Day: December 6, 2017

Han Solo is dead. Luke Skywalker is back, but changed. And Leia Organa’s story will soon be coming to an end. 

The Star Wars that inspired four decades of passionate fandom appears to be slowly but surely fading as “Star Wars: The Last Jedi” prepares to descend on Dec. 15, giving way to a newer generation of intergalactic rebels and their foes, like Rey and Kylo Ren, and a fresh voice behind the endeavor in writer-director Rian Johnson (“Looper”).

J.J. Abrams’ “The Force Awakens” set the stage for this new era of the franchise, but “The Last Jedi” has to move it forward and keep audiences interested for the next one too.

After all these years and billions of dollars, Star Wars isn’t exactly a scrappy underdog anymore, but the franchise is in somewhat uncharted territory. The prequels did their own damage, but at least no one had to say goodbye to their original heroes.

And then there’s the seemingly impossible standard set by that other Star Wars sequel, “The Empire Strikes Back.” 

​Premiere is Dec. 9

Besides the main cast, filmmakers and some Lucasfilm and Walt Disney Co. brass, no one will see “The Last Jedi” until the Los Angeles premiere on Dec. 9. And determining what exactly audiences should expect is a bit like trying to assemble a puzzle with no picture and most of the pieces missing. The cast has left some adjective breadcrumbs (“intense,” “emotional,” “intimate,” “cinematic”) but for the most part, it’s a mystery.  

“For me, ‘The Last Jedi’ is not a particularly happy story to tell, but it’s just my part,” Mark Hamill says cryptically. Hamill, 66, returns to play Luke Skywalker after being seen in only a few frames of “The Force Awakens,” which ends on a wind-swept cliff as the young protege Rey (Daisy Ridley) approaches him looking for training from the missing Jedi. Luke and Rey are just one of the new pairings promised for the film, which finds every character out of their comfort zone and facing new challenges as the Resistance organizes to go up against the First Order. 

 “It’s got so much going on,” Hamill adds. “You can cut from the more somber scenes I have to the action/adventure, the suspense, the humor … I’ve only seen it once but I thought, “This is too much information to process.’”

The marketing campaign, no doubt playing into the tone set by “Empire,” has focused on the darkness and intensity of “The Last Jedi,” but Johnson says that’s only one element. He stresses that it is, first and foremost, a Star Wars movie. To him, that means capturing that thing that makes you want to “run out of the theater and into your backyard” to play with your spaceship toys — even without the curmudgeonly wit of Harrison Ford’s Han Solo.

“That’s what everyone was concerned about going in: How do you do it without him?” Johnson, 43, says. “I saw so much potential for humor in it. I was looking at every single character and trying to find opportunities to break the tension. I think people are going to be surprised by how fun and light on its feet it is.” 

Expanded roster

In addition to Luke and Rey, the film brings back Carrie Fisher as Leia in her last film role (Fisher died after filming had wrapped), Adam Driver’s Kylo Ren, fresh off murdering his father Han Solo, the mysterious Supreme Leader Snoke (Andy Serkis), Domnhall Gleeson’s General Hux, the ace pilot Poe (Oscar Isaac), the ex-Stormtrooper Finn (John Boyega) and his old boss Captain Phasma (Gwendoline Christie), Chewbacca, the droids and a host of newcomers, like Laura Dern’s purple-haired Vice Admiral Holdo, a maintenance tech, Rose (Kelly Marie Tran), a hacker (Benicio Del Toro) and some cute little creatures called Porgs. 

His script, which he was able to write while “The Force Awakens” was being made, took some of the cast aback at first. 

“I was going, ‘Uh, I’m not sure about this,’” Ridley says. “It just took us all a second to be like, ‘Ok this is where the story is heading.’” 

​The new boyfriend

Johnson jokes that he’s like the new boyfriend at Thanksgiving dinner who everyone has to get used to.

“(Rian) had a different challenge which was to expand the Star Wars universe further with more inventive ideas, taking more risks,” Boyega says. “He was a real fan. I feel like he ticked off his Star Wars fanboy theories just one by one with this film.”

