Day: May 14, 2023

As Net Tightens, Iranians Pushed to Take Up Homegrown Apps

Banned from using popular Western apps, Iranians have been left with little choice but to take up state-backed alternatives, as the authorities tighten internet restrictions for security reasons following months of protests.

Iranians are accustomed to using virtual private networks, or VPNs, to evade restrictions and access prohibited websites or apps, including the U.S.-based Facebook, Twitter and YouTube.

The authorities went as far as imposing total internet blackouts during the protests that erupted after the September death of 22-year-old Mahsa Amini, following her arrest for an alleged breach of the Islamic republic’s dress code for women.

Connections are back up and running again, and even those who are tech-savvy are being corralled into using the apps approved by the authorities such as Neshan for navigation and Snapp! to hail a car ride.

As many as 89 million people have signed up to Iranian messaging apps including Bale, Ita, Rubika and Soroush, the government says, but not everyone is keen on making the switch.

“The topics that I follow and the friends who I communicate with are not on Iranian platforms,” said Mansour Roghani, a resident in the capital Tehran.

“I use Telegram and WhatsApp and, if my VPN still allows me, I’ll check Instagram,” the former municipality employee said, adding that he has not installed domestic apps as replacements.

Integration

At the height of the deadly Amini protests in October, the Iranian government cited security concerns as it moved to restrict internet access and added Instagram and WhatsApp to its long list of blocked applications.

“No one wants to limit the internet and we can have international platforms” if the foreign companies agree to introduce representative offices in Iran, Telecommunications Minister Issa Zarepour said last month.

Meta, the American giant that owns Facebook, Instagram and WhatsApp, has said it has no intention of setting up offices in the Islamic republic, which remains under crippling U.S. sanctions.

The popularity of the state-sanctioned apps may not be what it seems, however, with the government encouraging people to install them by shifting essential online public services to the homegrown platforms which are often funded by the state.

In addition, analysts say, Iranian users have online safety concerns when using the approved local apps.

“We have to understand they have needs,” said Amir Rashidi, director of digital rights and security at the New York-based Miaan Group.

“As an Iranian citizen, what would you do if registering for university is only based on one of these apps? Or what would you do if you need access to government services?” he said.

The locally developed apps lack a “clear privacy policy,” according to software developer Keikhosrow Heydari-Nejat.

“I have installed some of the domestic messaging apps on a separate phone, not the one that I am using every day,” the 23-year-old said, adding he had done so to access online government services.

“If they (government) shut the internet down, I will keep them installed but I will visit my friends in person,” he said.

Interconnection 

In a further effort to push people onto the domestic platforms, the telecommunications ministry connected the four major messaging apps, enabling users to communicate across the platforms.

“Because the government is going for the maximum number of users, they are trying to connect these apps,” the analyst Rashidi said, adding all the domestic platforms “will enjoy financial and technical support.”

Iran has placed restrictions on apps such as Facebook and Twitter since 2009, following protests over disputed presidential elections.

In November 2019, Iran imposed nationwide internet restrictions during protests sparked by surprise fuel price hikes.

A homegrown internet network, the National Information Network (NIN), which is around 60% completed, will allow domestic platforms to operate independently of global networks.

One platform already benefiting from the highly filtered domestic network is Snapp!, an app similar to U.S. ride-hailing service Uber that has 52 million users — more than half the country’s population.

But Rashidi said the NIN will give Tehran greater control to “shut down the internet with less cost” once completed.

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Off-Grid Solar Brings Light, Time, Income to Remotest Indonesia Villages

As Tamar Ana Jawa wove a red sarong in the fading sunlight, her neighbor switched on a light bulb dangling from the sloping tin roof. It was just one bulb powered by a small solar panel, but in this remote village that means a lot. In some of the world’s most remote places, off-grid solar systems are bringing villagers like Jawa more hours in the day, more money and more social gatherings.

Before electricity came to the village, a little less than two years ago, the day ended when the sun went down. Villagers in Laindeha, on the island of Sumba in eastern Indonesia, would set aside the mats they were weaving or coffee they were sorting to sell at the market as the light faded.

A few families who could afford them would start noisy generators that rumbled into the night, emitting plumes of smoke. Some people wired lightbulbs to old car batteries, which would quickly die or burn out appliances, as they had no regulator. Children sometimes studied by makeshift oil lamps, but these occasionally burned down homes when knocked over by the wind.

