07/23/2023 | UPONSOFT

‘Barbie’ Crowned Box Office Queen, ‘Oppenheimer’ Soars in Historic Weekend

By Uponent | 07/23/2023 | No Comments | Business, Entertainment

“Barbenheimer” didn’t just work – it spun box office gold. The social media-fueled fusion of Greta Gerwig’s “Barbie” and Christopher Nolan’s “Oppenheimer” brought moviegoers back to the theaters in record numbers this weekend, vastly outperforming projections and giving a glimmer of hope to the lagging exhibition business, amid the sobering backdrop of strikes.

Warner Bros.’ “Barbie” claimed the top spot with a massive $155 million in ticket sales from North American theaters from 4,243 locations, surpassing “The Super Mario Bros. Movie” (as well as every Marvel movie this year) as the biggest opening of the year and breaking the first weekend record for a film directed by a woman. Universal’s “Oppenheimer” also soared past expectations, taking in $80.5 million from 3,610 theaters in the U.S. and Canada, marking Nolan’s biggest non-Batman debut and one of the best-ever starts for an R-rated biographical drama.

It’s also the first time that one movie opened to more than $100 million and another movie opened to more than $80 million in the same weekend. When all is settled, it will likely turn out to be the fourth biggest box office weekend of all time with over $300 million industrywide. And all this in a marketplace that increasingly curved toward intellectual property-driven winner takes all.

The “Barbenheimer” phenomenon may have started out as good-natured competition between two aesthetic opposites, but, as many hoped, both movies benefited in the end. Internationally, “Barbie” earned $182 million from 69 territories, fueling a $337 million global weekend. “Oppenheimer” did $93.7 million from 78 territories, ranking above “Barbie” in India, for a $174.2 million global total.

The only real casualty was “Mission: Impossible: Dead Reckoning Part I,” which despite strong reviews and a healthy opening weekend fell 64% in weekend two. Overshadowed by the “Barbenheimer” glow as well as the blow of losing its IMAX screens to “Oppenheimer,” the Tom Cruise vehicle added $19.5 million, bringing its domestic total to $118.8 million.

“Barbenheimer” is not merely counterprogramming either. But while a certain section of enthusiastic moviegoers overlapped, in aggregate the audiences were distinct.

Women drove the historic “Barbie” opening, making up 65% of the audience, according to PostTrak, and 40% of ticket buyers were under the age of 25 for the PG-13 rated movie.

“It’s just a joyous time in the world. This is history in so many ways,” said Jeff Goldstein, Warner Bros.’ president of domestic distribution. “I think this marketing campaign is one for the ages that people will be talking about forever.”

“Oppenheimer” audiences meanwhile were 62% male and 63% over the age of 25, with a somewhat surprising 32% that were between the ages of 18 and 24.

Both “Barbie” and “Oppenheimer” scored well with critics with 90% and 94% on Rotten Tomatoes, respectively, and audiences who gave both films an A CinemaScore. And social media has been awash with reactions and “takes” all weekend – good, bad, problematic and everywhere in between – the kind of organic, event cinema, watercooler debate that no marketing budget can buy.

“The ‘Barbenheimer’ thing was a real boost for both movies,” Goldstein said. “It is a crowning achievement for all of us.”

“Oppenheimer” had the vast majority (80%) of premium large format screens at its disposal. Some 25 theaters in North America boasted IMAX 70mm screenings (Nolan’s preferred format), most of which were completely sold out all weekend — accounting for 2% of the total gross. Theaters even scrambled to add more to accommodate the demand including 1 a.m. and 6 a.m. screenings, which also sold out.

“Nolan’s films are truly cinematic events,” said Jim Orr, Universal’s president of domestic distribution.

IMAX showings alone made up 26% of the domestic gross (or $21.1 million) from only 411 screens and 20% of the global gross, and “Oppenheimer” will have at least a three-week run on those high-demand screens.

“This is a phenomenon beyond compare,” said Rich Gelfond, the CEO of IMAX, in a statement. “Around the world, we’ve seen sellouts at 4:00 a.m. shows and people travelling hours across borders to see ‘Oppenheimer’ in IMAX 70mm.”

This is the comeback weekend Hollywood has been dreaming of since the pandemic. There have been big openings and successes – “Spider-Man: No Way Home,” “Top Gun: Maverick,” “Avatar: The Way of Water” among them, but the fact that two movies are succeeding at the same time is notable.

