Day: September 30, 2022

Nobel Prize Season Arrives Amid War, Nuclear Fears, Hunger 

This year’s Nobel Prize season approaches as Russia’s invasion of Ukraine has shattered decades of almost uninterrupted peace in Europe and raised the risks of a nuclear disaster.

The secretive Nobel committees never hint who will win the prizes in medicine, physics, chemistry, literature, economics or peace. It’s anyone’s guess who might win the awards being announced starting Monday.

Yet there’s no lack of urgent causes deserving the attention that comes with winning the world’s most prestigious prize: wars in Ukraine and Ethiopia, disruptions to supplies of energy and food, rising inequality, the climate crisis, the fallout from the COVID-19 pandemic.

The science prizes reward complex achievements beyond the understanding of most. But the recipients of the prizes in peace and literature are often known by a global audience, and the choices — or perceived omissions — have sometimes stirred emotional reactions.

Members of the European Parliament have called for Ukrainian President Volodymyr Zelenskyy and the people of Ukraine to be recognized this year by the Nobel Peace Prize committee for their resistance to the Russian invasion.

While that desire is understandable, that choice is unlikely because the Nobel committee has a history of honoring figures who end conflicts, not wartime leaders, said Dan Smith, director of the Stockholm International Peace Research Institute.

Smith believes more likely peace prize candidates would be those fighting climate change or the International Atomic Energy Agency, a past recipient. Honoring the IAEA again would recognize its efforts to prevent a radioactive catastrophe at the Russian-occupied Zaporizhzhia nuclear power plant amid fighting in Ukraine, and its work in fighting nuclear proliferation, Smith said.

“This is a really difficult period in world history, and there is not a lot of peace being made,” he said.

Promoting peace isn’t always rewarded with a Nobel. India’s Mohandas Gandhi, a prominent symbol of nonviolence, was never so honored.

In some cases, the winners have not lived out the values enshrined in the peace prize. 

Just this week the Vatican acknowledged imposing disciplinary sanctions on Nobel Peace Prize-winning Bishop Carlos Ximenes Belo following allegations he sexually abused boys in East Timor in the 1990s.

Ethiopian Prime Minister Abiy Ahmed won in 2019 for making peace with neighboring Eritrea. A year later, a largely ethnic conflict erupted in the country’s Tigray region. Some accuse Abiy of stoking the tensions, which have resulted in widespread atrocities. Critics have called for his Nobel to be revoked, and the Nobel committee has issued a rare admonition to him.

The Myanmar activist Aung San Suu Kyi won in 1991 for her opposition to military rule but decades later has been viewed as failing to oppose atrocities committed against the mostly Muslim Rohingya minority.

In some years, no peace prize has been awarded. The Norwegian Nobel Committee paused them during World War I, except to honor the International Committee of the Red Cross in 1917. It didn’t hand out any from 1939 to 1943 because of World War II. In 1948, the year Gandhi died, the committee made no award, citing a lack of a suitable living candidate.

The peace prize also does not always confer protection.

Last year journalists Maria Ressa of the Philippines and Dmitry Muratov of Russia were awarded “for their courageous fight for freedom of expression” in the face of authoritarian governments.

Following the invasion of Ukraine, the Kremlin has cracked down even harder on independent media, including Muratov’s Novaya Gazeta, Russia’s most renowned independent newspaper. Muratov himself was attacked on a Russian train by an assailant who poured red paint over him, injuring his eyes.

The Philippines government this year ordered the shutdown of Ressa’s news organization, Rappler.

The literature prize, meanwhile, has been anything but predictable.

Few had bet on last year’s winner, Zanzibar-born, U.K.-based writer Abdulrazak Gurnah, whose books explore the personal and societal impacts of colonialism and migration.

Gurnah was only the sixth Nobel literature laureate born in Africa, and the prize has long faced criticism that it is too focused on European and North American writers. It is also male dominated, with just 16 women among its 118 laureates.

A clear contender is Salman Rushdie, the India-born writer and free-speech advocate who spent years in hiding after Iran’s clerical rulers called for his death over his 1988 novel The Satanic Verses. Rushdie, 75, was stabbed and seriously injured in August at a festival in New York state.

