Day: August 29, 2021

Ed Asner, the burly and prolific character actor who became a star in middle age as the gruff but lovable newsman Lou Grant, first in the hit comedy “The Mary Tyler Moore Show” and later in the drama “Lou Grant,” died Sunday. He was 91.  Asner’s representative confirmed the actor’s death in an email to The Associated Press. Asner’s official Twitter account included a note from his children: “We are sorry to say that our beloved patriarch passed away this morning peacefully. Words cannot express the sadness we feel. With a kiss on your head- Goodnight dad. We love you.”Built like the football lineman he once was, the balding Asner was a journeyman actor in films and TV when he was hired in 1970 to play Lou Grant on “The Mary Tyler Moore Show.” For seven seasons he was the rumpled boss to Moore’s ebullient Mary Richards (He called her “Mary,” she called him “Mr. Grant”) at the fictional Minneapolis TV newsroom where both worked. Later, he would play the role for five years on “Lou Grant.”The part brought Asner three best supporting actor Emmys on “Mary Tyler Moore” and two best actor awards on “Lou Grant.” He also won Emmys for his roles in the miniseries “Rich Man, Poor Man” (1975-1976) and “Roots” (1976-1977).He had more than 300 acting credits and remained active throughout his 70s and 80s in a variety of film and TV roles. In 2003, he played Santa Claus in Will Ferrell’s hit film “Elf.” He was John Goodman’s father in the short-lived 2004 CBS comedy “Center of the Universe” and the voice of the elderly hero in the hit 2009 Pixar release, “Up.” More recently, he was in such TV series as “Forgive Me” and “Dead to Me.”Nonetheless, Asner told The Associated Press in 2009 that interesting roles were hard to come by.”I never get enough work,” he said. “It’s the history of my career. There just isn’t anything to turn down, let me put it that way.””I’d say most people are probably in that same boat, old people, and it’s a shame,” he said.As Screen Actors Guild president, the liberal Asner was caught up in a political controversy in 1982 when he spoke out against U.S. involvement with repressive governments in Latin America. “Lou Grant” was canceled during the furor that followed and he did not run for a third SAG term in 1985.Asner discussed his politicization in a 2002 interview, noting he had begun his career during the McCarthy era and for years had been afraid to speak out for fear of being blacklisted.Then he saw a nun’s film depicting the cruelties inflicted by El Salvador’s government on that country’s citizens.”I stepped out to complain about our country’s constant arming and fortifying of the military in El Salvador, who were oppressing their people,” he said.Former SAG President Charlton Heston and others accused him of making un-American statements and of misusing his position as head of their actors union.”We even had bomb threats at the time. I had armed guards,” Asner recalled.The actor blamed the controversy for ending the five-year run of “Lou Grant,” although CBS insisted declining ratings were the reason the show was canceled.Asner’s character had caught on from the first episode of “Mary Tyler Moore,” when he told Mary in their initial meeting, “You’ve got spunk. … I hate spunk!” The inspired cast included Ted Knight as Ted Baxter, the dimwitted news anchor, Gavin MacLeod as Murray Slaughter, the sarcastic news writer, and Betty White as the manipulative, sex-obsessed home show hostess Sue Ann Nivens. Valerie Harper and Cloris Leachman, playing Mary’s neighbors, both saw their characters spun off into their own shows.”Mary Tyler Moore” was still a hit when the star decided to pursue other interests, and so it was brought to an end in the seventh season with a hilarious finale in which all of the principals were fired except for the bumbling Baxter.Asner went immediately into “Lou Grant,” his character moving from Minneapolis to Los Angeles to become city editor of the Tribune, a crusading newspaper under the firm hand of Publisher Margaret Pynchon, memorably played by Nancy Marchand.Although the show had its light moments, its scripts touched on a variety of darker social issues that most series wouldn’t touch at the time, including alcoholism and homelessness. Asner remained politically active for the rest of his life and in 2017 published the book “The Grouchy Historian: An Old-Time Lefty Defends Our Constitution Against Right-Wing Hypocrites and Nutjobs.”Asner, born in Kansas City, Missouri, in 1929, almost became a newsman in real life. He studied journalism at the University of Chicago until a professor told him there was little money to be made in the profession.He quickly switched to drama, debuting as the martyred Thomas Becket in a campus production of T.S. Eliot’s “Murder in the Cathedral.”He eventually dropped out of school, going to work as a taxi driver and other jobs before being drafted in 1951. He served with the Army Signal Corps in France.Returning to Chicago after military service, he appeared at the Playwrights Theatre Club and Second City, the famed satire troupe that launched the careers of dozens of top comedians.Later, in New York, he joined the long-running “The Threepenny Opera” and appeared opposite Jack Lemmon in “Face of a Hero.”Arriving in Hollywood in 1961 for an episode of television’s “Naked City,” Asner decided to stay and appeared in numerous movies and TV shows, including the film “El Dorado,” opposite John Wayne, and the Elvis Presley vehicles “Kid Galahad” and “Change of Habit.” He was a regular in the 1960s political drama series “Slattery’s People.”He was married twice, to Nancy Lou Sykes and Cindy Gilmore, and had four children, Matthew, Liza, Kate and Charles.
