Day: January 30, 2023

Global Guinea Worm Infections Continue Downward Trend

In the 1980s, more than 3 million people worldwide were infected with Guinea worm. At the end of 2022, the number of reported cases globally was down to 13.

There were 15 cases reported a year earlier, “which does not sound like a big reduction, but when you are dealing with very small numbers in very remote areas we take it as a huge step forward,” said Adam Weiss, director of the Carter Center’s Guinea Worm Eradication Program.

Guinea worm, a parasite usually ingested through contaminated water, grows inside the human body, then emerges through open sores creating intense pain.

When Weiss’ organization, founded by former U.S. President Jimmy Carter and his wife, Rosalynn, began spearheading the effort to rid the world of Guinea worm parasites in 1986, it existed in 20 countries.

In 2022, just four countries reported new Guinea worm infections in humans.

“We had six human cases in Chad, five human cases in South Sudan, and one in Ethiopia and one in the Central African Republic on the border with Chad,” Weiss told VOA during a recent Skype interview.

The Atlanta-based global nonprofit Carter Center is marking continued progress in the global fight against Guinea Worm infections as the World Health Organization recognizes World Neglected Tropical Diseases Day January 30.

Across the globe, from his office in Addis Ababa in Ethiopia, Dr. Zerihun Tadesse Gebreselassie was pragmatic about the overall eradication efforts.

“It’s both good news and at the same time, not so good news,” he explained during a Skype interview with VOA. Gebreselassie serves as the Carter Center’s senior country representative in Ethiopia, a nation on the cusp of complete Guinea worm eradication.

“We are doing surveillance by moving from house to house in each and every village which has historically been reporting cases. So, we found only one person, and we found him before his clinical manifestation — which means we suspected that this could be a Guinea worm case — we kept him in a facility called a case containment center,” Gebreselassie said.

The Carter Center also provides financial incentives for people to report any potential Guinea worm infections. That, coupled with a robust water source filter education program and continued monitoring efforts in countries where the parasite exists, is helping the Carter Center remove obstacles on the path to complete eradication.

“Since this is a global eradication program, even when you have one case, still you have to continue monitoring,” Gebreselassie said. “We have to get rid of all cases for three consecutive years.”

One of the biggest setbacks to declaring the world free of Guinea worm was its discovery in domesticated animals and wildlife.

“It was a punch to the gut back in 2012 when we started seeing infections,” Weiss said.

But after years of dramatic increases in the number of dogs and cats in remote villages carrying the parasite, 2022 showed encouraging results.

“The last several years we went from several thousand animal infections to this year being just over 600 animal infections in the world,” Weiss said.

But the magic number in the overall eradication effort is zero cases in both humans and animals.

“We have to get rid of it from all hosts in order to meet the definition of eradication,” Weiss said.

Gebreselassie is optimistic that the goal of complete eradication is in sight despite setbacks.

“We are in the last mile, which is the most difficult one,” he told VOA.

If the effort is successful, Guinea worm would be only the second disease eradicated from the planet, but the first through prevention as there is no medicine to treat, and no vaccine to prevent, infections.

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Olympics-IOC Rejects ‘Defamatory’ Criticism From Ukraine

Ukraine official said Russian presence at Games would constitute giving the country ‘a platform to promote genocide’

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WHO: Scope, Scale of Health Emergencies Growing

World Health Organization Director General Tedros Adhanom Ghebreyesus warns global health challenges are growing and threatening the well-being of millions of people worldwide. He spoke at the opening of WHO’s week-long executive board meeting. 

The WHO chief began his presentation on a somber note. He told meeting participants that an emergency committee convened to assess the status of the pandemic has concluded that COVID-19 remains a global health emergency. 

He said the situation is much better now than a year ago when the omicron variant of the coronavirus was at its peak. But, he added, weekly reported deaths have been rising since early December. He said more than 170,000 people have lost their lives to COVID-19 in the past eight weeks. 

“And that is just the reported deaths. We know the actual number is much higher. We cannot control the virus, but we can do more to address the vulnerabilities in populations and health systems.” 

