With images of snowy villages, nutcrackers, candy canes and more, Artechouse’s “Spectacular Factory: The Holiday Multiverse” brings to life the festive feelings of the season. Maxim Moskalkov visited the event. Camera: Sergey Sokolov
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Day: December 19, 2022
Elon Musk had an eventful year, capping 2022 with a $44 billion acquisition of Twitter, a takeover that almost didn’t happen. The controversial CEO has brought changes and disruptions, layoffs and resignations that put Twitter’s fate into question. VOA’s Tina Trinh has more.
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An underground Catholic movement started in 2002 with the secret ‘ordination’ of seven women in Germany by official male bishops. The movement has grown to 250 women globally, despite the Catholic Church’s rules preventing women from becoming priests. VOA senior Washington correspondent Carolyn Presutti takes us to several masses to explain the international controversy.
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U.S. President Joe Biden and First Lady Jill Biden will host a Hanukkah reception at the White House Monday evening. There will be a menorah lighting and the menorah, created by the Whie House carpentry shop, will become the first Jewish artifact added to the White House archives.
Hanukkah, the eight-day Jewish celebration also known as the Festival of Lights, began Sunday. It commemorates the rededication during the second century B.C. of the Second Temple in Jerusalem.
The National Menorah of the United States was lit Sunday in Washington on The Ellipse.
In New York City Sunday, the world’s largest menorah was lit in Grand Army Plaza where Mayor Eric Adams reminded the crowd that New York is home to more Jews than any place else in the world, except Israel.
Jewish families around the world will light their home menorahs for each of the eight days of Hanukkah. This year Hanukkah ends the day after Christmas.
Even in the concentration camps during World War II, Jews found ways to observe Hanukkah. An ornate menorah carved by an inmate in the Theresienstadt camp was recovered after the war and is now in The Jewish Museum in New York.
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More than half of 17.5 million users who responded to a poll that asked whether billionaire Elon Musk should step down as head of Twitter voted yes when the poll closed on Monday.
There was no immediate announcement from Twitter, or Musk, about whether that would happen, though he said that he would abide by the results.
Musk has clashed with some users on multiple fronts and on Sunday, he asked Twitter users to decide if he should stay in charge of the social media platform after acknowledging he made a mistake in launching new speech restrictions that banned mentions of rival social media websites.
In yet another significant policy change, Twitter had announced that users will no longer be able to link to Facebook, Instagram, Mastodon and other platforms the company described as “prohibited.”
But that decision generated so much immediate criticism, including from past defenders of Twitter’s new billionaire owner, that Musk promised not to make any more major policy changes without an online survey of users.
The action to block competitors was Musk’s latest attempt to crack down on certain speech after he shut down a Twitter account last week that was tracking the flights of his private jet.
The banned platforms included mainstream websites such as Facebook and Instagram, and upstart rivals Mastodon, Tribel, Nostr, Post and former President Donald Trump’s Truth Social. Twitter gave no explanation for why the blacklist included those seven websites but not others such as Parler, TikTok or LinkedIn.
Twitter had said it would at least temporarily suspend accounts that include the banned websites in their profile — a practice so widespread it would have been difficult to enforce the restrictions on Twitter’s millions of users around the world. Not only links but attempts to bypass the ban by spelling out “instagram dot com” could have led to a suspension, the company said.
A test case was the prominent venture capitalist Paul Graham, who in the past has praised Musk but on Sunday told his 1.5 million Twitter followers that this was the “last straw” and to find him on Mastodon. His Twitter account was promptly suspended, and soon after restored as Musk promised to reverse the policy implemented just hours earlier.
Musk said Twitter will still suspend some accounts according to the policy but “only when that account’s (asterisk)primary(asterisk) purpose is promotion of competitors.”
