Day: August 24, 2021

Charlie Watts, the self-effacing and unshakeable Rolling Stones drummer who helped anchor one of rock’s greatest rhythm sections and used his “day job” to support his enduring love of jazz, has died, according to his publicist. He was 80.Bernard Doherty said Tuesday that Watts “passed away peacefully in a London hospital earlier today surrounded by his family.”“Charlie was a cherished husband, father and grandfather and also as a member of The Rolling Stones one of the greatest drummers of his generation,” Doherty said.Watts had announced he would not tour with the Stones in 2021 because of an undefined health issue.The quiet, elegantly dressed Watts was often ranked with Keith Moon, Ginger Baker and a handful of others as a premier rock drummer, respected worldwide for his muscular, swinging style as the Stones rose from their scruffy beginnings to international superstardom. He joined the band early in 1963 and remained over the next 60 years, ranked just behind Mick Jagger and Keith Richards as the group’s longest-lasting and most essential member.Watts stayed on, and largely held himself apart, through the drug abuse, creative clashes and ego wars that helped kill founding member Brian Jones, drove bassist Bill Wyman and Jones’ replacement Mick Taylor to quit and otherwise made being in the Stones the most exhausting of jobs.A classic Stones song like “Brown Sugar” and “Start Me Up” often began with a hard guitar riff from Richards, with Watts following closely behind, and Wyman, as the bassist liked to say, “fattening the sound.” Watts’ speed, power and time keeping were never better showcased than during the concert documentary, “Shine a Light,” when director Martin Scorsese filmed “Jumpin’ Jack Flash” from where he drummed toward the back of the stage.The Stones began, Watts said, “as white blokes from England playing Black American music” but quickly evolved their own distinctive sound. Watts was a jazz drummer in his early years and never lost his affinity for the music he first loved, heading his own jazz band and taking on numerous other side projects.He had his eccentricities — Watts liked to collect cars even though he didn’t drive and would simply sit in them in his garage. But he was a steadying influence on stage and off as the Stones defied all expectations by rocking well into their 70s, decades longer than their old rivals the Beatles.Watts didn’t care for flashy solos or attention of any kind, but with Wyman and Richards forged some of rock’s deepest grooves on “Honky Tonk Women,” “Brown Sugar” and other songs. The drummer adapted well to everything from the disco of “Miss You” to the jazzy “Can’t You Hear Me Knocking” and the dreamy ballad “Moonlight Mile.”Jagger and Richards at times seemed to agree on little else besides their admiration of Watts, both as a man and a musician. Richards called Watts “the key” and often joked that their affinity was so strong that on stage he’d sometimes try to rattle Watts by suddenly changing the beat — only to have Watts change it right back.Jagger and Richards could only envy his indifference to stardom and relative contentment in his private life, when he was as happy tending to the horses on his estate in rural Devon, England, as he ever was on stage at a sold-out stadium.Watts did on occasion have an impact beyond drumming. He worked with Jagger on the ever more spectacular stage designs for the group’s tours. He also provided illustrations for the back cover of the acclaimed 1967 album “Between the Buttons” and inadvertently gave the record its title. When he asked Stones manager Andrew Oldham what the album would be called, Oldham responded “Between the buttons,” meaning undecided. Watts thought that “Between the Buttons” was the actual name and included it in his artwork.To the world, he was a rock star. But Watts often said that the actual experience was draining and unpleasant, and even frightening. “Girls chasing you down the street, screaming…horrible!… I hated it,” he told The Guardian newspaper in an interview. In another interview, he described the drumming life as a “cross between being an athlete and a total nervous wreck.”Author Philip Norman, who has written extensively about the Rolling Stones, said Watts lived “in constant hope of being allowed to catch the next plane home.” On tour, he made a point of drawing each hotel room he stayed in, a way of marking time until he could return to his family. He said little about playing the same songs for more than 40 years as the Stones recycled their classics. But he did branch out far beyond “Satisfaction” and “Jumpin’ Jack Flash” by assembling and performing with jazz bands in the second half of his career.Charles Robert Watts, son of a lorry driver and a housewife, was born in Neasden, London, on June 2, 1941. From childhood, he was passionate about music — jazz in particular. He fell in love with the drums after hearing Chico Hamilton and taught himself to play by listening to records by Johnny Dodds, Charlie Parker, Duke Ellington and other jazz giants.He worked for a London advertising firm after he attended Harrow Art College and played drums in his spare time. London was home to a blues and jazz revival in the early 1960s, with Jagger, Richards and Eric Clapton among the future superstars getting their start. Watts’ career took off after he played with Alexis Korner’s Blues Incorporated, for whom Jagger also performed, and was encouraged by Korner to join the Stones.Watts wasn’t a rock music fan at first and remembered being guided by Richards and Brian Jones as he absorbed blues and rock records, notably the music of bluesman Jimmy Reed. He said the band could trace its roots to a brief period when he had lost his job and shared an apartment with Jagger and Richards because he could live there rent-free.“Keith Richards taught me rock and roll,” Watts said. “We’d have nothing to do all day and we’d play these records over and over again. I learned to love Muddy Waters. Keith turned me on to how good Elvis Presley was, and I’d always hated Elvis up ’til then.”Watts was the final man to join the Stones; the band had searched for months to find a permanent drummer and feared Watts was too accomplished for them. Richards would recall the band wanting him so badly to join that members cut down on expenses so they could afford to pay Watts a proper salary. Watts said he believed at first the band would be lucky to last a year.“Every band I’d ever been in had lasted a week,” he said. “I always thought the Stones would last a week, then a fortnight, and then suddenly, it’s 30 years.”
…

