Day: August 6, 2017

A Picture and Its Story – Spacecraft Blast Off on Edge of Day and Night

For more than a decade, Shamil Zhumatov has photographed spacecraft taking off from Kazakhstan’s Baikonur cosmodrome. After dozens of launches, he says the challenge is to find new and better ways of taking pictures.

The Soyuz spacecraft which blasted off on July 28 carried NASA astronaut Randy Bresnik, Russia’s Sergey Ryazanskiy, and Italy’s Paolo Nespoli to the International Space Station.

“Most launches lately have taken place in during the daytime, and this one was special, happening on the edge of day and night, about 20 minutes after sunset,” Shamil said.

It was already dark on the ground, but the upper layers of the atmosphere were still lit by sun, which created an unusual contrast — and additional technical difficulties.

“I had to change my camera settings from night-time to daylight ones quickly as I shifted from shooting the launch pad to the flying spacecraft,” Shamil says.

Photographers don’t have a choice of location at Baikonur — everyone shoots from the same position, about 1 km (mile) from the launch pad. Only remotely controlled cameras can shoot from closer distances — and Shamil’s routinely gets damaged by rocks which fly in all directions during blast-off.  

After the rocket lifts off, photographers keep tracking it until it disappears from sight. A few minutes into the flight, the rocket sheds its four boosters as they exhaust their liquid fuel and can no longer propel the craft.

In daytime, they can be only seen as four tiny dots.

But on July 28, because the unusual lighting made Soyuz’s condensation trail — clouds formed by engine exhaust — very bright, it was easy to see the cross-shaped pattern formed by the discarded boosters.

“I snapped the picture after the boosters separated,” Shamil says. “From the earth, it looks like a rather slow process.”

Soyuz’s contrail and further stage separations that day could be seen for hundreds of kilometers and sparked rumors and speculation on social media, especially among UFO enthusiasts.

Shamil says he cannot remember exactly how many launches he has photographed, but reckons he has seen at least 50 crews off from Baikonur or met them as they returned to earth.

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New Video Games Tackle Social Injustice Issues

You’re in Nepal.

A 7.8 magnitude earthquake has just struck your village and you must rescue the survivors.

 

This is “After Days,” a video game based on the real-life Nepal earthquake that killed almost 9,000 people in 2015.

Minseok Do was showing the game at the recent Games for Change festival in New York City. The games on display were a far cry from “Mario Brothers” and “Call of Duty.” These developers featured titles that tackled civic and social issues.

Public consciousness about civic and social issues has long been raised by the news and entertainment industries in the United States and other parts of the world, and now video game creators are making their own statements and hoping to reach the younger digital generation in the process.

In “After Days,” players take on the role of Ahsha, a young Nepalese woman who attempts to rescue her neighbors in the aftermath of the massive earthquake.

“Other media, such as novels and movies, require consumers to use their imagination to understand characters’ emotions,” said Do, CEO of GamBridzy. “Games have players be in characters’ shoes by letting them command and control. It is in my opinion the most powerful platform.”

In the game, players carry out various missions like transporting injured victims in stretchers and coordinating with rescue teams to restore critical infrastructure.

The first episode is set in Sindhupalchok, one of the hardest-hit districts of the earthquake in Nepal.

“Some say it will take about 10 years to complete all the restoration, but international attention is not focused on this, and it is important that we show our interest and support,” said Do. Twenty percent of proceeds from game sales will go toward rebuilding efforts.

Elin Festøy, a producer from Norway, also was in New York to promote her game.

“We really wanted to create attention and awareness around children born of war … children being born of the most hated soldiers in the world,” said Festøy.

She and her team created “My Child Lebensborn,” a mobile game in which players are the caretakers of World War Two-era children from the Lebensborn project, an attempt by the Nazi regime to create an Aryan “master race.”

Lebensborn involved child kidnappings as well as anonymous births by unwed mothers in and outside of Germany, with their offspring adopted by German families.  After the war, many Lebensborn children faced prejudice and discrimination, even from their own mothers.

