Day: February 20, 2023

UN Appeals for Aid to Assist Malawi Fight Cholera Outbreak

The U.N. in Malawi has launched an urgent appeal for aid to deal with the impact of a record cholera outbreak that has so far killed nearly 1,450 people and infected 45,000.  

Local health experts say if urgent action isn’t taken to scale up the response, the number of cases could double in the next few months.

The U.N. says the flash appeal seeks to raise $45.3 million to provide life-saving aid to thousands of people in Malawi devastated by the outbreak.

In a statement released Monday, the U.N. said the appeal aims to assist four million people in Malawi, including 56,000 refugees and asylum seekers who are at the highest risk in the outbreak.

The current outbreak started in March last year and has spread to all 29 districts of Malawi.

Rebecca Adda-Dontoh, the U.N. resident coordinator in Malawi, told reporters Monday that more assistance is needed to stop the outbreak.

“So much work has been done but a lot more needs to be done,” she said. “We have focused on health, we have focused on WASH (water, sanitation and hygiene). The two are very important but there are also other sectors like nutrition, protection and even logistics because we need to be able to move supplies from one point to the other.”

Adda-Dontoh said the needed assistance would complement what various donor partners have already contributed.

“The U.N. itself has mobilized already close to $10 million,” she said. “You heard the EU; you heard the U.K. here saying they had already contributed over 500,000 euros for the EU and also over 500,000 pounds for the U.K. Even the government of Malawi is on the ground and already contributed.”   

Local media have reported that Malawi needs an additional $40 million for its national plan on cholera response.

Cases of cholera in Malawi have increased since the beginning of January, worsening the country’s largest outbreak in the past two decades.

Malawian President Lazarus Chakwera said last week, when he launched a national anti-cholera campaign, that the country’s health facilities were recording between 500 to 600 cholera cases every day.

The U.N. said that health experts have warned that Malawi could record between 64,000 and 100,000 more cases of cholera within the next three months unless urgent action is taken to scale up the response.

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Artificial Intelligence Creates Voices for Films, Ads

A growing number of startups are using artificial intelligence to replicate human voices. A company is creating synthetic voices for organizations to use for advertising, marketing and training. Phil Dierking reports. Videographer and video editor: Philip Dierking

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Infected in the First Wave, They Navigated Long COVID Without a Roadmap

When COVID-19 hit in 2020, Ghenya Grondin of Waltham, Massachusetts, was a postpartum doula – a person charged with helping young couples navigate the first weeks of their newborn child’s life at home.

Grondin, now aged 44, was infected with SARS-CoV-2 in mid-March of that year – before there were tests, before social distancing or masks, and many months before the medical community recognized long COVID as a complication of COVID-19.

She is part of a community of first-wave long-haulers who faced a new disease without a roadmap or support from the medical establishment.

Three years later, at least 65 million people worldwide are estimated to have long COVID, according to an evidence review published last month in Nature Reviews Microbiology. More than 200 symptoms have been linked to the syndrome – including extreme fatigue, difficulty thinking, headaches, dizziness when standing, sleep problems, chest pain, blood clots, immune dysregulation, and even diabetes.

There are no proven treatments but research is underway.

People infected later in the pandemic had the benefit of vaccination, which “protects at least to some degree” from long COVID, said Dr. Bruce Levy, a Harvard pulmonologist and a co-principal investigator of the National Institute of Health’s $1.15 billion U.S. RECOVER trial, which aims to characterize and find cures for the disease.

“The initial variant of the virus caused a more severe illness than we’re seeing currently in most patients,” he said.

According to the University of Washington’s Institute of Health Metrics and Evaluation, in the first two years of the pandemic women were twice as likely as men to develop long COVID, and 15% of all of those affected at three months continued to experience symptoms beyond 12 months.

An analysis of thousands of health records by the RECOVER trial found that non-Hispanic white women in wealthier areas were more likely than others to have a long COVID diagnosis. Researchers said that likely reflected disparities in access to health care, and suggests that many cases of long COVID among people of color are not being diagnosed.

