Month: May 2023

TikTok Sues to Stop Ban in US State of Montana

TikTok on Monday filed suit in U.S. federal court to stop the northern state of Montana from implementing an overall ban on the video-sharing app.

The unprecedented ban, set to start in 2024, violates the constitutionally protected right to free speech, TikTok argued in the suit.

“We believe our legal challenge will prevail based on an exceedingly strong set of precedents and facts,” a TikTok spokesperson told AFP.

Montana Governor Greg Gianforte signed the prohibition into law on May 17.

Gianforte said on Twitter that he endorsed the ban in order to “protect Montanans’ personal and private data from the Chinese Communist Party.”

“The state has enacted these extraordinary and unprecedented measures based on nothing more than unfounded speculation,” TikTok contended in its lawsuit.

Five TikTok users last week filed a suit of their own, calling on a federal court to overturn Montana’s ban on the app, arguing that it violates their free speech rights.

Both suits filed against Montana argue the state is trying to exercise national security power that only the federal government can wield and is violating free speech rights in the process.

TikTok called on the federal court to declare the Montana ban on its app unconstitutional and block the state from ever putting it into effect.

“Montana can no more ban its residents from viewing or posting to TikTok than it could ban the Wall Street Journal because of who owns it or the ideas it publishes,” the lawsuit filed by TikTok users contends.

The app is owned by Chinese firm ByteDance and is accused by a wide swath of U.S. politicians of being under the tutelage of the Chinese government and a tool of espionage by Beijing, something the company furiously denies.

Montana became the first U.S. state to ban TikTok, with the law set to take effect next year as debate escalates over the impact and security of the popular video app.

A matter of law

The prohibition will serve as a legal test for a national ban of the platform, something that lawmakers in Washington are increasingly calling for.

The Montana ban makes it a violation each time “a user accesses TikTok, is offered the ability to access TikTok, or is offered the ability to download TikTok.”

Each violation is punishable by a $10,000 fine every day it takes place.

Under the law, Apple and Google will have to remove TikTok from their app stores and companies will face possible daily fines.

The prohibition will take effect in 2024 but would be voided if TikTok is acquired by a company incorporated in a country not designated by the United States as a foreign adversary, the law reads.

The cases should move quickly in court, since they center on points of law that don’t require lots of evidence to be gathered, according to University of Richmond law professor Carl Tobias.

“There are very compelling constitutional arguments that favor the plaintiffs,” Tobias said.

“First is free speech, and second is if the ban is justified by national security, that is a matter for the federal government not any individual state.”

The law is the latest skirmish in duels between TikTok and many western governments, with the app already banned on government devices in the United States, Canada and several countries in Europe.

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First Sudanese Director at Cannes ‘Heartbroken’ by New War

“The war never ends. Tomorrow it will start again,” remarks a character in “Goodbye Julia,” the first Sudanese film ever selected for Cannes.

It explores the racism fueling decades of conflict in the country, and director Mohamed Kordofani admitted to “contradictory feelings” about walking the glitzy red carpet of the Cannes Film Festival while his fellow Sudanese are cowering from bombs.

The irony is not lost on Kordofani, who did not expect his debut feature to coincide with the breakout of a new conflict in Sudan.

“Right now, I am stranded in Cannes,” he joked in an interview with AFP on a seaside terrace overlooking a flotilla of yachts, before adding on a serious note that he was “heartbroken” by the conflict and the fact he could not go home.

“The bombing needs to stop,” said the former aircraft engineer, who packed in his career to start a film production company.

“Goodbye Julia” is playing in the Un Certain Regard category in Cannes, a segment focusing on young, innovative talent.

The film starts in 2005 after the end of an earlier bout of fighting, between Khartoum and the separatist south, and ends as South Sudan gains independence in 2011.

It tells the story of how a covered-up murder brings a southern Sudanese woman, Julia, into contact with a northern Sudanese woman, Mona, and her overbearing conservative husband.

‘My own transformation’

The two women’s friendship is complex, and the racist undercurrent between Arabs and black Africans that stalks the Middle East and North Africa is on stark display.

Mona’s husband refers to the southerners as “slaves” and “savages,” and she is forced to confront her own ingrained racism, while gender roles are also explored.

Kordofani said he was inspired by how his own views had changed over the past decade.

“I started to review how I was behaving in my previous relationships. I reviewed my own racism.”