That fandom has also helped Johnson, who Hamill refers to as his Obi-Wan, reach a sort of zen-like state with the film. It also doesn’t hurt that Lucasfilm president Kathleen Kennedy, who has not been afraid to make tough decisions and fire or bench directors if something isn’t working, was so pleased with their collaboration and the resulting film that she has already enlisted Johnson to develop a new Star Wars trilogy separate from the Skywalker saga (he’ll write and direct the first). 

Loyal fanbase

Now it’s just a matter of putting “The Last Jedi” out in the world. Financially, there’s not much to worry about — it’s tracking to open somewhere in the $200 million range (far below “The Force Awakens”’ $248 million debut, but stunning nonetheless). Also box office and the expectations and hopes of a loyal fanbase, who have been burned before, are two very different things.

“Having been a Star Wars fan myself for the past 40 years, I know intimately how passionate they are about it and how everyone has stuff they love and hate in every single movie. That takes the pressure off a little bit just thinking, `Ok, there’s going to be stuff that everyone likes, there’s going to be stuff that people don’t like and it’s going to be a mixture,”’ Johnson says. 

And with a smile and a shrug, he adds: “That’s what being a Star Wars fan is.”
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Kiss co-founder and entrepreneur Gene Simmons has a new book out in which he hopes to reveal the principles of being rich and powerful.

There’s no quick fix: You’re going to have to wake up early, dress better, turn off the TV and study.

“On Power” is part guidebook, part self-help manual, with several profiles of people Simmons thinks we should admire, like Oprah Winfrey and Warren Buffett.

His advice to gaining wealth is simple: Think of a good idea, start a limited liability partnership in your home, use social media and deduct the costs from your taxes. You can keep your old job until the rewards flow in.

If they don’t? You can declare bankruptcy and “then you can start again.”
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Six women filed a lawsuit against Harvey Weinstein on Wednesday, claiming that the movie mogul’s actions to cover up assaults amounted to civil racketeering.

The lawsuit was filed at a federal court in New York seeking to represent a class of “dozens, if not hundreds” of women who say they were assaulted by Weinstein.

The lawsuit claims that a coalition of companies and people became part of the growing “Weinstein Sexual Enterprise” and that they worked with Weinstein to conceal his widespread sexual harassment and assaults.

“The Weinstein Sexual Enterprise had many participants, grew over time as the obfuscation of Weinstein’s conduct became more difficult to conceal,” the suit said.

A lawyer for Weinstein declined comment.

According to the lawsuit, actresses and other women in the film industry were lured to industry events, hotel rooms, Weinstein’s home, office meetings or auditions under the pretense that they were to discuss a project.

Plaintiffs included the scriptwriter and actress Louisette Geiss and the actresses Katherine Kendall, Zoe Brock, Sarah Ann Thomas, Melissa Sagemiller and Nanette Klatt.

The Associated Press generally doesn’t name alleged victims of sexual assault without their permission. All of the women have told their stories publicly.

At least 75 women have come forward in the media to detail accounts of assault, harassment and inappropriate conduct by Weinstein. Weinstein’s representatives have denied all accusations of non-consensual sex, but no charges have been filed.

Weinstein, 65, is being investigated by police in Los Angeles, Beverly Hills, New York and London

Weinstein was ousted from the movie company he founded following a barrage of sexual harassment allegations that began with a bombshell New York Times article in early October. Since then, numerous prominent men in entertainment, business and politics and the media have been hit with allegations of improper behavior with women.

 
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Johnny Hallyday, France’s biggest rock star for more than half a century and an icon who packed sports stadiums and all but lit up the Eiffel Tower with his pumping pelvis and high-voltage tunes, has died. He was 74.

President Emmanuel Macron announced his death in a statement early Wednesday, saying “he brought a part of America into our national pantheon.” Macron’s office said the president spoke with Hallyday’s family but did not provide details about where the rocker died or the circumstances.

Hallyday had had lung cancer and repeated health scares in recent years that dominated national news, yet he continued performing as recently as this summer.

