with the victim, he added.

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Russian Cosmonaut Sets Record for Total Time in Space

Mosocw — Russian cosmonaut Oleg Kononenko on Sunday set a world record for total time spent in space, surpassing his compatriot Gennady Padalka who logged more than 878 days in orbit, Russia’s space corporation said.

At 0830 GMT Kononenko broke the record, Roscosmos said. Kononenko is expected to reach a total of 1,000 days in space on June 5 and by late September he will have clocked 1,110 days.

“I fly into space to do my favorite thing, not to set records,” Kononenko told TASS in an interview from the International Space Station (ISS) where he is orbiting about 263 miles (423 km) from Earth.

“I am proud of all my achievements, but I am more proud that the record for the total duration of human stay in space is still held by a Russian cosmonaut.”

The 59-year-old took the top spot from Padalka, who accumulated a total of 878 days, 11 hours, 29 minutes and 48 seconds, Roscosmos said.

The Soviet Union spooked the West in the early years of the space race by being first to launch a satellite to orbit the Earth — Sputnik 1, in 1957 — and then Soviet cosmonaut Yuri Gagarin became the first man to travel into space in 1961.

But after the 1991 collapse of the Soviet Union, Russia’s space program grappled with massive funding shortages and corruption.

Officials under President Vladimir Putin have repeatedly vowed to turn around the decline of Russia’s space programs, though serious problems remain, according to officials and space analysts.

Life in space

Kononenko said that he worked out regularly to counter the physical effects of  “insidious” weightlessness, but that it was on returning to Earth that the realization came of how much life he had missed out on.

“I do not feel deprived or isolated,” he said.

“It is only upon returning home that the realization comes that for hundreds of days in my absence the children have been growing up without a papa. No one will return this time to me.”

He said cosmonauts could now use video calls and messaging to keep in touch with relatives but getting ready for each new space flight became more difficult due to technological advances.

“The profession of a cosmonaut is becoming more complicated. The systems and experiments are becoming more complicated. I repeat, the preparation has not become easier,” he said.

Kononenko dreamed of going to space as a child and enrolled in an engineering institute, before undergoing cosmonaut training. His first space flight was in 2008.

His current trip to the ISS launched last year on a Soyuz MS-24.

The ISS is one of the few international projects on which the United States and Russia still cooperate closely. In December, Roscosmos said that a cross-flight program with NASA to the ISS had been extended until 2025.

Relations in other areas between the two countries have broken down since Russia’s invasion of Ukraine nearly two years ago, to which Washington responded by sending arms to Kyiv and imposing successive rounds of sanctions on Moscow.

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6 Shoes, $8 Million: Auction of Michael Jordan’s Sneakers Sets Record

New York — A collection of sneakers that superstar Michael Jordan wore as he and the Chicago Bulls won six NBA championships has fetched $8 million at auction, setting a record for game-worn sneakers, Sotheby’s said.

The six Air Jordan shoes — one apiece from the last games of the 1991, 1992, 1993, 1996, 1997 and 1998 championship series — sold Friday. Sotheby’s dubbed it the “Dynasty Collection.”

“Serving as both a reminder of Michael Jordan’s lasting impact on the world and a tangible expression of his recognized legendary status, its significance is further validated by this monumental result,” Brahm Wachter of Sotheby’s said in a statement. Wachter oversees modern collectables for the auction house.

Sotheby’s didn’t identify the buyer and described the seller only as “a private American collector” who obtained them from a longtime Bulls executive.

Jordan first gave a sneaker to the executive after the championship-winning game in 1991 and continued the tradition afterward, according to Sotheby’s. The auction lot included photos of Jordan wearing a single shoe as he celebrated the 1992, 1993, 1996 and 1998 wins.

A five-time league MVP and two-time Olympic gold medalist, Jordan was so singular a  

player that then-NBA Commissioner David Stern in 1992 called him “the standard by  

which basketball excellence is measured.” The NBA renamed its MVP trophy for Jordan in 2022.

He also helped shake up the athletic shoe industry and supercharge sneaker culture by teaming up with Nike to create Air Jordans in the mid-1980s.

The pair he wore in the second game of the 1998 NBA Finals was sold through Sotheby’s last April for $2.2 million, a record for a pair of sneakers. The highest auction price for any Jordan memorabilia was $10.1 million for his jersey from the first game at that series, according to Sotheby’s, which sold in 2022.

An unused ticket to Jordan’s 1984 debut with the Bulls was sold through Heritage Auctions in 2022 for $468,000 — over 55,000 times the face value.