The list of possible winners includes literary giants from around the world: Kenyan writer Ngugi Wa Thiong’o, Japan’s Haruki Murakami, Norway’s Jon Fosse, Antigua-born Jamaica Kincaid and France’s Annie Ernaux.

The prizes to Gurnah in 2021 and U.S. poet Louise Gluck in 2020 have helped the literature prize move on from years of controversy and scandal.

In 2018, the award was postponed after sex abuse allegations rocked the Swedish Academy, which names the Nobel literature committee, and sparked an exodus of members. The academy revamped itself but faced more criticism for giving the 2019 literature award to Austria’s Peter Handke, who has been called an apologist for Serbian war crimes.

Some scientists hope the award for physiology or medicine honors colleagues instrumental in the development of the mRNA technology that went into COVID-19 vaccines, which saved millions of lives around the world.

“When we think of Nobel prizes, we think of things that are paradigm shifting, and in a way I see mRNA vaccines and their success with COVID-19 as a turning point for us,” said Deborah Fuller, a microbiology professor at the University of Washington.

Physics at times can seem arcane and difficult for the public to understand. But the last three years, the physics Nobel has honored more accessible topics: climate change computer models, black holes and planets outside our solar system.

Some harder-to-understand topics in physics — like stopping light, quantum physics and carbon nanotubes — could capture a Nobel award this year.

The Nobel announcements kick off Monday with the prize in physiology or medicine, followed by physics on Tuesday, chemistry on Wednesday and literature on Thursday. The 2022 Nobel Peace Prize will be announced on October 7 and the economics award on October 10.

The prizes carry a cash award of 10 million Swedish kronor (nearly $900,000) and will be handed out on December 10.

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Plastic Galapagos: How New Life Is Sprouting on Ocean Trash

Scientists are discovering a new chapter in the evolution of life on Earth. It’s like a new Galapagos Island has sprouted in the Pacific Ocean. But this one is made of plastic. Steve Baragona reports.

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Cholera Surging Globally as Climate Change Intensifies

Cholera is surging around the globe, the World Health Organization warns.

Flareups of the deadly disease have been reported in 26 countries in the first nine months of this year. In comparison, fewer than 20 countries reported cholera outbreaks per year between 2017 and 2021. In addition to greater frequency, the WHO reports the outbreaks themselves are larger and more deadly. 

While poverty and conflict are major triggers of cholera, climate change is a growing threat. 

Philippe Barboza, WHO team lead for Cholera and Epidemic Diarrheal Diseases, said climate change presents an additional layer of complexity and creates the conditions for cholera outbreaks to explode. 

“This is what we have seen in southern Africa with the succession of cyclones that affected the eastern part of the African Coast,” Barboza said. “The drought in East Africa is driving population movements, reducing access to water, which is already needed. So, of course, it is a key factor, which is fueling the outbreak. And the same in Sahel and other places.”   

Fifteen of the 26 cholera-infected countries are in Africa, according to the WHO. 

Barboza said massive climate-induced floods in Southeast Asia also have resulted in large outbreaks of cholera in Pakistan and Bangladesh. Many countries that have made significant progress in controlling cholera are now back to square one, he added.   

Cholera is an acute diarrheal disease caused by contaminated food or water. It can kill within hours if left untreated. Cholera outbreaks can be prevented by ensuring access to clean water, basic sanitation, and hygiene, as well as stepping up surveillance and access to health care, Barboza said. 

“This is what we need countries to do, but that is easier said than done. Although many of the cholera-affected countries are actively engaged in these efforts, they are facing multiple crises, including conflict and poverty, and this is why international action is so important,” he said.  

Cholera is a preventable and treatable disease, Barboza said, so with the right foresight and action, the current global crisis can be reversed. 

 

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Ukrainian Mural Artist Leaves US, Returns to Irpin Despite War

Irpin, a city in the Kyiv region, was under Russian occupation in March. Officials say over 70% of its infrastructure was damaged. When the Russians retreated, several residents started returning from abroad to help rebuild their city. Anna Kosstutschenko has the story.

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New York Film Festival Fetes 60 Years with Eye to the Future

The past and future of film mingle like a pair of moviegoers huddled in debate outside a movie theater at the New York Film Festival, which on Friday launches its 60th edition with the premiere of Noah Baumbach’s Don DeLillo adaptation “White Noise.” 

