Day: July 10, 2022

Report: Uber Lobbied, Used ‘Stealth’ Tech to Block Scrutiny

As Uber aggressively pushed into markets around the world, the ride-sharing service lobbied political leaders to relax labor and taxi laws, used a “kill switch” to thwart regulators and law enforcement, channeled money through Bermuda and other tax havens and considered portraying violence against its drivers as a way to gain public sympathy, according to a report released Sunday.

The International Consortium of Investigative Journalists, a nonprofit network of investigative reporters, scoured internal Uber texts, emails, invoices and other documents to deliver what it called “an unprecedented look into the ways Uber defied taxi laws and upended workers’ rights.”

The documents were first leaked to the British newspaper The Guardian, which shared them with the consortium.

In a written statement. Uber spokesperson Jill Hazelbaker acknowledged “mistakes” in the past and said CEO Dara Khosrowshahi, hired in 2017, had been “tasked with transforming every aspect of how Uber operates … When we say Uber is a different company today, we mean it literally: 90% of current Uber employees joined after Dara became CEO.”

Founded in 2009, Uber sought to skirt taxi regulations and offer inexpensive transportation via a ride-sharing app. The consortium’s Uber Files revealed the extraordinary lengths that the company undertook to establish itself in nearly 30 countries.

The company’s lobbyists — including former aides to President Barack Obama — pressed government officials to drop their investigations, rewrite labor and taxi laws and relax background checks on drivers, the papers show.

The investigation found that Uber used “stealth technology” to fend off government investigations. The company, for example, used a “kill switch” that cut access to Uber servers and blocked authorities from grabbing evidence during raids in at least six countries. During a police raid in Amsterdam, the Uber Files reported, former Uber CEO Travis Kalanick personally issued an order: “Please hit the kill switch ASAP … Access must be shut down in AMS (Amsterdam).”

The consortium also reported that Kalanick saw the threat of violence against Uber drivers in France by aggrieved taxi drivers as a way to gain public support. “Violence guarantee(s) success,” Kalanick texted colleagues.

In a response to the consortium, Kalanick representative Devon Spurgeon said the former CEO “never suggested that Uber should take advantage of violence at the expense of driver safety.”

The Uber Files say the company cut its tax bill by millions of dollars by sending profits through Bermuda and other tax havens, then “sought to deflect attention from its tax liabilities by helping authorities collect taxes from its drivers.”

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NASA to Showcase Webb Space Telescope’s First Full-Color Images

Drawing back the curtain to a photo gallery unlike any other, NASA will soon present the first full-color images from its James Webb Space Telescope, a revolutionary apparatus designed to peer through the cosmos to the dawn of the universe.

The highly anticipated July 12 unveiling of pictures and spectroscopic data from the newly operational observatory follows a six-month process of remotely unfurling various components, aligning mirrors and calibrating instruments.

With Webb now finely tuned and fully focused, astronomers will embark on a competitively selected list of science projects exploring the evolution of galaxies, the life cycles of stars, the atmospheres of distant exoplanets and the moons of our outer solar system.

The first batch of photos, which have taken weeks to process from raw telescope data, are expected to offer a compelling glimpse at what Webb will capture on the science missions that lie ahead.

NASA on Friday posted a list of the five celestial subjects chosen for its showcase debut of Webb, built for the U.S. space agency by aerospace giant Northrop Grumman Corp.

Among them are two nebulae – enormous clouds of gas and dust blasted into space by stellar explosions that form nurseries for new stars – and two sets of galaxy clusters.

One of those, according to NASA, features objects in the foreground so massive that they act as “gravitational lenses,” a visual distortion of space that greatly magnifies the light coming from behind them to expose even fainter objects farther away and further back in time. How far back and what showed up on camera remains to be seen.

NASA will also publish Webb’s first spectrographic analysis of an exoplanet, revealing the molecular signatures from patterns of filtered light passing through its atmosphere. The exoplanet in this case, roughly half the mass of Jupiter, is more than 1,100 light years away. A light year is the distance light travels in a year – 9.5 trillion kilometers.

‘Moved me as a scientist … as a human being’

All five of the Webb’s introductory targets were previously known to scientists. One of them, the galaxy group 290 million light-years from Earth known as Stephan’s Quintet, was first discovered in 1877.

But NASA officials promise Webb’s imagery captures its subjects in an entirely new light, literally.