“It’s about being able to see children as children and not as symbols of [the] enemy,” said Festøy.

“My Child Lebensborn” is targeted at players aged 13 and up. Recognizing that 13-year-olds might not exactly run to play the game, one of the team’s goals includes creating a bundle for schools that includes both the game and an accompanying film on the Lebensborn project.

 

Video games at the Games for Change festival didn’t shy away from difficult or touchy topics. Indeed, they were a vehicle for discussion and dialogue.

“The problem in a lot of developing countries is that people do not talk about issues. People do not want to share their problems out of embarrassment,” said Dr. Ilmana Fasih, a director at ZMQ.

The New Delhi-based consulting company developed “YourStoryTeller,” a mobile app that is less video game than a digital narrative.

User-contributed stories are transformed into comic strips. Each week, a new story addresses women’s issues in India, a country where patriarchal attitudes are common.

In one example, a young woman’s studies are disrupted for an arranged marriage that takes her from India to Canada, where she is physically abused by her new husband.

Fasih acknowledged the stories are definitely not of the Disney fairytale variety, and they definitely have a point of view.  

“Kids grow up watching those stories. We want kids to grow up watching these stories where there are struggles,” said Fasih. “A young boy is able to understand what are the struggles that his mom, his sisters go through. That is probably one of the best ways to defeat patriarchy.”

 

 

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Hong Kong ‘Smart’ Ring Aims to Help Visually Impaired

A voice in your ear at the touch of a hand?

The Orii ring allows people to take phone calls, handle text messages and interact with a phone’s digital assistant, all by transferring sound to a user’s ear through bone conduction.

The ring, designed by Hong Kong-based start-up Origami Labs, was inspired by Peter Wong, the visually impaired father of the firm’s co-founder Kevin Wong.

“As a visual-impaired person, I rely on the software on the smartphone to read the icons, the texts to me,” said Peter Wong, who is a technical adviser for the ring.

A key feature ensures that only the user can hear the information conveyed by the ring.

“Can you imagine it reading out your password? That’s inconvenient and inappropriate,” Peter Wong said.

What began as a Kickstarter project has become the latest example of wearable, screen-free technology.

“We want to keep our heads up, we want to be able to stay more in the moment,” said Kevin Wong, 29, who set up Origami Labs in November 2015 with three friends from university.

The tech wearable market grew 51 percent in Asia last year, according to consumer research firm GfK. The overall industry is expected to be worth $34 billion globally by 2020, research provider CCS Insight has said.

The Orii ring is expected to reach the commercial market by February.

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Joining Some Arab States, Israel Says it Plans to Ban Al-Jazeera TV

Israel said Sunday it plans to ban Qatar’s flagship Al-Jazeera network from operating in the country over allegations it incites violence, joining Arab nations that have shut down the broadcaster amid a separate political dispute. The news organization, in turn, said it will take legal action.

Communications Minister Ayoob Kara said he plans to revoke the press credentials of Al-Jazeera journalists, effectively preventing them from working in Israel.

Kara said he has asked cable and satellite networks to block Al Jazeera transmissions and is seeking legislation to ban them altogether.

The minister, a member of Prime Minister Benjamin Netanyahu’s Likud Party, gave no timetable for such measures.

Doha-based Al-Jazeera on its English language website condemned the measures as “undemocratic” and said that it will take legal action. It said it will continue operating in the Gaza Strip and the West Bank.

Walid al-Omari, the broadcaster’s bureau chief in Jerusalem, said on air that his office has not been informed by Israeli officials of any possible measures the government might take.

Al-Jazeera, a pan-Arab satellite network funded by the Qatari government, already has been targeted by Arab nations now isolating Qatar as part of a months-long political dispute over Doha’s politics and alleged support for extremists.

Jordan and Saudi Arabia have recently closed Al-Jazeera’s local offices, while the channel and its affiliate sites have been blocked in Saudi Arabia, United Arab Emirates, Egypt and Bahrain.

