The United Nations says global HIV/AIDS targets for 2020 will not be met, and that some progress could be lost, in part because of the coronavirus pandemic, which has seriously impacted the HIV/AIDS response.“Our report shows that COVID is threatening to throw us even more off course,” Winnie Byanyima, executive director of UNAIDS said Monday at the report’s launch in Geneva. “COVID is a disease that is claiming resources — the labs, the scientists, the health workers — away from HIV work. We want governments to use creative ways to keep the fight going on both. One disease cannot be used to fight another.”COVID-19 is the disease caused by the new coronavirus.UNAIDS says despite expanding HIV treatment coverage — some 25 million of the 38 million people living with HIV now have access to antiretroviral therapy — progress is stalling. Over the last two years, new infections have plateaued at 1.7 million a year, and deaths have only dropped slightly — from 730,000 in 2018 to 690,000 last year. The U.N. attributes this to HIV prevention and testing services not reaching the most vulnerable groups, including sex workers, intravenous drug users, prisoners and gay men.COVID-19 poses an additional threat to the HIV/AIDS response because it can prevent people from accessing treatment. The U.N. estimates that if HIV patients are cut off from treatment for six months, it could lead to a half-million more deaths in sub-Saharan Africa over the next year, setting the region back to 2008 AIDS mortality levels. Even a 20% disruption could cause an additional 110,000 deaths.HIV/AIDS patients who contract COVID-19 are also at heightened risk of death, as the virus preys on weakened immune systems.The World Health Organization warned Monday that 73 countries are at risk of running out of antiretroviral (ARVs) drugs because of the COVID-19 pandemic. The WHO says 24 countries have reported having either a critically low stock of ARVs or disruptions in the supply chain.FILE – A doctor takes an AIDS/HIV blood test from an athlete during the 18th National Sports Festival in Lagos, Nigeria.Gains and lossesUNAIDS reports progress in eastern and southern Africa, where new HIV infections have dropped by 38% since 2010. But women and girls in sub-Saharan Africa continue to bear the brunt of the disease, accounting for nearly 60% of all new HIV infections in the region in 2019. Each week, some 4,500 teen girls and young women becoming infected. They are disproportionately affected, making up only 10% of the population, but nearly a quarter of new infections.Condom use has also dropped off in parts of central and western Africa, while it has risen in eastern and southern parts of the continent.Eastern Europe and Central Asia is one of only three regions where new infections are growing. Nearly half of all infections are among intravenous drug users. Only 63% of people who know their HIV status are on treatment. UNAIDS says there is an urgent need to scale up HIV prevention services, particularly in Russia.The Middle East and North Africa have also seen new infections rise by 22%, while they are up 21% in Latin America.“New infections are coming down in sub-Saharan Africa, but going up in Eastern Europe and Central Asia, going up in the Middle East and North Africa, and going up in Latin America. That’s disturbing,” Byanyima, the UNAIDS chief said.Progress is also impacted by draconian laws and social stigma. At least 82 countries criminalize some form of HIV transmission, exposure or nondisclosure. Sex work is criminalized in at least 103 countries, and at least 108 countries criminalize the consumption or possession of drugs for personal use.One of UNAIDS’s main targets was to achieve “90-90-90” by this year. That means 90% of all people living with HIV would know their status; 90% of those diagnosed would be on antiretroviral treatment; and 90% of all people on treatment would have suppressed the virus in their system.Only 14 countries have reached the target, including Eswatini, which has one of the highest HIV rates in the world. The others are Australia, Botswana, Cambodia, Ireland, Namibia, the Netherlands, Rwanda, Spain, Switzerland, Thailand, Uganda, Zambia and Zimbabwe.“It can be done,” Byanyima said. “We see rich and poor countries achieving the targets.”Globally, there have been gains in testing and treatment for HIV. By the end of 2019, more than 80% of people living with HIV worldwide knew their status, and more than two-thirds were receiving treatment. Therapies have also advanced, meaning nearly 60% of all people with HIV had suppressed viral loads in 2019.UNAIDS says that increased access to medications has prevented some 12.1 million AIDS-related deaths in the past decade. While some 690,000 people died from AIDS-related illnesses last year, that is a nearly 40% reduction since 2010.