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Taylor Swift Chases Album of Year Record at Female-Focused Grammys 

LOS ANGELES — Luminaries of the music business gather to hand out the annual Grammy awards on Sunday at a red-carpet ceremony that may culminate with another record for Taylor Swift.

The 34-year-old pop superstar in the middle of the world’s highest-grossing tour is competing for an unprecedented fourth album of the year trophy with “Midnights.”

No other artist in the 66-year Grammys history has claimed the coveted honor four times. Music legends Frank Sinatra, Paul Simon and Stevie Wonder won three each.

The awards will be broadcast live on CBS and streamed on Paramount+ PARA.O starting at 5 p.m. PT (0100 GMT). Comedian Trevor Noah returns for a fourth stint to host the ceremony at Crypto.com Arena in downtown Los Angeles.

Heavy rain is forecast to hit southern California on Sunday. Grammy organizers said the pre-ceremony red carpet would be held under tents to protect nominees from the weather.

Swift is not a lock for the album award. Industry pundits said it could go to “SOS” from R&B artist SZA, who would be the first Black woman since Lauryn Hill 25 years ago to win the category as a lead artist. SZA, singer of dark ballad “Kill Bill,” leads all Grammy nominees this year with nine nods.

“It’s very tight between SZA for ‘SOS’ and Taylor for ‘Midnights,'” said Billboard awards editor Paul Grein, who gave the edge to SZA. “They are overdue for an R&B/hip-hop winner.”

Women figure prominently in the 2024 Grammys field. Just one man, Jon Batiste, made the cut among eight nominees for the album prize. Other contenders include Olivia Rodrigo, Lana Del Rey and boygenius, the band featuring Phoebe Bridgers, Julien Baker and Lucy Dacus.

Swift also is vying for song of the year, a writing honor that she has never won despite widespread accolades for her lyrics. “Anti-Hero,” her examination of self-doubt, faces competition from Miley Cyrus empowerment anthem “Flowers” and others.

Music from the blockbuster “Barbie” movie received 12 nominations, including record of the year for Billie Eilish’s ballad “What Was I Made For?”

Contenders in the best new artist field include rapper Ice Spice, country singer Jelly Roll, R&B and pop singer Victoria Monet, singer-songwriter Coco Jones and folk-pop singer Noah Kahan.

Scheduled performers on the Grammys stage include SZA, Billy Joel, Joni Mitchell, Dua Lipa, Luke Combs and Burna Boy. U2 will perform live from the Sphere in Las Vegas.

Winners were chosen by the musicians, producers, engineers and others who make up the Recording Academy. The group has worked to diversify its membership in recent years by inviting more women and people of color to its ranks.

Organizers also added a handful of new categories this year, including best African music performance. 

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Crane Who Fell for Keeper Dies at 42

WASHINGTON — One of the great interspecies love stories of our time has come to an end.

Walnut, a white-naped crane and internet celebrity, has died at age 42. She is survived by eight chicks, the loving staff at the Smithsonian’s National Zoo and Conservation Biology Institute and by Chris Crowe, a human zookeeper whom Walnut regarded as her mate for nearly 20 years.

“Walnut was a unique individual with a vivacious personality,” Crowe said, in a statement released by the National Zoo. “I’ll always be grateful for her bond with me.”

The tale of Walnut (and Chris) has inspired internet fame and the occasional love song. It dates back to the bird’s 2004 arrival at the institute’s campus in Front Royal, Virginia.

The chick of two wild cranes who had been brought to the U.S. illegally and were later rescued by the International Crane Foundation, Walnut was hand-raised by people and bonded with her human caretakers. That preference continued when she came to the institute; she showed no interest in breeding and even attacked male crane suitors.

But white-naped cranes are considered vulnerable by the International Union for Conservation of Nature. Today, fewer than 5,300 remain in their native habitats in Mongolia, Siberia, Korea, Japan and China due to habitat loss, pollution, nest predation and poaching. And as the offspring of two wild-caught cranes, Walnut’s genes were not represented in U.S. zoos. So convincing Walnut to breed was regarded as a priority.

In stepped Crowe, who, according to a zoo statement, won her over by “observing and mimicking” the institute’s male white-naped cranes’ actions during breeding season.

Videos show Crowe offering Walnut food as well as grass and leaves for nest-building materials. When he flaps his arms in front of her, the tall majestic bird flaps excitedly in response and dances in a half-circle with her head bobbing. Once Crowe had gained her trust, he was able to artificially inseminate her using sperm from a male crane.

The unique arrangement proved wildly successful, and Walnut had eight chicks. The fertilized eggs were given to other white-napped crane pairs who tended to them as their own. Of the eight white-napped cranes currently living at the institute, one is Walnut’s chick and another is her grand-chick.