Grondin grew concerned when she continued to have symptoms three months after her initial infection – but there was no name for it then.

“I just kept saying to my husband, something isn’t right,” she said.

Like her fellow long-haulers, she has experienced a host of symptoms, including fatigue, sleep apnea, pain, cognitive dysfunction, and in her case, a brain aneurysm. She described a frightening moment when she was driving a car with her toddler in the back and had a seizure that left her in the path of oncoming traffic.

She has since been diagnosed with long COVID and can no longer work.

“It just feels like a constant punch in the face,” said Grondin.

Scientists are still working out why some people infected with COVID develop long-term symptoms, but syndromes like this are not new. Other infections such as Lyme disease can result in long-term symptoms, many of which overlap with long COVID.

Leading theories of the root causes of long COVID include the virus or viral proteins remaining in the tissues of some individuals; the infection causing an autoimmune response; or the virus reactivating latent viruses, leading to inflammation that damages tissue.

Kate Porter, 38, of Beverly, Massachusetts, a project manager for a financial services company, believes she was infected on a flight back from Florida in late March of 2020.

She had daily fevers for seven months, muscle weakness, shortness of breath, and excruciating nerve pain.

“I don’t think people realize how brutal physically everything was,” she said. In one of her darker moments, Porter recalled, “I cried on the floor begging for something to take me peacefully. I’ve never been like that.”

Frustrated by the lack of answers from a list of 10 specialists she has seen, Porter has explored alternative medicine. “It has opened me up to other remedies,” she said.

Although her health is much improved now, she still suffers from near daily migraines and neck pain she fears may never go away.

Genie Stevens, 65, a director of climate education, got infected while traveling from her home in Santa Fe to Cape Cod in late March 2020 to visit her mother, and never left. “It completely upended my life,” she said.

She went to an emergency department seeking tests and was told there were none – the typical answer in the spring of 2020, when scientists were scrambling to understand the nature of the virus and tests were being rationed. She was sent home to manage on her own.

A lifelong practitioner of meditation, Stevens took solace there, finding it eased her symptoms.

Confined to her bed that spring, she focused on an ancient crabapple tree outside her room. “I watched every bud unfurl.”

Although largely recovered, Stevens still has flare-ups of brain fog, exhaustion and high-pitched ringing in her ears when she pushes too hard. “This is the astoundingly maddening part of the illness. I feel totally fine, and then bam.”

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NY Met to Let French Make 3D Copies of Two 16th-Century Sculptures

Two 16th-century sculptures, jewels of French Renaissance art, have been on display since 1908 at New York’s Metropolitan Museum of Art.

But thanks to modern technology and an unusual agreement, precise 3D copies will be made and installed in the French castle where the originals long resided.

The facsimiles plan is the fruit of a rare partnership between the Met, as the New York museum is known, and the Dordogne department in southwestern France.

The statues, both from the early 1500s and by an anonymous sculptor, represent Biblical scenes entitled “Entombment of Christ” and “Pieta With Donors.”

A tourism promotion agency in the Dordogne, Semitour, will be working with the Atelier of Fac-Similes Perigord (AFSP) to make the replicas over the coming months.

For nearly 400 years, the originals graced the chapel of the Biron chateau in the Dordogne.

Built on a strategic promontory, the sprawling fortress comprises buildings from different eras, including a dungeon dating to the 12th century.

Damaged and rebuilt repeatedly through the centuries, the chateau has belonged since 1978 to the Dordogne department, which declared it a historic monument, Dordogne president Germinal Peiro said during a visit to the Met.

Digital copy

The technology to be employed in copying the sculptures was described to AFP by Francis Rigenbach, who heads the Perigord atelier, and C. Griffith Mann, the Met’s medieval art curator.

Using 3D scanners to make digital images of the sculptures, artisans will be able to create replicas without having to move or disturb the monumental originals.

“By making a digital ‘cast,'” said Rigenbach, “we can employ non-invasive techniques” to produce identical copies.