“It was a truly historic weekend and continues the positive box office momentum of 2023,” said Michael O’Leary, President & CEO of the National Association of Theater Owners. “People recognized that something special was happening and they wanted to be a part of it.”

And yet in the background looms disaster as Hollywood studios continue to squabble with striking actors and writers over a fair contract.

“Barbie” and “Oppenheimer” were the last films on the 2023 calendar to get a massive, global press tour. Both went right up to the 11th hour, squeezing in every last moment with their movie stars. “Oppenheimer” even pushed up its London premiere by an hour, knowing that Emily Blunt, Matt Damon and Cillian Murphy would have to leave to symbolically join the picket lines by the time the movie began.

Without movie stars to promote their films, studios have started pushing some falls releases, including the high-profile Zendaya tennis drama “Challengers.”

But for now, it’s simply a positive story that could even continue for weeks to come.

“There could be a sequel next weekend,” said Paul Dergarabedian, the senior media analyst for Comscore. “The FOMO factor will rachet up because of this monumental box office event centered around the movie theater experience.”

Estimated ticket sales for Friday through Sunday at U.S. and Canadian theaters, according to Comscore. Final domestic figures will be released Monday.

“Barbie,” $155 million.
“Oppenheimer,” $80.5 million.
“Sound of Freedom,” $20.1 million.
“Mission: Impossible-Dead Reckoning Part I,” $19.5 million.
“Indiana Jones and the Dial of Destiny,” $6.7 million.
“Insidious: The Red Door,” $6.5 million.
“Elemental,” $5.8 million.
“Spider-Man: Across the Spider-Verse,” $2.8 million.
“Transformers: Rise of the Beasts,” 1.1 million.
“No Hard Feelings,” $1.1 million.
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UK Band ‘The 1975’ Cancels Indonesia, Taiwan Shows After Malaysia LGBTQ Controversy

By Uponent | 07/23/2023 | No Comments | Business, Entertainment

British band The 1975 said on Sunday they have canceled shows in Taiwan and Muslim-majority Indonesia, a day after Malaysia banned them from performing there after their frontman kissed a bandmate on stage and criticized the country’s anti-LGBTQ laws.

“Unfortunately, due to current circumstances, it is impossible to proceed with the scheduled shows,” the pop rock group said in a statement, without elaborating.

Malaysia’s government halted a music festival in the capital Kuala Lumpur on Saturday and barred The 1975 after what it called “disrespectful actions.”

Homosexuality is a crime in Muslim-majority Malaysia. Rights groups have warned of growing intolerance against lesbian, gay, bisexual and transgender people.

The events on Friday in Malaysia caused an uproar, angering not only the government, but members of the LGBTQ community, who said frontman Matty Healy’s actions could expose LGBTQ people to more stigma and discrimination.

The 1975 were due to play on Sunday in Jakarta, the capital of Indonesia, the world’s most populous Muslim-majority nation, where homosexuality is a taboo subject, though not illegal except in sharia-ruled Aceh province.

Other LGBTQ-related events have also been canceled in Indonesia due to objections from Islamic groups, including a planned visit last December by a U.S. LGBTQ special envoy, and the scrapping this month of a Southeast Asia LGBTQ event. Both came after pressure from religious conservatives.

It was not immediately clear why the band canceled their July 25 show in Taiwan, which has a proud reputation as a bastion of LGBTQ rights and liberalism, including allowing same-sex marriage in 2019.
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Musk Says Twitter to Change Logo to “X” From The Bird

By Uponsil | 07/23/2023 | No Comments | Business, Science, Silicon Valley

Elon Musk said Sunday that he plans to change the logo of Twitter to an “X” from the bird, marking what would be the latest big change since he bought the social media platform for $44 billion last year.

In a series of posts on his Twitter account starting just after 12 a.m. ET, Twitter’s owner said that he’s looking to make the change worldwide as soon as Monday.

“And soon we shall bid adieu to the twitter brand and, gradually, all the birds,” Musk wrote on his account.

Earlier this month, Musk put new curfews on his digital town square, a move that came under sharp criticism that it could drive away advertisers and undermine its cultural influence as a trendsetter.

In May, Musk hired longtime NBC Universal executive Linda Yaccarino as Twitter’s CEO in a move to win back advertisers.

Luring advertisers is essential for Musk and Twitter after many fled in the early months after his takeover of the social media platform, fearing damage to their brands in the ensuing chaos. Musk said in late April that advertisers had returned, but provided no specifics.