“Lately, almost all countries in our region determined that Al-Jazeera supports terrorism, supports religious radicalization,” Kara said. “And when we see that all these countries have determined as fact that Al-Jazeera is a tool of the Islamic State (group), Hamas, Hezbollah and Iran, and we are the only one who have not determined that then something delusional is happening here.”

Israeli officials have long accused Al-Jazeera of bias against the Jewish state. Defense Minister Avigdor Lieberman has likened its coverage to “Nazi Germany-style” propaganda.

Nitzan Chen, director of the Government Press Office, said press credentials are not issued if security officials deem the cards would be “liable to endanger the security of the state.” He said “Therefore, I have contacted the security echelon and have requested a professional opinion regarding the Al-Jazeera network.”

A decision will be made after receiving that opinion, he said.

The Foreign Press Association, which represents journalists covering Israel and the Palestinian territories for international news organizations, said the move “is certainly a cause for concern.” It said it will study the issue and decide how to proceed.

The Committee to Protect Journalists, a New York-based advocacy group, criticized the Israeli proposal.

“Censoring Al-Jazeera or closing its offices will not bring stability to the region, but it would put Israel firmly in the camp of some of the region’s worst enemies of press freedom,” said Sherif Mansour, the committee’s Middle East and North Africa program coordinator. “Israel should abandon these undemocratic plans and allow Al-Jazeera and all journalists to report freely from the country and areas it occupies.”

Hamas, the Islamic militant group that rules Gaza, condemned the move. “Al-Jazeera had a big role conveying the Palestinian narrative with a high professionalism,” said Hazem Qassem, a Hamas spokesman.

American viewers became familiar with Al-Jazeera after the attacks of Sept. 11, 2001, when its golden-hued Arabic logo became synonymous with video messages by al-Qaida leader Osama bin Laden. That sparked frequent complaints by then-President George W. Bush’s administration. The station defended its policy, saying the messages were newsworthy.

Al-Jazeera was the first Arab satellite news channel to offer a range of views outside of heavily censored state media across the region and extensively covered the 2011 Arab Spring. It also was the first Arab-owned news outlet to host Israeli officials and commentators, which some analysts note coincided with Qatar’s ties with Israel at the time.

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US Exhibit on Khmer Rouge Atrocities Aims to Prevent Another Genocide

As a steady flow of visitors slowly made their way through the United States Holocaust Memorial Museum on a recent morning, some contemplated a special exhibition on the Khmer Rouge terror in Cambodia, which wiped out almost a fifth of the population.

Helen Wedgewood, an American tourist, was among those in the museum. After she studied the images and watched a short documentary film, she could not hold back her tears.

“I feel very sad that this happened. I can’t imagine that when it was happening nobody knew, and if people knew, that they didn’t care enough to intervene,” the nurse from Apache Junction, Arizona, said.

Ted Nguyen, a Vietnamese tourist visiting the United States with his family, told VOA Khmer, “Even though we are neighbors, I don’t know well about this. We need to have more of this kind of exhibition to help the new generation to know and remember this history.”

More than 1 million visitors

Wedgewood and Nguyen are two of the roughly 1.2 million visitors who will have seen the exhibition “Cambodia: 1975-1979” and a linked exhibition, “I Want Justice!” since they opened in May 2015, according to the museum. The exhibitions’ websites have been viewed online more than 200,000 times by about 82,000 visitors, officials said.

The Cambodia exhibitions, which appear alongside the museum’s permanent exhibition on the Jewish Holocaust during World War II, are scheduled to close Sept. 30, museum officials said.​

Genocide: a basic lesson

Cameron Hudson, the director of the museum’s Simon Skjodt Center for the Prevention of Genocide, said the Cambodia exhibitions are helping to inform people that genocide and mass murder occurred throughout the world in the 20th century and could happen again unless actively prevented.