The relationship also seems to have been beneficial for Walnut’s health; at 42, she nearly tripled the median life expectancy of 15 years for white-naped cranes in human care.

Walnut was born in Wisconsin in the summer of 1981. She was named after a local Wisconsin restaurant’s popular walnut pie dessert.

Starting on the morning of Jan. 2, keepers noticed that Walnut wasn’t eating or drinking. Not even offers of her favorite treats — frozen-thawed mice, peanuts and mealworms — couldn’t spark her appetite. Veterinarians administered fluids and antibiotics and drew blood for analysis. But her health continued to decline and Walnut was eventually hospitalized. She died peacefully, surrounded by an animal care team; an autopsy revealed the cause of death to be renal failure.

“She was always confident in expressing herself, an eager and excellent dancer, and stoic in the face of life’s challenges,” Crowe said. “Walnut’s extraordinary story has helped bring attention to her vulnerable species’ plight. I hope that everyone who was touched by her story understands that her species’ survival depends on our ability and desire to protect wetland habitats.” 

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Who Freed Flaco? Owl’s Escape From New York Zoo Remains a Mystery

new york — This New York love story begins with a criminal act of sabotage. 

Under cover of darkness a year ago Friday, someone breached a waist-high fence and slipped into the Central Park Zoo. Once inside, they cut a hole through a steel mesh cage, freeing a majestic Eurasian eagle-owl named Flaco who had arrived at the zoo as a fledgling 13 years earlier. 

Immediately, Flaco fled the park, blinking his big orange eyes at pedestrians and police on Fifth Avenue before flying off into the night. 

In the year since his dramatic escape, Flaco has become one of the city’s most beloved characters. By day he lounges in Manhattan’s courtyards and parks or perches on fire escapes. He spends his nights hooting atop water towers and preying on the city’s abundant rats. 

To the surprise of many experts, Flaco is thriving in the urban wilds. An apex predator with a nearly 6-foot (2-meter) wingspan, he has called on abilities some feared he hadn’t developed during a lifetime in captivity, gamely exploring new neighborhoods and turning up unexpectedly at the windows of New Yorkers. 

“He was the underdog from the start. People did not expect him to survive,” said Jacqueline Emery, one of several birders who document the owl’s daily movements and share them online with his legions of admirers. “New Yorkers especially connect to him because of his resilience.” 

But as Flaco enters his second year in the spotlight, it can be easy to forget that his freedom is the result of a crime, one that has improbably remained unsolved. 

‘This was a crime’

The break-in happened steps from the shared headquarters of the New York City Parks Department and the Central Park Zoo, in the vicinity of at least one surveillance camera. 

But if they have collected any evidence on a potential suspect, police and zoo authorities have declined to share it. Since the zoo suspended efforts to re-capture Flaco in February 2023, there has been no public information about the crime. 

Privately, the zoo has sought to soften descriptions of Flaco’s former living conditions, in a minivan-sized structure decorated with a painted mountain vista, barely twice the width of Flaco’s extended wings. 

In internal emails obtained through a Freedom of Information request, zoo officials urged the Parks Department not to publicly describe Flaco as “raised in captivity.” Likewise, the term “escape” should be avoided. 

“That puts the blame on the animal rather than the perpetrator,” the zoo’s then-communications director, Max Pulsinelli, wrote in one email. “This was a crime.” 

In the absence of official information, theories of the crime abound — a youthful prank, perhaps, or an attempted owl heist gone awry? For many invested in Flaco’s fate, the most plausible explanation is that he was freed for ideological reasons. 

Proponents of the animal liberation theory point to the seemingly targeted nature of the crime, as well as the limitations of the owl’s modest enclosure. 

“I wouldn’t be surprised if it was someone who loved Flaco and wanted him free,” said Nicole Barrantes, a wildlife campaign manager with World Animal Protection, who started a petition against Flaco being returned to the zoo. “His habitat was ridiculous. It was the saddest thing ever.” 

Break-ins and vandalism have long been tactics some activists have used to free animals. Such actions are often made public by the North American Animal Liberation Press Office, an anonymous online database. 

The group’s spokesperson, Jerry Vlasak, said no one had come forward to claim responsibility for Flaco’s escape. “We never received a communique,” he said. “But we’re certainly glad it happened.” 

A spokesperson for the Wildlife Conservation Society, which has operated the zoo since 1988, did not respond to the claims that Flaco’s zoo habitat was inadequate. 