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19 Straight Days Above 43.3 C: Arizona Photographer Shares His Story

By Uponsci | 07/23/2023 | No Comments | Business, Science, Silicon Valley

Associated Press photographer Matt York, who has covered Arizona for 23 years, recently was caught off guard by the heat wave that has shattered records in Phoenix. The 50-year-old York photographed life in the city for six of seven days as temperatures hovered above 110 Fahrenheit. On Tuesday, he went in for a medical procedure to remove a skin cancer spot and learned he was suffering from heat exhaustion and was at risk of a heart attack. He shares his story as a cautionary tale.

PHOENIX — Heat never scared me before.

I’ve spent 23 years covering Phoenix as a photographer for The Associated Press, shooting golf tournaments, baseball games and other outdoor sporting events, the city’s growing homeless population, immigration and crime.

And, of course, heat.

Like most people around here, I talk about temperatures being in the teens as if it’s a given that people know to always put a one in front of that number.

But this summer’s record-shattering heat wave has been like no other.

No amount of water or Gatorade can keep you going in these conditions without adequate cool-downs throughout the day.

My phone and cameras continually glitch out and stop working. Even my car’s air conditioning has struggled to keep up.

In my car, I keep a thermometer that I once used to check the temperature of chemicals in a darkroom. The heat inside when the air conditioner is off is way hotter than the air outside, and the thermometer often goes up to 51.6 degrees Celsius.

In recent days it blew past that, with the needle registering well beyond where the numbers stop.

On the morning of July 10, I spent more than three hours off and on photographing life outdoors. Heat features are tough in part because people aren’t stupid enough to be outside, unlike photojournalists.

When I got home, I was exhausted. But I got up the next day and went back out for another consecutive day of temperatures above 43.3 Celsius.

At one point my camera stopped working, and I had to cool it down in the car. It burned my hand to hold onto it.

On July 12, I covered a cooling shelter for homeless people and photographed a man at his tent in The Zone, an area of downtown blocks dotted by tents. The black asphalt streets were radiating heat.

I was sweating so profusely it dripped off me like a basketball player in an intense game. It wasn’t the first time this has happened and it’s why I often carry a towel to dry off and keep the sweat from dripping in my viewfinder.

But then I realized there was no need to wipe down. I was dry. I’d stopped sweating altogether. My body had no more water to give. My legs started feeling chilled, an odd sensation. Then they cramped. It was obvious I needed to get out of the heat.

But I didn’t think any more of it. That night I slept fitfully as temperatures remained high, and I had a headache.

By July 14, I was super lethargic and just wanted the work week to end. I was done with covering heat.

On July 15 I rested and thought, “I’m in Arizona. It is what it is.”

I had a dermatology appointment on July 18 to remove a spot of basal cell carcinoma, the most common form of skin cancer. Such procedures have become almost routine after so many years working in Arizona.

That day Phoenix broke its record for the longest streak above 43.3 Celsius, marking the 19th day with such heat.

When I got checked, they told me I was a mess. My blood pressure was clocked at 178/120. After telling me that, it shot up to 200/120. The nurse wanted to send me in an ambulance to the emergency room because they thought I was going to have a heart attack.

It’s so surprising it seems funny now. I assumed I was just tired from work.

I opted to see my doctor Wednesday and was told I was suffering from heat exhaustion.

I had precautionary blood work done the next day to make sure all is normal. But not without first experiencing more heat-related fallout: they couldn’t draw blood from either arm because I was still slightly dehydrated. Unfortunately that meant they took it through my hands, which wasn’t pleasant.

The great news is, I’m fine. I spent two days inside and my blood pressure Friday was down to 128/72.

I will be more cautious going forward until this heat wave passes and have developed a plan with my fellow photographer, Ross Franklin.

In extreme heat, we will limit ourselves to 30– to 40-minute windows of photography before breaking to cool down. We’re keeping chilled, damp towels in a cooler in our cars and about two to three times as much water and Gatorade as we would have normally.

A separate cooler with plastic ice packs holds our cameras when we’re not shooting pictures. We have extra dry towels for sweat. We also plan to send all our images to the newsroom from inside a cooled building, not from our cars as we usually do.

And if we really feel bad, we promise to simply call it quits. No exceptions.

We typically fight through not feeling well on assignments — but not with heat.

It’s too risky.
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