He added that “90 percent of the artistic work” will involve reproducing signs of wear, such as the patina on the ageing marble originals — though both statues are considered exceptionally well-preserved.

The replicas, to be returned to their original spots in the Biron chapel, will cost around 350,000 euros ($375,000), Rigenbach added.

His atelier is famed for having copied the celebrated Lascaux cave — including its prehistoric wall art — for a museum in Montignac, in northern Perigord.

That allows visitors to feel as if they were visiting the cave itself, which was closed 60 years ago to avoid damage to the fragile site, said Sebastien Cailler, who manages the Biron chateau.

“And when you see these facsimile sculptures in Biron, you’ll surely feel the same emotion as if you were standing before the originals,” he told AFP in New York.

The two statues, whose value was recognized by historians and collectors in the late 18th century, were sold in 1907 by the last marquis of Biron to wealthy American banker John Pierpont Morgan, who was then president of the Met board.

In the 1950s, Dordogne and the Biron castle negotiated with the Met for four years in a vain effort to recover the statues.

In 2018, Perigord officials revived talks with the Met; four years later, technological tests were undertaken, and then on February 15, the agreement was signed in New York.

This type of unusual deal ensures that art works can exist in two places, Mann said, while adding that his museum, with its millions of annual visitors, “seems like the safest place to have the sculptures for their long-term preservation.”

 

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UN Ocean Treaty Talks Resume With Goal to Save Biodiversity

United Nations members gather Monday in New York to resume efforts to forge a long-awaited and elusive treaty to safeguard the world’s marine biodiversity. 

Nearly two-thirds of the ocean lies outside national boundaries on the high seas where fragmented and unevenly enforced rules seek to minimize human impact. 

The goal of the U.N. meetings, running through March 3, is to produce a unified agreement for the conservation and sustainable use of those vast marine ecosystems. The talks, formally called the Intergovernmental Conference on Marine Biodiversity of Areas Beyond National Jurisdiction, resume negotiations suspended last fall without agreement on a final treaty. 

“The ocean is the life support system of our planet,” said Boris Worm, a marine biologist at Canada’s Dalhousie University. “For the longest time, we did not feel we had a large impact on the high seas. But that notion has changed with expansion of deep-sea fishing, mining, plastic pollution, climate change,” and other human disturbances, he said. 

The U.N. talks will focus on key questions, including: How should the boundaries of marine protected areas be drawn, and by whom? How should institutions assess the environmental impacts of commercial activities, such as shipping and mining? And who has the power to enforce rules? 

“This is our largest global commons,” said Nichola Clark, an oceans expert who follows the negotiations for the nonpartisan Pew Research Center in Washington. “We are optimistic that this upcoming round of negotiations will be the one to get a treaty over the finish line.” 

The aim of the talks is not to designate marine protected areas, but to establish a mechanism for doing so. 

“The goal is to set up a new body that would accept submissions for specific marine protected areas,” Clark said. 

Marine biologist Simon Ingram at the University of Plymouth in England says there’s an urgent need for an accord. 

“It’s a really pressing time for this — especially when you have things like deep-sea mining that could be a real threat to biodiversity before we’ve even been able to survey and understand what lives on the ocean floor,” Ingram said. 

Experts say that a global oceans treaty is needed to enforce the U.N. Biodiversity Conference’s recent pledge to protect 30% of the planet’s oceans, as well as its land, for conservation. 

“We need a legally binding framework that can enable countries to work together to actually achieve these goals they’ve agreed to,” said Jessica Battle, an expert on oceans governance at World Wide Fund for Nature 

U.S. Assistant Secretary of State for Oceans and International Environmental and Scientific Affairs Monica Medina said the treaty is a priority. 

“This agreement seeks to create, for the first time, a coordinated approach to establishing marine protected areas on the high seas,” she said. “It’s time to finish the job.” 

Officials, environmentalists and representatives of global industries that depend on the sea are also watching negotiations closely. 

