Day: February 13, 2023

German Ballet Director Suspended Over Feces Attack on Critic

A German newspaper critic had animal feces smeared on her face in the city of Hannover by a ballet director who apparently took offense at a review she wrote.

The Hannover state opera house apologized for the incident and said Monday that it was immediately suspending ballet director Marco Goecke.

The daily Frankfurter Allgemeine Zeitung reported that a furious Goecke approached its dance critic, Wiebke Huester, during the interval of a premiere at Hannover’s opera house on Saturday and asked what she was doing there. It said that the two didn’t know each other personally.

The newspaper said that Goecke, who apparently felt provoked by a recent review she wrote of a production he staged in the Dutch seat of government, The Hague, threatened to ban her from the ballet and accused her of being responsible for people canceling season tickets in Hannover.

He then pulled out a paper bag with animal feces and smeared her face with the contents before making off through a packed theater foyer, the newspaper said. Huester identified the substance as dog feces and said she had filed a criminal complaint, German news agency dpa reported.

In a statement on its website, the opera house said Huester’s “personal integrity” was violated “in an unspeakable way.” It said that it contacted her immediately after the incident to apologize.

The opera house said that Goecke’s “impulsive reaction” violated the ground rules of the theater and that “he caused massive damage to the Hannover State Opera and State Ballet.” As a result, it said, he is being suspended and banned from the opera house until further notice.

Goecke has been given the next few days to apologize “comprehensively” and explain himself to theater management “before further steps are announced,” it added.

The ballet director appeared at least partly unrepentant, however. In an interview with public broadcaster NDR, Goecke acknowledged that his “choice of means wasn’t super, absolutely.”

“Of course, socially that is also certainly not recognized or respected, if one resorts to such means,” he said of the attack, adding that he had never done anything like that before and was “a bit shocked at myself.”

Goecke said that while having his work “soiled for years” was a price he had been told he had to pay for being in the public eye, there was a limit.

“Once a certain point has been reached, I disagree,” he said.

The German journalists’ association DJV denounced the attack.

“An artist must tolerate criticism, even if it seems exaggerated,” the union’s regional head in Lower Saxony state, Frank Rieger, said. “Whoever reacts violently to criticism is unacceptable. The attack on the … journalist is also an attack on press freedom.”

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Rihanna Performs Hits at Super Bowl — With a Very Special Guest

Rihanna made her long-awaited return to the stage at the Super Bowl with a career-spanning medley of pop bangers, but it was her baby bump that dominated the conversation.   

The megastar appeared in the stadium midair on a floating stage, donning a clingy, all-red ensemble featuring a molded bustier — and a belt below what many viewers deduced was another mini RiRi in the making.   

Representatives for the singer confirmed the speculation to trade magazines Rolling Stone and The Hollywood Reporter: Rihanna is pregnant with her second child.   

The 34-year-old welcomed her first child, a son, with rapper A$AP Rocky in May.   

Musically speaking, fans who hoped for some fresh tracks were disappointed: Rihanna’s night on the world’s biggest stage offered a nostalgia tour of hits from the past. 

She delivered her club smashes including “Where Have You Been” to “Only Girl (In the World)” and the time-tested “We Found Love.”   

“Rude Boy,” “Work” and “All of the Lights” were also on the setlist, as a sea of dancers performed stunning acrobatics.   

“Wild Thoughts,” “Run This Town” and, of course, “Umbrella” and “Diamonds” rounded out the show.   

She did not, as many stars do, bring out any guest artists, commanding the stage all on her own.   

The evening marked a reversal after Rihanna had previously turned down the gig in protest of the National Football League’s handling of race issues.   

But in accepting the coveted slot this time around, the Barbados-born singer said it was “important for representation.”   

“It’s important for my son to see this,” she said.   

Since releasing “Anti” in early 2016, Robyn Rihanna Fenty has taken a break from recording but has by no means taken it easy: she’s become a billionaire, parlaying her music achievements into successful makeup, lingerie and high-fashion brands.   

