Day: February 17, 2019

First it was the furor over a proposed new “popular” film category, then it was the fiasco over planned host Kevin Hart, and last month the organizers of the Oscars were accused of intimidating celebrities not to present at rival award shows.

Last week, another storm erupted when, as part of a pledge to shorten next Sunday’s Oscars ceremony, plans to present awards for cinematography, film editing, live-action shorts and makeup/hairstyling during commercial breaks were slammed as insulting by actors, directors and cinematographers. Five days later, the plan was scrapped.

It’s been a tough 12 months for the Academy of Motion Picture Arts and Sciences as it battles to restore its annual Oscars show to a must-see event after the U.S. television audience slumped to an all-time low last year.

“This year, the bigger question than who will win at the Oscars is what the heck is going on at the academy?” said Tim Gray, awards editor at Hollywood trade publication Variety.

“There have been a slew of bungles,” Gray added. “I feel they are flailing around and acting out of desperation.”

Under pressure from the ABC television network to trim and liven up the ceremony, the academy has seen many of its efforts backfire.

Bungles include a retreat in September over a proposed new “popular film” category, the withdrawal in December of Oscars host Kevin Hart because of past homophobic tweets, and an accusation in January by the U.S. actors union that the academy was pressuring celebrities not to appear or present at award ceremonies other than the Oscars.

The Oscars is the last in a long Hollywood season that sees award shows and celebrity-packed red carpets every week over two months.

“The academy is caught between its role as a venerable institution that confers honors for the ages on film and the demands of the hurly-burly of social media, the 24/7 news cycle and the demands of the ratings,” said Sharon Waxman, founder and editor in chief of Hollywood website The Wrap.

‘People really care’

The academy did not return a request for comment for this story, but said in a letter to members last week that show producers “have given great consideration to both Oscar tradition and our broad global audience.”

ABC Entertainment President Karey Burke told reporters earlier this month she believed that the publicity around the Kevin Hart withdrawal showed the Oscars was still relevant.

“I, ironically, have found that the lack of clarity around the Oscars has kept the Oscars really in the conversation, and that the mystery has really been compelling,” Burke said. “People really care.”

The missteps have all but drowned out initial kudos over this year’s diverse Oscar nominations list, which range from art house films like “Roma” to superhero blockbuster “Black Panther” and crowd-pleasing musicals “Bohemian Rhapsody” and “A Star is Born.”

Awards watchers say the Academy’s efforts to deliver a compelling show for viewers next week still risk falling flat.

“The Academy is dealing yet again with what appears to be a leading film that is a very small film, in Spanish, and in black and white, that has not been seen by that many people, Waxman said, referring to best picture front-runner “Roma.”

Recent best-picture winners include small art-house films “The Shape of Water” last year and “Moonlight” in 2017.

“That is the more fundamental problem the Academy is facing with this telecast,” Waxman added.

Variety’s Gray said that, for the movie industry, the Oscars ceremony is always an enjoyable family get-together.

“The Oscars should also be fun for the viewing audience,” he said. “We will see if they are.”
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More than 100 artisans and 170 films from around the world are being showcased at the 27th Annual Pan African Film & Arts Festival in Los Angeles. 

The multiday event in the largely African American neighborhood of Baldwin Hills aims to connect Africans to people of African descent from around the world.

“As a result of the slave trade and colonization, African people are spread all over the planet, so we get a chance through this festival, get a chance to know each other,” said the festival’s executive director, Ayuko Babu.

Film, fine art, fashion and jewelry with Africa as inspiration are all featured at the festival.

“I never think of us as African American. I think of us as Africans in America, and in coming from that perspective, the ancestral lineage of art and Africa is beyond belief,” said jewelry artist Henry Baba Osageyfo Colby of Timbuktu Art Colony.

Film festival

Filmmakers from around the world, such as Nigerian director and actress Stephanie Linus, also attended the festival.

“Connecting all of us to film that is especially about us and we can see a reflection of ourselves and tell our stories and get a better understanding about where I’m coming from,” said Linus, who presented her movie, Dry, at the festival.

