Day: March 5, 2018

To Engage Customers, Smart Mirrors Take Cues from Social Media

Call it the Snapchat effect.

Some high-tech mirrors out there are borrowing from the social media giant, which offers face “lenses” to decorate selfies shared among its users.

Instead of putting dog ears or sparkly rainbow tongues on photos, popular on Snapchat, these mirrors allow consumers to apply virtual lipstick shades, eyeglasses and earrings.

And they’re gaining popularity among retailers who want to lure shoppers back into stores.

“Virtual try-on offers people the ability to try on numerous products, many more than they would be able to try on otherwise,” said Peter Johnson of FaceCake Marketing Technologies.

Johnson was recently demonstrating Dangle — it uses augmented reality to let customers try on multiple earring styles without ever touching a pair of earrings.

In Dangle’s case, the “mirror” is actually a computer monitor and handheld tablet. Using the device’s cameras and facial recognition technology, Dangle positions virtual earrings on customers.

Each pair gently swings and sways, giving the experience a realistic feel. Retailers can showcase their entire stock of earrings, allowing customers to try on multiple styles and colors.

It’s a unique way to shop and gives retailers added benefits, too. No one can steal a pair of virtual earrings.

“In-store jewelry, even costume jewelry, is now quite expensive,” said Johnson, “This is a way to keep inventory secure, while people are making decisions about what they want to wear.”

Cross-selling is another advantage. A store associate who sells evening wear for example, can use Dangle to show how different earring styles will look with a particular dress or outfit.

Beauty makeover 2.0

For many shoppers, finding that just-right shade of foundation or lipstick can take several hit-or-miss attempts at the makeup counter. Smart mirrors can help. Customers at Neiman Marcus stores can use touchscreen mirrors by MemoMi to virtually apply and change multiple shades of makeup in one session.

The “Memory Makeover” mirrors also record and share videos of in-store makeovers, allowing customers to review the entire process, complete with voice notes.

“Customers, when they get a makeover, they don’t remember what order, how it was applied,” said Alec Gefrides, general manager of transactional retail at Intel, the computer chip giant. “Being able to teach an individual, ‘Okay, this is the makeup that we used with you today’ but also how to apply it, you can take that with you and try it, repeat the process at home.”

Bridging Online and Brick-And-Mortar Experiences

In the ongoing quest to drive in-store sales, retailers are continually building elements of online and mobile experiences into brick-and-mortar locations.

For the consumer, the experience is an extension of what they’re already come to expect from online shopping – an interactive and social experience with convenient, seamless checkout. Smart mirrors using Dangle do double duty, offering countless styles to try on while also functioning as a checkout system for speedier transactions.

MemoMi mirrors allow retailers to collect data – creating a profile of customers and gaining greater insight into their likes, dislikes and purchasing history. Just as an online retailer gleans information from customer data, these in-store fixtures can help sales associates make more informed product recommendations and tailor promotions to customers which will translate to sales.

As technologies improve, Gefrides sees brick-and-mortar retailers making a comeback.

“We always hear about the big store closings,” said Gefrides. But Intel is seeing more retailers turn to technology to improve customers’ in-store experience.

 

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UN Chief Appoints Bloomberg as Envoy for Climate Action

The U.N.’s new envoy for climate action, former New York Mayor Michael Bloomberg, said Monday that President Donald Trump can become “a great leader” if he changes his mind about global warming and keeps the United States in the Paris climate agreement.

 

The billionaire media mogul expressed hope that Trump will listen to his advisers, look at the data on climate change, and support the 2015 Paris accord aimed at reducing greenhouse gas emissions.

 

Bloomberg spoke during a ceremony at which U.N. Secretary-General Antonio Guterres gave him the new title of U.N. special envoy for climate action, handing him the job of spurring international action to help curb global warming.

 

A longtime activist for clean energy and a green economy, Bloomberg was appointed U.N. special envoy on cities and climate change by then U.N. chief Ban Ki-moon in January 2014. Since then, he has been traveling around the United States and the world campaigning for a reduction in carbon emissions.

 

Guterres announced that Bloomberg will help support a U.N. Climate Summit that he is planning at U.N. headquarters in 2019 to mobilize more ambitious action and start implementing the Paris climate agreement now.

 

Countries agreed in the Paris accord to limit global warming to 2 degrees Celsius (3.6 degrees Fahrenheit) and do their best to keep it below 1.5 degrees Celsius (2.7 degrees Fahrenheit), compared with pre-industrial times. But the agreement starts after 2020 — and at U.N. climate talks in November over 170 countries stressed the importance of implementing ambitious climate actions before 2020.

 

Trump announced last June that he was withdrawing the U.S. from the Paris agreement, fulfilling a campaign pledge to quit the world’s chief effort to slow planetary warming.

 

He framed his decision as “a reassertion of America’s sovereignty” and argued that the agreement had disadvantaged the U.S. “to the exclusive benefit of other countries,” leaving American businesses and taxpayers to absorb the cost.

 

Under terms of the agreement, the U.S. cannot officially pull out until 2020.

 

Bloomberg has urged world leaders not to follow Trump, and has pledged to save the Paris agreement.

 

Last October, for example, his foundation donated $64 million to a Sierra Club program seeking to phase out coal-fired power plants and reduce planet-warming carbon emissions.

 

Bloomberg said Monday that his foundation is interested “in spending a lot of money in helping us understand that climate change is real and it’s measurable.”