He said discrimination was so deeply ingrained in Sudan that “to this day, I don’t know if I’m completely not racist.”

While racism is not at the heart of Sudan’s current conflict, Kordifani said the film’s message was still relevant, as the country lurches from one broken cease-fire to the next, and residents hunker down with barely any food or supplies.

“I don’t think the war will end unless we change. We the people, not the government. We need to be equal, and we need to be inclusive, and we need to learn to coexist.”

Critics have warmly received “Goodbye Julia,” with Screen calling it “a gut-wrenching and emotionally rewarding tale.”

The Hollywood Reporter said it had “shades of a thriller” and praised Kordofani’s “fine direction.”

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Ray Stevenson, of ‘Rome’ And ‘Thor’ Movies, Dies At 58

Ray Stevenson, who played the villainous British governor in “RRR,” an Asgardian warrior in the “Thor” films, and a member of the 13th Legion in HBO’s “Rome,” has died. He was 58.  

Representatives for Stevenson told The Associated Press that he died Sunday but had no other details to share Monday.  

Stevenson was born in Lisburn, Northern Ireland, in 1964. After attending the Bristol Old Vic Theatre School and years of working in British television, he made his film debut in Paul Greengrass’s 1998 film “The Theory of Flight.” In 2004, he appeared in Antoine Fuqua’s “King Arthur” as a knight of the round table and several years later played the lead in the pre-Disney Marvel adaptation “Punisher: War Zone.” 

Though “Punisher” was not the best-reviewed film, he’d get another taste of Marvel in the first three “Thor” films, in which he played Volstagg. Other prominent film roles included the “Divergent” trilogy, “G.I. Joe: Retaliation” and “The Transporter: Refueled.” 

A looming presence at 6-foot-4, Stevenson, who played his share of soldiers past and present, once said in an interview, “I guess I’m an old warrior at heart.” 

On the small screen, he was the roguish Titus Pullo in “Rome,” a role that really got his career going in the United States and got him a SAG card, at the age of 44. The popular series ran from 2005 to 2007. 

“That was one of the major years of my life,” Stevenson said in an interview. “It made me sit down in my own skin and say, just do the job. The job’s enough.” 

In the Variety review of “Rome,” Brian Lowery wrote that “the imposing Stevenson certainly stands out as a brawling, whoring and none-too-bright warrior — a force of nature who, despite his excesses, somehow keeps landing on his feet.” 

He was Blackbeard in the Starz series “Black Sails,” Commander Jack Swinburne in the German television series “Das Boot,” and Othere in “Vikings.” 

Stevenson also did voice work in “Star Wars Rebels” and “The Clone Wars,” as Gar Saxon, and has a role in the upcoming Star Wars live-action series “Ahsoka,” in which he plays a bad guy, Baylan Skoll. The eight-episode season is expected on Disney+ in August. 

In an interview with Backstage in 2020, Stevenson said his acting idols were, “The likes of Lee Marvin (and) Gene Hackman.” 

“Never a bad performance, and brave and fearless within that caliber,” Stevenson said. “It was never the young, hot leading man; it was men who I could identify with.” 

Stevenson has three sons with Italian anthropologist Elisabetta Caraccia, who he met while working on “Rome.” 

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Group of Western US States Reach Deal to Stave Off Crisis on Drought-Stricken Colorado River

Arizona, Nevada and California said Monday they’re willing to cut back on their use of the dwindling Colorado River in exchange for money from the federal government — and to avoid forced cuts as drought threatens the key water supply for the U.S. West.

The $1.2 billion plan, a potential breakthrough in a year-long stalemate, would conserve an additional 3 million acre-feet of water through 2026, when current guidelines for how the river is shared expire. About half the cuts would come by the end of 2024.

That’s less than what federal officials said last year would be needed to stave off crisis in the river but still marks a notable step in long and difficult negotiations between the three states.

The 2,334-kilometer river provides water to 40 million people in seven U.S. states, parts of Mexico and more than two dozen Native American tribes. It produces hydropower and supplies water to farms that grow most of the nation’s winter vegetables.

In exchange for temporarily using less water, cities, irrigation districts and Native American tribes in the three states will be paid. The federal government plans to spend $1.2 billion, said Lauren Wodarski, a spokesperson to U.S. Senator Catherine Cortez Masto, a Nevada Democrat.