Gemma Nelson, a lawyer from Samoa and an Ocean Voices fellow at the University of Edinburgh, said that small Pacific and Caribbean island countries were “especially vulnerable to global ocean issues,” such as pollution and climate change, which generally they did not cause nor have the resources to easily address. 

“Getting the traditional knowledge of local people and communities recognized as valid” is also essential to protect both ecosystems and the ways of life of Indigenous groups, she said. 

With nearly half the planet’s surface covered by high seas, the talks are of great importance, said Gladys Martínez de Lemos, executive director of the nonprofit Interamerican Association for Environmental Defense focusing on environmental issues across Latin America. 

“The treaty should be strong and ambitious, having the authority to establish high and fully protected areas in the high seas,” she said. “Half of the world is at stake these weeks at the United Nations.” 

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‘All Quiet’ Wins 7 Baftas, Including Best Film, at British Awards

Antiwar German movie “All Quiet on the Western Front” won seven prizes, including best picture, at the British Academy Film Awards on Sunday, building the somber drama’s momentum as awards season rolls toward its climax at next month’s Oscars. 

Irish tragicomedy “The Banshees of Inisherin” and rock biopic “Elvis” took four prizes each. 

“All Quiet,” a visceral depiction of life and death in the World War I trenches, based on Erich Maria Remarque’s classic novel, won Edward Berger the best director award. Its other trophies included adapted screenplay, cinematography, best score, best sound and best film not in English. 

Austin Butler was a surprise best actor winner for “Elvis.” Baz Lurhmann’s flamboyant musical also won for casting, costume design and hair and makeup. Cate Blanchett won the best actress prize for orchestral drama “Tár.” 

Martin McDonagh’s “Banshees,” the bleakly comic story of a friendship gone sour, was named best British film. 

“Best what award?” joked McDonagh of the film, which was shot in Ireland with a largely Irish cast and crew. It has British funding, and McDonagh was born in Britain to Irish parents. 

“Banshees” also won for McDonagh’s original screenplay, and awards for Kerry Condon as best supporting actress and Barry Keoghan for best supporting actor. 

The prizes — officially the EE BAFTA Film Awards — are Britain’s equivalent of Hollywood’s Academy Awards and are watched closely for hints of who may win at the Oscars on March 12. 

Madcap metaverse romp “Everything Everywhere All at Once,” the Academy Awards front-runner, was the night’s big loser, winning just one prize from its 10 BAFTA nominations, for editing. 

Actor Richard E. Grant was a suave and self-deprecating host — with support from TV presenter Alison Hammond — for the ceremony at London’s Royal Festival Hall, where the U.K.’s movie academy heralded its strides to become more diverse but said there was more to be done. 

Grant joked in his opening monologue about the infamous altercation between Will Smith and Chris Rock at last year’s Oscars. 

“Nobody on my watch gets slapped tonight,” he said. “Except on the back.” 

Guests and presenters walking the red carpet on the south bank of the River Thames included Colin Farrell, Ana de Armas, Eddie Redmayne, Brian Cox, Florence Pugh, Catherine Zeta-Jones, Cynthia Erivo, Julianne Moore and Lily James. 

Heir to the throne Prince William, who is president of Britain’s film and television academy, was in the audience alongside his wife, Kate.  

Helen Mirren paid tribute to William’s grandmother, Queen Elizabeth II, who died in September. Mirren, who portrayed the late monarch onscreen in “The Queen” and onstage in “The Audience,” called Elizabeth “the nation’s leading lady.” 

Britain’s film academy introduced changes to increase the awards’ diversity in 2020, when no women were nominated as best director for the seventh year running and all 20 nominees in the lead and supporting performer categories were white. 

This year there were 11 female directors up for awards across all categories, including documentary and animated films. But just one of the main best-director nominees was female: Gina Prince-Bythewood for “The Woman King.” 

BAFTA chair Krishnendu Majumdar said the “vital work of levelling the playing field” would continue. 

Writer-director Charlotte Wells won the prize for best British debut for the affecting father-daughter drama “Aftersun.” Three-time Oscar winner Sandy Powell became the first costume designer to be awarded the academy’s top honor, the BAFTA fellowship. 