 

As examples, he said that for the first time the North Pole in the middle of the winter had temperatures above melting, oceans over the last 20 or so years have risen, and there are more frequent and powerful storms. In addition, Bloomberg said, there are floods where there used to be droughts — and droughts where there used to be floods.

 

He said the solution is for people everywhere to get together and change the way they live, “and we have to be a little smarter about how we generate energy.”

 

Guterres said last July that Bloomberg is convinced the United States will reach the Paris goals — despite Trump’s decision to abandon the Paris agreement.

 

Bloomberg expressed hope that Trump will change his mind.

 

“And if that’s the case, that shows a great leader who when facts change, and they recognize something different, they’re not bound to what they did before, they’re willing to change,” Bloomberg said. “And I think it’s fair to say this president does change his views — generally it’s one day to the next, but over a longer period of time.”

 

Guterres also stressed the evidence of global warming.

 

He said temperatures in the atmosphere and at sea level are rising faster than expected, glaciers are receding more quickly, and the Arctic ice cap is “shrinking much more quickly and dramatically than in the past — so climate change is running faster than we are.”

 

But the U.N. chief said there are two pieces of “very good news,” the secretary-general said: “Today, the cheapest energy is green energy” and the “green economy” is the economy of the future. And there is “enormous capacity” to mobilize civil society, the business community and cities.

 

Guterres pointed to the work Bloomberg has done in all those areas, saying: “I am very confident that this battle will be won, because the realities of today’s economy are such that the wise decision is the green decision.”

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The Oscars’ Most Intimate Celebrity Moments Occur Off-Camera

There are cameras everywhere at the Academy Awards, but some of the most intimate celebrity moments at the show still manage to escape the lens.

 

Here’s a look at some of the backstage interactions that never made it to TV screens:

 

LADY-BIRD BONDING: Greta Gerwig and Laura Dern shared some poignant moments backstage before presenting the documentary award.

 

The two women spent at least 10 minutes backstage together chatting and preparing for their moment onstage, during which Dern gave Gerwig a bit of a pep-talk.

“It’s amazing. And it’s historic,” Dern told Gerwig of her best director nomination – the fifth woman in academy history to be so recognized. “Are you breathing?” the elder actress asked.

 

“Your dress is perfect. Your makeup is perfect,” Dern said. {“Let’s check the booty.”

 

With that, Dern and Gerwig turned around to reveal the back of their dresses to each other, which they deemed camera-ready.

 

Dern also advised her co-presenter not to slouch or lean into the microphone.

 

“Shoulders back,” Gerwig said, convincing herself.

 

Still, Dern worried about having worn her eyeglasses.

 

“No, they look so cute!” Gerwig said. “There’s nothing hotter than a hot lady with glasses.”

 

They discussed whether they should walk out arm in arm or holding hands. Gerwig took an impromptu vote with backstage workers, who said holding hands would be their best bet.

 

“Good,” Gerwig said. “We crowd-sourced it.”

 

The two women emerged onstage holding hands.

 

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FOOT FETISH: Comedic actresses Maya Rudolph and Tiffany Haddish had planned to wear comfortable footwear onto the Oscar stage even before it became part of their lines Sunday night.

 

Haddish insisted on wearing her slippers onstage.

 

“Girl, I got bunions and corns,” Haddish told Rudolph. “The foot-fetish people will be all about it. Did you see that bunion? Did you see them corns?”

 

The comedienne joked to Rudolph that she’s been using “I Can’t Believe It’s Not Butter” spray on her feet.

 

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DIVA IN THE HOUSE: Oscar-winner Faye Dunaway likes to make her own rules. She refused to stay in her position backstage before announcing the best picture winner.

 

The 77-year-old Dunaway repeatedly walked away from her prescribed spot backstage before she and Warren Beatty were to announce the final award of the night.

 

She demanded to know where her lines were and whether Allison Janney won for supporting actress (she did).

 

When a backstage photographer snapped a candid photo of Dunaway, she was livid. She told the man to “go away” and made the kind of shooing motion one might use for a pet dog.

 

She and Warren Beatty successfully announced the best picture winner this year: “The Shape of Water.”

 

Later, while posing for photos with the night’s winners, Dunaway continued directing the photographers who captured her image.

 

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Native Americans Delight as Veteran Actor Speaks Cherokee at Oscars

Native Americans took to social media to express gratitude to Hostiles star Wes Studi, Cherokee, who, during the 90th Academy Awards ceremony in Los Angeles last night, spoke Tsalagi, the language of the Cherokee people.

The Cherokee Nation itself took to Twitter to express gratitude.

“As a veteran, I am always appreciative when filmmakers bring to the screen stories of those who have served,” Studi said, introducing a filmed tribute to Hollywood’s portrayal of the military.  “Over 90 years of the Academy Awards, a number of movies with military themes have been honored at the Oscars. Let’s take a moment to pay tribute to these powerful films that shine a great spotlight on those who have fought for freedom around the world.”

Studi has enjoyed a long career in movies, appearing in such classic movies as Dances With Wolves and The Last of the Mohicans, and most recently, he played Chief Yellow Hawk, co-starring with Christian Bale in Scott Cooper’s new western Hostiles.

Studi is affiliated with the Cherokee Nation of Oklahoma, based in Tahlequah, the largest of three federally-recognized Cherokee tribes. The other two are the United Keetoowah Band of Cherokee Indians, also headquartered in Tahlequah, and the Eastern Band of Cherokee Indians in Cherokee, North Carolina.

Between 1836 and 1839, the U.S. military removed the Cherokee Nation from their lands in Alabama, North Carolina, South Carolina, Georgia, Tennessee and Texas and forced them west into Indian Territory (present-day Oklahoma) in the Western U.S.

