Day: August 27, 2017

Kendrick Lamar was the king of the 2017 MTV Video Music Awards, winning six awards on a night full of emotional performances, political moments and a new, eye-popping Taylor Swift music video.

Lamar’s “Humble” won video of the year, best hip-hop video, direction, cinematography, art direction and visual effects on Sunday at the Forum in Inglewood, California. He also gave an explosive performance of “Humble” and “DNA,” backed by ninjas dancing near fire.

But the VMAs, hosted by a forgettable Katy Perry with performances by Miley Cyrus and Ed Sheeran, was tamer than most years, not relying on the shock value and wild antics of past shows. Instead, touching performances and powerful speeches took center stage.

Emotional performances

 Logic performed his inspirational song “1-800-273-8255,” named after the phone number for the National Suicide Prevention Lifeline. He was joined onstage with suicide attempt survivors as well as singers Alessia Cara (best dance video winner) and Khalid (best new artist winner). Lyrics from Logic’s song include: “I don’t wanna be alive/I just wanna die today” and “I want you to be alive/You don’t got to die today.”

Kesha introduced the performance and also offered words of encouragement: “As long as you don’t give up on yourself, light will break through the darkness.”

Pink was also emotional when she accepted the Michael Jackson Video Vanguard Award, telling the audience a story about her daughter, who was sitting in the crowd with her father Carey Hart. Pink said her daughter recently told her that “I’m the ugliest girl I know … I look like a boy with long hair.”

Pink said she then showed her 6-year-old daughter photos of performers such as Michael Jackson, David Bowie, Janis Joplin, George Michael, Elton John and Freddie Mercury.

“You are beautiful and I love you,” Pink said to her daughter.

‘Do not give up’

Rock singer and Oscar winner Jared Leto remembered Linkin Park’s Chester Bennington, who hanged himself in July. Leto also mentioned Chris Cornell, who hanged himself in May.

“I think about his band, who were really his brothers, and I remember his voice,” Leto said of Bennington. “That voice will live forever.”

“Hear me now, you are not alone. There is always a way forward. Reach out. Share your thoughts. Do not give up,” Leto added.

The night also featured political moments focused on the Aug. 12 rally in Charlottesville, Virginia that turned violent after Nazis and white nationalists opposed to the city’s plan to remove a statue of Confederate Gen. Robert E. Lee clashed with counter protesters. Heather Heyer, 32, was killed when a car plowed into a crowd.

Mother honors daughter

The Rev. Robert Wright Lee IV, a descendent of Gen. Lee, told the audience: “As a pastor it is my duty to speak out against racism, America’s original sin.”

Heyer’s mother then entered the stage, telling the audience: “Only 15 days my ago, my daughter Heather was killed as she protested racism. I miss her but I know she’s here tonight.”

Bro announced The Heather Heyer Foundation, a nonprofit that will award scholarships and “help more people join Heather’s fight against hatred.”

Paris Jackson also spoke out against hatred.

“We must show these Nazi white supremacist jerks in Charlottesville, and all over the country, that as a nation with liberty as our slogan, we have zero tolerance for their violence and their hatred and their discrimination. We must resist,” Michael Jackson’s eldest daughter said before presenting an award.

Swift offers new video 

Lamar’s performance kicked off the three-hour show, followed by the premiere of Swift’s video for “Look What You Made Me Do,” which featured the singer dressed like a zombie in one scene and surrounded by slithering snakes in another. The video for the track, rumored to be a diss toward Kanye West, also featured Swift in a tub of diamonds, a cat mask, and a car that crashed (she was holding a Grammy). The clip ended with a dozen of Swifts — in memorable outfits she’s worn in the past — symbolizing how the singer felt the media has portrayed her through the years.

Swift and Zayn, who didn’t attend the show, won best collaboration for “I Don’t Wanna Live Forever.” Jack Antonoff and Sam Dew, who wrote the song with Swift, accepted the award.

Sheeran performed his hit, “Shape of You,” and was later joined by rapper Lil Uzi Vert. Sheeran won artist of the year, a new award established after MTV eliminated gender categories like best male and female video.

“Thank you to all the fans,” Sheeran said.