The Paralympics began Tuesday in the same empty National Stadium — during the same pandemic — as the opening and closing ceremonies of the recently completed Tokyo Olympics.
Japanese Emperor Naruhito got it all started again, this time under the theme “We Have Wings.”Among the few on hand were Douglas Emhoff, husband of U.S. Vice President Kamala Harris, International Paralympic Committee President Andrew Parsons and International Olympic President Thomas Bach.It was a circus-like opening with acrobats, clowns, vibrant music and fireworks atop the stadium to mark the the start of the long parade of athletes.Entertainers perform during the opening ceremony for the 2020 Paralympics at the National Stadium in Tokyo, Tuesday, Aug. 24, 2021.”I cannot believe we are finally here,” Parsons said in his opening remarks. “Many doubted this day would happen. Many thought it impossible. But thanks to the efforts many, the most transformative sport event on earth is about to begin.”The opening ceremony featured the national flags of the 162 delegations represented, which included the refugee team. In addition, the flag of Afghanistan was carried by a volunteer despite the delegation not being on hand in Tokyo.Comparisons to the Olympics stop with the colorful jamboree, save for the logistical and medical barriers during the pandemic, and the hollowing out of almost everything else.Tokyo and Paralympic organizers are under pressure from soaring new infections in the capital. About 40% of the Japanese population is fully vaccinated. But daily new cases in Tokyo have increased four to five times since the Olympics opened on July 23. Tokyo is under a state of emergency until Sept. 12, with the Paralympics ending Sept. 5.Organizers on Tuesday also announced the first positive test for an athlete living in the Paralympic Village. They gave no name or details and said the athlete had been isolated.The Paralympics are being held without fans, although organizers are planning to let some school children attend, going against the advice of much of the medical community.Parsons and Seiko Hashimoto, the president of the Tokyo organizing committee, say the Paralympics can be held safely. Both have tried to distance the Paralympics and Olympics from Tokyo’s rising infection rate.”For the moment we don’t see the correlation between having the Paralympics in Tokyo with the rising number of cases in Tokyo and Japan,” Parsons told The Associated Press.Some medical experts say even if there is no direct link, the presence of the Olympics and Paralympics promoted a false sense of security and prompted people to let down their guard, which may have helped spread the virus.Athletes from the United States wave as they enter the stadium during the opening ceremony for the 2020 Paralympics at the National Stadium in Tokyo, Aug. 24, 2021.The Paralympics are about athletic prowess. The origin of the word is from “parallel” — an event running alongside the Olympics.Markus Rehm — known as the “Blade Jumper” — lost his right leg below the knee when he was 14 in a wakeboarding accident, but earlier this year he jumped 8.62 meters, a distance that would have won the last seven Olympics, including the Tokyo Games. Tokyo’s winning long jump was 8.41 meters.”The stigma attached to disability changes when you watch the sport,” said Craig Spence, a spokesman for the International Paralympic Committee. “These games will change your attitude toward disability.”If you look around Japan, it’s very rare you see persons with disabilities on the street,” Spence added. “We’ve got to go from protecting people to empowering people and creating opportunities for people to flourish in society.”Archer Matt Stutzman was born with no arms, just stumps at the shoulders. He holds a world record — for any archer, disabled or otherwise — for the longest, most accurate shot, hitting a target at 310 yards, or about 283 meters.Wheelchair fencer Bebe Vivo contracted meningitis as a child and to save her life, doctors amputated both her forearms and both her legs at the knees.”So many people told me that it was impossible to do fencing without any hands,” Vivo said in a recent interview. “So it was so important to me to demonstrate and show people that it doesn’t matter if you don’t have hands, or you don’t have legs or whatever. If you have a dream and you really want to achieve it, just go and take it.”Stutzman and Vivo are both set to compete in Tokyo and have already won medals in previous games, superstars who told their stories last year in the Netflix documentary about the Paralympics called “Rising Phoenix.”The rest of the 4,403 Paralympic athletes in Tokyo — a record number for any Paralympics — will be telling their stories until the closing ceremony.”I feel like I’m meeting movie stars,” said 14-year-old Ugandan swimmer Husnah Kukundakwe, who is competing for the first time.She acknowledged being a self-conscious adolescent, even more so because of a congenital impairment that left her with no lower right arm, an her left hand slightly misshapen.”Since it’s the Paralympics and everybody else is disabled, I feel really comfortable with myself,” she said. “In Uganda, there are very few people who have disabilities who want to come out and be themselves.”Paralympic organizers played a part last week in launching “WeThe15,” a human-rights campaign aimed at 1.2 billion people — 15% of the global population — with disabilities. They’ve also produced a 90-second video to promote the cause of social inclusion.”Difference is a strength, it is not a weakness,” Parsons said, speaking in the largely empty stadium. “And as we build back better in the post-pandemic world, it must feature societies where opportunities exist for all.”Shingo Katori, a member of boy band SMAP that had its roots in the 1980s, now works with Paralympic organizers. He acknowledged his early fears of working with people with disabilities.”Frankly speaking, people in wheelchairs or people with artificial legs — I hadn’t had an opportunity to meet these people and I didn’t know how to communicate with them,” he said. “But through Paralympic sports, such hesitation faded away.”Stutzman, known as the “Armless Archer,” has a disarming sense of humor — pardon the pun. He jokes about growing up wanting the be like former NBA star Michael Jordan.”I gave it up,” he deadpans. “I wasn’t tall enough.”
…

Beeple, NFT, Ethereum – words familiar mostly in the worlds of cryptocurrency and digital art.  but they have revolutionized the art world and are now worth millions of dollars. Maxim Avloshenko looked into what exactly they are and why they are worth so much in this story, narrated by Anna Rice. 
…