Native Americans have served in every branch of the U.S. military and in every war and conflict since the Revolutionary War.

Studi is a veteran himself.  Born in Nofire Hollow in rural Oklahoma, he joined the National Guard during his senior year at the now-defunct Chilocco Indian School, a boarding school in north-central Oklahoma.  He later volunteered for the U.S. Army and served 18 months in Vietnam.

“Amongst themselves, Native Americans are treated with a lot more honor for having served the people,” he told the Military Times in January.  “Our culture values the fact that our young men are willing and ready and able to put their lives on the line to protect others.”

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90th Oscars Dance Between Honoring and Correcting the Past

Held one year ago, the 90th Academy Awards would have very likely been a rose-colored nostalgia fest.

But this year, with a culture-wide reckoning over decades of sexual misconduct, a film business in decline, a volatile political climate and the fact that last year the esteemed show couldn’t even manage to present its biggest award correctly, the film academy and host Jimmy Kimmel on Sunday staged a complex and sometimes incongruous dance of attempting to both honor and atone for the past.

In many ways, the show inside the Dolby Theatre went exactly as planned – scripted, tight, full of past-looking montages, forward-thinking speeches and produced to appeal to all. Presenters Faye Dunaway and Warren Beatty got a best picture redo, (“What happened last year is Waterhouse under the bridge,” Kimmel quipped) and 86-year-old Rita Moreno got to wear her dress from the 1962 ceremony again.

The Walt Disney Co. sneaked a fair amount of promos (“A Wrinkle in Time,” and “Mary Poppins Returns”) and self-congratulations (for “Black Panther”) into its ABC broadcast and the production did its best to appeal to the “regular moviegoer” by trotting out Gal Gadot and other stars to literally give candy to a theater full of people. 

The awards also effectively skirted the awkwardness of having an accused man in the spotlight by shifting around long-held presenter traditions and having Jodie Foster and Jennifer Lawrence present the best actress award instead of Casey Affleck. Emma Stone got her Natalie Portman moment, presenting the directing award to “four men and Greta Gerwig.”

Activists like #MeToo creator Tarana Burke were included in a song segment. And three Harvey Weinstein accusers, Ashley Judd, Salma Hayek and Annabella Sciorra, were given a moment to themselves on stage for nothing more than the fact that they were brave enough to speak up before a hopeful video played highlighting a changing industry, post #MeToo and more diverse. 

The video highlighted Greta Gerwig, the fifth woman to ever be nominated for best director, Yance Ford, the first transgender nominee for “Strong Island,” Dee Rees, whose “Mudbound” scored a historic cinematographer nomination and the Pakistan-born Kumail Nanjiani, nominated for “The Big Sick.”

The nominees signaled a renaissance. The winners told a slightly different story.

With a more diverse, more international and younger infusion of voting members into the film academy, the movie in love with movies still won the top awards. Guillermo del Toro’s fantasy romance “The Shape of Water,” won best picture, director, score and production design. 

“Growing up in Mexico, I thought this could never happen,” del Toro said. “It happens.”

The acting awards, which have been locked for three months, went to the expected winners – all esteemed veterans and three of whom had never been nominated before: Frances McDormand won best actress for “Three Billboards Outside Ebbing, Missouri” and her co-star Sam Rockwell won for his supporting performance. Gary Oldman picked up the best actor prize for transforming into Winston Churchill in “Darkest Hour” and Allison Janney for becoming Tonya Harding’s mother in “I, Tonya.”

At 89, James Ivory became the oldest Oscar-winner for his adapted screenplay for “Call Me By Your Name.” And Christopher Nolan’s ambitious World War II nail-biter “Dunkirk” picked up three technical awards.

But Gerwig’s “Lady Bird” left empty handed, Rachel Morrison did not become the first female cinematography winner (the long-snubbed Roger Deakins got that honor finally for “Blade Runner 2049” after 14 nominations) and Ford was not the first transgender Oscar-winner.

There were glimpses of progress, in Chile’s “A Fantastic Woman,” which starred the transgender actress Daniela Vega, won best foreign film. Disney and Pixar’s celebration of Mexican culture, “Coco,” took best animated feature, as well as best song for “Remember Me.”

“The biggest thank you of all to the people of Mexico,” said director Lee Unkrich to loud applause. “Marginalized people deserve to feel like they belong. Representation matters.”

And Jordan Peele became the first African-American to win best original screenplay for his horror sensation “Get Out.”

Peele said he stopped writing it “20 times,” skeptical that it would ever get made.

“But I kept coming back to it because I knew if someone would let me make this movie, that people would hear it and people would see it,” said Peele. “So I want to dedicate this to all the people who raised my voice and let me make this movie.”

Even McDormand used her moment on stage to make a statement on behalf of women.

“If I may be so honored to have all the female nominees stand with me,” McDormand said.

“We all have stories to tell and projects we need financed,” she added, before uttering the phrase “inclusion rider,” referring to actors signing contracts that mandate a film’s gender and racial inclusivity.

Everyone seemed to take this moment of an industry in flux to heart.

“We can’t let bad behavior slide anymore,” said Kimmel at the show’s start. “The world is watching us.”

And indeed as the last show in this very long season, made even longer thanks to the Olympics, and with an unprecedented pressure to address all the ills of society and 90 years of movies it was perhaps always going to be too big a feat for one group of entertainers to tackle in a single nearly four-hour production.

There’s only so much they can do, after all, and there is no one like Kimmel to remind everyone that it is still the movie industry.