Tedros said health providers have the knowledge and means to control the spread of other diseases as well. He outlined an ambitious program for promoting health and protecting people from diseases. These, as well as other proposals for how the world can better prepare and respond to future health emergencies will be under discussion by member countries this week. 

Tedros said progress has been made over the past year in promoting health, by addressing the root causes of disease. He called this action essential in achieving a target set by WHO of seeing one billion more people enjoying better health and well-being. 

“On trans-fat, we have seen an almost five-fold increase in the number of people protected by WHO-recommended policies on the use of industrially produced trans-fat, from 550 million people to 2.6 billion, in just four years. But as you know, still five billion are unprotected.” 

Last year, he said, WHO reached the target it set to support 100 million tobacco users in stopping smoking. He noted, however, this left an estimated 600 million users who want to kick the habit and need support. 

Tedros presented numerous examples of key health achievements in both communicable and non-communicable diseases. He also acknowledged setbacks in many of these same areas, indicating the necessity of remaining alert and responding rapidly to health emergencies whenever and wherever they may arise. 

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Red Cross: World is Dangerously Unprepared for Next Pandemic

The International Federation of Red Cross and Red Crescent Societies warns the world is dangerously unprepared for the next pandemic and this will have severe health, economic and social consequences for countries around the world.  The IFRC has just released this year’s World Disaster Report.

In a marked departure from previous reports, the IFRC does not delve into the numerous natural disasters that caused untold devastation last year.  It does not rank the severity of disasters such as earthquakes, floods, and drought in terms of deaths and the destruction of livelihoods and infrastructure.

Instead, the report focuses on the global crisis unleashed by the COVID-19 pandemic and on warnings of worse calamities to come if the global community does not prepare now for the next health crisis.

IFRC Secretary General Jagan Chapagain said the authors of the report conclude the coronavirus pandemic has been the biggest disaster in our living memory, by any measure.

“I think no other disasters, the hurricane, earthquake, drought, or flood can compete in terms of the terrible human and socio-economic costs.  Of course, the most conservative estimates tell us that 6.5 million people died from COVID-19 across these three years.  But we all know that the real number could be much, much higher,” said Chapagain.

And the financial costs, he said, are staggering.  He said the International Monetary Fund estimates the cost of the pandemic over the last three years to be $13.8 trillion.

He said the COVID-19 pandemic should be a wake-up call for the global community to prepare now for the next health crisis.  He notes the World Health Organization and multiple epidemiologists have warned disease outbreaks are growing more frequent.

Chapagain said these outbreaks are being driven by factors such as climate change, increased movement of goods and services, urbanization, as well as growing inequity.  He said success in tackling future health crises depends upon building trust among world leaders, within and between communities and countries.

“Without trust, lifesaving pandemic counter measures will not be accepted and implemented by the people who need them most.  Preparedness will require equity.  Our preparedness must include provisions for greater equity because public health emergencies will thrive on and aggravate existing inequities,” he said.

Chapagain said community-based organizations are an integral part of pandemic preparedness and response.  He said local actors and communities have important roles to play as frontline responders in all phases of disease outbreak management.

He notes IFRC staff, and its global network of volunteers have reached more than 1.1 billion people over the past three years and helped to keep them safe from the virus.

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Barrett Strong, Motown Artist Known for ‘Money,’ Dies at 81

Barrett Strong, one of Motown’s founding artists and most gifted songwriters who sang lead on the company’s breakthrough single “Money (That’s What I Want)” and later collaborated with Norman Whitfield on such classics as “I Heard It Through the Grapevine,” “War” and “Papa Was a Rollin’ Stone,” has died. He was 81.     

His death was announced Sunday on social media by the Motown Museum, which did not immediately provide further details.     

“Barrett was not only a great singer and piano player, but he, along with his writing partner Norman Whitfield, created an incredible body of work,” Motown founder Berry Gordy said in a statement.     

Strong had yet to turn 20 when he agreed to let his friend Gordy, in the early days of building a recording empire in Detroit, manage him and release his music. Within a year, he was a part of history as the piano player and vocalist for “Money,” a million-seller released early in 1960 and Motown’s first major hit. Strong never again approached the success of “Money” on his own, and decades later fought for acknowledgement that he helped write it. But, with Whitfield, he formed a productive and eclectic songwriting team.     