“This was a criminal act that jeopardized the safety of the bird,” the zoo said in a statement, adding that they are continuing to monitor reports of Flaco’s activity and wellbeing and are “prepared to resume recovery efforts if he shows any sign of difficulty or distress.” 

Threats in the city

Even with his proficient hunting skills, Flaco faces many threats in the city, including a grave risk of consuming rodenticide through a poisoned rat. In 2021, another beloved Central Park owl, Barry, was fatally struck by a truck after ingesting a lethal dose of rat poison that may have impaired her flying. 

“All the hazards are still there,” cautioned Suzanne Shoemaker, the director of the Owl Moon Raptor Center in Maryland. “He’s shown some good instincts to be able to make it this far. He’s also lucky.” 

Flaco spent his initial months of freedom mostly in Central Park, which is loaded with wildlife, but has lately preferred more urban sections of Manhattan. There has been some speculation that he has been looking for a mate, though he most certainly won’t find one. Eurasian eagle owls aren’t native to North America. 

Stories of zoo animals breaking loose in the middle of the country’s densest city have long captured the public imagination, while often ushering in calls for reforms. 

Following a series of bird thefts and “senseless” animal beatings in the 1970s, administrators ordered immediate security upgrades and the redesign of some pens at the zoo, which the city’s parks commissioner at the time described as “Rikers Island for animals” because of poor living conditions. 

A few years later, when a group of vandals made off with a boa constrictor and a parrot named “Peanuts,” officials accused the perpetrators of stealing the animals for “voodoo rites.” 

Since those days the zoo has been substantially redesigned. 

Wildlife groups have long warned that owls can be used as sacrifices in certain religious ceremonies — particularly birds like Flaco, who boasts prominent ear tufts. The Eurasian eagle-owl is also commonly used in falconry, selling for as much as $3,000. 

But while some have suggested Flaco was targeted for either financial or spiritual purposes, such speculation would seem undermined by the fact that he emerged from his damaged cage and into the bustling cityscape unscathed. 

On a recent night on Manhattan’s Upper West Side, one of the Flaco’s most dedicated observers, David Barrett, struck an ambivalent tone when asked how New Yorkers should think about the crime that made him an avian celebrity. 

“To me, the folk hero is Flaco,” said Barrett, who runs the X account Manhattan Bird Alert, documenting the bird’s whereabouts in real time. “It’s an amazing thing: He lives his whole life in captivity and in a matter of days he taught himself to fly and to hunt rats.” 

Tuning his ears skyward, Barrett listened for the signature hoot that had echoed across Broadway on so many recent nights. 

“It’s not our business to try to solve crimes,” he said. “We’re just glad he’s here.” 

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Music from Africa Rising on Global Charts, with Help from TikTok

LOS ANGELES — When the biggest names in music gather Sunday for the industry’s top honors at the Grammy Awards, they will hand out a new trophy for best African music performance.

The prize reflects the growing popularity of Afrobeats, and other music from the continent, which is gaining a global audience with help from social media platforms such as short-form video app TikTok.

Afrobeats originated in West Africa, primarily Ghana and Nigeria, though the term is often used as a catch-all for various music styles coming from Africa. It features percussion rhythms mixed with various genres from rap to jazz, R&B and others.

Modern Afrobeats “has a feel-good groove to it,” said Heran Mamo, R&B and hip-hop reporter at Billboard magazine, which created a U.S. Afrobeats chart in 2022. “It’s bound to reach a wider audience because it already contains a little bit of everything for everyone.”

On Spotify, Afrobeats music was streamed 13.5 billion times in 2022, up from 2 billion in 2017.

In another milestone, Nigerian singer Burna Boy became the first African artist to sell out a U.S. stadium when he played New York’s Citi Field last summer.

Musicians in the running for the new Grammy on Sunday include Tyla, a 22-year-old South African singer. She hit the top 10 on Billboard’s Hot 100 chart with the danceable Water, an example of a genre known as amapiano, a jazz- and piano-infused sound.

A TikTok executive in South Africa had noticed Tyla gaining attention in her local market back in 2020, and reached out to her with tips on how to maximize her presence on the app.

Water was released in July 2023, after Tyla signed with Sony Music Entertainment’s 6758.T Epic Records.

By September, TikTok users were replicating Tyla’s dance moves in the #WaterChallenge. To date, 1.5 million videos have been created using the song, and the #WaterChallenge hashtag has been viewed 1.8 billion times, according to TikTok.

“I think that TikTok has played the role of incubator, but also the distributor to the billion-plus global users and it’s just really landed,” said Ole Obermann, global head of music at TikTok.

Tyla’s success illustrates the power of TikTok and YouTube to help artists find fan bases around the world, a role once reserved for music labels.