In an aside about the pay disparity between Mark Walhberg and Michelle Williams for “All the Money in the World” reshoots, Kimmel said upon discovering that both actors were represented by the same talent agency that, “This one shook me.”

“If we can’t trust agents, who can we trust?”

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Uber Sued After Data Stolen by Hackers Covered Up

Pennsylvania’s attorney general is suing the ride-hailing company Uber, saying it broke state law when it failed to notify thousands of drivers for a year that hackers stole their personal information.

The lawsuit filed Monday in Philadelphia said hackers stole the names and drivers’ license numbers of at least 13,500 Pennsylvania Uber drivers. It accuses Uber of violating a state law to notify people of a data breach affecting them within a “reasonable time frame.”

Uber acknowledged in November that for more than a year it covered up a hacking attack that stole personal information about more than 57 million customers and drivers. Pennsylvania’s lawsuit seeks civil penalties in the millions of dollars.

An Uber spokesman declined immediate comment. Washington state and Chicago have also sued Uber.

 

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Stars Let Loose at Oscar Parties Marking Awards Season’s End

Greta Gerwig screamed with delight and relief as she hugged a group of friends once she got into the Vanity Fair Oscar party.

The “Lady Bird” director and Oscar nominee had just walked down the last red carpet of her long awards season. She quickly pulled up her long flowing gown, kicked off her high heels and put on a pair of checkered Vans sneakers so she could run through the room in comfort.

 

On the surface, Hollywood’s after-Oscar parties are held to celebrate the winners and almost-winners at the Academy Awards. But their real purpose, for many anyway, is to recognize that the entire exhausting epic of the awards season is finally over.

 

Nowhere is this more true than the Vanity Fair party, where the tables are stacked with junk food made with highbrow flair, and an endless stream of In-N-Out burgers are served in overflowing boxes by the chain’s workers in uniform, all of it telling partiers that the time to starve yourself to fit into tuxes and gowns is over. It’s time to eat again.

 

Gerwig was all smiles as she walked into the room in her Vans, saw Octavia Spencer, nominated for best actress for “The Shape of Water,” sitting on a couch and trotted over to give her a hug.

 

Saoirse Ronan, the star of Gerwig’s movie, went even more casual, walking the room and even the sidewalks outside while barefoot.

In the outdoor patio of the party hosted by Vanity Fair editor Radhika Jones at the Annenberg Space for Photography on the border of Los Angeles and Beverly Hills, best actress winner and rousing speech-giver Frances McDormand was struggling to get through an In-N-Out Burger because of a steady stream of well-wishers that included a fawning Jon Hamm.

 

McDormand, with her husband the director Joel Coen having an easier time of eating nearby, held her burger in her left hand while she hugged and shook hands with her right, posing for pictures with dozens of doting fans.

 

She repeatedly joked “I lost it” to all who asked where her Oscar statuette had gone.

 

While the nominees make it a regular stop, the Vanity Fair party, whose atmosphere with its dim lighting and throbbing music feels like a night club, prides itself on hosting A-list guests that had no part in the Oscars or movies at all.

 

At one point Sunday night Drake and Diddy, major figures representing two generations of hip-hop, ran into each other and made a scene with a giggle-filled hug.

 

Moments later across the room, “Spider-Man: Homecoming” star Tom Holland by chance bumped into his on-screen aunt and guardian Marisa Tomei, and the two also shared a happy hug to the delight of onlookers and photographers.

 

Sarah Silverman, Donald Glover, Emily Ratajkowski and Kate Upton all chatted with groups of friends over tables stacked with truffled popcorn and buttermilk fried chicken nuggets.

 

Kendall Jenner drew gawkers and

compliments with a short black dress whose huge, multi-layered levels resembled a building designed by Frank Gehry.

 

The party’s first phase earlier in the evening was a dinner for a smaller group of invitees, who dined on slow-poached dover sole and grilled beef calotte as they watched the show, where “The Shape of Water” was the big winner.

 

A similar viewing party was going on back in Hollywood at Elton John’s annual AIDS Foundation soiree, where star party-goers cheered on the biggest moments of the Academy Awards.

 

Miley Cyrus and Liam Hemsworth, Ricky Martin, Billie Jean King, Lionel Richie, Caitlyn Jenner, Lea Michele and Judith Light were among other celebs who cheered loudly during some of the show’s bigger moments.

 

Allison Janney’s best supporting actress win for “I, Tonya” got wild applause, as did McDormand when she called for an “inclusion rider” during her acceptance speech celebrating diversity and women storytellers.

 

The 26th annual event features an elegant dinner during the show, then later, a silent auction to raise funds for the charity and a concert featuring the rock band Greta Van Fleet.

Janney showed up late at the Vanity Fair party, also holding no Oscar, and took over the toast-of-the-room role earlier played by McDormand.

 

She had traded her red gown for a more comfortable outfit with a white blouse. And after sweeping nearly every award since the Golden Globes in January, she could not have looked happier as she took in the love of the room.

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Oscars Red Carpet 2018

Here are some of the best looks from the red carpet at the 90th Academy Awards in Hollywood, California, March 4, 2018.

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Trump Would Exempt Canada, Mexico from Tariffs if New NAFTA Deal Reached

U.S. President Donald Trump says Mexico and Canada would be exempted from his planned tariffs on steel and aluminum imports if they can reach a “new and fair” trade agreement with the United States.

The three countries are currently in negotiations on revising the North American Free Trade Agreement, with the latest round of talks wrapping up in Mexico City.