Twitter previously took action to block links to Mastodon after its main Twitter account tweeted about the @ElonJet controversy last week. Mastodon has grown rapidly in recent weeks as an alternative for Twitter users who are unhappy with Musk’s overhaul of Twitter since he bought the company for $44 billion in late October and began restoring accounts that ran afoul of the previous Twitter leadership’s rules against hateful conduct and other harms.
Musk permanently banned the @ElonJet account on Wednesday, then changed Twitter’s rules to prohibit the sharing of another person’s current location without their consent. He then took aim at journalists who were writing about the jet-tracking account, which can still be found on other social media sites, alleging that they were broadcasting “basically assassination coordinates.”
He used that to justify Twitter’s moves last week to suspend the accounts of numerous journalists who cover the social media platform and Musk, among them reporters working for The New York Times, Washington Post, CNN, Voice of America and other publications. Many of those accounts were restored following an online poll by Musk.
Then, over the weekend, The Washington Post’s Taylor Lorenz became the latest journalist to be temporarily banned. She said she was suspended after posting a message on Twitter tagging Musk and requesting an interview.
Sally Buzbee, The Washington Post’s executive editor, called it an “arbitrary suspension of another Post journalist” that further undermined Musk’s promise to run Twitter as a platform dedicated to free speech.
“Again, the suspension occurred with no warning, process or explanation — this time as our reporter merely sought comment from Musk for a story,” Buzbee said. By midday Sunday, Lorenz’s account was restored, as was the tweet she thought had triggered her suspension.
Musk’s promise to let users decide his future role at Twitter through an unscientific online survey appeared to come out of nowhere Sunday, though he had also promised in November that a reorganization was happening soon.
Musk was questioned in court on Nov. 16 about how he splits his time among Tesla and his other companies, including SpaceX and Twitter. Musk had to testify in Delaware’s Court of Chancery over a shareholder’s challenge to Musk’s potentially $55 billion compensation plan as CEO of the electric car company.
Musk said he never intended to be CEO of Tesla, and that he didn’t want to be chief executive of any other companies either, preferring to see himself as an engineer instead. Musk also said he expected an organizational restructuring of Twitter to be completed in the next week or so. It’s been more than a month since he said that.
In public banter with Twitter followers Sunday, Musk expressed pessimism about the prospects for a new CEO, saying that person “must like pain a lot” to run a company that “has been in the fast lane to bankruptcy.”
“No one wants the job who can actually keep Twitter alive. There is no successor,” Musk tweeted.
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“Avatar: The Way of Water ” didn’t make quite as big of a splash as many assumed it would, but James Cameron’s big budget spectacle still helped breathe life into the box office this weekend. The sequel earned $134 million from North American theaters and $300.5 million internationally for a $434.5 million global debut, according to studio estimates on Sunday.
It tied with “The Batman” as the fourth highest domestic debut of the year, behind “Doctor Strange in the Multiverse of Madness” ($187.4 million in May), “Black Panther: Wakanda Forever,” ($181 million in November and “Thor: Love and Thunder” ($144.2 million in July).
Expectations were enormous for “Avatar 2,” which carried a reported price tag of over $350 million, the pressure of following up the highest grossing film of all time (thanks in part to various re-releases) over a decade later and the daunting task of propping up an exhibition business that’s still far from normal. Everything “Avatar” is oversized, though: the Na’vi characters, the runtime (a staggering three hours and 12 minutes), the technical advancements and the release strategy from 20th Century Studios and The Walt Disney Co.
Going into the weekend many were expecting a domestic debut of at least $150 million. Some even said $175 or higher, but tracking has also not been as reliable a metric during the pandemic.
Disney saw early that “The Way of Water” was going to be a different kind of beast when they looked at pre-sales. For a normal, spoiler-heavy movie like many Marvel offerings, post-opening weekend sales are usually around 5%. For “The Way of Water,” they were at 20%. In other words, the company knew that tracking was overinflated.