Tearful presentation

Fifth Harmony, who lost a group member last year and released their first album as a foursome last week, won best pop video for “Down.” Ally Brooke and Dinah Jane of the group were in tears as they accepted the award alongside Normani Kordei, Lauren Jauregui and rapper Gucci Mane.

“This is honestly so unreal. Thank you to God and thank you to our families,” Jane said.

Fifth Harmony started their performance standing on high platforms to sing “Angel,” then falling backward like superheroes. They followed it with the upbeat “Down,” taking a break from singing to perform intense choreography. Later, water rained on the four girls, who dropped their microphones at the end of the performance.

Lorde, who had the flu, danced throughout the performance of “Homemade Dynamite” instead of singing it, wearing a tin foil half dress, pants and sneakers.

Summer hit missing

Lamar’s win for video of the year beat videos by Bruno Mars, DJ Khaled, the Weeknd and Cara. “Despacito,” which was snubbed in the video of the year category, lost the only award it was nominated for: song of summer. Lil Uzi Vert’s Top 10 hit, “XO Tour Life,” won the prize.

Luis Fonsi and Daddy Yankee’s international hit is the most viewed video on YouTube and currently No. 1 on the Billboard Hot 100 chart. MTV said Universal Music Latin Entertainment didn’t submit the video, while the record label said they weren’t asked to send in the clip.

Shawn Mendes, 30 Seconds to Mars, and Perry, with guest Nicki Minaj, performed during the show. Rod Stewart, DNCE and Demi Lovato sang remotely from Las Vegas.

 
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Taylor Swift isn’t nominated for an award, but she could own the night at the MTV Video Music Awards.

The pop star who made headlines all week as she teased her new single will debut a music video at the show Sunday. She dropped the juicy song, “Look What You Made Me Do,” on Friday, causing a stir online as fans and others deciphered the lyrics, with many interpreting it a diss toward Kanye West.

Others felt Swift’s song took shots at Katy Perry, who is hosting the VMAs. It was not clear if Swift is attending the show, to be held at the Forum in Inglewood, California. It starts at 8 p.m. EST.

The song set a Spotify record on Saturday, with 8 million single-day streams, the most ever. Swift debuted a clip of the new video on “Good Morning America” and a lyric video for the song went viral Friday.

Others, too, will be in the spotlight at the VMAs. Kendrick Lamar, who appeared on Swift’s “Bad Blood,” is nominated for eight awards, including video of the year for his anthemic No. 1 hit, “Humble.” Bruno Mars’ “24K Magic,” DJ Khaled and Rihanna’s “Wild Thoughts,” the Weeknd’s “Reminder” and Alessia Cara’s “Scars to Your Beautiful” are also up for the top prize.

The surprise snub for video of the year was Luis Fonsi and Daddy Yankee’s “Despacito,” the most viewed video on YouTube. MTV said Universal Music Latin Entertainment didn’t submit the video, while the record label said they weren’t asked to send in the clip.

The song — its remix version featuring Justin Bieber — did earn a nomination in the song of summer category, announced earlier this week. The song does not have an official video for the remix with Bieber.

Lamar will perform at the live show, as will Ed Sheeran, Miley Cyrus, Shawn Mendes, Lorde, Fifth Harmony with Gucci Mane, Thirty Seconds to Mars, Logic with Khalid, Post Malone and Julia Michaels. Pink, who will also perform, will receive the Michael Jackson Video Vanguard Award.

The Weeknd, who was previously announced to take the stage, will not perform Sunday.

Rod Stewart will sing a reworked version of his hit “Da Ya Think I’m Sexy?” remotely from Las Vegas with pop band DNCE; Demi Lovato will also perform remotely from Vegas. Performers during the pre-show include Bleachers, Khalid and Cardi B, who has a rap hit with “Bodak Yellow (Money Moves).”

GLAAD announced on Saturday that transgender members of the military would walk the red carpet. On Friday, President Donald Trump directed the Pentagon to extend a ban on transgender individuals joining the military.

MTV eliminated gender categories like best male and female video at this year’s VMAs, and they announced the artist of the year award. Nominees include Lamar, Sheeran, Ariana Grande, Lorde and the Weeknd.

Acts who scored nominations include the Chainsmokers, Migos, Harry Styles, Selena Gomez, Fifth Harmony and Big Sean.
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An Emirati filmmaker is pushing boundaries and bypassing state censors by delicately unraveling a story about a traditional Arab family grappling with issues of homosexual love, gender identity, sectarianism and women’s rights.