Since her last album Rihanna has performed occasional features and more recently recorded music for the “Black Panther: Wakanda Forever” soundtrack. 

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Q&A: Fentanyl Is ‘Global Problem,’ US Working With Western Hemisphere to Stop Deadly Drug 

The Biden administration says it’s working with the governments of Mexico, Colombia and Ecuador to combat a documented rise in the availability and lethality of illegal drugs containing fentanyl, a synthetic opioid that can be up to 100 times stronger than morphine.

According to the Drug Enforcement Administration, the potency of pills is rising — in 2022, six out of 10 pills contained a potentially lethal dose of the narcotic.

President Joe Biden mentioned the deadly drug in his recent State of the Union address, in which he spoke of “a record number of personnel working to secure the border, arresting 8,000 human smugglers, seizing over 23,000 pounds of fentanyl in just the last several months.”

And Biden outlined his administration’s plan to tackle the epidemic in different ways, including funding screening measures, checking packages and “expanding access to evidence-based prevention, harm reduction, treatment and recovery.”

VOA’s Jorge Agobian spoke to Dr. Rahul Gupta, director of the Office of National Drug Control Policy, to find out how the U.S. is battling the overdose epidemic both inside and beyond its borders.

“The problem of fentanyl and synthetic drugs is not limited exclusively to the United States or Mexico,” Gupta said. “It’s a global problem. And secondly, the supply chain is also global. So whether it’s precursor chemicals that are converted into fentanyl, coming from China into Mexico or North America, or the synthesis of these drugs, we need to be making sure that we’re monitoring all of it, and we’re addressing specific choke points in this supply chain.”

This interview has been edited for clarity and brevity.

VOA: A key component of President Biden’s State of the Union address was the fentanyl crisis. What next steps will the administration take on this issue?

Dr. Rahul Gupta: Fentanyl is killing 70,000 Americans a year overall as part of the overdose crisis. It is a top priority for President Biden to address that. It’s important for us to make sure we have an education campaign, especially for children, to be aware and understand that they have the power to not only be aware about this deadly threat, but also maybe carry Naloxone, the antidote for it so they can help their friends and others.

Also, what we can do is to ensure that we have the treatment available to everybody who needs it. We know that far too many Americans today aren’t able to get the treatment. So along with the antidote, we’ve got to get more people into treatment, and he talked about how he had challenged Congress the year before about removing barriers to doctors to prescribing, and he worked in a bipartisan manner with both sides of Congress to get that to happen. And he signed that into law.

He also talked about how there’s controlling of the fentanyl-related substances already, but it’s temporary we need to make that permanent.

President Biden highlighted how we have through the highest levels of fentanyl seizures at the border — twice as much as 2020 and four times as much in 2019. Why? Because we’ve implemented technology to be able to detect more, but the problem doesn’t begin or end at the border. We have to work with Mexico.

VOA: What in this strategy is the role of Mexico cooperating with the United States? And how much does the United States rely on Mexico to prosecute?

Gupta: People in Mexico are dying from overdoses and poisoning from fentanyl just like in America. So it’s very important that we work with a shared sense of responsibility, to make sure that we’re working to secure our country to make sure that we’re going after the bad guys who are intending harming Americans as well as Mexicans at the same time, we’re working on enhancing public health treatment, and the antidote Naloxone or Narcan and make it available to anyone who needs it.

We have made sure that we’re providing as much assistance to Mexico in partnership as a key player in helping us, but we also want to make sure that we’re holding traffickers, manufacturers and others accountable for their actions by preying on vulnerable people. It’s important because we want to make sure that they’re not making profits off the back of unsuspecting people who are dying and being poisoned. So it’s important whether it is in the United States or across the border, that our governments hold bad actors accountable in a forceful way.

VOA: Does the White House believe that the war on drugs is ‘a failed campaign,’ as the president of Colombia has called it?