That’s changed since grassroots social enterprise projects have brought small, individual solar panel systems to Laindeha and villages like it across the island.

For Jawa, it means much-needed extra income. When her husband died of a stroke in December 2022, Jawa wasn’t sure how she would pay for her children’s schooling. But when a neighbor got electric lighting shortly after, she realized she could continue weaving clothes for the market late into the evening.

“It used to be dark at night, now it’s bright until morning,” the 30-year-old mother of two said, carefully arranging and pushing red threads at the loom. “So tonight, I work … to pay for the children.”

Around the world, hundreds of millions of people live in communities without regular access to power, and off-grid solar systems like these are bringing limited access to electricity to places like these years before power grids reach them.  

Some 775 million people globally lacked access to electricity in 2022, according to the International Energy Agency. Sub-Saharan Africa and South Asia are home to some of the largest populations without access to electricity. Not having electricity at home keeps people in poverty, the U.N. and World Bank wrote in a 2021 report. It’s hard for very poor people to get electricity, according to the report, and it’s hard for people who don’t have it to participate in the modern economy.

Indonesia has brought electricity to millions of people in recent years, going from 85% to nearly 97% coverage between 2005 and 2020, according to World Bank data. But there are still more than half a million people in Indonesia living in places the grid doesn’t reach.

While barriers still remain, experts say off-grid solar programs on the island could be replicated across the vast archipelago nation, bringing renewable energy to remote communities.

Now, villagers frequently gather in the evening to continue the day’s work, gather to watch television shows on cellphones charged by the panels and help children do homework in light bright enough to read.

“I couldn’t really study at night before,” said Antonius Pekambani, a 17-year-old student in Ndapaymi village, east Sumba. “But now I can.”

Solar power is still fairly rare in Indonesia. While the country has targeted more solar as part of its climate goals, there has been limited progress due to regulations that don’t allow households to sell power back to the grid, ruling out a way of defraying the cost that has helped people afford solar in other parts of the world.

That’s where grassroots organizations like Sumba Sustainable Solutions, based in eastern Sumba since 2019, saw potential to help. Working with international donors to help subsidize the cost, it provides imported home solar systems, which can power light bulbs and charge cellphones, for monthly payments equivalent to $3.50 over three years.

The organization also offers solar-powered appliances such as wireless lamps and grinding machines. It said it has distributed over 3,020 solar light systems and 62 mills across the island, reaching more than 3,000 homes.

Imelda Pindi Mbitu, a 46-year-old mother of five living in Walatungga, said she used to spend whole days grinding corn kernels and coffee beans between two rocks to sell at the local market; now, she takes it to a solar-powered mill shared by the village.

“With manual milling, if I start in the morning I can only finish in the afternoon. I can’t do anything else,” she said sitting in her wooden home. “If you use the machine, it’s faster. So now I can do other things.”

Similar schemes in other places, including Bangladesh and sub-Saharan Africa, have helped provide electricity for millions, according to the World Bank.

But some smaller off-grid solar systems like these don’t provide the same amount of power as grid access. While cellphones, light bulbs and mills remain charged, the systems don’t generate enough power for a large sound system or a church.

Off-grid solar projects face hurdles too, said Jetty Arlenda, an engineer with Sumba Sustainable Solutions.

The organization’s scheme is heavily reliant upon donors to subsidize the cost of solar equipment, which many rural residents would be unable to afford at their market cost. Villagers without off-grid solar panels are stuck on waitlists while Sumba Sustainable Solutions looks for more funding. They’re hoping for support from Indonesia’s $20 billion Just Energy Transition Partnership deal, which is being negotiated by numerous developed nations and international financial institutions.

There’s also been issues with recipients failing to make payments, especially as the island deals with locust outbreaks diminishing crops and livelihoods of villagers. And when solar systems break, they need imported parts that can be hard to come by.

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Chile’s Firefighting Goats Protect a Forest From Deadly Blazes 

In the southern Chilean city of Santa Juana, hit hard by wildfires earlier this year, locals have a special taskforce helping fight blazes: a herd of goats.