Trump contended Monday on Twitter the 24-year-old agreement “has been a bad deal for U.S.A.  Massive relocation of companies & jobs.”  He added, “Canada must treat our farmers much better.  Highly restrictive.  Mexico must do much more on stopping drugs from pouring into the U.S.  They have not done what needs to be done.  Millions of people addicted and dying.”

He said that “To protect our Country we must protect American Steel! #AMERICA FIRST.”

In 2016, the last year with complete government statistics, the United States said it sent $12.5 billion more in goods and services to Canada than it imported, while it had a $55.6 billion trade deficit with Mexico.

Canada is the largest U.S. trading partner and last year shipped $7.2 billion worth of aluminum and $4.3 billion of steel to the United States.

The tariffs –  25 percent on steel and 10 percent on aluminum – would hit other U.S. allies: Britain, Germany, South Korea, Turkey and Japan.  But China, the world’s biggest steel producer would be less affected, it only sends two percent of its supply to the United States.

White House trade adviser Peter Navarro said Sunday that Trump is not planning to exempt any countries from the tariff hike.

Navarro told CNN that final details on Trump’s anticipated 25 percent tax on steel imports and a 10 percent tariff on aluminum should be completed by later in the week or early next week at the latest.

Trump’s new tariffs for the key metals have drawn wide condemnation from business-oriented Republican lawmakers in the U.S., as well as Canada and the European Union. But Navarro said the tariffs are needed to “protect our national security and economic security, broadly defined.”

He dismissed concerns from Defense Department officials who voiced support for targeted tariff increases aimed at specific countries but not increases on the imported metals from throughout the world.

Navarro called it “a slippery slope” to target only some countries with increased tariffs while exempting others. He said there would be a mechanism to exclude some businesses, on a case-by-case basis, from having to pay higher prices for the imported metals.

Navarro said the message to the world on U.S. trade practices is simple: “We’re not going to take it anymore. We don’t get good results,” Navarro said, adding that U.S. trade overseas is “not fair and reciprocal.”

In another news talk show appearance, Commerce Secretary Wilbur Ross told ABC News that Trump has talked with “a number of the world leaders” about his trade tariff plans.

British Prime Minister Theresa May’s office said that in a Sunday phone call with Trump she had “raised our deep concern at the president’s forthcoming announcement on steel and aluminum tariffs, noting that multilateral action was the only way to resolve the problem of global overcapacity in all parties’ interests.”

U.S. Commerce Secretary Ross said the total value of the impending U.S. tariffs amounts to about $9 billion a year, a fraction of 1 percent of the annual $18.6 trillion U.S. economy, the world’s largest.

“So, the notion that it would destroy a lot of jobs, raise prices, disrupt things, is wrong,” Ross said.

Ross dismissed European Union threats of imposing retaliatory tariffs on such prominent American products as Harley Davidson motorcycles, bourbon and Levi’s jeans as unimportant and a “rounding error.”

In response on Saturday, Trump threatened European automakers with a tax on imports if the European Union retaliates against the U.S.

Ross called the possible European levies a “pretty trivial amount of retaliatory tariffs, adding up to some $3 billion of goods. In our size economy, that’s a tiny, tiny fraction of 1 percent. So, while it might affect an individual producer for a little while, overall, it’s not going to be much more than a rounding error.”

Trump weighed in Saturday on his rationale for the tariff hikes with a pair of Twitter comments.

 

“The United States has an $800 Billion Dollar Yearly Trade Deficit because of our ‘very stupid’ trade deals and policies,” he said. “Our jobs and wealth are being given to other countries that have taken advantage of us for years. They laugh at what fools our leaders have been. No more!

“If the EU wants to further increase their already massive tariffs and barriers on U.S. companies doing business there, we will simply apply a Tax on their Cars which freely pour into the U.S.,” he added. “They make it impossible for our cars (and more) to sell there. Big trade imbalance!”

In 2017, the U.S. imported $151 billion more in goods from Europe than it exported to EU countries.

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China Sets Ambitious Growth Target, Promises Steel Cuts

China’s top economic official set a robust growth target Monday and promised more market opening and cuts in a bloated steel industry that has inflamed trade tensions with Washington and Europe.

The growth target of “around 6.5 percent” announced by Premier Li Keqiang to China’s ceremonial legislature, little-changed from last year, would be among the world’s strongest if achieved. The premier also promised progress on developing electric cars and other technology and better regulation of China’s scandal-plagued financial industries.

The meeting of the National People’s Congress is overshadowed by constitutional changes that would allow President Xi Jinping to stay in power indefinitely, but businesspeople and economists also are looking for signs Xi is speeding up reform. That follows complaints Beijing did too little while Xi focused on amassing power since becoming Communist Party leader in 2012.

“We will be bolder in reform and opening up,” said Li in a nationally televised speech to nearly 3,000 delegates to the ceremonial legislature in the Great Hall of the People.

Possible developments this week include the elevation of Xi’s top economic adviser, Liu He, who has told foreign businesspeople he supports free markets, to a post overseeing reform.

“The top priority over the past five years was power consolidation,” said economist Larry Hu of Macquarie Capital in a report. “Now the power consolidation is close to completed. It remains to be seen how policy priority would change for the next five years.”

The growth target officially is a basis for planning instead of a promise about how the economy will perform, but allowing activity to dip below that level could erode public confidence and make investors skittish.

The economy grew by 6.9 percent last year but that was supported by a boom in bank lending and real estate sales that regulators are trying to curb due to concern about rising debt. Analysts have questioned whether Beijing can hit this year’s target without stimulus from bank lending and government spending, which would set back reforms aimed at nurturing self-sustaining growth and curbing debt.