While Gordy’s “Sound of Young America” was criticized for being too slick and repetitive, the Whitfield-Strong team turned out hard-hitting and topical works, along with such timeless ballads as “I Wish It Would Rain” and “Just My Imagination (Running Away with Me).” With “I Heard it Through the Grapevine,” they provided an up-tempo, call-and-response hit for Gladys Knight and the Pips and a dark, hypnotic ballad for Marvin Gaye, his 1968 version one of Motown’s all-time sellers.      

As Motown became more politically conscious late in the decade, Barrett-Whitfield turned out “Cloud Nine” and “Psychedelic Shack” for the Temptations and for Edwin Starr the protest anthem “War” and its widely quoted refrain, “War! What is it good for? Absolutely … nothing!”     

“With `War,’ I had a cousin who was a paratrooper that got hurt pretty bad in Vietnam,” Strong told LA Weekly in 1999. “I also knew a guy who used to sing with (Motown songwriter) Lamont Dozier that got hit by shrapnel and was crippled for life. You talk about these things with your families when you’re sitting at home, and it inspires you to say something about it.”     

Whitfield-Strong’s other hits, mostly for the Temptations, included “I Can’t Get Next to You,” “That’s the Way Love Is” and the Grammy-winning chart-topper “Papa Was a Rollin’ Stone” (Sometimes spelled “Papa Was a Rolling Stone”). Artists covering their songs ranged from the Rolling Stones (“Just My Imagination”) and Aretha Franklin (“I Wish It Would Rain”) to Bruce Springsteen (“War”) and Al Green (“I Can’t Get Next to You”).    

Strong spent part of the 1960s recording for other labels, left Motown again in the early 1970s and made a handful of solo albums, including “Stronghold” and “Love is You.” In 2004, he was voted into the Songwriters Hall of Fame, which cited him as “a pivotal figure in Motown’s formative years.”      

Whitfield died in 2008.     

The music of Strong and other Motown writers was later featured in the Broadway hit “Ain’t Too Proud: The Life and Times of the Temptations.”    

Strong was born in West Point, Mississippi and moved to Detroit a few years later. He was a self-taught musician who learned piano without needing lessons and, with his sisters, formed a local gospel group, the Strong Singers. In his teens, he got to know such artists as Franklin, Smokey Robinson and Gordy, who was impressed with his writing and piano playing. “Money”’ with its opening shout, “The best things in life are free/But you can give them to the birds and bees,” would, ironically, lead to a fight — over money.      

Strong was initially listed among the writers and he often spoke of coming up with the pounding piano riff while jamming on Ray Charles’ “What’d I Say” in the studio. But only decades later would he learn that Motown had since removed his name from the credits, costing him royalties for a popular standard covered by the Beatles, the Rolling Stones and many others and a keepsake on John Lennon’s home jukebox. Strong’s legal argument was weakened because he had taken so long to ask for his name to be reinstated. (Gordy is one of the song’s credited writers, and his lawyers contended Strong’s name only appeared because of a clerical error).      

“Songs outlive people,” Strong told The New York Times in 2013. “The real reason Motown worked was the publishing. The records were just a vehicle to get the songs out there to the public. The real money is in the publishing, and if you have publishing, then hang on to it. That’s what it’s all about. If you give it away, you’re giving away your life, your legacy. Once you’re gone, those songs will still be playing.” 

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‘Avatar 2’ Tops Box Office for 7th Weekend

“Avatar: The Way of Water” claimed the No. 1 spot on the domestic box office charts for the seventh weekend in a row with an additional $15.7 million, according to studio estimates on Sunday. 

It was a quiet weekend overall, notable mostly for the Hindi language blockbuster “Pathaan” that broke into the top five and the post-Oscar nominations rereleases of films like “Everything Everywhere All At Once” and “The Fabelmans.” 

“Avatar 2’s” first-place North American run has only been matched by the first “Avatar,” and, in the past 25 years, bested by “Titanic” (which stayed in first place for 15 weeks). All three were directed by James Cameron. 