Gupta: When President (Gustavo) Petro was inaugurated in Colombia early last year, I went, as the first delegation from the United States. We had a long and good conversation, and I said to him, “Look, we recognize that not all policies have been proven to be successful of the United States. But the important part is that we have a problem where an American is dying every 5 minutes around the clock. You have a problem where the economy is dependent, a lot, on cocaine production. We need to work with our 200-year relationship productively to see how we can secure a future both for the American people and the Colombian people.’”

And we need to see the way forward which is humane, which is protective of the environment.

And we need to figure out how to get people gainful employment, give hope, and the ability to have economic development as a way to address this. And that’s exactly some of the things that we’re going to be working with countries like Colombia.

VOA: What about the other countries in the Western Hemisphere?

Gupta: We know that these profits and the drugs don’t only kill Americans, but the profits go back to cause more destabilization, more crime and corruption and violence. It’s very important for us as a global leader to continue to work as good partners with other countries across Latin America. And there’s a history of us working with them, but to make sure that we’re doing in a way that yields us results, mutual respect and mutual cooperation. So we can hold the bad actors accountable, while ensuring that people everywhere have a chance to live safely, securely and healthy.

VOA: And finally, what about Venezuela? There is no cooperation between the two governments, of course, but Venezuela is still a key player in all these industries.

Gupta: We’re going to continue to focus with our partners in Colombia, and as well as Ecuador, to make sure that people there are getting the support when it comes to both the people coming in from Venezuela as well as resources. And then that work will continue, you know, as far as so I don’t have anything new to report on that at this point, from a policy perspective.

Anita Powell contributed to this report.

FOR HELP:

The World Health Organization says there are three common signs and symptoms of an overdose: pinpoint pupils, unconsciousness and difficulties with breathing.

Learn more about overdoses in the WHO’s fact sheet.

For the unfamiliar, fentanyl goes by several nicknames. The U.S. Drug Enforcement Administration lists several commonly used in the U.S.: Apache, China Girl, China Town, Dance Fever, Friend, Goodfellas, Great Bear, He-Man, Jackpot, King Ivory, Murder 8, and Tango & Cash.

Check the DEA’s website for details.

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Google to Expand Misinformation ‘Prebunking’ in Europe

After seeing promising results in Eastern Europe, Google will initiate a new campaign in Germany that aims to make people more resilient to the corrosive effects of online misinformation.

The tech giant plans to release a series of short videos highlighting the techniques common to many misleading claims. The videos will appear as advertisements on platforms like Facebook, YouTube or TikTok in Germany. A similar campaign in India is also in the works.

It’s an approach called prebunking, which involves teaching people how to spot false claims before they encounter them. The strategy is gaining support among researchers and tech companies. 

“There’s a real appetite for solutions,” said Beth Goldberg, head of research and development at Jigsaw, an incubator division of Google that studies emerging social challenges. “Using ads as a vehicle to counter a disinformation technique is pretty novel. And we’re excited about the results.”

While belief in falsehoods and conspiracy theories isn’t new, the speed and reach of the internet has given them a heightened power. When catalyzed by algorithms, misleading claims can discourage people from getting vaccines, spread authoritarian propaganda, foment distrust in democratic institutions and spur violence.

It’s a challenge with few easy solutions. Journalistic fact checks are effective, but they’re labor intensive, aren’t read by everyone, and won’t convince those already distrustful of traditional journalism. Content moderation by tech companies is another response, but it only drives misinformation elsewhere, while prompting cries of censorship and bias.

Prebunking videos, by contrast, are relatively cheap and easy to produce and can be seen by millions when placed on popular platforms. They also avoid the political challenge altogether by focusing not on the topics of false claims, which are often cultural lightning rods, but on the techniques that make viral misinformation so infectious.

Those techniques include fear-mongering, scapegoating, false comparisons, exaggeration and missing context. Whether the subject is COVID-19, mass shootings, immigration, climate change or elections, misleading claims often rely on one or more of these tricks to exploit emotions and short-circuit critical thinking.

