The all-amateur crew of the SpaceX Dragon capsule makes it home, but not before a string of first time-ever events. Plus, cosmonauts vote from space, and a film crew readies for a trip to the International Space Station. Buckle up, as VOA’s Arash Arabasadi reports on this historic Week in Space.
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Day: September 23, 2021
The Kennedy Center for the Performing Arts in the U.S. capital began its 50th anniversary season in mid-September with musicians back on stage and spectators in their seats. But some COVID-19 measures remain in place for the new season. Karina Bafradzhian reports.
Camera: Sergey Sokolov
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Jets of red hot lava shot into the sky on Spain’s La Palma on Thursday as a huge cloud of toxic ash drifted from the Cumbre Vieja volcano toward the mainland and jeopardized the island’s economically crucial banana crops.
Walls of lava, which turn black when exposed to the air, have advanced slowly westward since Sunday, engulfing everything in their path, including houses, schools and some banana plantations.
Farmers near the town of Todoque raced to save as much as possible of their crop, piling their trucks high with sacks of the green bananas, on which many of the islanders depend for their livelihood.
“We’re just trying to take everything we can,” said a farmer who gave his name as Roberto from the window of his pickup.
Some 15% of La Palma’s 140 million kilogram annual banana production could be at risk if farmers are unable to access plantations and tend to their crops, Sergio Caceres, manager of producer’s association Asprocan, told Reuters.
“There is the main tragedy of destroyed houses — many of those affected are banana producers or employees — but their livelihood is further down the hill,” he said. “Some farms have already been covered.”
Caceres said the farmers already were suffering losses and warned that if lava pollutes the water supply it could potentially cause problems for months to come.
The island produces around a quarter of the Canary Islands’ renowned bananas, which hold protected designation of origin status.
With more than 200 houses destroyed and thousands of evacuated people unable to return home, the Canary Islands’ regional government said it would buy two housing developments with a combined 73 properties for those made homeless. Spanish banks jointly announced they would offer vacant homes they hold across the Canaries as emergency shelter.
Property portal Idealista estimated the volcano had so far destroyed property worth about 87 million euros ($102 million). Experts had originally predicted the lava would hit the Atlantic Ocean late Monday, but its descent has slowed to a glacial pace of around 4 meters per hour and authorities say it may stop before reaching the sea.
Volcanologists have said gases from the eruption are not harmful to health. But a plume of thick cloud now extends some 4.2 kilometers (2.6 miles) into the air, raising concerns of visibility for flights. The airport remains open, but authorities have created two exclusion zones where only authorized aircraft can fly.
Prevailing winds are expected to propel the cloud northeast over the rest of the Canary archipelago, the Iberian peninsula and the Mediterranean, according to the European Union’s Copernicus Atmosphere Monitoring Service.
National weather service AEMET said air quality had not been affected at surface level and ruled out acid rain falling over the mainland or the Balearic Islands and was even unlikely in the Canary islands.
Local authorities have warned people to clean food and clothes to avoid ingesting the toxic ash.
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As more businesses, universities, and federal and local governments demand proof of inoculation against COVID-19, the black market for fake vaccine cards appears to be booming.
U.S. Customs officials in Cincinnati, Ohio, intercepted five shipments containing 1,683 counterfeit COVID-19 vaccination cards and 2,034 fake Pfizer inoculation stickers since August 16. The shipments from China were headed to private homes and apartments in the states o Illinois, Maryland, Missouri, New York and Texas.
In August, a Chicago pharmacist was arrested after being accused of selling dozens of authentic Centers for Disease Control and Prevention (CDC) COVID-19 vaccination cards on eBay. In July, a naturopathic physician in Northern California was arrested for allegedly selling fake COVID-19 immunization treatments and forged vaccination cards.
‘A type of fraud’
Legal experts compare phony vaccine cards to counterfeit money or fake drivers’ licenses.
“It’s a type of fraud,” says Wesley Oliver, professor of law at Duquesne University in Pittsburgh, Pennsylvania. “There’s another theory that you are stealing from the government their insignia and their imprimatur that you are in fact vaccinated, and both are just sort of different styles of the same crime.”