Though adoption of the plan isn’t certain, U.S. Bureau of Reclamation Commissioner Camille Touton called it an “important step forward.” She said the bureau will pull back its proposal from last month that could have resulted in sidestepping the existing water priority system to force cuts while it analyzes the three-state plan. The bureau’s earlier proposal, if adopted, could have led to a messy legal battle.

“At least they’re still talking. But money helps you keep talking,” said Terry Fulp, former regional director of the U.S. Bureau of Reclamation’s Lower Colorado Basin region. He noted the agreement is a “short-term, three-year deal” and that because the Upper Basin states of Colorado, New Mexico, Utah and Wyoming didn’t face immediate cuts, they were not part of the pact.

The three Lower Basin states are entitled to 7.5 million acre-feet of water altogether from the river. An acre-foot of water is roughly enough to serve two to three U.S. households annually.

California gets the most, based on a century-old water rights priority system. Most of that goes to farmers in the Imperial Irrigation District, though some also goes to smaller water districts and cities across Southern California. Arizona and Nevada have already faced cuts in recent years as key reservoir levels dropped based on prior agreements. But California has been spared.

Under the new proposal, California would give up about 1.6 million acre-feet of water through 2026 — a little more than half of the total. That’s roughly the same amount the state first offered six months ago. It wasn’t clear why the other states agreed to a deal now when California didn’t offer further cuts. Leaders in Arizona and Nevada didn’t immediately say how they’d divide the other 1.4 million acre-feet.

The Imperial Irrigation District would account for more than half of California’s cuts. J.B. Hamby, chairman of the Colorado River Board of California, said the district has already taken measures to improve water efficiency and will need to do more. He said the district is working on a pilot summer idling program where farmers would sign up to turn off their water for 60 days for forage crops. During that time of year, yields are already down and more water is required, he said.

Bill Hasencamp, manager of Colorado River resources for the Metropolitan Water District of California, which supplies water to 19 million people in southern California, said the wet winter means the state simply needs less water. His district is planning on leaving 250,000 acre-feet this year in Lake Mead and won’t withdraw it until after 2026.

The district will also turn over to the federal government a program that pays farmers to fallow land that typically nets them about 130,000 acre-feet of water a year, he said.

The Colorado River has been in crisis for years due to a multi-decade drought in the West intensified by climate change, rising demand and overuse. Water levels at key reservoirs dipped to unprecedented lows, though they have rebounded somewhat thanks to heavy precipitation this winter.

In recent years, the federal government has cut some water allocations and offered billions of dollars to pay farmers, cities and others to cut back. But key water officials didn’t see those efforts as enough to prevent the system from collapsing.

Michael Cohen, a senior researcher at the Pacific Institute focused on the Colorado River, called the amount of cuts the three states have proposed a “huge, huge lift” and a significant step forward.

“It does buy us a little additional time,” he said. But if more dry years are ahead, “this agreement will not solve that problem.”

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Aid Groups in Cameroon Urge Women With Obstetric Fistula to Seek Medical Treatment

As the International Day to End Obstetric Fistula approaches Tuesday, scores of women who have been treated for the medical condition are encouraging their peers in northern Cameroon to get help.

Many sufferers of obstetric fistula — characterized by urinary and fecal incontinence — believe the disease is a curse for wrongdoing. Now former patients and aid groups are telling families fistula can be treated.

The network of women who have been successfully operated on for obstetric fistula in Cameroon’s northern region say they are educating communities that it is a disease that can be treated.

Hospital workers say obstetric fistula is a hole between the birth canal and bladder or rectum, caused by prolonged, obstructed labor without access to timely, high-quality medical treatment. The disease leaves women and girls leaking urine, feces or both, and often leads to chronic medical problems, depression, social isolation and deepening poverty, medical staff members say.

Catherine Debong, 31, is the spokesperson for Women in Maroua, a group of women who have been operated on for obstetric fistula. Maroua is a town in Cameroon’s far north that shares a border with Chad and Nigeria. 

Debong said she is urging parents, husbands, clerics, community leaders and traditional rulers to educate others that obstetric fistula is not a curse or divine punishment for wrongdoing. She said she wants communities to encourage women who have gone into hiding due to the disease to seek treatment.

Debong said a Roman Catholic priest took her to the hospital in 2012 after she had lived with fistula for six years. She is now committed to saving the lives of other women with fistula whom she said are dying without medical help. 