In those six decades, the Lincoln Center festival has been arguably the premier American nexus of cinema, bringing together a teeming portrait of a movie year with films from around the globe, anticipated fall titles and restored classics. It’s a festival that’s traditionally more stocked with questions than answers. 

“One question we ask ourselves is: What is a New York Film Festival main-slate film? It shouldn’t be something expected,” says Dennis Lim, artistic director of the festival. “It shouldn’t be something that automatically seems like it should belong in the pantheon.”

Canon — and stretching its definitions — has always been top of mind at the New York Film Festival, where films by Satyajit Ray, Akira Kurosawa, Agnès Varda, Pedro Almodovar and Jane Campion have played over the years. The first edition of the festival, in 1963, featured Luis Buñuel, Yasujirō Ozu, Robert Bresson, Roman Polanski and Jean-Luc Godard. NYFF, which gives no awards and offers no industry marketplace, is strictly defined as a showcase of what programmers consider the best. 

“We honor those 60 years of the festival by continuing to be true to its mission, why it was created, what it was intended to serve and the relationship, first and foremost, that it has had with the city of New York,” says Eugene Hernandez, executive director. “It’s a bridge between artists and audiences and has been for 60 years now.”

In the last two years, Lim and Hernandez have sought to reconnect the festival with New York, expanding its footprint around the city. But the pandemic made that difficult. 

The 2020 festival was held virtually and in drive-ins around the city. Last year’s festival brought audiences back, although with considerable COVID-19 precautions. “It’s been a three-year journey to get to this moment,” says Hernandez, who departs after this festival to lead the Sundance Film Festival. 

The 60th NYFF, which will hold screenings in all five boroughs during its run through Oct. 16, this year emphasizes those New York connections with a series of galas for hometown filmmakers. Those include the opening night with Baumbach; a centerpiece for Laura Poitras’ Nan Goldin documentary “All the Beauty and the Bloodshed”; closing night with Elegance Bratton’s semi-autobiographical “The Inspection”; and an anniversary celebration featuring James Gray’s “Armageddon Time,” based on his childhood in Queens. Another high-profile New York story, “She Said,” a drama about The New York Times investigative journalists who helped expose Harvey Weinstein, is also one of the festival’s top world premieres. 

In many ways, little has changed in 60 years. (Godard will be back again this year, with the late iconoclast ‘s “Image Book” playing for free on a loop.) Except, perhaps, that it’s gotten larger, with more sidebars and a busier main slate. 

“The festival for much of its life had only 20, 25 films in its main slate. I think if you tried  to do that now, you’re not really going to really get a full picture of contemporary cinema,” says Lim. “The landscape is so immense.”

Every NYFF brings a mingling of master auteurs and younger filmmakers, but the dichotomy between the two is especially rich this year. Aside from seasoned veterans like Claire Denis (“Stars at Noon”) and Park Chan-wook (“Decision to Leave”), the festival will welcome back longtime regulars Frederick Wiseman (“A Couple”), Martin Scorsese (“Personality Crisis: One Night Only,” a documentary about New York Dolls singer-songwriter David Johansen) and Paul Schrader (“Master Gardner”). Jerzy Skolimowski (“EO”), the 84-year-old Polish filmmaker, and 94-year-old James Ivory (“A Cooler Climate”) will each bookend their inclusion at the third New York Film Festival, more than half a century ago. 

A film like “EO,” which trails a donkey between brutal interactions with humans, is directly engaged with cinema history, paying homage to Robert Bresson’s “Au Hasard Balthazar.” But it also beats a ragged path of its own, something Schrader, the “Taxi Driver” writer and maker recently of “First Reformed” and “The Card Counter,” has been doing, himself, with torturous rigor for decades. These are filmmakers for whom cinema is an unending crusade, full of pain and transcendence. 

Other filmmakers are earlier on their journeys. Several standouts at the festival are debuts. Bratton’s first narrative feature, “The Inspection,” is deeply personal for the 43-year-old director and photographer. Led by a striking performance by Jeremy Pope, it dramatizes Bratton’s own experience as a gay man in boot camp. The treatment he receives there is brutal, with echoes of Stanley Kubrick’s “Full Metal Jacket.” But in some ways, it’s an improvement from his harsh reality back home. 