President Joe Biden recently called on all businesses with 100 or more employees to require their workers either be vaccinated or tested for COVID-19 once a week. A global cybersecurity company reports that the price of fake vaccine cards and the numbers of people selling them shot up since Biden announced the vaccine mandate in early September.
Pretending to be vaccinated trespasses on other people’s rights, according to Boston University law professor Christopher Robertson.
“Part of the free enterprise system is we decide where we want to go, and who we want to interact with and on what terms. And so, it really is an invasion of everyone else’s bodily integrity, their security, and knowing that they can be safe going into a place that’s requiring proof of vaccination,” Robertson says. “It’s kind of similar to battery in exposing someone to risk that they didn’t consent to be exposed to.”
Exposing others to risk
Last month, 15 people in New York were charged in connection with selling and buying phony COVID-19 vaccine cards. A woman who called herself @AntiVaxMomma on Instagram stands accused of selling 250 fake vaccination certificates for about $200 per card. A second suspect, a 27-year-old medical clinic worker, allegedly charged an extra $250 to enter fake vaccine data for at least 10 people into New York’s immunization database. Front-line health care and essential workers are among the people accused of buying the phony cards.
The idea of health care workers falsifying their vaccination status terrifies cancer patient Diana Martinez, who lives in California. She is one of millions of Americans with an impaired immune system, which makes it harder for her body to fight off disease.
She dreads the thought of getting on an elevator with an unmasked, unvaccinated person.
“They don’t understand how they look to me. It’s like someone has jumped on with a loaded gun,” Martinez says. “Those few moments when I’m just trying to get up to my doctor’s floor, they may have infected me. They may have ended my life because my immune system is so compromised that I’m more vulnerable to whatever they might be spreading.”
Martinez could be especially vulnerable because the COVID-19 vaccines may not be as effective in people with suppressed immune systems. For example, Martinez’s physician finds that patients with multiple myeloma, a type of blood cancer, don’t respond as well as healthy people do to mRNA vaccines, like the ones produced by Pfizer and Moderna.
“We found that in the patients who got the vaccination, that 45% had a normal response, 22% had an impaired response, and 33% had no response,” says Dr. James Berenson, founder and president of the Institute for Myeloma and Bone Cancer Research in West Hollywood, California.
Berenson adds that the list of people with compromised immune systems include “older folks, those who are on immunosuppressive therapies like patients with lupus, rheumatoid arthritis, Crohn’s disease, ulcerative colitis, psoriatic arthritis, people on therapies that are trying to tamp down the immune system.”
‘Wide latitude’ for penalties
When it comes to suspects charged with buying and selling phony vaccination certificates, the judges are certain to look at who was harmed by the alleged crime, according to Oliver.
“Basically, people are buying the right to take a risk with other people’s lives. That’s not something that we typically see in criminal law,” Oliver says. “The real harm that you’ve done is create a risk to the population. And with most crimes, the degree of harm that you create, or the risk of physical harm, is part of the sentencing scheme.”
Which could mean that health care workers, or those who work in nursing homes, involved in the buying or selling of forged vaccine cards could face worse penalties.
“The more people you put at risk, the more vulnerable the population put at risk, clearly, the more harshly you’re going to be sentenced,” Oliver says.
The integrity of the entire vaccination card system is at stake, Robertson says.
“It’s similar to forging money. If half of all the currency in circulation was actually fake, then nobody could trust the currency at all,” he says. “When we do detect it, we really have to drop the hammer and make that deterrent signal clear to the public, that we’re not messing around, that lives are at stake.”
Judges have wide latitude when it comes to sentencing. When making their decision, they consider both physical and financial harm caused by the perpetrator, according to Oliver. He estimates that if convicted, vaccine card fakers could face anywhere from probation to up to 20 years in prison.
Berenson hopes judges will deliver harsh punishments that encourage people in the broader community to look beyond themselves and focus on the big picture.