The film is about child marriage and the devastating effects of the practice. It is a social issue in Nigeria that surprised Linus when she first learned about it while attending college.

“I’m like, ‘Oh my God, can you believe that we’re living in the same country? We’re having two totally different experiences.’ We in the south (of Nigeria) are able to go to school, have an education, decide what happens to our bodies, and there’s some people up in the north where they don’t even have those choices.”

Linus has used the power of the media to bring awareness to child marriage, which affects girls around the world.

“I’m happy that people have taken proactive action because we screened the movie in Gambia and a month later, the government banned child marriage in Gambia,” Linus said.

Dialogue and education

One of the main goals of the festival is to create dialogue and education through film and the arts.

“We know there’s profound things happening around the black world, and so this is a way to amplify that make people pay attention,” Babu said.

This year’s festival opened Feb. 7 and runs through Feb. 18.
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It’s billed as North America’s largest and longest-running auto show, now in its 111th year. The 2019 Chicago Auto Show offers a lineup of nearly 1,000 vehicles occupying nearly 1 million-square-feet of space at the McCormick Place Convention Center.

A special preview for members of the media at the annual show is a chance for manufacturers to show off their latest and greatest products about to enter the market.

What is notable about this year’s event is what some manufacturers aren’t showing off — new sedans.

Customers want trucks, SUVs

“Over 10 years, there has been a consistent movement of customers in the United States and around the world, but even more so in the United States, moving away from sedans and more traditional passenger sedans into more utility vehicles,” said Joe Hinrichs, president of Ford Motor Co.’s Global Operations.

“Nearly 7 out of 10 vehicles sold today are trucks or SUVs in the U.S. market. They like the ride high, the seating height, the utility of the vehicle. And now, we can give them the fuel efficiency that they used to get out of sedans. So, that’s where customers are going.”

All reasons Ford is going the extra mile and planning to invest $1 billion to upgrade its Chicago manufacturing facility, which produces the popular Explorer Sport Utility Vehicle, or SUV — also used as a law enforcement vehicle — and the new Lincoln Mariner luxury SUV.

But while Ford is offering new options for consumers, it is also discontinuing models of the Focus, Fiesta and Fusion cars, ending production later this year.

“We’ve been planning our business to incorporate the expectation that some of those cars will go away,” Hinrichs said. “Then bring in new products to enter the market to supplement some of that volume that was lost so that we can keep our plants full.”

The new family car

“We have the debate a lot about is the compact SUV the new family sedan, and in many instances, you can say yes,” said Steve Majuros, marketing director for cars and crossovers for the General Motors Chevrolet brand. He introduced two new trucks in Chevy’s popular Silverado lineup to media at the auto show.

The prominence, and choices, of SUVs, crossovers and trucks in GM’s current lineup promoted at the auto show stands in contrast to its perennial attraction in recent years, the Chevrolet Volt. Even though it is the top-selling electric plug-in vehicle of all time, sagging sales have led GM to cease production in March.

“Volt was a great product for us,” said Majuros. “(It) had a great run — two generations. But what has happened is as the ability to produce pure electric and the kind of cost configuration and range of what people are looking for, Volt had its time, but was a great stepping stone for us to lead us to the future, which was pure electrification.”

Joining the Volt on the chopping block is the Cruze, a compact car manufactured at GM’s Lordstown Assembly plant in Ohio. Chevrolet does plan to keep making the Malibu midsize sedan and the Bolt all-electric vehicle, among a few other options.

“We’re not abandoning the car market completely,” Majuros assured. “We’re right-sizing our portfolio. We’re reacting to what the consumers are looking for.”

What they are looking for are trucks and SUVs, which made up about 70 percent of the 17 million vehicles sold in the U.S. in 2018, a trend expected to continue this year.
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Billed as the largest and longest running auto show in North America, the Chicago Auto Show this year is showing a notable change in the kinds of vehicles on display at the city’s McCormick Place Convention Center. As VOA’s Kane Farabaugh reports from Chicago, the shifting preferences of consumers is driving the kinds of vehicles manufacturers are producing and marketing.
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