“The proliferation of streaming along with new social media platforms (e.g. TikTok) has accelerated artist discovery, and have provided new mediums for artists to grow their fan bases globally,” Bank of America Securities analyst Jessica Reif Cohen said in a research note predicting media trends for 2024.

TikTok remains controversial in the United States because of its ownership by Chinese company ByteDance, which critics view as a security risk. The Biden administration has banned the app on U.S. government devices. TikTok officials say they have rigorous safeguards in place and they reject allegations of spying on user data.

The app also is in a dispute with Universal Music GroupUMG.AS over how much it pays for use of songs from Taylor Swift, Billie Eilish and others. Music from many Universal artists was unavailable on TikTok as of Friday.

For U.S. teenagers, TikTok ranks as the second-most common music discovery source behind YouTube, according to a recent MIDiA Research survey that showed 45% of 16- to 19-year-olds found new music through the platform.

Other Afrobeats artists who found audiences on TikTok include Nigerian rapper Rema. He collaborated with Selena Gomez for a remix of his song Calm Down, which hit No. 3 on the Billboard Hot 100 and won an award for best Afrobeats at MTV’s Video Music Awards last September.

TikTok is helping to forge new connections between U.S. and African artists. Obermann said he played a short clip of a song called Ojapiano from Nigerian musician KCee for Ryan Tedder, a songwriter and lead singer for the band OneRepublic.

Tedder liked the sound so much that he immediately reached out to KCee, who jumped on a plane from Lagos to Los Angeles two days later so the pair could make a remix of the song.

Obermann hopes the soon-to-be-released remix will give new life to Ojapiano, a combination of amapiano and a Nigerian flute called Oja, and keep fueling the Afrobeats craze.

“This is going to be a big, growing genre,” Obermann said.

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New Amazon TV Series Filmed in Hong Kong but Unavailable There

Hong Kong  — Frustrated Hong Kong residents say they have been unable to watch the online TV series Expats, starring Hollywood star Nicole Kidman, which was launched globally on Amazon Prime Video late last week and focuses on the former British colony.

The six-part show, directed by Chinese-born American filmmaker Lulu Wang, is based on a novel by Korean American author Janice Y. K. Lee.

The plot revolves around the lives of three women in Hong Kong in 2014, and the scenes include numerous Hong Kong elements. In addition to settings in familiar tourist sites such as Victoria Harbor, it reproduces scenes of the 2014 Hong Kong protests, also known as the Umbrella Movement, when protesters took to the streets holding umbrellas, demanding the right to choose the city’s chief executive.

It is still unclear whether the decision to block the program in Hong Kong was a business decision or whether it was due to interference from authorities there. Analysts suspect that local Amazon Prime users are unable to watch the program because of those reproduced scenes of the 2014 protests.

Some also worry it may be another sign of Beijing’s broader crackdown on the arts.

A Hong Kong government spokesperson told RFA: “We have no comment on the operational arrangements of individual businesses.”

A spokesperson for the Hong Kong government issued a statement late last month saying that the current Film Censorship Ordinance only regulates films and does not apply to streaming or Internet platforms.

VOA reached out to Amazon Prime Video’s Hong Kong office for comment on why the show is not available in the city but did not receive any response by the time of publication.

“Since this movie was shot in Hong Kong, the director of the movie is of Chinese origin, and the content has a lot to do with the true events, ordinary Hong Kong citizens will definitely want to see a show that truly reflects Hong Kong society,” said Guo Zhenming, a Chinese independent film director.

Guo told VOA he believes self-censorship by Amazon may have kept the show from airing in Hong Kong.

Kenny Ng, a film censorship expert at Hong Kong Baptist University, believes that the matter is not directly related to the Hong Kong government.

“So many new shows are created on earth every day,” Ng said. “I don’t believe that the officials of the Hong Kong government have the ability to know that such a series is about to be released. The current Hong Kong censorship regulations govern films shown in theaters, not streaming platforms. … A series not being shown is often the result of a compromise made after negotiations.”

He believes Amazon may have made a business decision to abandon the Hong Kong market for this show based on the territory’s political situation and social atmosphere.

Ng believes that no matter whose decision it was, Hong Kong people’s freedom to watch the show has certainly been violated. He said many Hong Kong people are going to movie and TV show websites in China to look for the show.

“If the public had a choice, they might not be so eager to see this show. But now they suddenly cannot see it, everyone is doing everything possible to go and see it,” he said.

He said there will always be a market for banned shows.

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Rohingya Refugees File Petition Against Facebook in Indian Court

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