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Day: July 6, 2020
A Latino cook whose co-worker got COVID-19 waited in his truck for a free swab at a rare testing event in a low-income neighborhood in Phoenix. A Hispanic tile installer queued up after two weeks of self-isolation while his father battled the coronavirus in intensive care. He didn’t know his dad would die days later.
As the pandemic explodes in diverse states like Arizona and Florida, people in communities of color who have been exposed to the virus are struggling to get tested. While people nationwide complain about appointments being overbooked or waiting hours to be seen, getting a test can be even harder in America’s poorer, Hispanic and Black neighborhoods, far from middle-class areas where most chain pharmacies and urgent care clinics offering tests are found.
“There really isn’t any testing around here,” said Juan Espinosa, who went with his brother Enrique to the recent drive-up testing event in Phoenix’s largely Latino Maryvale neighborhood after a fellow construction worker was suspected of having COVID-19. “We don’t know anywhere else to go.”
Hundreds of people lined up last week for another large-scale testing event in a different low-income area of Phoenix that’s heavily Hispanic and Black.
Arizona — the nation’s leader in new confirmed infections per capita over the past two weeks — and its minority neighborhoods are just starting to feel what New York and other East Coast and Midwestern communities experienced several months ago, said Mahasin Mujahid, associate professor at the University of California, Berkeley’s School of Public Health.
“It’s the perfect storm as this hits unlevel playing fields all across the U.S.,” said Mujahid, a social epidemiologist who studies health in disadvantaged neighborhoods.
Public health officials say widespread testing to rapidly identify and isolate infected people can help ensure residents of underserved neighborhoods get care while slowing the virus’s spread.
“Pandemics expose the inequalities in our health care system,” said Dr. Thomas Tsai, assistant professor at the Harvard T.H. Chan School of Public Health and a surgeon at Boston’s Brigham and Women’s Hospital. “What is needed is to make testing free and as available as possible.
“Outreach to the Hispanic population, the Black community, to immigrants, the most vulnerable, unprotected people is critical for public health,” with a national response being ideal, he said.
But President Donald Trump’s administration has delegated responsibility for testing to states that have stitched together a patchwork of responses, forcing private foundations and nonprofit community health organizations to fill in the gaps and ensure people of color are reached.
“If you just set up the testing sites in wealthy communities, you cannot rein this in,” said Dr. Usama Bilal, assistant professor at Drexel’s Dornsife School of Public Health in Philadelphia, where Black doctors recently won city funding for testing in African American neighborhoods.
When Florida officials were slow to roll out testing in the migrant community of Immokalee, the nonprofit Coalition of Immokalee Workers called on the international aid group Doctors Without Borders for help.
The Greater Auburn-Gresham Development Corporation in Chicago pushed hard before getting support from the city’s Racial Equity Rapid Response Team to deliver free, widespread testing in that Black neighborhood.
“It hit the African American communities very, very hard,” said the corporation’s executive director, Carlos Nelson. “We have since had great success in getting people tested and bringing numbers down. ”
In Arizona, the free drive-up testing June 27 drew nearly 1,000 people and was just the second big event of its kind in the heavily Latino neighborhood of Maryvale.
The first event, held June 20 by the privately funded Equality Health Foundation, drew criticism when much larger crowds than expected showed up, and some people waited for as long as 13 hours. Organizers had decided to take in those without appointments.
“It shows that there is an unavailability of testing if there is that kind of demand,” said Will Humble, executive director of the Arizona Public Health Association and former head of the state Department of Health Services.
Equality Health spokesman Tomás León acknowledged that “we were really overwhelmed” when so many showed up for the first round. The results from that event, while incomplete, showed about 24% of tests were positive, he said. Arizona’s positive rate statewide had risen to 25.9% as of Sunday for the past week, which is the highest in the nation, according to the COVID Tracking Project.