“For many Americans who visit the museum, it is the basic lesson of what happened in Cambodia,” Hudson told VOA. “But most importantly, it delivers a deeper message that genocide did not end with the Holocaust; that the Holocaust was not the only genocide to happen and that we continue to repeat the mistakes of the past.

“Part of our museum’s goal is to highlight … the feeling that governments should prevent and respond,” Hudson added.

Greg Naranjo, the museum’s special exhibition developer and curator of the Cambodia display, agreed that Khmer Rouge-era killings offered an important lesson for Americans and other museum visitors.

“Knowledge and awareness is the first and most important thing that we can contribute for the prevention of genocide in general,” he said.

Cambodian Americans who visited the exhibitions said they were glad to see a large audience learning their country’s history.

“It’s a reminder in a good way, for both Cambodians and everyone in the world,” said Ben Bao, a 66-year-old Khmer Rouge survivor who is president of Cambodian Community Day, a cultural, educational and social organization in the Washington metropolitan area.

​Explaining the terror

“Cambodia: 1975-1979” examines the bloodthirsty tactics the Maoist Khmer Rouge forces of Pol Pot used to establish their new state, Democratic Kampuchea, which they envisioned as a self-sustaining, farm-based society.

Soon after the Khmer Rouge took Phnom Penh on April 17, 1975, they forced its 2 million residents into the countryside, where they joined millions of others pressed into forced-labor brigades, building earthworks and rice paddies. The Chinese-backed regime ran dozens of interrogation centers where tens of thousands of people were tortured and killed, often for no clear reason.

About 1.7 million Cambodians are estimated to have died from disease, starvation, exhaustion and murder. Historians continue to struggle to establish a more exact toll — in Cambodia, every family has a story of loved ones who were killed or went missing.

The exhibit “I want Justice!” examines the efforts to bring the perpetrators to trial. It focuses in large part on attempts in Cambodia to prosecute aging Khmer Rouge leaders at the United Nations-backed tribunal in Phnom Penh, the capital city. It focuses on how survivors have sought justice, be it personal, cultural or historical.

Display organizers

Michael Abramowitz, director until earlier this year of the U.S. Holocaust Memorial Museum’s Levine Institute for Holocaust Education, was a key force behind the Cambodia exhibitions.

Abramowitz, the current president of Freedom House, said it was important to have a museum display on the Khmer Rouge horrors.

“In terms of the pure numbers, in terms of the percentage of the population, it is really one of the most terrible cases of state-sponsored killings in the 20th century,” he told VOA.

“I just think it is important for us, with all these cases, to remind ourselves that genocide is always possible,” Abramowitz said. “We must do everything we can to prevent it in the future by knowing the impacts from the past.”

Youk Chhang, the director of the Documentation Center Cambodia (DC-Cam) in Phnom Penh, which provided most of the material for the exhibitions, praised Abramowitz’s efforts, adding that former U.S. Ambassador to Cambodia Joseph Mussomeli had also played an important role.

“Without [them], I do not think the exhibitions would have taken place,” Chhang told VOA.

Mussomeli said he had supported the exhibition because it would educate the U.S. public, adding that Cambodians also benefited from such exhibits and other educational initiatives abroad or at home.

“We shouldn’t get so distracted by our everyday life that we forget the past, because the past is the foundation of the future,” Mussomeli said. “Cambodians are so long-suffering, so stoic, that they don’t like to dwell on the past. … But it is important as a people to face the terrible things that happened. I think that will help Cambodia to become a better, healthier country.”

Remembrance in Cambodia

To that end, the United States Agency for International Development (USAID) has been supporting DC-Cam.

Since 2004, when an endowment was established for the center, USAID has donated almost $10 million. In April, USAID provided the latest round of funding, $5.8 million, to anchor the endowment, which will sustain DC-Cam for about another 20 years, Chhang said.

The center was founded in 1995 with a mission to research and collect documents on the Khmer Rouge era. Museums, schools and other institutions have used its findings, as has the U.N. tribunal.