“We’ve got a terrific movie that is playing across all demographics and (has) terrific word of mouth,” said Tony Chambers, the Walt Disney Co.’s executive vice president for theatrical distribution. “We’ve got the screens and we’ve got a clear run. This isn’t about the opening day or the opening weekend. This is about the entire run.”
The film began its international rollout on Wednesday and debuted in North America on Thursday evening. Domestically, “Avatar: The Way of Water” was released in 4,202 theaters on over 12,000 screens, 400 of which were IMAX 3D. The studio and filmmakers bet big on the draw, and higher prices, of the 3D format and premium large screens.
By the end of Friday, “Avatar: The Way of Water” had already earned $53 million in the U.S. and Canada and $180.1 million globally, aided by a China release — the first major Hollywood release in the country since “Minions: The Rise of Gru” in August. It blows “Avatar’s” $26.7 million first day in 2009 out of the water, though that didn’t include Thursday previews.
An estimated 66% of the $435 million opening weekend revenue came from worldwide 3D ticket sales.
Travis Reid, CEO at 3D company RealD, set a “new benchmark for the current 3D marketplace.”
Over $48.8 million of the global total came from IMAX screens alone (1,543 in 80 markets), the company’s second biggest weekend.
“As excited as we are about these early results, we anticipate a long and successful run for ‘Avatar: The Way of Water,'” said Rich Gelfond, CEO of IMAX, in a statement.
As with many ambitious Cameron projects, from “Titanic” to the first “Avatar,” nerves were high for the costly sequel, one of the most expensive of all time, which began production five years ago. It faced repeated delays and weathered The Walt Disney Co’s acquisition of 21st Century Fox in 2019. It’s also one of four “Avatar” sequels Cameron had in mind. Filming on the third movie, which shot simultaneously with “The Way of Water,” is done, with an expected release in December 2024.
In the 13 years since the first film, “Avatar” has also been the butt of jokes for the perception that the biggest movie of all time, one that has made nearly $3 billion, has left a relatively minor footprint in the culture. But even so, critics have largely been on board with “The Way of Water,” not just for the visuals but also for improving on the story of the first. It holds a 78% positive rating from critics on Rotten Tomatoes.
The question of whether “Avatar 2” will earn enough is a complicated one with varied answers. Is it enough for exhibitors, who’ve had several significant hits this year, including “Top Gun: Maverick,” “Black Panther 2” and “Doctor Strange 2,” but are still hurting? Is it enough to justify starting production on fourth and fifth movies? Is it enough for the business as a whole, which is looking at a domestic year-end total in the $8 billion range, as opposed to a pre-pandemic normal of $11 billion?
But like the critics shouting “never doubt James Cameron,” the studio and analysts are singing a similar tune.
“Avatar: The Way of Water” has the benefit of a holiday corridor that is, relatively speaking, lacking in major blockbuster-style movies. Next week sees the debut of Damien Chazelle’s “Babylon” and the family-friendly “Puss in Boots: The Last Wish” but there are no comparable blockbusters until “Ant-Man and the Wasp: Quantumania” in February. The hope is that audiences will continue seeking “Avatar 2” out for weeks and months to come, similar to the first movie.
“Historically James Cameron’s movies are about the long haul, not the opening weekend,” said Paul Dergarabedian, the senior media analyst for Comscore. “‘Avatar’ is going to develop its box office over time. It’s about where it will end up months from now.”
Estimated ticket sales for Friday through Sunday at U.S. and Canadian theaters, according to Comscore, with Wednesday through Sunday in parentheses. Final domestic figures will be released Monday.
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“Avatar: The Way of Water,” $134 million.
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“Black Panther: Wakanda Forever,” $5.4 million.
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“Violent Night,” $5 million.
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“Strange World,” $2.2 million.
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“The Menu,” $1.7 million.
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“Devotion,” $825,000.
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“The Fabelmans,” $750,000.
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“Black Adam,” $500,000.
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“I Heard the Bells,” $308,893.
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“Empire of Light,” $235,000.
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