The scene was more orderly a week later, after Equality Health doubled staff and nasal swabs and refused to accept people without appointments.
Arizona officials have since committed to increasing testing sites, especially in Maryvale and other areas of west and south Phoenix that are more than 80% Latino. Testing sites also are scarce in a part of the city where some neighborhoods are more than 15% Black.
“We need more tests, and we need more efficiency around tests,” Arizona Gov. Doug Ducey said in late June. “No one should have to wait hours and hours for tests to be conducted.”
But as of Sunday, Arizona was 38th among all states for the number of tests performed with results per 1,000 people, according to the Kaiser Family Foundation.
Like Black people, Latinos have high rates of health problems such as diabetes that make them more susceptible to the virus. And they often live in family groups that make the virus easier to spread.
Carmen Heredia, CEO of Valle del Sol Community Health, said an entire family of 20 recently took advantage of free testing in the small Latino and Indigenous town of Guadalupe, bordering Phoenix.
Carlos Sandoval, 45, said his whole family needed testing after exposure to his 65-year-old father, who got COVID-19 and was susceptible because of a kidney transplant six years ago. His mother tested positive but didn’t have symptoms.
As Sandoval waited to be tested late last month, his father, was on oxygen at the hospital. His dad, also named Carlos, died June 30.
The family never imagined COVID-19 would touch them, he said.
“We, Hispanics, don’t believe the virus is very important until someone we know gets it,” Sandoval said.
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More than 600 companies say they won’t advertise on Facebook and its sister firm, Instagram, in July, as part of a campaign called Stop Hate for Profit. The goal? Force Facebook CEO Mark Zuckerberg to address his firm’s negative effects on society, says Jim Steyer, chief executive and founder of Common Sense Media, a children’s media education non-profit, and one of the boycott’s backers. “They are amplifying hate speech, racist messages, white supremacy messages, all sorts of misinformation and dishonest political advertising,” said Steyer. “So, we asked the major advertisers of America to pause their advertising on the platform for at least a month.”Just weeks ago, Steyer joined with organizations such as the Anti-Defamation League, the NAACP and Color of Change to FILE – Facebook Chairman and CEO Mark Zuckerberg testifies at a House Financial Services Committee hearing in Washington.There’s no shortage of ideas of how to fix Facebook. Some call for regulations. Others say break up the company and make Zuckerberg, who has controlling shares in the firm, answerable to a board. Another idea: Hire ethicists to help with decision-making and give them power in the organization, says Don Heider, executive director of the Markkula Center for Applied Ethics at Santa Clara University. “I don’t think there’s any one core set of values,” he said. “I wish there was. And I wish it was some sense of trying to help the common good or trying to protect human rights or something that really helped them be a guiding principle for the company.” Facebook says it doesn’t tolerate hate speech and points to its automated system to remove inflammatory ads before users see them.Label content that breaks rulesRecently, the firm agreed to an external audit of how it is doing to make sure advertisers do not appear next to harmful messages, one of the boycott organizer’s demands. Facebook also said it would label content that breaks its rules, even those posted by an elected official. And it will remove posts that Facebook thinks may lead to violence or deprive people’s right to vote. These are important steps. But some critics argue it’s not enough.“Yes, they can change,” said Eisenstat. “It’s a question of whether they want to. Can they change as long as they continue to pursue being the biggest most dominant company in the world that absolutely has the monopoly over all conversations how we get our content, how we connect with people? Possibly not.” The boycott organizers say their campaign is going global. But it will take time before they know if their efforts have a lasting effect.
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Kevin Mayer, a former executive at Disney, recently started his new role as TikTok’s new CEO. He must prove to American lawmakers, regulators and consumers that they can trust the Chinese-owned app with their data, which analysts say won’t be easy. VOA’s Adrianna Zhang has more.