“We’re all in this together. It’s not about you — it’s about the bigger good. You need to think about the bigger good,” the cancer physician says. “So, if you get vaccinated, we can get rid of this. And if you actually wear a mask and socially distance, there’s no place for the virus to go. If you don’t, this is going to go on and on and on for years.”
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Thailand’s COVID vaccination rate currently stands at less than 25% of the population as the government says it is ramping up inoculations ahead of a planned reopening of several key tourist regions. Chiang Mai and its surrounding areas in the northern part of the country are among the locations included in the plan to reopen by Oct. 15. Steve Sandford visited Chiang Mai and has this report for VOA.
Camera: Steve Sandford
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The southeastern U.S. state of Florida says parents or legal guardians can decide whether or not to quarantine their children if they have been exposed to someone who tested positive for COVID-19.
Dr. Joseph Lapado, the state’s newly appointed surgeon general, signed new guidelines Thursday that will allow students to continue attending in-person classes “without restrictions or disparate treatment” as long as they have no symptoms of the virus. The parent or legal guardian can decide to keep their child at home for seven days from the date of last contact with someone who tested positive.
The new guidelines replace a previous one that mandated students enter quarantine for at least four days after being exposed to someone who had tested positive. It does maintain the previous rule that students who test positive either quarantine for 10 days, test negative for the disease and remain free of symptoms or show a doctor’s note giving them permission before returning to school.
Republican Gov. Ron DeSantis defended the new guidelines during a press conference Wednesday.
“Quarantining healthy students is incredibly damaging for their educational achievement,” DeSantis said.
“It’s also disruptive for families,” he added, saying the state would follow a “symptoms-based approach.”
The new guidelines run counter to recommendations issued by the U.S. Centers for Disease Control for unvaccinated people to isolate for 14 days if they have been within 2 meters of someone who has tested positive for COVID-19.
The new guidelines also prompted a judge to dismiss a court challenge brought by five local school districts against the state’s ban on local school districts to impose mandatory face masks. The DeSantis administration has withheld funding to school districts and withheld salaries of local superintendents and school board members who went against the governor’s order banning such mandates.
Some information for this report came from the Associated Press.
This week, Pfizer released promising news in the effort to end the coronavirus pandemic, saying its COVID-19 vaccine works for young children. VOA’s Carol Pearson has more on this development.
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U.S. President Joe Biden convened a virtual COVID-19 summit Wednesday on the sidelines of the United Nations General Assembly, aiming to rally world leaders, philanthropists, civil society, nongovernmental organizations and industry to defeat the virus by the end of 2022. He also announced an additional donation of half a billion doses of the Pfizer vaccine. White House Bureau Chief Patsy Widakuswara has more.
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Melvin Van Peebles, the groundbreaking filmmaker, playwright and musician whose work ushered in the “blaxploitation” wave of the 1970s and influenced filmmakers long afterward, has died. He was 89.
In a statement, his family said Van Peebles, father of the actor-director Mario Van Peebles, died Tuesday evening at his home in Manhattan.
“Dad knew that Black images matter. If a picture is worth a thousand words, what was a movie worth?” Mario Van Peebles said in a statement Wednesday. “We want to be the success we see, thus we need to see ourselves being free. True liberation did not mean imitating the colonizer’s mentality. It meant appreciating the power, beauty and interconnectivity of all people.”
Sometimes called the “godfather of modern Black cinema,” the multitalented Van Peebles wrote numerous books and plays and recorded several albums — playing multiple instruments and delivering rap-style lyrics. He later became a successful options trader on the stock market.
But he was best known for Sweet Sweetback’s Baadasssss Song, one of the most influential movies of its time. The low-budget art-house film, which he wrote, produced, directed, starred in and scored, was the frenzied, hypersexual and violent tale of a Black street hustler on the run from police after killing white officers who were beating a Black revolutionary.
Message of empowerment
With its hard-living, tough-talking depiction of life in the ghetto, underscored by a message of empowerment as told from a Black perspective, it set the tone for a genre that turned out dozens of films over the next few years and prompted a debate about whether Black people were being recognized or exploited.
“All the films about Black people up to now have been told through the eyes of the Anglo-Saxon majority in their rhythms and speech and pace,” Van Peebles told Newsweek in 1971, the year of the film’s release.