“What I have seen moved me as a scientist, as an engineer and as a human being,” NASA deputy administrator Pam Melroy, who has reviewed the images, told reporters during a June 29 news briefing.

Klaus Pontoppidan, a Webb project scientist at the Space Telescope Science Institute in Baltimore, where mission control engineers operate the telescope, has promised the first pictures would “deliver a long-awaited ‘wow’ for astronomers and the public.”

The $9 billion infrared telescope, the largest and most complex astronomical observatory ever sent to space, was launched on Christmas Day from French Guiana, on the northeastern coast of South America.

A month later, the 6,350-kilogram instrument reached its gravitational parking spot in solar orbit, circling the sun in tandem with Earth more than 1.6 million kilometers from home.

Webb, which views its subjects chiefly in the infrared spectrum, is about 100 times more sensitive than its 30-year-old predecessor, the Hubble Space Telescope, which orbits Earth from 547 kilometers away and operates mainly at optical and ultraviolet wavelengths.

The larger light-collecting surface of Webb’s primary mirror – an array of 18 hexagonal segments of gold-coated beryllium metal – enables it to observe objects at greater distances, thus further back in time, than Hubble or any other telescope.

Its infrared sensitivity allows it to detect light sources that would otherwise be hidden in the visible spectrum by dust and gas.

Taken together, these features are expected to transform astronomy, providing the first glimpse of infant galaxies dating to just 100 million years after the Big Bang, the theoretical flashpoint that set the expansion of the known universe in motion an estimated 13.8 billion years ago.

Webb’s instruments also make it ideal to search for signs of potentially life-supporting atmospheres around scores of newly documented planets orbiting distant stars and to observe worlds much closer to home, such as Mars and Saturn’s icy moon Titan.

Besides a host of studies already lined up for Webb, the telescope’s most revolutionary findings may prove to be those that have yet to be anticipated.

Such was the case in Hubble’s surprising discovery, through observations of distant supernovas, that the expansion of the universe is accelerating, rather than slowing down, opening a new field of astrophysics devoted to a mysterious phenomenon scientists call dark energy.

The Webb telescope is an international collaboration led by NASA in partnership with the European and Canadian space agencies.

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Yellowstone Floods Reveal Forecasting Flaws in Warming World

The Yellowstone National Park area’s weather forecast the morning of June 12 seemed fairly tame: warmer temperatures and rain showers would accelerate mountain snow melt and could produce “minor flooding.” A National Weather Service bulletin recommended moving livestock from low-lying areas but made no mention of danger to people. 

By nightfall, after several inches of rain fell on a deep spring snowpack, there were record-shattering floods. 

Torrents of water poured off the mountains. Swollen rivers carrying boulders and trees smashed through Montana towns over the next several days. The flooding swept away houses, wiped out bridges and forced the evacuation of more than 10,000 tourists, park employees and residents near the park. 

As a cleanup expected to last months grinds on, climate experts and meteorologists say the gap between the destruction and what was forecast underscores a troublesome aspect of climate change: Models used to predict storm impacts do not always keep up with increasingly devastating rainstorms, hurricanes, heat waves and other events. 

“Those rivers had never reached those levels. We literally were flying blind not even knowing what the impacts would be,” said Arin Peters, a senior hydrologist with the National Weather Service. 

Hydrologic models used to predict flooding are based on long-term, historical records. But they do not reflect changes to the climate that emerged over the past decade, said meteorologist and Weather Underground founder Jeff Masters. 

“Those models are going to be inadequate to deal with a new climate,” Masters said. 

Another extreme weather event where the models came up short was Hurricane Ida, which slammed Louisiana last summer and then stalled over the Eastern Seaboard — deluging parts of Pennsylvania, New Jersey and New York with unprecedented rainfall that caused massive flooding. 

The weather service had warned of a “serious situation” that could turn “catastrophic,” but the predicted of 3 to 6 inches (8 to 15 centimeters) of rain for New York, New Jersey and Pennsylvania was far short of the 9 to 10 inches (23 to 25 centimeters) that fell. 

The deadly June 2021 heat wave that scorched the Pacific Northwest offered another example. Warmer weather had been expected, but not temperatures of up to 116 degrees (47C degrees) that toppled previous records and killed an estimated 600 or more people in Oregon, Washington state and western Canada. 