Cameroon’s Ministry of Public Health says between 350 and 1,500 new cases of fistula are reported each year. Seventy-five percent of the cases are reported on Cameroon’s northern region, where more than 80% of civilians seek help from African traditional healers and seldom visit hospitals.

Cameroon reports that 60% of patients seeking help in hospitals have lived with obstetric fistula for more than 5 years. Eighty percent of patients have no formal education and 90% were teenagers when they had their first baby.

Many sufferers are accused of witchcraft and abandoned by their relatives.

The Cameron government is trying to end the stigma and discrimination attached to the condition through education programs.

Boyo Maurine is with the Cameroon Baptist Convention Health Services program, a nonprofit group that works with the United Nations Population Fund (UNFPA). The group educates communities about obstetric fistula and encourages women to seek treatment.

“Generally, the individuals perceive that people will not want to associate with them because of the odor that comes from them and from the embarrassment that will come from constantly being wet without any form of control,” Boyo said. “They already feel that they do not belong to society, and this leaves them sometimes with some negative emotions like sadness, depression, anger and aggression, which is as a result of this condition.”

In 2020, the U.N. launched a global commitment to fistula prevention and treatment, including surgical repair and social reintegration. The campaign hopes to end fistula by 2030, while transforming the lives of thousands of women and girls.

The International Day to End Obstetric Fistula draws attention to the condition, which affects tens of thousands of women globally. 

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Song Created with Help of AI Rattles Music Industry

After an anonymous TikTok user created a song using artificial intelligence that fooled many into thinking it was made by pop stars, experts say the music industry will have to decide how to handle AI music. Deana Mitchell has the story.

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Early Warning Systems Send Disaster Deaths Plunging, UN Says

Weather-related disasters have surged over the past 50 years, causing swelling economic damage even as early warning systems have meant dramatically fewer deaths, the United Nations said Monday. 

Extreme weather, climate and water-related events caused 11,778 reported disasters between 1970 and 2021, new figures from the U.N.’s World Meteorological Organization (WMO) show. 

Those disasters killed just more than 2 million people and caused $4.3 trillion in economic losses. 

“The most vulnerable communities unfortunately bear the brunt of weather, climate and water-related hazards,” WMO chief Petteri Taalas said in a statement. 

The report found that more than 90% of reported deaths worldwide due to disasters in the 51-year period occurred in developing countries. 

But the agency also said improved early warning systems and coordinated disaster management had significantly reduced the human casualty toll. 

WMO pointed out in a report issued two years ago covering disaster-linked deaths and losses between 1970 and 2019, that at the beginning of the period the world was seeing more than 50,000 such deaths each year. 

By the 2010s, the disaster death toll had dropped below 20,000 annually. 

And in its update of that report, WMO said Monday that 22,608 disaster deaths were recorded globally in 2020 and 2021 combined. 

‘Early warnings save lives’ 

Cyclone Mocha, which wreaked havoc in Myanmar and Bangladesh last week, exemplifies this, Taalas said. 

Mocha “caused widespread devastation … impacting the poorest of the poor,” he said. 

But while Myanmar’s junta has put the death toll from the cyclone at 145, Taalas pointed out that during similar disasters in the past, “both Myanmar and Bangladesh suffered death tolls of tens and even hundreds of thousands of people.” 

“Thanks to early warnings and disaster management, these catastrophic mortality rates are now thankfully history. Early warnings save lives,” he added. 

The U.N. has launched a plan to ensure all nations are covered by disaster early warning systems by the end of 2027. 

Endorsing that plan figures among the top strategic priorities during a meeting of WMO’s decision-making body, the World Meteorological Congress, which opens Monday. 

To date, only half of countries have such systems in place. 

Surging economic losses 

WMO meanwhile warned that while deaths have plunged, the economic losses incurred when weather, climate and water extremes hit have soared. 

The agency previously recorded economic losses that increased sevenfold between 1970 and 2019, rising from $49 million per day during the first decade to $383 million per day in the final one. 

Wealthy countries have been hardest hit by far in monetary terms.  

The United States alone incurred $1.7 trillion in losses, or 39% of the economic losses globally from disasters since 1970. 

But while the dollar figures on losses suffered in poorer nations were not particularly high, they were far higher in relation to the size of their economies, WMO noted. 

Developed nations accounted for more than 60% of losses from weather, climate and water disasters, but in more than four-fifths of cases, the economic losses were equivalent to less than 0.1% of gross domestic product (GDP). 