“I could have called it The Ballad of the Indomitable Sweetback. But I wanted the core audience, the target audience, to know it’s for them,” he told The Associated Press in 2003. “So I said, ‘ba-ad asssss,’ like you really say it.”
Made for around $500,000 (including $50,000 provided by Bill Cosby), it grossed $14 million at the box office despite an X rating, limited distribution and mixed critical reviews. The New York Times, for example, accused Van Peebles of merchandizing injustice and called the film “an outrage.”
Van Peebles, who complained fiercely to the Motion Picture Association over the X rating, gave the film its tagline: “Rated X by an all-white jury.”
But in the wake of the film’s success, Hollywood realized an untapped audience and began churning out such box office hits as Shaft and Superfly, which were also known for bringing in such top musicians as Curtis Mayfield, Marvin Gaye and Isaac Hayes to work on the soundtracks.
Many of Hollywood’s versions were exaggerated crime dramas, replete with pimps and drug dealers, which drew heavy criticism in both the white and Black press.
“What Hollywood did — they suppressed the political message, added caricature — and blaxploitation was born,” Van Peebles said in 2002. “The colored intelligentsia were not too happy about it.”
In fact, civil rights groups such as the NAACP and the Congress of Racial Equality coined the phrase “blaxploitation” and formed the Coalition Against Blaxploitation. Among the genre’s 21st-century fans was Quentin Tarantino, whose Oscar-winning Django Unchained was openly influenced by blaxploitation films and spaghetti Westerns.
On Wednesday, a younger generation of Black filmmakers mourned Van Peebles’ death. Barry Jenkins, the Moonlight director, said on Twitter: “He made the most of every second, of EVERY single damn frame.”
After his initial success, Van Peebles was bombarded with directing offers, but he chose to maintain his independence.
“I’ll only work with them on my terms,” he said. “I’ve whipped the man’s ass on his own turf. I’m number one at the box office — which is the way America measures things — and I did it on my own. Now they want me, but I’m in no hurry.”
Van Peebles then got involved on Broadway, writing and producing several plays and musicals such as the Tony-nominated Ain’t Supposed to Die a Natural Death and Don’t Play Us Cheap. He later wrote the movie Greased Lighting, which starred Richard Pryor as Wendell Scott, the first Black race car driver.
In the 1980s, Van Peebles turned to Wall Street and options trading. He wrote a financial self-help guide entitled Bold Money: A New Way to Play the Options Market.
Renaissance man
Born Melvin Peebles in Chicago on August 21, 1932, he would later add “Van” to his name. He graduated from Ohio Wesleyan University in 1953 and joined the Air Force, serving as a navigator for three years.
After military service, he moved to Mexico and worked as a portrait painter, followed by a move to San Francisco, where he started writing short stories and making short films.
Van Peebles soon went to Hollywood, but he was offered only a job as a studio elevator operator. Disappointed, he moved to Holland to take graduate courses in astronomy while also studying at the Dutch National Theatre.
Eventually he gave up his studies and moved to Paris, where he learned he could join the French directors’ guild if he adapted his own work written in French. He quickly taught himself the language and wrote several novels.
One he made into a feature film. La Permission/The Story of the Three-Day Pass was the story of an affair between a Black U.S. soldier and a French woman. It won the critic’s choice award at the San Francisco film festival in 1967, and Van Peebles gained Hollywood’s attention.
The following year, he was hired to direct and write the score for Watermelon Man, the tale of a white bigot (played by comic Godfrey Cambridge in whiteface) who wakes up one day as a Black man.
With money earned from the project, Van Peebles went to work on Sweet Sweetback’s Baadasssss Song.
Van Peebles’ death came just days before the New York Film Festival is to celebrate him with a 50th anniversary of Sweet Sweetback’s Baadasssss Song. Next week, the Criterion Collection is to release a box set of his essential films. A revival of his play Ain’t Supposed to Die a Natural Death is also planned to hit Broadway next year, with Mario Van Peebles serving as creative producer.
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