The surprise Yellowstone floods prompted a nighttime scramble to close off roads and bridges getting swept away by the water, plus rushed evacuations that missed some people. No one died, somewhat miraculously, as more than 400 homes were damaged or destroyed. 

As rockslides caused by the rainfall started happening in Yellowstone, park rangers closed a heavily used road between the town of Gardiner and the park headquarters in Mammoth Hot Springs, Wyoming. The road was later washed out in numerous places. 

The rain and snowmelt was “too much too fast and you just try to stay out of the way,” Yellowstone Deputy Chief Ranger Tim Townsend said. 

If the road hadn’t been closed, “we probably would have had fatalities, unquestionably” park Superintendent Cam Sholly said. 

“The road looks totally fine and then it’s like an 80-foot drop right into the river,” Sholly said. 

Interior Secretary Deb Haaland was scheduled to visit Yellowstone on Friday to survey the damage and ongoing repairs. 

Within a matter of hours on June 12, Rock Creek, which runs through the city of Red Lodge and normally is placid and sometimes just ankle deep, became a raging river. When the weather service issued a flood warning for the creek, the water already had surged over its banks and begun to knock down bridges. 

By the time the warning was sent, “we already knew it was too late,” said Scott Williams, a commissioner for Carbon County, Montana, which borders Yellowstone. 

Red Lodge resident Pam Smith was alerted to the floods by something knocking around in her basement before dawn. It was her clothes dryer, floating in water pouring through the windows. 

Smith says her partner keeps track of the weather on his computer and they were aware rain was coming and that the creek was running high. But they were not aware of flooding threat when they went to bed the night before, she said. 

In a scramble to save belongings including her violins, the music teacher slipped on the wet kitchen floor and fell, shattering a bone in her arm. Smith recalls biting back tears and trudging through floodwaters with her partner and 15-year-old granddaughter to reach their pickup truck and drive to safety. 

“I went blank,” Smith said. “I was angry and like, ‘Why didn’t anybody warn us? Why was there no knock on the door? Why didn’t the police come around and say there’s flooding, you need to get out?'” 

Local authorities say sheriff’s deputies and others knocked on doors in Red Lodge and a second community that flooded. But they acknowledged not everyone was reached as numerous rivers and streams overflowed, swamping areas never known previously to flood. 

While no single weather event can be conclusively tied to climate change, scientists said the Yellowstone flooding was consistent with changes already documented around the park as temperatures warm. 

Those changes include less snowfall in mid-winter and more spring precipitation — setting the stage for flash floods when rains fall on the snow, said Montana State University climate scientist Cathy Whitlock. 

Warming trends mean spring floods will increase in frequency — even as the region suffers from long-term drought that keeps much of the rest of the year dry, she said. 

Masters and other experts noted that computer modeling of storms has become more sophisticated and is generally more accurate than ever. But extreme weather by its nature is hard to predict, and as such events happen more frequently there will be many more chances for forecasters to get it wrong. 

The rate of the most extreme rainstorms in some areas has increased up to a factor of five, Masters said. So an event with a 1% chance of happening in any given year — commonly referred to as a “one in 100-year” event — would have an approximately 5% chance of happening, he said. 

“We are literally re-writing our weather history book,” said University of Oklahoma Meteorology Professor Jason Furtado. 

That has widespread implications for local authorities and emergency officials who rely on weather bulletins to guide their disaster response approaches. If they’re not warned, they can’t act. 

But the National Weather Service also strives to avoid undue alarm and maintain public trust. So if the service’s models show only a slim chance of disaster, that information can get left out of the forecast. 

Weather service officials said the agency’s actions with the Yellowstone flooding will be analyzed to determine if changes are needed. They said early warnings that river levels were rising did help officials prepare and prevent loss of life, even if their advisories failed to predict the severity. 

Computer-based forecasting models are regularly updated to account for new meteorological trends due to climate change, Peters said. Even with those refinements, events like the Yellowstone flooding still are considered low-probability and so often won’t make it into forecasts based on what the models say is most likely to occur. 

“It’s really difficult to balance that feeling that you’ve got that this could get really bad, but the likelihood of it getting really bad is so small,” Peters said. He added that the dramatic swing from drought to flood was hard even for meteorologists to reconcile and called it “weather whiplash.” 

To better communicate the potential for extreme weather, some experts say the weather service needs to change its forecasts to inform the public about low probability hazardous events. That could be accomplished through more detailed daily forecasts or some kind of color-coded system for alerts. 