The Scottish filmmaker Charlotte Wells also channels personal experience in her brilliantly composed, acutely devastating first feature, “Aftersun,” starring Paul Mescal and Frankie Corio as a father-daughter pair on vacation in Turkey. To a remarkable degree, the film is attuned to every fleeting gesture between the two, and the currents that may be driving them apart. 

Intimacy might seem less relevant to “Till,” the Emmett Till drama making its world premiere. Films about such indelible moments in American history often take a wide lens to capture the full societal scope. But Chinonye Chukwu, in her follow-up to her 2019 breakthrough film “Clemency,” keeps her film centered, often profoundly so, on Till’s mother, Mamie Till-Mobley, played spectacularly by Danielle Deadwyler. “Till,” like many of the films at the festival, is a reminder of just how powerful one person’s testimony can be.

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FBI Joins Australian Hunt for Data Hackers

Australia has asked the American FBI to help catch computer hackers responsible for one of Australia’s biggest data breaches. Personal details, including home addresses, driver license and passport numbers, of more than 10 million customers of the Singapore-owned telecom giant Optus were stolen.

A massive amount of personal information about Optus customers in Australia was stolen and an extortion threat made to the company. But then there was an apparent twist. An apology was issued on an online forum by an account that investigators believe belonged to the alleged hacker, who had been unnerved by the attention the case had generated.

“Too many eyes,” it read. “We will not sale (sic) data to anyone. Sorry to 10.2m Australians whose data was leaked. Ransom not paid but we don’t care anymore.”

The Australian government has blamed Optus, one of the biggest telecommunications companies in the country, for the breach. Australia’s cybersecurity minister, Clare O’Neil, said the company had made it easy for hackers to get in.

“What is of concern for us is how what is quite a basic hack was undertaken on Optus,” she said. “We should not have a telecommunications provider in this country which has effectively left the window open for data of this nature to be stolen.”

But Optus Chief Executive Officer Kelly Bayer Rosmarin denied the company’s cyber defenses were inadequate. She said the data was encrypted and there were multiple layers of protection. But for many Optus customers, there is deep anxiety that their personal information has been compromised.

The FBI has joined the hunt for the Optus data thieves.

Frank Montoya Jr, a former FBI special agent, told the Australian Broadcasting Corp. that a foreign government could be involved.

“We try to determine if it is a nation state or if it is a criminal enterprise,” he said. “Now, that can be a challenge, too, because sometimes the nation state is the criminal enterprise, and I think of North Korea, for instance, and how they go after these databases for various reasons. But sometimes it is just about selling it on the dark web so they can get access to hard currency.”

Australian cyber security experts have warned that unless companies do more to protect their customers’ personal information, a data breach like the Optus theft could happen again.

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Comedian Trevor Noah to Leave ‘The Daily Show’ After 7 Years

Comedian Trevor Noah, host of The Daily Show on Comedy Central, said he was going to leave the program after hosting it for seven years, indicating he wanted to dedicate more time to stand-up comedy.

The 38-year-old comedian — who was born in Johannesburg, South Africa, and moved to the United States in 2011 — had big shoes to fill when he took over in 2015 after the exit of longtime host Jon Stewart.

He quickly established himself with his own brand, suited for an era where online influence was often greater than that of content on cable.

His reign on The Daily Show required him to delicately cover some crucial moments in American history, such as the COVID-19 pandemic, the Black Lives Matter movement and the 2021 attacks on the U.S. Capitol.

“I spent two years in my apartment (during COVID-19), not on the road. Stand-up was done, and when I got back out there again, I realized that there’s another part of my life that I want to carry on exploring,” Noah told his studio audience late on Thursday. The Daily Show posted a clip of Noah’s remarks on social media.

“We have laughed together; we have cried together. But after seven years, I feel like it’s time,” Noah said. He ended his remarks by thanking his viewers as his studio audience stood up to applaud him.

Noah, who roasted U.S. politicians and the media at the White House Correspondents Association dinner in April, did not mention his exact departure date in his remarks Thursday. It is not known who would succeed him.

The key to addressing current affairs through a comedic lens lies in a comedian’s intention, Noah said in a 2016 interview with Reuters, adding that he learns from his mistakes.