Celine Dion was among stars sharing condolences for a rocker with a famously gravelly voice who sold more than 100 million records, filled concert halls and split his time between Los Angeles and Paris.

Hallyday fashioned his glitzy stage aura from Elvis Presley, drew musical inspiration from Chuck Berry and Buddy Holly, performed with Jimi Hendrix, and made an album in country music’s capital, Nashville, Tennessee.

His stardom largely ended at the French-speaking world, yet in France itself, he was an institution, with a postage stamp in his honor. He was the country’s top rock `n’ roll star through more than five decades and eight presidents, and it was no exaggeration when Macron wrote “the whole country is in mourning.”

“We all have something of Johnny Hallyday in us,” Macron said, praising “a sincerity and authenticity that kept alive the flame that he ignited in the public’s heart.”

The antithesis of a French hero right down to his Elvis-style glitter and un-French name, Hallyday was among the most familiar faces and voices in France, which knew him simply as Johnny, pronounced with a slight French accent and beloved across generations.

He released his last album “Rester Vivant” — or “Staying Alive” — last year, and performed this summer as part of the “Old Crooks” tour with long-time friends and veteran French musicians Eddy Mitchell and Jacques Dutronc.

Former President Nicolas Sarkozy, as mayor of the rich enclave of Neuilly-sur-Seine on the western edge of Paris, presided in 1996 over the entertainer’s marriage to his fourth wife, Laeticia.

“For each of us, he means something personal. Memories, happy moments, songs and music,” Sarkozy said in 2009, days after Hallyday, then 66, was hospitalized in Los Angeles. Sarkozy called the Hallyday family during an EU summit and gave updates on the singer’s condition during news conferences.

The health problems came amid a national tour that included a Bastille Day mega-concert July 14 at the Eiffel Tower with spectacular fireworks.

Hallyday sang some songs in English, including “Hot Legs” and “House of the Rising Sun,” — the melody of which was also used for one of his most famous songs, the 1964 “Le Penitencier.”

And there was a real American connection: American singer Lee Ketchman gave him his first electric guitar. Hallyday’s stardom, however, was not inevitable.

He was born in Paris on June 15, 1943, during the dark days of World War II with a less glamorous name, Jean-Philippe Smet. His parents had separated by the end of the year. The young Smet followed his father’s sisters to London, where he met Ketchman.

Hallyday gave his first professional concert in 1960, under the name Johnny, and put out his first album a year later. By 1962, he had met the woman who would be his wife for years, and remained his friend to the end, singing star Sylvie Vartan. That year, he also made an album in Nashville, Tennessee, and rubbed shoulders with American singing greats.

He quickly became a favorite of young people during the “Ye-ye” period, the golden years of French pop music. A respected musician, Hallyday played with Jimmy Hendrix during the 1960s and once recorded a song with Led Zeppelin founder Jimmy Page.

With his square-jawed good looks and piercing blue eyes, Hallyday was often sought-out for the cinema, playing in French director Jean-Luc Godard’s “Detective” (1984) and with other illustrious directors including Costa-Gavras.

Hallyday appeared in Johnnie To’s “Vengeance” (2009) and had talked about giving film a bigger role in his life.

However, it was the rocker’s personal life, and his marriage to Laeticia, that gave him a mellow edge. He spoke lovingly of daughters Jade and Joy, who were adopted from Vietnam.

“I’m not a star. I’m just a simple man,” he said in a 2006 interview on France 3.

Hallyday is also survived by two other children, Dave, a singer fathered with Vartan, and Laura Smet, whom he had with noted French actress Nathalie Baye.

Memorial plans weren’t immediately announced.
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Russia says it needs to carefully analyze a decision by the International Olympic Committee to ban Russia from competing as a country in the upcoming Winter Games in Pyeongchang, South Korea, before taking any measures.

Kremlin spokesman Dmitry Peskov told reporters Wednesday that the priority right now is on protecting the interests of Russian athletes.

The IOC ruled Tuesday that individual Russians could still compete as an “Olympic Athletes from Russia.”