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The Arc de Triomphe has seen parades, protests and tourists galore, but never before has the war monument in Paris been wrapped in silver and blue recyclable polypropylene fabric. That’s about to happen next month in a posthumous art installation designed by artists Christo and Jeanne-Claude.”Christo has wrapped museums, parliaments as in Germany, but a monument like this? Not really. This is the first time. This is the first monument of this importance and scale that he has done,” Vladimir Yavachev, the late collaborating couple’s nephew, told The Associated Press.Preparations have already started on the Napoleon-era arch, where workers are covering statues to protect them from the wrapping.The idea for L’Arc de Triomphe, Wrapped was formed in 1961, when Christo and Jeanne-Claude lived in Paris. Jeanne-Claude died in 2009, and in spite of Christo’s death in May 2020, the project carried on.”He wanted to complete this project. He made us promise him that we will do it,” Yavachev told The Associated Press.It was to be realized last fall, but the COVID-19 pandemic delayed the installation.The $16.4 million project is being self-financed through the sale of Christo’s preparatory studies, drawings, scale models and other pieces of work, Yavachev said.Visitors to the foot of the Arc de Triomphe during the installation, scheduled for Sept. 18-Oct. 3, will be able to touch the fabric, and those climbing to the top will step on it when they reach the roof terrace, as intended by the artists.Born in Bulgaria in 1935, Christo Vladimirov Javacheff met Jeanne-Claude Denat de Guillebon, born in Morocco on the exact same day as him, in Paris in 1958.The artists were known for elaborate, temporary creations that involved blanketing familiar public places with fabric, such as Berlin’s Reichstag and Paris’ Pont Neuf bridge, and creating giant site-specific installations, such as a series of 7,503 gates in New York City’s Central Park and the 39-kilometer Running Fence in California.Yavachev plans on completing another one of his uncle and aunt’s unfinished projects: a 150-meter-tall pyramid-like mastaba in Abu Dhabi.”We have the blueprints, we just have to do it,” he said. 
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The late Cambodian American writer Anthony Veasna So once reportedly described his work as “post-khmer genocide queer stoner fiction,” a narrowly defined niche blown wide open by widespread critical acclaim for his collection of short stories, Afterparties.So’s book is hailed as an exciting and highly original work that captures what it is like to grow up in contemporary American society as a child of Cambodian refugees. Enthusiasm for So’s work bridges seemingly dissimilar universes – literary critics who see its universal appeal and the Cambodian American community that sees family.Uniting the two are So’s vivid descriptions – full of humor and compassion – of families grappling with the traumas of surviving the murderous Khmer Rouge while navigating the cultural dislocation and socio-economic challenges of refugee resettlement.Until now, most depictions of Cambodians in English-language writing and film have been memoirs, nonfiction books and a few well-known movies that focus on an older generation’s stories of surviving the Khmer Rouge killing fields — the “purification” of Cambodia that resulted in the deaths of at least 1.7 million people in a quest by Pol Pot to create an agrarian Marxist utopia in the 1970s.As The New Yorker magazine observed, “Classics of immigrant storytelling can feel sparse and solemn. The stories in So’s Afterparties fill the silence, spilling over with transgressive humor and exuberant language.”The Man Behind Cambodia’s Khmer Rouge ‘Died Easier Than the People He Killed’Cambodians found little comfort in the death of Nuon Chea, believed to be the mastermind behind the Khmer Rouge regime that killed 1.7 million of its countrymen between 1975-1979 “He writes the voices of our Cambodian elders in a way that just feels so accurate,” Monica Sok, a poet who was a friend of So’s, told a recent panel discussion at Book Passage, a Bay Area bookstore. Sok said that as she read So’s work, “I was always thinking like: ‘Yeah, I do know an auntie like that, I know an auntie who thinks she knows how I should live my life.”‘Immense promise’The well-known American literary house Ecco launched Afterparties in early August, printing 100,000 copies after it reportedly signed a $300,000 deal for two books with So, who died in December 2020 of an accidental drug overdose at his home in San Francisco. Another book based on segments from an unfinished novel is expected in 2023.The New Yorker, which first published some of his early stories, described So’s death at 28 as “cutting short a literary career of extraordinary achievement and immense promise.”The headline of a glowing Washington Post review called Afterparties “a bittersweet testament to the late author’s talents.”Alexander Torres, the writer who was So’s partner for seven years, told VOA Khmer “the humor, the lightheartedness, the jokes, but also the really beautiful descriptions” are what made So’s writing unique with a style that “combines humor with high art and with low art.”Younger perspectiveSo’s writing captures the second generation’s perspective on the effects of lingering trauma and other issues at the heart of the Cambodian American community, while touching on more universal contemporary themes such as the complexities of race, youth and sexuality.As any Cambodian born to Khmer Rouge survivors can attest, the horror stories and traumas inflicted by the murderous 1970s regime are part of growing