The movie focuses on a conservative Iraqi family who begin seeing and unearthing one another’s secrets after the family matriarch goes blind and dies.

What makes the film “Only Men Go To the Grave” particularly avant-garde is that the homosexual characters are not simply supporting characters or portrayed as Westernized or globalized elites, like past characters in other famous Arabic films. Rather, the film’s stars are homosexual lovers who are also traditional Arab mothers, wives and caretakers.

The movie, by filmmaker Abdallah Al Kaabi, also reveals its central male character to be struggling with his masculinity and gender. In possibly the movie’s boldest scene, the character dresses in full makeup, a wig, jewelry and a dress.

Most surprisingly, the Arabic film passed state censors to screen at major movie theaters across Dubai this month. The United Arab Emirates, and Dubai specifically, are more liberal and seen as more tolerant than other parts of the Gulf, such as Saudi Arabia, where there are no movie theaters.

Al Kaabi says he believes the film’s handling of homosexuality and gender identity helped propel it to the big screen.

“A movie in the end is a story and people don’t really have a problem with what you talk about in the story, but they have a problem with how you expose it,” he told The Associated Press after a screening of the film.  “I think you need to show good taste when you talk about controversial and taboo issues,” he said.

The lovers in his film are never shown being physically intimate.

Egyptian cinema — the oldest and most revered film industry in the Arab world — has tackled homosexuality in film since the 1950s, though often portraying it as something that exists among a progressive minority. Gay characters have also been portrayed in some films as psychologically ill or are punished in some way.

Tunisian cinema has also depicted homosexuals in movies since the 1970s, while a genre of so-called queer cinema is currently surfacing among Lebanese filmmakers.

Egyptian film critic Joseph Fahim said Al Kaabi’s film appears to be the first made by an Arab Gulf filmmaker to tackle the issue of homosexuality in such a candid manner.

“It shows that this is coming from within, especially that the director casts no judgmental eye on it … he treated it in a matter-of-fact way, not as a disease. That is also a major stepping stone,” Fahim said.

Watch the film’s trailer:

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It took Al Kaabi six years to complete the ambitious project, which was awarded best Emirati film at the Dubai International Film Festival in 2016 — the year it was produced.

Al Kaabi grew up in the smaller emirate of Fujairah along the Gulf of Oman. With little entertainment around him, he would venture out to the emirate’s only video store and rent VHS tapes. It sparked in him a love for cinema.

“My pastime was to travel and dream through movies so I was watching a lot of Hollywood movies, Egyptian movies and Bollywood movies,” he said.

After vacationing in Iran, Al Kaabi was awed with the country’s vibrant film scene in the southern city Ahvaz, known for its ethnic diversity. He decided to shoot his debut feature film there using Iranian actors of Arab heritage and actors from Iraq.

Across the Gulf, there are varying degrees of censorship and support for independent filmmakers like Al Kaabi.

Despite there being no theaters in Saudi Arabia, a handful of films have been shot there in recent years. In Kuwait, which once held the mantle for Gulf theatrical productions, censors pulled Disney’s new Beauty and the Beast from theaters this year after the public’s reaction to what Disney called its first “gay moment” for a character.

Homosexuality and cross-dressing are forbidden in the predominantly Muslim Gulf. A popular transgender social media star said she was denied entry to Dubai by airport officials last year because her passport still listed her as “male.”

In Saudi Arabia, homosexuals and cross-dressers can be imprisoned, fined and lashed. Earlier this year, Saudi police raided a gathering of men dressed in women’s clothing outside the capital, Riyadh. A Pakistani arrested in the raid later died in police custody under unclear circumstances.

Though rare, judges in Saudi Arabia, Iran, Iraq and a handful of other countries can issue the death penalty in cases of same-sex relations.

Possibly for this reason, Al Kaabi prefers to describe the relationship between the women in his film as “alternative love.”

Still, throughout most of the Middle East, there is a narrow margin of acceptance for transgender individuals and homosexuality so long as it isn’t visible to the public. More recently, some Gulf countries have begun considering laws that would permit gender reassignment.