Li promised Beijing would open its economy wider to foreign investors by “completely opening up” manufacturing and expanding access to other industries, but gave no details.

Foreign business groups complain previous industry-opening pledges have been diluted by conditions such as ownership limits or requirements to hand over technology that make them unappealing.

At the same time, Li tempered the market-friendly promises by affirming plans to build up state-owned enterprises that dominate most Chinese industries including energy, telecoms and finance.

“Our SOEs should, through reform and innovation, become front-runners in pursuing high-quality development,” he said.

The premier promised “substantive progress” in a multi-year campaign to reduce production capacity in steel, coal and other industries in which supply exceeds demand. The United States and the European Union complain that surplus of Chinese steel and aluminum flooding into global markets depresses prices and threatens jobs.

This year’s targets include eliminating 30 million tons of production capacity in the politically sensitive steel industry, Li said. It was unclear how that might affect China’s annual output of about 800 million tons.

Li also promised to improve oversight of scandal-plagued Chinese financial industries and to control surging corporate debt that prompted rating agencies to cut Beijing’s credit rating last year.

Last month, regulators seized control of one of China’s biggest insurers, privately owned Anbang Insurance Group, amid concern about whether its debt burden was manageable. Authorities announced its founder and chairman would be prosecuted on charges of improper fundraising.

On Monday, the premier tried to defuse worries rising debt could trigger a banking crisis or drag on economic growth by repeating assurances that Beijing is “completely capable of forestalling systemic risks.”

In a sign Beijing might accept slower growth, Li cut the government’s budget deficit target to 2.6 percent of gross domestic product from last year’s 3 percent, which would reduce the stimulus from public spending.

“The government’s bottom line for economic growth is likely to be 6.3 percent,” said Tom Rafferty of the Economist Intelligence Unit in a report. He said that was the minimum required to meet Beijing’s goal of doubling economic output from its 2010 level by 2020.

The proposal to remove term limits for president from China’s constitution has prompted concern a slide toward one-man rule will erode efforts to make economic regulation more stable and predictable.

Officials say China needs continuity as Beijing carries out long-range changes including making state industry more competitive and productive and developing profitable high-tech industry.

Li, the premier, made no mention of the constitutional change or the controversy surrounding it but promised progress on an array of politically challenging goals including the restructuring or bankruptcy of “zombie enterprises,” or money-losing but politically favored companies that are kept afloat by loans from government banks.

The premier said Beijing will speed up state-led development in an array of technology fields including artificial intelligence, integrated circuits, mobile communications, aircraft engines and electric cars.

“We will develop intelligent industries,” said Li.

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Airship Drones Could Stay Aloft for Days

Battery-powered drones have mostly replaced manned aircraft in a range of tasks, from scientific measurements to aerial photography, with one persistent disadvantage – the limit of their power source. A startup company in San Francisco says their airship can do a lot of those tasks while staying in the air much longer. VOA’s George Putic reports.

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Applications for Facial Recognition Increase as Technology Matures

From a shopping center and an airport to a concert venue or even your own phone, these are all places facial recognition technology can now be used due to technological advancements in the last few years. The types of applications are growing in a world where the idea of privacy is constantly evolving. VOA’s Elizabeth Lee explains.

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Drama in Red and Neutrals on Oscars Red Carpet

Looks in neutrals, reds and purples brought the drama Sunday on the Oscars carpet at Hollywood’s biggest fashion show.

Salma Hayek looked like exotic royalty in a custom Gucci gown in lilac. It was heavily jeweled and had a busy, ruffled tiered skirt. Rita Moreno, meanwhile, honored Academy Awards history by donning the same gown (with a bold patterned full skirt) she wore in 1962, when she won an Oscar for “West Side Story.”

“It’s been hanging in my closet this whole time,” Moreno told The Associated Press.

Among the walkers in Los Angeles were a few recently returned Olympians, including skier Lindsey Vonn in a fringed black gown and diamond choker with statement red stones. Figure skaters Adam Rippon and Mirai Nagasu walked together. He wore belt-leather straps that crossed his chest and she chose a sheer, long-sleeve gown in soft blue.

Allison Williams of “Get Out” went for neutral. So did Gina Rodriguez in a nude sheath with silver embellishment, a plunging neckline and full princess skirt, courtesy of Zuhair Murad.

Among those in red was Allison Janney of “I, Tonya,” in long sleeves that fell to the ground. Sofia Carson wore a red cape gown with 26.10 carats of diamonds in her Chopard choker. Meryl Streep also wore red, a deep plunge at the neck. Last year’s best actress Emma Stone chose skinny trousers and a pink-belted, red tuxedo jacket.

The purple peeps also included presenter Ashley Judd, who went strapless in a dark shade by Badgley Mischka, accompanied by diamond strands.

There was an abundance of white, including fitted looks worn by Margot Robbie, Jane Fonda, Laura Dern (in Calvin Klein) and Mary J. Blige. One actress, Taraji P. Henson, was all leg in ethereal black with a high slit.

Among the standout guys: “Get Out” writer-director Jordan Peele, in a creamy white tuxedo jacket, and Chadwick Boseman, who honored his kingly T’Challa character in “Black Panther” with a long embellished coat.

Boseman’s co-star, Lupita Nyong’o, repped Wakanda in royal, one-sleeved gold with a studded sash element that had black detailing.