up.So’s sharp observations about his parents’ coping mechanisms and the effects of their traumas on their children offer an unflinching look at the multigenerational impact of war and violence. Yet, he never overlooks the humor and absurdity this can create for an Americanized second generation. In one incident he describes a father shouting at a teen drinking iced water: “There were no ice cubes in the genocide!”Afterparties contains nine short stories, including Somaly Serey, Serey Somaly, about the Buddhist belief in reincarnation set in an Alzheimer’s and dementia unit. Generational Differences is about a 1989 shooting at Cleveland Elementary School in Stockton, a small California city that is home to one of the largest Cambodian communities in the U.S. Most of the victims were children of Southeast Asian descent. Five died. So’s mother, who worked at the school, witnessed the violence.Cambodian Refugees ‘Accomplished So Much’New photography book bears witness to resilience of Cambodians who created a close-knit community in a poor Chicago neighborhood after fleeing war, genocide So’s book built on a reputation from work published in various outlets, including a 2018 story in n+1 magazine called Superking Son Scores Again, about a legendary badminton player turned grocery store owner who tries to relive his glory days.Mark Krotov, the magazine’s co-editor and publisher, told VOA Khmer that So’s work would likely affect many young writers. “There is so much wisdom in it, there is so much adventure … so much risk-taking, so much beauty, so much intelligence, so much provocation. And all those things in combination suggest to me that this is the book that’s going to be remembered,” Krotov said in a recent phone interview.N+1 magazine recently established an award called “Anthony Veasna So’s Fiction Prize” in his honor. The first recipient is Trevor Shikaze, a writer for n+1 from Canada.‘Centering’ Cambodian AmericansSo’s parents fled northwestern Cambodia’s Battambang province and settled as refugees in Stockton, a river city in California’s Central Valley. His father ran an auto repair shop and his mother worked as a civil servant. So was born in Stockton in 1992.Cambodian American intellectuals said So’s fiction masterfully conveyed their experiences, family life and sense of community.“Reading through Afterparties, it was so resonant, it was so refreshing, to see the Cambodian diaspora, which is not represented in literature – apart from the survival literature,” said So’s friend Sok.“Anthony is really centering Cambodian people in America and the second generation as well, those who are born in this country and inheriting their parents’ traumas, but also trying to find their own way in life,” she added.Sokunthary Svay, a Cambodian American writer and librettist from New York City, told VOA Khmer, “I think what makes his writing particularly important for our diaspora is that he would speak about experiences that a lot of us knew growing up here in the States.”So was from a large family, and all the children were high-achieving students. He graduated from Stanford University, where he enrolled for computer science and graduated with a degree in English, a switch that initially dismayed his family. He earned his MFA in fiction at Syracuse University.’Cambodian Space Project’ Brings Psychedelic Rock Back to US

        The Cambodian Space Project, long on the forefront of a local rock'n'roll revival, is a band making good with their pre-Khmer Rouge Cambodia sound.The Cambodian-Australian group, kicked off a mini-U.S. tour on Tuesday with a performance at the Kennedy Center's Millennium Stage. Channthy Kak, 38, also known as Srey Thy, said she was honored to have been invited to perform at the Washington venue, where the band played their original brand of psychedelic rock, before heading to New York City and…

According to his sister, Samantha Lamb, So loved television shows and movies and he discovered his talent while trying to write a script for a television show about a Cambodian American family based on his own life.Lamb reacted to So’s stories with recognition. “OK yes, yes, that is the story about my grandma’s sister, that’s the story about my aunt,” Lamb told VOA Khmer. “This person represents this person in my family.”Processing genocideLamb said Khmer Rouge-era experiences are a recurrent theme in So’s work, as “it is a big part of who we are and growing up my parents talked about it all the time.”In Duplex, a story published in The New Yorker, So wrote, “I had grown up hearing the stories of the genocide, worked to help build our new American identities, and mourned, alongside everyone else in my family, the gaps in our history that could never be recovered.”Lamb said her brother found a way to process this family history and turn it into a new, contemporary experience.His work “tells the stories of the Cambodian genocide, but from a young person’s perspective,” Lamb said. “There hasn’t really been any book or movie or TV show about Cambodians in the Western eyes, you know in the American eyes, that has been about just like who we are as Cambodian Americans now. So, I think that’s what makes it more relatable to people.”According to Lamb, the family continues to struggle with So’s death, although they are immensely proud to see his writing being so well received. His father sleeps in So’s bed to console himself, while his mother is going to a therapist and their grandmother is claiming So may soon be reincarnated.“I am pregnant right now,’’ Lamb said, ‘’and it is a boy. … And especially my grandma has been like ‘Oh! Anthony is coming back. He is being reincarnated.’”  
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