Last fall, Google launched the largest test of the theory so far with a prebunking video campaign in Poland, the Czech Republic and Slovakia. The videos dissected different techniques seen in false claims about Ukrainian refugees. Many of those claims relied on alarming and unfounded stories about refugees committing crimes or taking jobs away from residents.

The videos were seen 38 million times on Facebook, TikTok, YouTube and Twitter — a number that equates to a majority of the population in the three nations. Researchers found that compared to people who hadn’t seen the videos, those who did watch were more likely to be able to identify misinformation techniques, and less likely to spread false claims to others.

The pilot project was the largest test of prebunking so far and adds to a growing consensus in support of the theory.

“This is a good news story in what has essentially been a bad news business when it comes to misinformation,” said Alex Mahadevan, director of MediaWise, a media literacy initiative of the Poynter Institute that has incorporated prebunking into its own programs in countries including Brazil, Spain, France and the U.S.

Mahadevan called the strategy a “pretty efficient way to address misinformation at scale, because you can reach a lot of people while at the same time address a wide range of misinformation.”

Google’s new campaign in Germany will include a focus on photos and videos, and the ease with which they can be presented of evidence of something false. One example: Last week, following the earthquake in Turkey, some social media users shared video of the massive explosion in Beirut in 2020, claiming it was actually footage of a nuclear explosion triggered by the earthquake. It was not the first time the 2020 explosion had been the subject of misinformation.

Google will announce its new German campaign Monday ahead of next week’s Munich Security Conference. The timing of the announcement, coming before that annual gathering of international security officials, reflects heightened concerns about the impact of misinformation among both tech companies and government officials.

Tech companies like prebunking because it avoids touchy topics that are easily politicized, said Sander van der Linden, a University of Cambridge professor considered a leading expert on the theory. Van der Linden worked with Google on its campaign and is now advising Meta, the owner of Facebook and Instagram, as well.

Meta has incorporated prebunking into many different media literacy and anti-misinformation campaigns in recent years, the company told The Associated Press in an emailed statement.

They include a 2021 program in the U.S. that offered media literacy training about COVID-19 to Black, Latino and Asian American communities. Participants who took the training were later tested and found to be far more resistant to misleading COVID-19 claims.

Prebunking comes with its own challenges. The effects of the videos eventually wears off, requiring the use of periodic “booster” videos. Also, the videos must be crafted well enough to hold the viewer’s attention, and tailored for different languages, cultures and demographics. And like a vaccine, it’s not 100% effective for everyone.

Google found that its campaign in Eastern Europe varied from country to country. While the effect of the videos was highest in Poland, in Slovakia they had “little to no discernible effect,” researchers found. One possible explanation: The videos were dubbed into the Slovak language, and not created specifically for the local audience.

But together with traditional journalism, content moderation and other methods of combating misinformation, prebunking could help communities reach a kind of herd immunity when it comes to misinformation, limiting its spread and impact.

“You can think of misinformation as a virus. It spreads. It lingers. It can make people act in certain ways,” Van der Linden told the AP. “Some people develop symptoms, some do not. So: if it spreads and acts like a virus, then maybe we can figure out how to inoculate people.”

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Houthi-Run Court in Yemen Upholds Prison Term Against Actress

A court run by Yemen’s Iran-backed rebels on Sunday upheld a five-year sentence against a female actor and one of her companions who were convicted of committing an indecent act and having drugs in her possession, her lawyer said.

The arrest of Intisar al-Hammadi and the three other women in February 2021 — as well as the court proceedings against them — have been widely criticized by international rights groups. The case has mirrored widespread Houthi repression and crackdown on women in areas they control in war-torn Yemen.

Al-Hammadi and one of the women were first sentenced in November 2021 to five years. The other two were handed one and three years in prison, respectively.

The Court of Appeals in the Houthi-held capital of Sanaa upheld the sentences against al-Hammadi and Yousra al-Nashri, who was also handed a five-year sentence, according to lawyer Khalid al-Kamal, who represents all four women.