The goats have already saved the native forest of the Bosques de Chacay once in February, preventing the park from being consumed by forest fires – fueled by heatwaves and a punishing drought – that left dozens dead, thousands injured and almost 440,000 hectares destroyed in south-central Chile.

“The park was surrounded by fires, but it ended up being the only green spot left,” said Rocio Cruces, cofounder of the 16-hectare (40-acre) park, and “Buena Cabra,” a project that uses goats to build firebreaks.

The technique, also used in Portugal and Spain, relies on grazing goats to control dry pastures and other vegetation that fuel forest fires in the summer. Goat droppings also help enrich the soil and prevent further erosion.

“The fire reached our forest but only the first line of trees was really affected, less than 10% of the park,” Cruces said, adding that small fires broke out but did not advance due to minimal brush.

Cruces started the project after deadly wildfires in 2017. Her flock has since grown from 16 goats to 150 and she hopes to inspire others to follow suit.

“In Chile we are failing in fire prevention,” said Francisco Di Napoli, a forestry engineer from the University of Concepcion in Chile who is familiar with the technique, known as “strategic grazing.”

“These animals can help us a lot,” Di Napoli said, adding that other organizations should “evaluate where it can be applied, find where there’s fuel and have the goats eat it.”

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Audio Book Narrators Say AI Is Already Taking Away Business

As people brace for the disruptive impact of artificial intelligence on jobs and everyday living, those in the world of audio books say their field is already being transformed.

AI has the ability to create human-sounding recordings — at assembly-line speed — while bypassing at least part of the services of the human professionals who for years have made a living with their voices.

Many of them are already seeing a sharp drop off in business.

Tanya Eby has been a full-time voice actor and professional narrator for 20 years. She has a recording studio in her home.

But in the past six months she has seen her work load fall by half. Her bookings now run only through June, while in a normal year they would extend through August.

Many of her colleagues report similar declines.

While other factors could be at play, she told AFP, “It seems to make sense that AI is affecting all of us.”

There is no label identifying AI-assisted recordings as such, but professionals say thousands of audio books currently in circulation use “voices” generated from a databank.

Among the most cutting-edge, DeepZen offers rates that can slash the cost of producing an audio book to one-fourth, or less, that of a traditional project.

The small London-based company draws from a database it created by recording the voices of several actors who were asked to speak in a variety of emotional registers.

“Every voice that we are using, we sign a license agreement, and we pay for the recordings,” said DeepZen CEO Kamis Taylan.

For every project, he added, “we pay royalties based on the work that we do.”

Not everyone respects that standard, said Eby.

“All these new companies are popping up who are not as ethical,” she said, and some use voices found in databases without paying for them.

“There’s that gray area” being exploited by several platforms, Taylan acknowledged.

“They take your voice, my voice, five other people’s voices combined that just creates a separate voice… They say that it doesn’t belong to anybody.”

All the audio book companies contacted by AFP denied using such practices.

Speechki, a Texas-based start-up, uses both its own recordings and voices from existing databanks, said CEO Dima Abramov.

But that is done only after a contract has been signed covering usage rights, he said.

Future of coexistence?

The five largest U.S. publishing houses did not respond to requests for comment.

But professionals contacted by AFP said several traditional publishers are already using so-called generative AI, which can create texts, images, videos and voices from existing content — without human intervention.

“Professional narration has always been, and will remain, core to the Audible listening experience,” said a spokesperson for that Amazon subsidiary, a giant in the American audio book sector.

“However, as text-to-speech technology improves, we see a future in which human performances and text-to-speech generated content can coexist.”

The giants of U.S. technology, deeply involved in the explosively developing field of AI, are all pursuing the promising business of digitally narrated audio books.

‘Accessible to all’

Early this year, Apple announced it was moving into AI-narrated audio books, a move it said would make the “creation of audio books more accessible to all,” notably independent authors and small publishers.

Google is offering a similar service, which it describes as “auto-narration.”

“We have to democratize the publishing industry, because only the most famous and the big names are getting converted into audio,” said Taylan. 

“Synthetic narration just opened the door for old books that have never been recorded, and all the books from the future that never will be recorded because of the economics,” added Speechki’s Abramov.

Given the costs of human-based recording, he added, only some five percent of all books are turned into audio books.

But Abramov insisted that the growing market would also benefit voice actors.

“They will make more money, they will make more recordings,” he said. 