Chhang said DC-Cam’s main mission was to educate Cambodians and foster understanding and discussions of the horrors, part of a healing process for the country.

One of the most important activities, Chhang said, is developing a high school curriculum. 

“All the students who studied about genocide know well about the genocide and have the ability to protect human rights and to prevent it from happening again,” he said, adding that survivors should also educate their children.

“It will heal the nation and it enhances knowledge, because no one can teach about the genocide better than those who have gone through it,” he said. “I suggest through VOA that parents should at least talk about the life they went through to their children, nieces and nephews.”

Reflecting on US response

The U.S. has been a strong supporter of the Khmer Rouge Tribunal, even though there are allegations that the U.S. did little to stop the Khmer Rouge regime when it was in power.

The U.S. and other Western countries agreed to let the Khmer Rouge fill Cambodia’s seat at the United Nations in order to punish Vietnam, an ally of the Soviet Union, for invading and toppling the regime.

Hudson, of the Simon Skjodt Center, said the exhibition included these U.S. foreign policy decisions from the 1970s, “because it’s also not a proud moment in our history, in terms of the lack of a strong response to try to stop what we knew to be genocide or crimes inside Cambodia.”

This report originated on VOA Khmer.

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Hit Song, Hit Video: ‘Despacito’ Sets YouTube Record

The music video for the No. 1 hit song Despacito has a new record — it’s become the most popular clip on YouTube of all-time with more than 3 billion views.

YouTube announced Friday that Luis Fonsi’s ubiquitous song with Daddy Yankee has surpassed previous record holder See You Again, the song by Wiz Khalifa and Charlie Puth from the Furious 7 soundtrack.

Despacito became an international smash hit this year, topping the Billboard Hot 100 chart. The record-breaking video does not include the popular remix with Justin Bieber; that version has been viewed more than 464 million times.

The video is also the most liked video on YouTube.

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LED Smart Shoes Turn Feet into Glowing Displays

There are smart phones, smart light bulbs, and now smart shoes. A Japanese engineer has created LED footwear that become glowing computer displays. And even though there are other shoes on the market that glow, these shoes step it up a notch, as we hear from VOA’s Deborah Block.

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Cuba to Shut Down Fast-growing Accounting Cooperative

Cuban authorities have ordered the closure of one of the island’s fastest-growing cooperatives, days after announcing that they would stop issuing new permits for some private enterprise.

Scenius, which provides accounting and business consulting services, will have until December 31 to liquidate, the cooperative’s founder and director, Luis Duenas, told The Associated Press on Saturday.

Duenas said the Ministry of Finances and Prices told him the decision to close Scenius was “based on an analysis of our social purpose, or of the activities that we have approved.”

Duenas called the decision an “error” that has no place in the policy of economic opening announced by Cuban officials.

On Tuesday, Cuba’s government said it would suspend the issuance of permits for a range of occupations and ventures, including restaurants and renting out rooms in private homes.

The suspension included the growing field of private teachers as well as street vendors of agricultural products, dressmakers and the relatively recent profession of real estate broker. The announcement did not say when the issuing of permits would resume and said that enterprises already in operation could continue.

Expansion in 2010

President Raul Castro expanded an opening of the economy to private-sector employment in 200 categories of business in 2010. The government says nearly 570,000 people are employed in the enterprises, including hundreds of restaurants and guest houses. It later also legalized nonagricultural cooperatives.

Both recent moves have created fears that Cuba is putting the brakes on plans to reform its centrally planned economy, though officials say the country is not going back on its economic opening.

Duenas regretted that Scenius’ closing occurred days after the package of restrictions on independent work.

“There are many ways to do things, timing is very important, and the country is greatly affected by these things,” Duenas said.

Scenius began in January 2015 with two or three partners and in two years had more than 200. All its 70 clients are state-owned enterprises or business groups in agriculture, industry and communications.

According to official figures, there are more than 400 nonagricultural cooperatives in Cuba.

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