The harsh world outside showbiz intruded on the awards when Bulgarian journalist Christo Grozev, who works for investigative website Bellingcat, said he was not allowed to attend the awards because of a risk to public security. He features in “Navalny,” a film about jailed Russian opposition politician Alexei Navalny that won the best documentary BAFTA. 

“Navalny” producer Odessa Rae dedicated the award to Grozev, “our Bulgarian nerd with a laptop, who could not be with us tonight because his life is under threat by the Russian government and Vladimir Putin.” 

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Richard Belzer, Stand-Up Comic, TV Detective, Dies at 78

Richard Belzer, the longtime stand-up comedian who became one of TV’s most indelible detectives as John Munch in “Homicide: Life on the Street” and “Law & Order: SVU,” has died. He was 78. 

Belzer died Sunday at his home in Beaulieu-sur-Mer, in southern France, his longtime friend Bill Scheft said. Scheft, a writer who had been working on a documentary about Belzer, said there was no known cause of death, but that Belzer had been dealing with circulatory and respiratory issues. The actor Henry Winkler, Belzer’s cousin, tweeted, “Rest in peace Richard.” 

For more than two decades and across 10 series — even including appearances on “30 Rock” and “Arrested Development” — Belzer played the wise-cracking, acerbic homicide detective prone to conspiracy theories. Belzer first played Munch on a 1993 episode of “Homicide” and last played him in 2016 on “Law & Order: SVU.” 

Belzer never auditioned for the role. After hearing him on “The Howard Stern Show,” executive producer Barry Levinson brought the comedian in to read for the part. 

“I would never be a detective. But if I were, that’s how I’d be,” Belzer once said. “They write to all my paranoia and anti-establishment dissidence and conspiracy theories. So it’s been a lot of fun for me. A dream, really.” 

From that unlikely beginning, Belzer’s Munch would become one of television’s longest-running characters and a sunglasses-wearing presence on the small screen for more than two decades. In 2008, Belzer published the novel “I Am Not a Cop!” with Michael Ian Black. He also helped write several books on conspiracy theories, about things like President John F. Kennedy’s assassination and Malaysia Airlines Flight 370. 

“He made me laugh a billion times,” his longtime friend and fellow stand-up Richard Lewis said Sunday on Twitter. 

Born in Bridgeport, Connecticut, Belzer was drawn to comedy, he said, during an abusive childhood in which his mother would beat him and his older brother, Len. He would do impressions of his childhood idol, Jerry Lewis.  

“My kitchen was the toughest room I ever worked,” Belzer told People magazine in 1993. 

After he was expelled from Dean Junior College in Massachusetts, Belzer embarked on a life of stand-up in New York in 1972. At Catch a Rising Star, Belzer became a regular performer and an emcee. He made his big-screen debut in Ken Shapiro’s 1974 film “The Groove Tube,” a TV satire co-starring Chevy Chase, a film that grew out of the comedy group Channel One that Belzer was a part of. 

Before “Saturday Night Live” changed the comedy scene in New York, Belzer performed with John Belushi, Gilda Radner, Bill Murray and others on the National Lampoon Radio Hour. In 1975, he became the warm-up comic for the newly launched “SNL.” While many cast members quickly became famous, Belzer’s roles were mostly smaller cameos. 

But Belzer became one of the era’s top stand-ups. Belzer often played a stand-up comic in film, including in 1980’s “Fame” and 1983’s “Scarface.” But Munch would change Belzer’s career. 

“Munch was based on a real guy in Baltimore who was a star detective, in a way. He would come onto grisly murder scenes, start doing one-liners, because someone had to break the tension,” Belzer told the AV Club. “So Munch served a very important function. Not only was he a dissident who said what was on his mind, he kind of had the gallows humor that’s needed in a homicide squad.” 

Belzer is survived by his third wife, the actress Harlee McBride, whom he married in 1985. For the past 20 years, they lived mostly in France. 

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