The human element

“The essence of storytelling is teaching humanity how to be human. And we feel strongly that that should never be given to a machine to teach us about how to be human,” said Emily Ellet, an actor and audio book narrator who cofounded the Professional Audiobook Narrators Association (PANA).

“Storytelling,” she added, “should remain human entirely.”

Eby underlined a frequent criticism of digitally generated recordings. 

When compared to a human recording, she said, an AI product “lacks in emotional connectivity.”

Eby said she fears, however, that people will grow accustomed to the machine-generated version, “and I think that’s quietly what’s kind of happening.”

Her wish is simply “that companies would let listeners know that they’re listening to an AI-generated piece… I just want people to be honest about it.”

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Hobbit Houses Spring Up in Bosnia Hills

Four sisters are building the first Hobbit-style village in southeast Europe in the green hills of central Bosnia, hoping to attract fans of “The Lord of the Rings” books and movies as well as sharing their childhood memories.

“We have often held family gatherings on this hill and discussed what would be the best way to make use of this view for tourism purposes,” said Milijana, the eldest of the Milicevic sisters, pointing to the stunning view of a valley and a lake nestled among the hills.

The Kresevo Hobbiton, as the Hobbits’ village is called, is located in the village of Rakova Noga (The Crab’s Leg) near the old royal and mining town of Kresevo, some 40 minutes drive from the capital of Sarajevo.

Last year Marija, a 28-year-old geology engineer, proposed to her sisters Milijana, Vedrana and Valentina that they build house in the style of the Hobbit homes in J.R.R. Tolkein’s “The Lord of the Rings” tales. The “hole houses” are built into the ground.

The sisters decided that their houses must include characteristics of the area where they live and that each sister would decorate one dwelling as she likes.

They have already built two houses and three others are under construction.

The first house, with a round green door and window, was named Lipa after the village where Milijana had spent most of her childhood with their grandparents. Lipa is also the name for the linden tree.

“Lipa is my nostalgia, the memory of a healthy childhood where garden planting was a social game, domestic animals friends and a tin barrel the Adriatic Sea,” Milijana said in the wood-decorated house.

The second house is named Ober after a cave in Kresevo. Its ceiling is decorated with stalactites to provide the feeling of being in the cave.

“Ober in history has been the mine from which Kresevo miners had extracted cinnabar and melted it to get gold,” said Marija.

Her house’s door and window is painted red after the coloring of the cinnabar ore.

The other three houses, which should be completed soon, will also be named after local attractions.

For example Bedem, with towers on its corners, is named after the fortress where Bosnia’s last queen, Katarina, had stayed while in Kresevo.

Tourists from across the region and other European countries have already started visiting, Marija said.

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Last Known Speaker Fights To Preserve South African Indigenous Language

When she was a girl in South Africa’s Northern Cape, Katrina Esau stopped speaking her mother tongue, N|uu, after being mocked by other people and told it was an “ugly language.”

Now at age 90, she is the last known speaker of N|uu, one of a group of indigenous languages in South Africa that have been all but stamped out by the impacts of colonialism and apartheid.

“We became ashamed when we were young girls, and we stopped speaking the language,” Esau told Reuters. Instead she spoke Afrikaans, the language promoted by South Africa’s white minority rulers.

Later, as an adult, Esau realized the importance of preserving her mother tongue and founded a school in her home town of Upington to try to pass it on.

N|uu was spoken by one of many hunter-gatherer groups that populated Southern Africa before the arrival of European colonizers. These indigenous people spoke dozens of languages in the San family, many of which have gone extinct.

“During colonialism and apartheid, Ouma Katrina and other (indigenous) groups were not allowed to speak their languages, their languages were frowned upon, and that is how we got to the point where we are with minimal speakers,” said Lorato Mokwena, a linguist from South Africa’s University of the Western Cape.

“It’s important that while Ouma Katrina is around, that we do the best that we can to preserve the language and to document it,” she said.

Ouma, or “grandmother” Katrina started teaching N|uu to local children around 2005 and later opened a school with her granddaughter and language activist Claudia Snyman.

But the school property was vandalized during the COVID-19 lockdown, and now lies abandoned.

“I am very concerned. The language isn’t where it’s supposed to be yet. If Ouma dies, then everything dies,” said Snyman, whose dream is to one day open her own school and continue her grandmother’s legacy.