“I don’t think I would ever have been ready, but that’s when you must do it, you will not be ready,” the comedian told Reuters in the context of having succeeded his legendary predecessor.

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Challenges and Hope as India Makes Home for African Cheetahs

Eight cheetahs have been brought from Africa to India this month to conserve a species that became extinct in the South Asian country seven decades ago. While the project is hugely challenging, conservationists say the benefits go beyond conserving the world’s fastest land animal – if successful, it could help save neglected ecosystems such as grasslands. Anjana Pasricha report from New Delhi.

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New Asteroid Strike Images Show Impact Much Bigger Than Expected

The James Webb and Hubble telescopes on Thursday revealed their first images of a spacecraft deliberately smashing into an asteroid, as astronomers indicated that the impact looks to have been much greater than expected.

The world’s telescopes turned their gaze toward the space rock Dimorphos earlier this week for a historic test of Earth’s ability to defend itself against a potential life-threatening asteroid in the future.

Astronomers rejoiced as NASA’s Double Asteroid Redirection Test (DART) impactor slammed into its pyramid-sized, rugby ball-shaped target 11 million kilometers (6.8 million miles) from Earth on Monday night.

Images taken by Earth-bound telescopes showed a vast cloud of dust expanding out of Dimorphos — and its big brother Didymos, which it orbits — after the spaceship hit.

While those images showed matter spraying out over thousands of kilometers, the James Webb and Hubble images “zoom in much closer,” said Alan Fitzsimmons, an astronomer at Queen’s University Belfast involved in observations with the ATLAS project.

James Webb and Hubble can offer a view “within just a few kilometers of the asteroids and you can really clearly see how the material is flying out from that explosive impact by DART,” Fitzsimmons told AFP.

“It really is quite spectacular,” he said.

An image taken by James Webb’s Near-Infrared Camera (NIRCam) four hours after impact shows “plumes of material appearing as wisps streaming away from the center of where the impact took place,” according to a joint statement from the European Space Agency, James Webb and Hubble.

Hubble images from 22 minutes, five hours and eight hours after impact show the expanding spray of matter from where DART hit.

‘Worried there was nothing left’ 

Ian Carnelli of the European Space Agency (ESA) said that the “really impressive” Webb and Hubble images were remarkably similar to those taken by the toaster-sized satellite LICIACube, which was just 50 kilometers from the asteroid after separating from the DART spacecraft a few weeks ago.

The images depict an impact that looks “a lot bigger than we expected,” said Carnelli, the manager of the ESA’s Hera mission, which intends to inspect the damage in four years.

“I was really worried there was nothing left of Dimorphos” at first, Carnelli told AFP.

The Hera mission, which is scheduled to launch in October 2024 and arrive at the asteroid in 2026, had expected to survey a crater around 10 meters (33 feet) in diameter.

It now looks like it will be far bigger, Carnelli said, “if there is a crater at all; maybe a piece of Dimorphos was just chunked off.”

The true measure of DART’s success will be exactly how much it diverted the asteroid’s trajectory, so the world can start preparing to defend itself against bigger asteroids that could head our way in the future.

It will likely take Earth-bound telescopes and radars at least a week for a first estimate of how much the asteroid’s orbit has been altered, and three or four weeks before there is a precise measurement, Carnelli said.

‘Huge implications’

“I am expecting a much bigger deflection than we had planned,” he said.

That would have “huge implications in planetary defense because it means that this technique could be used for much larger asteroids,” Carnelli added.

“Until today, we thought that the only deflection technique would be to send a nuclear device.”

Fitzsimmons said that even if no material had been “flung off” Dimorphos, DART still would have slightly affected its orbit.

“But the more material and the faster it’s moving, the more of a deflection there will have been,” he said.

The observations from James Webb and Hubble will help reveal how much — and how quickly — matter sprayed from the asteroid, as well as the nature of its surface.

The asteroid impact marked the first time the two space telescopes observed the same celestial body.

Since launching in December and releasing its first images in July, James Webb has taken the title of most powerful space telescope from Hubble.

Fitzsimmons said the images were “a beautiful demonstration of the extra science you can get by using more than one telescope simultaneously.” 

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