“We’ve been slow to provide that information,” North Carolina State University atmospheric scientist Gary Lackmann said. “You put it on people’s radars and they could think about that and it could save lives.” 

 

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Iran’s Outdoor Painters Seek to Capture, Preserve Old Tehran

Tehran residents accustomed to seething at slow-moving traffic, sweltering in summer heat and suffocating in smog may be surprised to find a growing number of outdoor painters reveling in the Iranian capital’s historic charm.

The overcrowded metropolis may be dusty and in need of beautification, but the honeycomb of alleyways that make up old Tehran is drawing throngs of artists out of their cramped studios and into the open streets — a trend that accelerated during the lockdowns of the coronavirus pandemic.

These devotees aim not only to capture Tehran’s vanishing old neighborhoods, but also help preserve them. Many areas have been bulldozed. Cranes punctuate the skyline as storied 19th-century quarters make room for modern high-rises.

“The paintings link us to past designs and feelings that are disappearing,” said Morteza Rahimi, a 32-year-old carpenter, art aficionado and resident of downtown Tehran. “They help us remember. … See how many old beautiful buildings have turned to rubble.”

Beside him, painter Hassan Naderali used loose brushstrokes and bright colors to capture the play of light and flicker of movement in an impressionist style. With a passion for painting en plein air, French for “in the open air,” Naderali seeks to depict the beauty in his dilapidated surroundings.

Population growth transforms city

Tehran has transformed into a teeming city of over 10 million people from just 4.5 million at the time of the 1979 Islamic Revolution.

The young theocracy’s population surge coincided with mass migration to Tehran after Iraqi dictator Saddam Hussein’s invasion in the 1980s. As job and education opportunities lured even more people to the capital, the government responded to an emerging housing crisis with massive real estate developments.

Some of the city’s 19th-century gems, built by the Qajar kings not long after they moved Iran’s capital to Tehran in 1796, have been lost to new apartment towers in the past few decades.

Through social media, however, artists and historians have sought to counter the cultural amnesia amid escalating demolitions.

“Social media has caused awareness among people about the risks that jeopardize historic, old buildings,” said art expert Mostafa Mirzaeian, referring to the decadent palaces of the Qajars, best known for their elaborate mirrored mosaics. “People are learning about the value of older places and paying attention to their cultural and artistic dimensions.”

‘Our roots, our heritage’

For open-air painting fan Somayyeh Abedini, a government employee and resident of Tehran’s historic Oudlajan neighborhood, the conservationist thrust is personal. The arched horizons, leafy alleys and walled villas of Oudlajan serve as her muse, she said, evoking the spirit of her father who spent his entire life in the neighborhood.

“The old places in the neighborhood are our roots, our heritage,” Abedini said. “It’s a pity many of them were destroyed.”

The practice of outdoor painting in Tehran thrived during the pandemic, artists say, as many found solace and inspiration under the open sky when galleries and museums shuttered for months, and construction projects sputtered to a halt. The health crisis exacted a devastating toll on Iran, infecting over 7.2 million and killing over 141,000 people — the worst death toll in the Middle East.

As the chaos eased on Tehran’s streets, 58-year-old Naderali set up his studio outside. Venturing out with brushes, pencils, paint, a portable easel and papers, he painted away where he felt most alive — under the sun, feeling the breeze.

“I went out every day. Outdoor places were not so crowded, and I found more access to the places I liked to paint,” he said of his pandemic experience.

Naderali sells dozens of his paintings, many depicting old Persian palaces and traditional Tehran homes, to domestic and foreign clients.

A yearning for bygone eras drives high demand among Iranian buyers abroad, he said — excitement about a time when Achaemenids carved bas-reliefs into the walls of Persepolis in 500 B.C. and Isfahan thrived as a blue-tiled jewel of Islamic culture in the 17th century.

That nostalgia has sharpened as Iran, devastated by sanctions and cut off from the world economy, seethes with public anger over rising prices and declining living standards.

Talks to revive Tehran’s nuclear deal, which former President Donald Trump abandoned four years ago, have made no progress in the past year. The country’s poverty has deepened. But in many ways, Iran’s contemporary art scene has flowered despite the challenges.

For years after Iran’s 1979 Islamic Revolution ousted the Western-backed monarchy and brought Shiite clerics to power, hard-liners outlawed modern art and even sought to ban painting. The Tehran Museum of Contemporary Art’s extensive collection, worth billions of dollars, sat in its vaults.