Camera: Yiyi Yang
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Tomas Kapler knew nothing about ventilators — he’s an online business consultant, not an engineer or a medical technician. But when he saw that shortages of the vital machines had imperiled critically ill COVID-19 patients in northern Italy, he was moved to action.”It was a disturbing feeling for me that because of a lack of equipment the doctors had to decide whether a person gets a chance to live,” Kapler said. “That seemed so horrific to me that it was an impulse to do something.”And so he did. “I just said to myself: ‘Can we simply make the ventilators?'” he said. Working around the clock, he brought together a team of 30 Czechs to develop a fully functional ventilator — Corovent. And they did it in a matter of days.Kapler is a member of an informal group of volunteers formed by IT companies and experts who offered to help the state fight the pandemic. The virus struck here slightly later than in western Europe but the number of infected was rising and time was running out.”It seemed that on the turn of March and April, we might be in the same situation as Italy,” Kapler said. Ventilators had become a precious commodity. Their price was skyrocketing and so was demand that the traditional makers were unable to immediately meet.”Corovent” lung ventilators, manufactured in Trebic, Czech Republic, are being tested, June 17, 2020.Components for the ventilators were also in critically short supply. So Kapler said he set out to “make a ventilator from the parts that are used in common machines.” A crowd-funding campaign ensured the necessary finances in just hours.Kapler approached Karel Roubik, professor of Biomedical Engineering at the Czech Technical University for help. He, in turn, assembled colleagues through Skype, while his post-graduate student tested the new design in their lab in Kladno, west of Prague.They had a working prototype in five days, something that would normally take a year.Roubik said their simple design makes the machine reliable, inexpensive, and easy to operate and mass produce. A group of volunteer pilots flew their planes to deliver anything needed. And then MICO, an energy and chemical company based in Trebic, 200 kilometers (125 miles) from Kladno, offered to do the manufacturing.Flights between the two places helped fine-tune the production line in a few weeks. “I didn’t do anything more than those people who were making the face masks,” said MICO’s chief executive, Jiri Denner. “They did the maximum they could. And I did the maximum I could.”With the certification for emergency use in the European Union approved, the ventilator was ready in April — but it was not needed in the Czech Republic, which had managed to contain the outbreak.MICO has submitted a request for approval for emergency use in the United States, Brazil, Russia and other countries. Meanwhile, they’ve applied for EU certification for common hospital use.”Originally, we thought it would be just an emergency ventilator for the Czech Republic,” Kapler said. “But it later turned out that the ventilators will be needed in the entire world.”Kapler looks back at the effort with satisfaction.”I had to quit my job and I have been without pay for several months,” he said. “But otherwise, it was mostly positive for me. I’ve met many fantastic people who are willing to help.”Or to quote the slogan printed on the ventilator’s box: “Powered by Czech heart.”
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Hungry for a night out of the house, people are turning to the nostalgia of drive-in movie theaters as a safe entertainment option amid coronavirus social distancing orders.Today’s total of Empty Haar’s Drive-in lot and large movie screen. (Photo courtesy Haar’s Drive-In Theater)Pop-ups
Traditional theaters like Haar’s are not the only type of drive-in growing in popularity. Pop-up theaters, true to their name, are popping up in many restaurant and venue parking lots, catering to the public’s drive to socialize.“In order to do a drive-in theater, there’s a lot of work, there’s a lot of expense,” Hardy said. “I’m a little disappointed that pop-ups are being permitted because that is taking away from the industry that started it.”Businesses that contribute to the pop-up theater sensation are busier than ever.One of these is the franchise FunFlicks, which delivers and sets up inflatable drive-in movie-theater-sized screens to any location. Often for birthday parties and church or company events, these pop-up screens recently have been in high demand. “It has surprisingly become significantly busier,” FunFlicks Mid-Atlantic General Manager Matthew Goon told VOA about early quarantine’s effect on business. “In comparison to usual, I’d say almost five times as much, just because so many people are looking to do something for the community.”FunFlicks has a variety of screen types including drive-in movie inflatable screens at either 32, 40 or 52 feet wide. None of these sizes, however, compares to the average screen size of 52 feet tall by 120 feet wide seen at most original drive-in theaters.Many of the events FunFlicks has set up in the past few months were not for private parties or events, but public places that wanted to use their space to host community events.