Globally, “The Way of Water” has now grossed an estimated $2.1 billion, passing “Star Wars: The Force Awakens,” to become the fourth-highest grossing film of all time (of which Cameron has directed three). 

“James Cameron just keeps ticking off all the records and milestones,” said Paul Dergarabedian, the senior media analyst for Comscore. “And it’s still got a wide-open marketplace.” 

Second place went to Universal and DreamWorks’ family-oriented offering “Puss In Boots: The Last Wish,” which made $10.6 million in its sixth weekend. The animated spinoff has earned over $140.8 million in North America and was recently made available to stream at home, too. 

Third place went to Sony’s “A Man Called Otto” with $6.8 million from 3,957 locations. The meme-able horror “M3GAN,” a Universal release, snuck into fourth place with $6.4 million in its fourth weekend, bringing its domestic total to $82.3 million. 

The Indian film “Pathaan,” starring Shah Rukh Kha in his first role in five years, settled in fifth place with $5.9 million from only 695 screens. 

“A top five appearance is really impressive,” Dergarabedian said, noting that the marketplace over the past several years has presented opportunities for Indian films to break into the domestic top 10. 

Neon also launched the horror movie “Infinity Pool,” written and directed by Brandon Cronenberg and starring Mia Goth and Alexander Skarsgård, in 1,853 locations following its Sundance debut. It made an estimated $2.7 million. The romantic comedy “Maybe I Do,” with Diane Keaton, Richard Gere and Susan Sarandan, made $562,000 from 465 screens. And Lukas Dhont’s Cannes-winning boyhood drama “Close” opened on four screens in New York and Los Angeles, earning $68,143. 

Many studios boasting best picture nominees also chose to capitalize on the buzz of Tuesday’s Oscar nominations with sizable re-releases. “Everything Everywhere All At Once,” which got a leading 11 nominations, came back to theaters in force playing on 1,400 screens where it earned another $1 million. The A24 release has made $71 million domestically to date. Steven Spielberg’s “The Fabelmans,” nominated for seven Oscars, also expanded to 1,962 screens in North America and took in an additional $760,000, bringing its domestic total to $16 million. And Sarah Polley’s “Women Talking” also added a few hundred screens, earning $1 million over the weekend. It’s made $2.4 million to date. The Oscar boosts could continue over the coming weeks, too — the show isn’t until March 12. 

“We are seeing in real time the halo effect of the Oscar nominations on these best picture nominees,” Dergarbedian said. “The Oscar bounce is back, something we haven’t seen over the past couple of years.” 

Several of the highest profile releases of the weekend were both star-driven comedies that went straight to streaming: Netflix had “You People,” with Eddie Murphy, Julia Louis-Dreyfus, Jonah Hill and Lauren London and Amazon Prime Video offered “Shotgun Wedding,” with Jennifer Lopez, Josh Duhamel and Jennifer Coolidge. 

Seven weekends into “Avatar 2,” theater owners are also likely looking for the next big blockbuster, which is still a ways off. “Ant-Man and The Wasp: Quantumania” doesn’t arrive in theaters until Feb. 17. 

But, as Dergarabedian said, “2023 is already looking more like 2019 rather than the last three years.” 

“This is great news for theaters,” he said. “You have the Oscar bounce in play, an Indian film in the top 5 and ‘Avatar’ breaking records left and right.” 

Estimated ticket sales for Friday through Sunday at U.S. and Canadian theaters, according to Comscore, with Wednesday through Sunday in parentheses. Final domestic figures will be released Monday. 

  1. “Avatar: The Way of Water,” $15.7 million. 

  2. “Puss in Boots: The Last Wish,” $10.6 million. 

  3. “A Man Called Otto,” $6.8 million, 

  4. “M3GAN,” $6.4 million. 

  5. “Pathaan,” $5.9 million. 

  6. “Missing,” $3.8 million. 

  7. “Plane,” $3.8 million. 

  8. “Infinity Pool,” $2.7 million. 

  9. “Left Behind: Rise of the Antichrist,” $2.4 million. 

  10. “The Wandering Earth 2,” $1.4 million. 

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