WATCH: Russia Olympics ban

The long-awaited IOC decision punishing Russia for a state-sponsored doping campaign during the 2014 Olympics in Sochi, Russia, came little more than two months before the quadrennial skiing, skating and sledding contests unfold at venues in the mountains and along the coast of South Korea.

In addition to the 2018 ban for Russia’s representation as a country, the IOC fined the Russian Olympic Committee $15 million and suspended its president, Alexander Zhukov, as an IOC member.

Zhukov told the French news agency AFP he “apologized” to the IOC on Tuesday for the “anti-doping violations” committed in his country in recent years.

‘Russian athletes’

He said including the word “Russia” in the team name was a key issue. “They’ll be called Russian athletes and not some kind of neutrals … that’s very important,” he added.

The games will not be broadcast in the country because of the absence of a Russian national team. Russian President Vladimir Putin has previously said that it would be humiliating for his country to compete without national symbols.

Russia could refuse the offer to let its athletes compete without national identity or the playing of the Russian national anthem.

But IOC President Thomas Bach said, “An Olympic boycott has never achieved anything. Secondly, I don’t see any reason for a boycott by the Russian athletes because we allow the clean athletes there to participate.”

However, Pyotr Tolstoy, deputy speaker of the State Duma, the Russian parliament’s lower house, has called for a boycott. “They are humiliating the whole of Russia through the absence of its flag and anthem,” he said in televised remarks.

Alexander Zubkov, president of Russia’s Bobsleigh Federation, told Russian TV that the IOC decision was a “humiliation. … a punch in the stomach.”

Alexei Kravtsov, president of the Russian Skating Union, said: “The decision is offensive, insulting and completely unjustified. … I consider that this decision will deal a great blow to the whole Olympic movement.”

Stripped of medals

The IOC has already stripped Russia of 11 medals from the Sochi Olympics and banned more than 20 Russian athletes for life.

The Court of Arbitration for Sport said Wednesday it had received appeals from 22 Russian athletes over the bans, and that they asked for the CAS to rule before the Pyeongchang games begin.

Russia has repeatedly denied it carried out a doping operation. It blames Grigory Rodchenkov, the former director of Moscow and Sochi testing laboratories, as a rogue employee.

The scientist is now living under federal protection in the United States.

His lawyer, Jim Walden, told reporters Tuesday, “Today’s decision sends a powerful message that the IOC has joined the world community in saying that Russia’s cheating needs to be severely sanctioned.” But, Walden said Rodchenkov remains fearful for his friends and family who are still in Russia.

In addition to the 2018 ban for Russia’s representation as a country, the IOC fined the Russian Olympic Committee $15 million and suspended its president, Alexander Zhukov, as an IOC member.

Nations in the past have been banned from previous Olympics, most notably South Africa during the years it enforced its racially discriminatory apartheid system of government. But no blanket ban of a country has been carried out before because of doping, chemicals athletes have injected to give them an edge against competitors.
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Russia has been banned from competing in the 2018 Winter Olympic Games in South Korea. Following a seventeen-month investigation, the International Olympic Committee or IOC ruled that Moscow had deliberately manipulated the global anti-doping program through a state-sponsored conspiracy. Russian officials have reacted with anger, accusing the IOC of being part of an anti-Russian campaign. Henry Ridgwell reports.
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In the 1950s and ’60s, segregationist whites waved Confederate flags and slapped defiant bumper stickers on cars declaring Mississippi “the most lied about state in the Union.”

Those were ways of defiantly pushing back against African-Americans who dared challenge racial oppression, and taking a jab at journalists covering the civil rights movement.

Decades later, as Mississippi marks its bicentennial, the state is getting an unflinching look at its complex, often brutal past in two history museums, complete with displays of slave chains, Ku Klux Klan robes and graphic photos of lynchings and firebombings.

The Museum of Mississippi History takes a 15,000-year view, from the Stone Age through modern times. The Mississippi Civil Rights Museum concentrates on a shorter, but intense span, from 1945 to 1976.