But the clerical establishment came to appreciate the art form during the grisly Iran-Iraq war that began in 1980. Paintings that paid tribute to the war-dead and lionized the leaders of the Islamic Revolution sprung up on the city’s drab walls.

Western art exhibited again

Many of the contemporary art museum’s works — including Monets, Picassos and Jackson Pollocks bought during Iran’s oil boom under the reign of Shah Mohammad Reza Pahlavi — have been brought out in recent decades as cultural restrictions eased.

Last summer, just days before the election of President Ebrahim Raisi, a hardline cleric hostile to the cultural influence of the West, the museum reopened with a retrospective of American pop artist Andy Warhol.

Today, successful Iranian artists — including stars who exhibit abroad — have helped transform Tehran’s once-staid art market into a dynamic scene. Auction houses across the city fetch high prices for homegrown painters. An auction last Friday recorded sales of more than $2.2 million for 120 works.

Iranian state TV regularly broadcasts paint-along lessons, including the late American painter Bob Ross’ beloved PBS show “The Joy of Painting,” inspiring amateurs to create their own masterpieces.

Iran’s art schools are flourishing, with a majority of female students. Although exhibits require government licenses, swanky Tehran galleries showing new work by Iranian painters bustle with young crowds.

“Once a passerby told me, ‘Art gives birth in poverty and dies in wealth,'” remarked Naderali.

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‘Sopranos’ Actor Tony Sirico, ‘Paulie Walnuts,’ Dies at 79

Tony Sirico, who played the impeccably groomed mobster Paulie Walnuts in The Sopranos and brought his tough-guy swagger to films including Goodfellas, died Friday. He was 79.

Sirico died at an assisted living facility in Fort Lauderdale, Florida, said his manager, Bob McGowen. There was no immediate information on the cause of death.

A statement from Sirico’s family confirmed the death of Gennaro Anthony “Tony” Sirico “with great sadness, but with incredible pride, love and a whole lot of fond memories.”

McGowan, who represented Sirico for more than two decades, recalled him as “loyal and giving,” with a strong philanthropic streak. That included helping ex-soldiers’ causes, which hit home for the Army veteran, his manager said.

Steven Van Zandt, who played opposite Sirico as fellow mobster Silvio Dante on The Sopranos, saluted him on Twitter as “legendary.”

“A larger-than-life character on and off screen. Gonna miss you a lot my friend,” the actor and musician said.

Michael Imperioli, who portrayed Christopher Moltisanti on The Sopranos, called Sirico his “dear friend, colleague and partner in crime.”

“Tony was like no one else: he was as tough, as loyal and as big hearted as anyone I’ve ever known,” Imperioli said on Instagram.

Sirico was unconcerned about being cast in a string of bad guy roles, McGowan said, most prominently that of Peter Paul “Paulie Walnuts” Gualtieri in the 1999-2007 run of the acclaimed HBO drama starring James Gandolfini as mob boss Tony Soprano. (Gandolfini died in 2013 at age 51).

“He didn’t mind playing a mob guy, but he wouldn’t play an informant,” or as Sirico put it, a “snitch,” McGowan said.

Sirico, born July 29, 1942, in New York City, grew up in the Flatbush and Bensonhurst neighborhoods where he said “every guy was trying to prove himself. You either had to have a tattoo or a bullet hole.”

“I had both,” he told the Los Angeles Times in a 1990 interview, calling himself “unstable” during that period of his life. He was arrested repeatedly for criminal offenses, he said, and was in prison twice. In his last stint behind bars, in the 1970s, he saw a performance by a group of ex-convicts and caught the acting bug.

“I watched ’em and I thought, ‘I can do that.’ I knew I wasn’t bad looking. And I knew I had the (guts) to stand up and (bull) people,” he told the Times. “You get a lot of practice in prison. I used to stand up in front of these cold-blooded murderers and kidnappers — and make ’em laugh.”

Sirico also was cast outside the gangster mold, playing police officers in the films Dead Presidents and Deconstructing Harry. Among his other credits were Woody Allen films including Bullets over Broadway and Mighty Aphrodite, and appearances on TV series including Miami Vice and voice roles on the Family Guy and American Dad!

Sirico is survived by daughter Joanne Sirico Bello; son Richard Sirico; his brother, Robert Sirico, a priest; and other relatives. 

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