“I’ll do anything in my power to help her to prevent this language from dying,” Snyman said.

Esau has two living sisters but they do not speak N|uu, and she does not know anyone else who does, save the family members and children to whom she has taught some words and phrases.

“I miss speaking to someone,” she said. “It doesn’t feel good. You talk, you walk, you know … you miss someone who can just sit with you and speak N|uu with you.”

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Plump Chicago Snapping Turtle Captured on Video, Goes Viral

Footage of a plump snapping turtle relaxing along a Chicago waterway has gone viral after the man who filmed the well-fed reptile marveled at its size and nicknamed it “Chonkosaurus.”

Joey Santore was kayaking with a friend along the Chicago River last weekend when they spotted the large snapping turtle sitting atop a large chain draped over what appear to be rotting logs.

He posted a jumpy video of the turtle on Twitter, labeling it the “Chicago River Snapper aka Chonkosaurus.”

In the video, Santore can be heard sounding stunned by the size of the turtle, which was displaying folds of flesh extending well beyond its shell.

“Look at this guy. We got a picture of this most beautiful sight. Look at the size of that … thing,” he says, using an expletive. “Look at that beast. Hey, how ya doing guy? You look good. You’re healthy.”

Chris Anchor, the chief wildlife biologist with Forest Preserves of Cook County, said the snapping turtle Santore filmed is quite rare, considering its apparent size. He said it’s also unusual for the reptiles to be seen basking along rivers, but it probably recently emerged from hibernation.

“So my guess is that this animal had crawled out of the river to try and gather as much heat as it could in the sunshine,” Anchor told WMAQ-TV.

While it’s difficult to determine exactly how large the turtle is from the video alone, Anchor called it “a very large individual.” And he noted that snapping turtles are not picky eaters.

“Turtles this big will consume anything they can get their mouth around,” he said, adding that anyone encountering a snapping turtle should not disturb it or try to catch it.

“Enjoy it. Leave it alone,” Anchor said.

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Platypus Returns to Australian National Park for First Time Since 1970s

The platypus, a species unique to Australia, was reintroduced into the country’s oldest national park just south of Sydney on Friday in a landmark conservation project after disappearing from the area more than half a century ago.

Known for its bill, webbed feet, and venomous spurs, the platypus is one of only two egg-laying mammals globally and spends most of its time in the water at night.

Because of its reclusive nature and highly specific habitat needs, most Australians have never seen one in the wild.

The relocation is a collaborative effort between the University of New South Wales, Taronga Conservation Society Australia, World Wild Fund for Nature Australia and the NSW National Parks and Wildlife Service.

Four females were released on Friday into the Royal National Park, which was established in 1879 and is the second oldest national park in the world.

No confirmed platypus sightings have been reported in the park, about 35 kilometers or one hour’s drive south of Sydney, since the 1970s.

The relocation comes at a time when the platypus is increasingly threatened by habitat destruction, river degradation, feral predators, and extreme weather events such as droughts and bushfires.

Estimates on the current population vary widely, from 30,000 to some 300,000.

“(It is) very exciting for us to see platypuses come back into the park, for a thriving population here to establish themselves and for Sydneysiders to come and enjoy this amazing animal,” said Gilad Bino, a researcher from UNSW’S Center for Ecosystem Science.

The platypuses, which live along Australia’s east coast and in Tasmania, were collected from various locations across south-eastern New South Wales state and subjected to various tests before relocation.

Each platypus will be tracked for the next two years to better understand how to intervene and relocate the species in the event of drought, bushfire, or flood, researchers said.

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G7 Plans New Vaccine Effort for Developing Nations

The Group of Seven (G-7) rich nations is set to agree on establishing a new program to distribute vaccines to developing countries at next week’s summit of leaders, Japan’s Yomiuri newspaper said Saturday.

In addition to the G-7, G-20 nations such as India and international groups such as the World Health Organization (WHO) and the World Bank will participate, it added, citing Japanese government sources.

During the COVID-19 pandemic, the COVAX facility, backed by WHO and the Global Alliance for Vaccines and Immunization (GAVI), delivered nearly 2 billion doses of coronavirus vaccine to 146 countries.