“We’re doing a ballroom … that usually is a wedding venue, but since they can’t have any weddings … they are utilizing their parking lot for the drive-in. We’ve got a lot of requests from schools to do virtual graduations and things like that,” Goon said.“It’s a lot of community-oriented type of requests,” Goon said, such as Rotary clubs sponsoring community events for residents and local businesses.People watch the movie “Jaws” at The Tribeca Drive-In outside Rose Bowl stadium during the outbreak of the coronavirus disease (COVID-19), in Pasadena, California, July 2, 2020.Social distancing challenges
One of FunFlicks Mid-Atlantic’s ongoing challenges is to follow different social distancing regulations among Maryland, Philadelphia, Delaware, New Jersey and the Washington areas.“It’s been a bit of false hope at times. We’ve gotten a ton of requests for events, but a lot of it is depending on what the individual governors say since we do operate through different states,” Goon said. “The different … mandates on social distancing are whether or not you can have bathrooms or food at these events. It’s been a lot of back and forth and waiting for someone else’s approval.”Despite these challenges, increased demand is exciting for pop-ups such as FunFlicks and established drive-ins such as Haars. It’s difficult to predict the longevity of the drive-in movie craze, but for the first time in recent years, these businesses are being recognized on a much larger scale.“I am very excited about the noticeability that drive-in theaters are getting now, because I always thought it was a great place to go,” Hardy said. “No matter what, you get to sit out under the stars with your family or friends and watch a movie on the biggest screen that you could have.”
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A painting by artist Jaune Quick-to-See Smith is joining works by the legendary pop artists Jasper Johns and Andy Warhol at the National Gallery of Art. Smith’s “I See Red: Target” is the first painting on canvas by a Native American artist to enter the collection. The gallery announced the purchase of the painting this week. Smith, a Corrales resident and an enrolled Salish member of the Confederated Salish and Kootenai Nation in Montana, told the Albuquerque Journal she was shocked to be the first Native American painter to appear in the national museum.
“Why isn’t Fritz Scholder or R.C. Gorman or somebody I would have expected?” included, she asked. “On the one hand, it’s joyful; we’ve broken that buckskin ceiling,” she said. “On the other, it’s stunning that this museum hasn’t purchased a piece of Native American art” before. Gallery spokeswoman Anabeth Guthrie said that while Smith’s work is the first painting by a Native American to be acquired, the museum owns two dozen works on paper by Indigenous artists. The 11-foot-tall (3.3-meter-tall) mixed media painting addresses racism through the commercial branding of Indigenous American identity through Smith’s assemblage of ephemera and painterly touches. “It’s Indians being used as mascots. It’s about Native Americans being used as commodities,” Smith said. “I see Red: Target” belongs to a series about the 500th anniversary of the arrival of Christopher Columbus in America. Smith was responding to the appropriation of Native American names by sports teams, specifically the Washington Redskins. Historic photographs of Native Americans and red stripes form the body of the piece. Newspaper clippings, the Char-Koosta News (the official publication of the Flathead Reservation, where Smith was raised), a comic book cover, fabric and a pennant cover the work. The piece was created in 1992. “[Racism] is still happening with Black Lives Matter,” she said. “It’s been 25 years and I thought ‘Oh, this will be obsolete.’” “I See Red: Target” is on view in the East Building pop art galleries, among works by Johns and Warhol, who also incorporated recognizable imagery into their signature styles. Like another work in the gallery, Warhol’s “Let Us Now Praise Famous Men,” Smith’s piece makes use of grid, repetition, photographic elements and painterly effects. Smith’s roles as artist, teacher, curator and activist have resulted in hundreds of exhibitions across four decades. Her work hangs in the Metropolitan Museum of Art, the Whitney Museum of American Art, the Museum of Modern Art, the Brooklyn Museum, the New Mexico Museum of Art and the Albuquerque Museum.