Al-Hammadi, who is also a model, was born to a Yemeni father and an Ethiopian mother. She has worked as a model for four years and acted in two Yemeni soap drama series in 2020. She was the sole breadwinner for her four-member family, including her blind father and a disabled brother.

Human Rights Watch has previously criticized the court proceedings as “marred with irregularities and abuse.” It said the Houthis confiscated al-Hammadi’s phone and “her modeling photos were treated like an act of indecency.”

Yemen has been convulsed by civil war since 2014 when Iran-backed Houthi rebels seized the capital of Sanaa, forcing the internationally recognized government to flee to the south, then to Saudi Arabia. A Saudi-led coalition entered the war in March 2015 to try to restore the government to power.

In the Houthi-held areas, women who dare dissent, or even enter the public sphere, have become targets in an escalating crackdown by the Iran-backed rebels.

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Richard E. Grant Brings Enthusiasm as BAFTA Film Awards Host

There is no bigger cheerleader of awards season than Richard E. Grant. 

He brings joy to the red carpet, snapping selfies with stars and posting congratulations to nominees on social media. 

Now this enthusiasm has been tapped to host the EE BAFTA Film Awards on February 19 at the Royal Festival Hall. 

“I’m an unabashed fan of movies and of talent and always have been. I’ve never been disingenuous or, you know, blasé about that,” he says. “I probably have to restrain myself from permanently taking selfies with every nominee and winner coming up on the stage.” 

“From that point of view, I am the right fit for the job, hopefully,” he says. 

Grant also knows how it feels to participate in awards season and sit, nervously, waiting for that career changing envelope to be opened. He was nominated as supporting actor at both the BAFTAs and Oscars in 2019 for “Can You Ever Forgive Me?” 

And he’s aware that, as a working actor, hosting has its challenges. 

“Traditionally if you’re a comedian, your role is very clear to roast the audience. Whereas I’m an actor and, you know, even though I’m the vast vintage that I am now, I still want to work and collaborate with directors and actors and writers for the remainder of my breathing days. So roasting them is not really an option and not something that I want to do.” 

When asked if there will be any humor in the ceremony — Grant has jokes. 

“No, it’s going to be very, very serious. There’ll be no jokes and it will be … it’ll be brutally earnest,” he says, laughing. 

Rebel Wilson got mixed reviews for her joke heavy turn as the BAFTA ceremony emcee last March, which at one point involved a cake of Benedict Cumberbatch’s face. 

This year, “All Quiet on the Western Front” leads the nominees with 14. “The Banshees of Inisherin” and “Everything Everywhere All at Once” both have 10 nominations. 

As you’d expect, Grant knows quite a few of the nominees, having worked with EE Rising Star nominees Naomi Ackie and Daryl McCormack, plus Bill Nighy, Cate Blanchett and most of the “Banshees” cast. 

But there will be big changes at the BAFTA Film Awards ceremony this year. 

After six years of walking up the red carpeted steps into the Royal Albert Hall, nominees will be attending an event held beside the River Thames on London’s Southbank at the Royal Festival Hall. 

Also, for the first time, the last 30 minutes of the show will be broadcast live on BBC One, as BAFTA moves towards the idea of a fully live ceremony. 

“In an age where everything can be paused or fast forwarded or, you know, watched on at a later time, the thing of it being live gives it a kind of frisson and excitement and also the possibility that something can go fantastically well or really badly. And that’s always a good thing,” Grant says. 

British rapper Lil Simz will be performing at the ceremony and both the prince and princess of Wales will be in the audience, as he is president of the British Academy of Film and Television Arts. 

Grant, currently working with script writers on what he’ll be saying on stage, claims he’s more excited than nervous, adding he’ll probably be “levitating” on the big day. 

“It is absolutely genuine,” he says of his boundless enthusiasm, “and it’s to the annoyance of some people.” 

“Just surviving in show-business because it is, you know — for what it looks like from the outside — it is a profession that is has an enormous amount of rejection in built into it. So when people are recognized or succeed at what they’re doing and do it so brilliantly — I’m a great champion of that,” Grant said. 

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