They open Saturday, the day before the 200th anniversary of Mississippi becoming the 20th state.

The two distinct museums under a single roof are both funded by state tax dollars and private donations. Officials insist the museums aren’t intended to be “separate-but-equal” in a state where that phrase was invoked to maintain segregated school systems for whites and blacks that were separate and distinctly unequal.

“We are telling a much longer story in the Museum of Mississippi History, a much deeper story in the Mississippi Civil Rights Museum,” said Katie Blount, director of the Mississippi Department of Archives and History. “We want everybody to walk in one door, side by side, to learn all of our state’s stories.”

The general history museum depicts Native American culture, European settlement, slavery, the Civil War and Reconstruction. It examines natural disasters, including the Mississippi River flood in 1927 and Hurricane Katrina in 2005. It also has only-in-Mississippi items such as the crown Mary Ann Mobley wore as Miss America 1959.

The museums’ opening caps a yearlong bicentennial commemoration. Some events celebrated Mississippi’s success at producing influential authors and musicians, such as William Faulkner, Richard Wright, B.B. King and Elvis Presley. Others took a critical look slavery and segregation.

President Donald Trump is scheduled to attend the museums’ opening on Saturday.

Republican Gov. Phil Bryant, a Trump supporter, invited the president. The Mississippi NAACP president is asking Bryant to rescind the invitation, with state chapter president Charles Hampton saying “an invitation to a president that has aimed to divide this nation is not becoming of this historic moment.”

Mississippi – one of the nation’s poorest states, population 59 percent white and 38 percent black – remains divided by one of its most visible symbols. It’s the last state with a flag featuring the Confederate battle emblem that critics see as racist. All eight public universities, and several cities and counties, stopped flying it in recent years.

There’s no flagpole outside the new museums.

Civil rights

Ellie Dahmer, the 92-year-old widow of slain civil rights leader Vernon Dahmer, said the flag represents an unabashed defense of slavery. She marveled at the existence of the civil rights museum in a state that won’t abandon the banner.

A display in the museum tells of the 1966 KKK firebombing of the Dahmer home outside Hattiesburg after local NAACP leader Vernon Dahmer announced he’d pay poll taxes for black people registering to vote. He fired back at Klansmen who were shooting at his burning house. The family escaped, but Vernon Dahmer’s lungs were seared; he died. The couple’s 10-year-old daughter was severely burned.

Parts of the Dahmers’ bullet-riddled truck are in the museum with photos.

The Mississippi museum joins several others focused on civil rights: the Center for Civil and Human Rights in Atlanta; the National Civil Rights Museum in Memphis, Tennessee; the Rosa Parks Museum in Montgomery, Alabama; Birmingham Civil Rights Institute in Alabama. The National Museum of African American History and Culture in Washington has attracted crowds since opening in 2016.

Eddie S. Glaude Jr., a 49-year-old Mississippi native who chairs African-American Studies at Princeton University, said “Mississippi was ground zero” for the civil rights movement, and it’s significant that the state presents an honest account of its history.

“America can’t really turn a corner with regards to its racist and violent past and present until the South, and particularly a state like Mississippi, confronts it – and confronts it unflinchingly,” Glaude said.

In the Mississippi Civil Rights Museum, columns list about 600 documented lynchings – most of them of black men. One gallery’s ceiling shows decades-old racist advertising images.

Ku Klux Klan robes are on display. So’s the remnant of a cross that was burned in 1964 outside white merchants’ in McComb after they refused to fire black employees who registered to vote. So are mug shots of black and white Freedom Riders, who were arrested in Jackson in 1961 for challenging segregation on buses.

A large display tells about Emmett Till, the black teenager from Chicago who was kidnapped and killed after witnesses said he whistled at a white woman working in a Mississippi grocery store in 1955.

The central gallery provides a hopeful respite: An abstract sculpture 30 feet (9 meters) tall lights up as a soundtrack plays the folk song “This Little Light of Mine.” As more visitors enter, more voices join the chorus and more lights flicker, symbolizing how one person’s work can become part of a larger effort that leads to change.
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