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South Africa’s Market Theater is one of several African cultural institutions that has recently gone entirely online because of coronavirus restrictions that prevent large gatherings. But for this small institution often known as the “Theater of the Struggle” for its flouting of apartheid-era laws, obstacles are nothing new. Now, they hope their artistic message — which touches on local and global events — will resonate beyond the African continent. VOA’s Anita Powell reports from Johannesburg.
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Oscar-winning Italian composer Ennio Morricone died in a Roman clinic Monday morning, where he was being treated for a fractured femur due to a fall. He was 91 years old. A great musician, composer and conductor, Morricone was well-known as the author of the most famous and beautiful soundtracks of Italian and world cinema. He composed the music for more than 400 films, including now-classic Sergio Leone’s “The Good, the Bad and the Ugly” in 1966 and Quentin Tarantino’s “The Hateful Eight” for which he won an Oscar in 2016. Other famous movie scores include “A Fistful of Dollars”, “Mission”, and “Once Upon a Time in America.”Morricone died “at dawn on July 6 in Rome with the comfort of faith,” a note from the family read and conveyed to the public by their friend and lawyer Giorgio Assumma, Italy’s ANSA news agency reported. Morricone’s funeral will be private “in respect of the feeling of humility that has always inspired the acts of his existence,” Assumma said, adding that the master “had preserved to the last full lucidity and great dignity.”
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The Louvre, Paris’ famous and the world’s most visited museum, partly reopened Monday, after being on lockdown for 16 weeks due to the spread of COVID-19. The museum has lost more than $45 million in ticket sales in nearly four months, according to its director Jean-Luc Martinez, and may continue to have reduced visitation for a few more years, as the world adapts to the virus. The Louvre’s most famous works of art, like “Mona Lisa” and its big antiquities collection will be accessible, but a third of its galleries where social distancing is more difficult to observe, will remain shut. However, no selfies will be allowed in front of Leonardo da Vinci’s masterpiece, and visitors are required to stand on marked spots on the floor. About 70 percent of the Louvre’s 9.6 million visitors last year were foreigners, but the situation is much different this year. The museum is hoping to have more French visitors to fill the gap, as France is trying to counter its elitist image ahead of the Paris Olympics to be held in four years.
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В понедельник, 6 июля, в 12.00 в Пскове начнут оглашать решение суда по делу журналистки Светланы Прокопьевой. «Дело Прокопьевой» – это уничтожение свободы мнений опущенным карликом пукиным
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Турция остаётся последовательной и непреклонной трахая опущенного карлика пукина
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Опущенный карлик пукин слетел с катушек и запускает пилораму
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Путляндия в огне: Сибирь превращается в безжизненную пустыню!
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Імперія сміху і не тільки. Чим володіє президентська родина і скільки все це коштує? Як багато заробило й витратило подружжя зеленських за роки російської агресії? Та як імперія сміху володимира зеленського сплачувала податки, коли Україна воювала і гинули кращі українці?
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Найкращі пропозиції товарів і послуг в Мережі Купуй!
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Britain will invest nearly $2 billion in cultural institutions and the arts to help a sector that has been crippled by the COVID-19 pandemic and lockdown, Prime Minister Boris Johnson said Sunday.
Theaters, opera houses and ballet companies have been left without a live audience for months.
Though English museums and cinemas can reopen with strict social distancing in the latest easing of the lockdown that began Saturday, guidelines still dictate no live performances at theaters or concert halls.
That has created an existential crisis for much of the sector, which has been vocal in calling on the government for support.
“This money will help safeguard the sector for future generations, ensuring arts groups and venues across the UK can stay afloat and support their staff whilst their doors remain closed and curtains remain down,” Johnson said in a statement.
The government said the 1.57 billion pound ($1.96 billion) investment was the biggest ever in Britain’s culture sector.
It said that Britain’s museums, art galleries, theaters, independent cinemas, heritage sites and music venues would be protected through emergency grants and loans.
The government will consult with figures from Arts Council England, the British Film Institute and other specialist bodies on awarding grants, while it said repayable finance would be issued on affordable terms.
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