In the UAE, two Emirati women are petitioning the courts to be recognized as males. Last year, the UAE approved a law that would allow gender reassignment surgery for those who psychologically identify as the opposite sex.

The scene of the male character dressed as a woman, shocking for its raw and rare portrayal of a transgender character, left one young Emirati college student perplexed.

“There are things I really didn’t understand in the movie, like the man. Why was he wearing these kinds of clothes like woman clothes?,” Mahra Al-Nuaimi said after watching the movie.

Her cousin, Moza Al-Hamrani, appeared less confused by the filmmaker’s motives. As a student of film, she said she hoped to one day have the chance to produce similarly groundbreaking work.

“The issues to do with gender identity and sexuality — I thought like `Whoa, did he really do that?”‘ But I was also proud that someone finally spoke out about it, because these issues exist but everybody turns a blind eye,” she said.
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Floyd Mayweather Jr. figured out a 50th opponent, letting Conor McGregor have the early rounds before stalking him late and leaving the mixed martial artist defenseless and exhausted on the ropes.

Mayweather battered McGregor around the ring in the later rounds, finally stopping him at 1:05 of the 10th round Saturday night with a flurry of punches that forced referee Robert Byrd to stop the fight.

Before a pro-McGregor crowd that roared every time the UFC star landed a punch, Mayweather methodically broke him down after a slow start to score his first real stoppage in nearly a decade. He did it in what he said would be his final fight, against a fighter who had never been in a professional boxing match.

McGregor boxed surprisingly well early. But after landing some shots in the first three rounds, his punches seemed to lose their steam, and Mayweather went on the pursuit. McGregor backpedaled most of the way, stopping only to throw an occasional flurry as Mayweather wore him down.

“I think we gave the fans what they wanted to see,” Mayweather said. “I owed them for the (Manny) Pacquiao fight.”

McGregor had vowed to knock Mayweather out within two rounds, and he won the early rounds with movement and punches to the head. But the tide of the fight turned in the fourth round as Mayweather seemed to figure out what he had to do and began aggressively stalking McGregor.

“I turned him into a Mexican tonight,” McGregor said. “He fought like a Mexican.”

In a fight so intriguing that it cost $10,000 for ringside seats, McGregor turned in a respectable performance for someone in his first fight. But Mayweather’s experience and his ring savvy paid off as he executed his game plan to perfection.

“Our game plan was to take our time, go to him and take him out in the end,” Mayweather said. “I guaranteed everybody this fight wouldn’t go the distance.”

Mayweather was widely criticized for not going after Pacquiao in their megafight, and he didn’t make the same mistake this time. In a fight that could make him $200 million he seemed to stagger McGregor with a series of punches in the ninth round, then came back in the 10th eager to finish it off.

McGregor went over and hugged Mayweather. He seemed almost happy in the ring afterward, secure that he had given a good performance even in losing.

“I was a little fatigued,” he said. “He was composed in there, that’s what 50 pro fights can give you.”

Mayweather ran his record to 50-0, surpassing Rocky Marciano’s 49-0 record and giving himself a great parting gift. He repeated afterward that he was not going to fight again.

“This is my last fight for sure. 50-0 sounds good, I’m looking forward to going into the Hall of Fame,” Mayweather said. “I picked the best dance partner to do it with.”

Irish fans arrived by the thousands in the days before the fight, filling the arena for the weigh-in and boisterously cheering for their man. They even went off in the middle of the night and spray painted an Irish flag and “49-1” on a billboard on Interstate 15 promoting Mayweather’s businesses.

The capacity crowd at the arena cheered McGregor on, but they quieted as the fight progressed and Mayweather showed his dominance.
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Spotify says Taylor Swift has set a new global first day streaming record.

The music delivery site said Saturday it had logged more than 8 million same-day streams for her new single, “Look What You Made Me Do.”

The 27-year-old singer dropped the much-anticipated song late Thursday to streaming platforms and iTunes.

She wrote and produced it with frequent collaborator Jack Antonoff, who performs in the bands Bleachers and fun. It’s the first single from her sixth album, “reputation,” set to be released Nov. 10.

The video for the song will premiere Sunday on the MTV Video Music Awards. A clip previewed Friday on “Good Morning America.”

YouTube said Saturday the song’s lyric video broke a record for that site, with more than 19 million same day views.
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