Day: January 20, 2018

Tom Petty died last year of an accidental drug overdose that his family said occurred the same day he found out his hip was broken. He had just finished a string of dozens of shows with a less serious injury.

His wife and daughter released the results of Petty’s autopsy via a statement Friday on his Facebook page, moments before coroner’s officials in Los Angeles released their findings and the rocker’s full autopsy report. Dana and Adria Petty say they got the results from the coroner’s office earlier in the day that the overdose was the result of a variety of medications.

Fentanyl among drugs

The coroner’s findings showed Petty had a mix of prescription painkillers, sedatives and an antidepressant. Among the medications found in his system were fentanyl and oxycodone. An accidental overdose of fentanyl was also determined to have killed Prince in April 2016.

Petty suffered from emphysema, a fractured hip and knee problems that caused him pain, the family said, but he was still committed to touring.

He had just wrapped up a tour a few days before he died in October at age 66.

“On the day he died he was informed his hip had graduated to a full-on break and it is our feeling that the pain was simply unbearable and was the cause for his overuse of medication,” his family’s statement said, adding that he performed more than 50 concerts with a fractured hip.

The family said Petty had been prescribed various pain medications for his multitude of issues, including fentanyl patches, and “we feel confident that this was, as the coroner found, an unfortunate accident.”

They added: “As a family we recognize this report may spark a further discussion on the opioid crisis and we feel that it is a healthy and necessary discussion and we hope in some way this report can save lives. Many people who overdose begin with a legitimate injury or simply do not understand the potency and deadly nature of these medications.”

Common prescriptions

Painkillers and sedatives are among the most commonly prescribed medications in the U.S., but both drug types slow users’ heart rate and breathing. The Food and Drug Administration has warned against mixing them because the combination can lead to breathing problems, coma and death.

Government figures released in December showed that for the first time, the powerful painkiller fentanyl and its close opioid cousins played a bigger role in the deaths than any other legal or illegal drug, surpassing prescription pain pills and heroin.

Petty was a rock superstar with the persona of an everyman who drew upon the Byrds, Beatles and other bands he worshipped as a boy in Gainesville, Florida. He produced classics that include Free Fallin’, Refugee and American Girl. He and his longtime band the Heartbreakers had recently completed a 40th-anniversary tour, one he hinted would be their last.

The shaggy-haired blond rose to success in the 1970s and went on to sell more than 80 million records. He was loved for his melodic hard rock, nasally vocals and down-to-earth style. The Rock and Roll Hall of Fame, which inducted Petty and the Heartbreakers in 2002, praised them as “durable, resourceful, hard-working, likable and unpretentious.”
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Oscar nominations balloting might be finished but Hollywood’s “Me Too” moment has kept right on going.

When Academy Awards nominations are announced Tuesday morning, it might be a brief, celebratory reprieve for an industry enflamed by sexual harassment scandals and gender equality protests.

Or it might just add more fuel to the fire.

Will the motion picture academy, as it has done in 85 out of 89 years, field an all-male field of film directors? Will James Franco squeak into the best actor category after several women made allegations against him of sexual impropriates while filming sex scenes? Franco denied the claims on late-night shows just days before nomination voting closed last Friday.

Either of those outcomes could make the Oscar nominations — a morning often dominated by Harvey Weinstein in the past — one more fraught chapter in the ongoing “Me Too” saga that has shaped and contorted an Oscar race unlike any before.

Here are four questions in the lead-up to Tuesday:

​Is there a front-runner?

After winning four Golden Globe Awards, including best feature, drama, Martin McDonagh’s Three Billboards Outside Ebbing, Missouri may have finally taken the Oscar race position that no one wants: favorite. It has the most unblemished score card of all the contenders, including nine BAFTA nods, an ensemble nomination from the Screen Actors Guild (which hands out its awards Sunday), top award nods from the directors and producers guilds, and the often predictive Toronto Film Festival audience award.