One of the evening’s brightest pops of color came on Viola Davis in electric pink from the Michael Kors Collection, hoops in her ears and a clutch to match. “Lady Bird” star Saoirse Ronan wore soft pink from Calvin Klein, while Greta Gerwig, who wrote and directed the coming of age film, offered another bright pop – hers in marigold yellow.

In beauty, a side-part trend took hold, both in updos and loose.

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Oscars: Winners list

Most recent awards are at the top

COSTUME DESIGN

WINNER: PHANTOM THREAD

Mark Bridges

OTHER NOMINEES

BEAUTY AND THE BEAST

Jacqueline Durran

DARKEST HOUR

Jacqueline Durran

THE SHAPE OF WATER

Luis Sequeira

VICTORIA & ABDUL

Consolata Boyle

 

MAKEUP AND HAIRSTYLING

WINNER: DARKEST HOUR

Kazuhiro Tsuji, David Malinowski and Lucy Sibbick​

OTHER NOMINEES

VICTORIA & ABDUL

Daniel Phillips and Lou Sheppard

WONDER

Arjen Tuiten

 

ACTOR IN A SUPPORTING ROLE

WINNER: SAM ROCKWELL

Three Billboards Outside Ebbing, Missouri​

OTHER NOMINEES

WILLEM DAFOE

The Florida Project

WOODY HARRELSON

Three Billboards outside Ebbing, Missouri

RICHARD JENKINS

The Shape of Water

CHRISTOPHER PLUMMER

All the Money in the World

 

ACTOR IN A LEADING ROLE

NOMINEES

TIMOTHÉE CHALAMET

Call Me by Your Name

DANIEL DAY-LEWIS

Phantom Thread

DANIEL KALUUYA

Get Out

GARY OLDMAN

Darkest Hour

DENZEL WASHINGTON

Roman J. Israel, Esq.

 

ACTRESS IN A LEADING ROLE

NOMINEES

SALLY HAWKINS

The Shape of Water

FRANCES MCDORMAND

Three Billboards outside Ebbing, Missouri

MARGOT ROBBIE

I, Tonya

SAOIRSE RONAN

Lady Bird

MERYL STREEP

The Post

 

ACTRESS IN A SUPPORTING ROLE

NOMINEES

MARY J. BLIGE

Mudbound

ALLISON JANNEY

I, Tonya

LESLEY MANVILLE

Phantom Thread

LAURIE METCALF

Lady Bird

OCTAVIA SPENCER

The Shape of Water

 

ANIMATED FEATURE FILM

NOMINEES

THE BOSS BABY

Tom McGrath and Ramsey Naito

THE BREADWINNER

Nora Twomey and Anthony Leo

COCO

Lee Unkrich and Darla K. Anderson

FERDINAND

Carlos Saldanha and Lori Forte

LOVING VINCENT

Dorota Kobiela, Hugh Welchman and Ivan Mactaggart

 

CINEMATOGRAPHY

NOMINEES

BLADE RUNNER 2049

Roger A. Deakins

DARKEST HOUR

Bruno Delbonnel

DUNKIRK

Hoyte van Hoytema

MUDBOUND

Rachel Morrison

THE SHAPE OF WATER

Dan Laustsen

 

DIRECTING

NOMINEES

DUNKIRK

Christopher Nolan

GET OUT

Jordan Peele

LADY BIRD

Greta Gerwig

PHANTOM THREAD

Paul Thomas Anderson

THE SHAPE OF WATER

Guillermo del Toro

 

DOCUMENTARY (FEATURE)

NOMINEES

ABACUS: SMALL ENOUGH TO JAIL

Steve James, Mark Mitten and Julie Goldman

FACES PLACES

Agnès Varda, JR and Rosalie Varda

ICARUS

Bryan Fogel and Dan Cogan

LAST MEN IN ALEPPO

Feras Fayyad, Kareem Abeed and Søren Steen Jespersen

STRONG ISLAND

Yance Ford and Joslyn Barnes

 

DOCUMENTARY (SHORT SUBJECT)

NOMINEES

EDITH+EDDIE

Laura Checkoway and Thomas Lee Wright

HEAVEN IS A TRAFFIC JAM ON THE 405

Frank Stiefel

HEROIN(E)

Elaine McMillion Sheldon and Kerrin Sheldon

KNIFE SKILLS

Thomas Lennon

TRAFFIC STOP

Kate Davis and David Heilbroner

 

FILM EDITING

NOMINEES

BABY DRIVER

Paul Machliss and Jonathan Amos

DUNKIRK

Lee Smith

I, TONYA

Tatiana S. Riegel

THE SHAPE OF WATER

Sidney Wolinsky

THREE BILLBOARDS OUTSIDE EBBING, MISSOURI

Jon Gregory

 

FOREIGN LANGUAGE FILM

NOMINEES

A FANTASTIC WOMAN

Chile

THE INSULT

Lebanon

LOVELESS

Russia

ON BODY AND SOUL

Hungary

THE SQUARE

Sweden

MUSIC (ORIGINAL SCORE)

NOMINEES

DUNKIRK

Hans Zimmer

PHANTOM THREAD

Jonny Greenwood

THE SHAPE OF WATER

Alexandre Desplat

STAR WARS: THE LAST JEDI

John Williams

THREE BILLBOARDS OUTSIDE EBBING, MISSOURI

Carter Burwell

 

MUSIC (ORIGINAL SONG)

NOMINEES

MIGHTY RIVER

from Mudbound; Music and Lyric by Mary J. Blige, Raphael Saadiq and Taura Stinson