However, COVAX faced setbacks in ensuring equitable access, as wealthy nations prioritized shots for their citizens while insufficient storage facilities in poorer nations caused supply delays and disposal of millions of close-to-expiry doses.

The new program aims to pool rainy-day funds for vaccine production and purchases, as well as investment in low-temperature storages and training of health workers to prepare for the next global pandemic, the Yomiuri said.

Japan, this year’s chair of the G-7 meetings, looks to build support from emerging nations on wide-ranging issues such as supply chains, food security and climate change to counter the growing influence of China and Russia.

Saturday’s meeting of G-7 finance ministers agreed to offer aid to low- and middle-income countries to help increase their role in supply chains for energy-related products.

At a meeting Saturday, G-7 finance and health ministers called for a new global financing framework to “deploy necessary funds quickly and efficiently in response to outbreaks without accumulating idle cash,” they said in a statement.

The G-7 will collaborate with the WHO and the World Bank, which manages an international pandemic fund, to explore the new funding scheme ahead of an August meeting of G-20 finance and health ministers in India, they said.

The G-7 grouping of Britain, Canada, the European Union, France, Germany, Italy, Japan and the United States, is considering whether to issue a statement on a global pandemic response at the May 19-21 summit in Japan’s city of Hiroshima, the Yomiuri said.  

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Swedish Singer Loreen Wins Eurovision Song Contest With ‘Tattoo’

Swedish singer Loreen won the Eurovision Song Contest on Saturday night with her power ballad “Tattoo,” at a colorful, eclectic music competition clouded for a second year running by the war in Ukraine.

The diva from Stockholm beat acts from 25 other countries to take the continent’s pop crown at the competition in Liverpool. Finnish singer Käärijä was second in a close-fought battle of the Nordic neighbors.

Loreen also won Eurovision in 2012 and is the second performer to take the prize twice, after Ireland’s Johnny Logan in the 1980s.

Sounds of Ukraine throughout show

Britain hosted Eurovision this year on behalf of Ukraine, which won last year but couldn’t take up its right to hold the contest because of the war. Air raid sirens sounded across Ukraine as the contest was underway.

Under the slogan “united by music,” Eurovision fused the soul of English port city that birthed The Beatles with the spirit of war-battered Ukraine.

The sights and sounds of Ukraine ran through the show, starting with an opening film that showed 2022 Eurovision winners Kalush Orchestra singing and dancing in the Kyiv subway, with the tune picked up by musicians in the U.K. — including Kate, Princess of Wales, shown playing the piano.

The folk-rap band itself then emerged onstage in the Liverpool Arena on a giant pair of outstretched hands, accompanied by massed drummers.

Contestants from the 26 finalist nations entered the arena in an Olympics-style flag parade, accompanied by live performances from Ukrainian acts including Go A, Jamala, Tina Karol and Verka Serduchka — all past Eurovision competitors.

Three-minute performances

Now in its 67th year, Eurovision bills itself as the world’s biggest music contest — an Olympiad of party-friendly pop. Competitors each have three minutes to meld catchy tunes and eye-popping spectacle into performances capable of winning the hearts of millions of viewers.

Loreen had been the bookies’ favorite and won by far the most votes from professional juries in Eurovision’s complex voting system. She faced a close challenge from Kaarija, who won the public vote.

He is a performer with Energizer bunny energy and a lurid green bolero top who goes from metal growler to sweet crooner on party anthem “Cha Cha Cha.” The infectious song got one of the biggest singalong crowd reactions of the night.

Italy’s Marco Mengoni also had a strong following for “Due Vite” (Two Lives), a seductive ballad with enigmatic lyrics.

Austrian duo Teya & Salena was first to perform with “Who the Hell is Edgar?” — a daffy satirical ode to Edgar Allen Poe that also slams the meagre royalties musicians earn from streaming services.

After that, the varied tastes of the continent were on display: the cabaret-style singing of Portugal’s Mimicat; the Britney-esque power pop of Poland’s Blanka; echoes of Edith Piaf from La Zarra for France; smoldering balladry from Cyprus’ entry, Andrew Lambrou.

Rock was unusually well represented this year at a contest that tends to favor perky pop. Australia’s Voyager evoked head-banging ’80s stadium rock on “Promise,” while Slovenia’s Joker Out, Germany’s Lord of the Lost were also guitar-crunching entries.

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