But Three Billboards, which many have criticized for its portrayal of a racist police officer (played by Sam Rockwell), has proven a lightning rod, both celebrated for the timeliness of a tale about female vengeance and derided as out of touch. If Three Billboards is out in front, it’s only by a hair. Nearly its equal is Guillermo del Toro’s The Shape of Water, a much admired Cold War fable that may earn the most nominations Tuesday thanks to its lavish craft and celebrated ensemble cast. Yet it crucially missed out on a SAG ensemble nomination, which historically has been a must-have for any Oscar best-picture winner. Every best-picture winner in the last 22 years first landed SAG ensemble nod.

And still just as much in the mix are Greta Gerwig’s Lady Bird, Jordan Peele’s Get Out and Christopher Nolan’s Dunkirk. Each can stake its own claim. Lady Bird is the only top contender made by a woman, and is perhaps the most critically acclaimed movie of the year. Get Out is a landmark genre-bending film about racism, and for many a vital film for the Donald Trump era. Dunkirk is the lone big-screen, blockbuster spectacle of the bunch. While it has been quiet thus far in awards season, Dunkirk will get a boost in the technical categories Tuesday.

How will ‘Me Too’ alter things?

Oscar campaigns from Kevin Spacey to Dustin Hoffman have already bit the dust. Before Franco (The Disaster Artist) was awkwardly answering tough questions from Stephen Colbert he was a borderline best actor contender, slotting in behind Gary Oldman (Darkest Hour), Timothee Chalamet (Call Me By Your Name), Daniel Day-Lewis (Phantom Thread), Daniel Kaluuya (Get Out) and Tom Hanks (The Post). Many Oscar votes had been cast by the time allegations hit, but, then again, a lot of academy members wait until the last minute to send in their ballots. This year, with such a never-ending stream of revelations, voters would have been advised to wait until the very last second before one final Google search.

Particular attention, though, will be on the best director category, where only four women have ever been nominated. Among the many statistics that depict the imbalanced maleness of Hollywood, it’s among the most telling. Gerwig, who was nominated by the Director’s Guild, is poised to be the fifth. But it’s a competitive category, with five seats for the presumed final six: del Toro, Nolan, McDonagh, Spielberg, Peele and Gerwig.

A wildcard is Ridley Scott, who has won admiration for his last-minute reshoots on All the Money in the World, in order to replace the disgraced Spacey with Christopher Plummer. Plummer, too, could crash the best supporting actor category.

Could Oscars-so-white return?

Last year, Moonlight triumphed and films like Fences and Hidden Figures led a firm rebuke to two years straight of all-white acting nominees. Tuesday’s nominations aren’t likely to be a repeat of 2015 and 2016, but they also aren’t likely to overwhelm in their multicultural selections.

Kaluuya, Mary J. Blige (Mudbound) and Octavia Spencer (The Shape of Water) are all favored for nominations, but none are considered among their categories’ front-runners. Much will hinge on how the academy receives Get Out. It’s the only film currently handicapped for a best-picture nomination with a protagonist who’s a person of color. As a horror film from a first-time feature-film director, it’s far from a prototypical Oscar contender. Peele’s movie came out last year on Oscar weekend.

But even if all the above wins nods as expected on Tuesday, critics will wonder why Girls Trip breakout Tiffany Haddish or Downsizing scene-stealer Hong Chau were overlooked.

Can the Oscars top the Globes?

Whoever is nominated, an unusual question will hang in the air: Will the March 4 Oscars feel like merely a buttoned-down sequel to the Globes?

The Golden Globes are usually a frothy kind of dress rehearsal for the main event. But this year, thanks to the black-attired protest by female attendees and stirring speeches from the night’s female winners, the Globes had an almost Oscar-like veneer of importance. As the first major awards show to confront the post-Weinstein landscape, they may have stolen some of the Oscars’ thunder.

Jimmy Kimmel, who will host the ABC telecast for the second straight year, told reporters at the Television Critics Association press tour that, in the current climate, the two months between the Globes and the Academy Awards are a lifetime.

“I do thank (Globes host Seth Meyers) for being that litmus test,” Kimmel said. “As far as how I will handle it, the problem is it’s two months from now. So it’s almost like getting into a hot tub or something; you can’t really know what the temperature is until you get there.”

But the Oscars will lack one element the Globes had: Oprah. It will take more than an envelope flub to top that.
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