MYSTERY OF LOVE

from Call Me by Your Name; Music and Lyric by Sufjan Stevens

REMEMBER ME

from Coco; Music and Lyric by Kristen Anderson-Lopez and Robert Lopez

STAND UP FOR SOMETHING

from Marshall; Music by Diane Warren; Lyric by Lonnie R. Lynn and Diane Warren

THIS IS ME

from The Greatest Showman; Music and Lyric by Benj Pasek and Justin Paul

 

BEST PICTURE

NOMINEES

CALL ME BY YOUR NAME

Peter Spears, Luca Guadagnino, Emilie Georges and Marco Morabito, Producers

DARKEST HOUR

Tim Bevan, Eric Fellner, Lisa Bruce, Anthony McCarten and Douglas Urbanski, Producers

DUNKIRK

Emma Thomas and Christopher Nolan, Producers

GET OUT

Sean McKittrick, Jason Blum, Edward H. Hamm Jr. and Jordan Peele, Producers

LADY BIRD

Scott Rudin, Eli Bush and Evelyn O’Neill, Producers

PHANTOM THREAD

JoAnne Sellar, Paul Thomas Anderson, Megan Ellison and Daniel Lupi, Producers

THE POST

Amy Pascal, Steven Spielberg and Kristie Macosko Krieger, Producers

THE SHAPE OF WATER

Guillermo del Toro and J. Miles Dale, Producers

THREE BILLBOARDS OUTSIDE EBBING, MISSOURI

Graham Broadbent, Pete Czernin and Martin McDonagh, Producers

 

PRODUCTION DESIGN

NOMINEES

BEAUTY AND THE BEAST

Production Design: Sarah Greenwood; Set Decoration: Katie Spencer

BLADE RUNNER 2049

Production Design: Dennis Gassner; Set Decoration: Alessandra Querzola

DARKEST HOUR

Production Design: Sarah Greenwood; Set Decoration: Katie Spencer

DUNKIRK

Production Design: Nathan Crowley; Set Decoration: Gary Fettis

THE SHAPE OF WATER

Production Design: Paul Denham Austerberry; Set Decoration: Shane Vieau and Jeffrey A. Melvin

 

SHORT FILM (ANIMATED)

NOMINEES

DEAR BASKETBALL

Glen Keane and Kobe Bryant

GARDEN PARTY

Victor Caire and Gabriel Grapperon

LOU

Dave Mullins and Dana Murray

NEGATIVE SPACE

Max Porter and Ru Kuwahata

REVOLTING RHYMES

Jakob Schuh and Jan Lachauer

 

SHORT FILM (LIVE ACTION)

NOMINEES

DEKALB ELEMENTARY

Reed Van Dyk

THE ELEVEN O’CLOCK

Derin Seale and Josh Lawson

MY NEPHEW EMMETT

Kevin Wilson, Jr.

THE SILENT CHILD

Chris Overton and Rachel Shenton

WATU WOTE/ALL OF US

Katja Benrath and Tobias Rosen

 

SOUND EDITING

NOMINEES

BABY DRIVER

Julian Slater

BLADE RUNNER 2049

Mark Mangini and Theo Green

DUNKIRK

Richard King and Alex Gibson

THE SHAPE OF WATER

Nathan Robitaille and Nelson Ferreira

STAR WARS: THE LAST JEDI

Matthew Wood and Ren Klyce

 

SOUND MIXING

NOMINEES

BABY DRIVER

Julian Slater, Tim Cavagin and Mary H. Ellis

BLADE RUNNER 2049

Ron Bartlett, Doug Hemphill and Mac Ruth

DUNKIRK

Gregg Landaker, Gary A. Rizzo and Mark Weingarten

THE SHAPE OF WATER

Christian Cooke, Brad Zoern and Glen Gauthier

STAR WARS: THE LAST JEDI

David Parker, Michael Semanick, Ren Klyce and Stuart Wilson

 

VISUAL EFFECTS

NOMINEES

BLADE RUNNER 2049

John Nelson, Gerd Nefzer, Paul Lambert and Richard R. Hoover

GUARDIANS OF THE GALAXY VOL. 2

Christopher Townsend, Guy Williams, Jonathan Fawkner and Dan Sudick

KONG: SKULL ISLAND

Stephen Rosenbaum, Jeff White, Scott Benza and Mike Meinardus

STAR WARS: THE LAST JEDI

Ben Morris, Mike Mulholland, Neal Scanlan and Chris Corbould

WAR FOR THE PLANET OF THE APES

Joe Letteri, Daniel Barrett, Dan Lemmon and Joel Whist

 

WRITING (ADAPTED SCREENPLAY)

NOMINEES

CALL ME BY YOUR NAME

Screenplay by James Ivory

THE DISASTER ARTIST

Screenplay by Scott Neustadter & Michael H. Weber

LOGAN

Screenplay by Scott Frank & James Mangold and Michael Green; Story by James Mangold

MOLLY’S GAME

Written for the screen by Aaron Sorkin

MUDBOUND

Screenplay by Virgil Williams and Dee Rees

 

WRITING (ORIGINAL SCREENPLAY)

NOMINEES

THE BIG SICK

Written by Emily V. Gordon & Kumail Nanjiani

GET OUT

Written by Jordan Peele

LADY BIRD

Written by Greta Gerwig

THE SHAPE OF WATER

Screenplay by Guillermo del Toro & Vanessa Taylor; Story by Guillermo del Toro

THREE BILLBOARDS OUTSIDE EBBING, MISSOURI

Written by Martin McDonagh

 

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