And no disasters saw reported economic losses greater than 3.5% of the respective GDPs. 

By comparison, in 7% of the disasters that hit the world’s least developed countries, losses equivalent to more than 5% of their GDP were reported, with several disasters causing losses equivalent to nearly a third of GDP. 

And for small island developing states, one-fifth of disasters saw economic losses of more than 5% of GDP, with some causing economic losses of 100 percent. 

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SpaceX Sends Saudi Astronauts, Including Nation’s 1st Woman in Space, to International Space Station

Saudi Arabia’s first astronauts in decades rocketed toward the International Space Station on a chartered multimillion-dollar flight Sunday. 

SpaceX launched the ticket-holding crew, led by a retired NASA astronaut now working for the company that arranged the trip from Kennedy Space Center. Also on board: a U.S. businessman who now owns a sports car racing team. 

The four should reach the space station in their capsule Monday morning; they’ll spend just more than a week there before returning home with a splashdown off the Florida coast. 

Sponsored by the Saudi Arabian government, Rayyanah Barnawi, a stem cell researcher, became the first woman from the kingdom to go to space. She was joined by Ali al-Qarni, a fighter pilot with the Royal Saudi Air Force. 

They’re the first from their country to ride a rocket since a Saudi prince launched aboard shuttle Discovery in 1985. In a quirk of timing, they’ll be greeted at the station by an astronaut from the United Arab Emirates. 

“Hello from outer space! It feels amazing to be viewing Earth from this capsule,” Barnawi said after settling into orbit. 

Added al-Qarni: “As I look outside into space, I can’t help but think this is just the beginning of a great journey for all of us.” 

Rounding out the visiting crew: Knoxville, Tennessee’s John Shoffner, former driver and owner of a sports car racing team that competes in Europe, and chaperone Peggy Whitson, the station’s first female commander who holds the U.S. record for most accumulated time in space: 665 days and counting. 

“It was a phenomenal ride,” Whitson said after reaching orbit. Her crewmates clapped their hands in joy. 

It’s the second private flight to the space station organized by Houston-based Axiom Space. The first was last year by three businessmen, with another retired NASA astronaut. The company plans to start adding its own rooms to the station in another few years, eventually removing them to form a stand-alone outpost available for hire. 

Axiom won’t say how much Shoffner and Saudi Arabia are paying for the planned 10-day mission. The company had previously cited a ticket price of $55 million each. 

NASA’s latest price list shows per-person, per-day charges of $2,000 for food and up to $1,500 for sleeping bags and other gear. Need to get your stuff to the space station in advance? Figure roughly $10,000 per pound ($20,000 per kilogram), the same fee for trashing it afterward. Need your items back intact? Double the price. 

At least the email and video links are free. 

The guests will have access to most of the station as they conduct experiments, photograph Earth and chat with schoolchildren back home, demonstrating how kites fly in space when attached to a fan. 

After decades of shunning space tourism, NASA now embraces it with two private missions planned a year. The Russian Space Agency has been doing it, off and on, for decades. 

“Our job is to expand what we do in low-Earth orbit across the globe,” said NASA’s space station program manager Joel Montalbano. 

SpaceX’s first-stage booster landed back at Cape Canaveral eight minutes after liftoff — a special treat for the launch day crowd, which included about 60 Saudis. 

“It was a very, very exciting day,” said Axiom’s Matt Ondler. 

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First-Time Filmmaker Competes at Cannes with Senegalese Drama

Most filmmakers in the Cannes Film Festival’s top-rung competition are well-known directors who have been around for decades. One dramatic exception this year is Ramata-Toulaye Sy, a French-Senegalese filmmaker whose first film, “Banel & Adama,” landed among the 21 films competing for the Palme d’Or. 

“It’s only now that I realize that being in competition means being in a competition,” Sy said, laughing, in an interview shortly after “Banel & Adama” premiered in Cannes. “Now that we’re really in the middle of it, I realize there’s a lot of passion going around.” 

Sy, 36, is the sole first-timer in Cannes’ main lineup this year. She is also only the second Black female director to ever compete for the Palme, following Mati Diop, also a French-Senegalese filmmaker, whose “Atlantics” debuted in 2019. For the Paris-raised Sy, it’s not a distinction of significance. 

“I’m a filmmaker and I really wish we stopped being counted as women, as Black or Arab or Asian,” she said. 

In “Banel & Adama,” also the only Africa-set film competing for the Palme this year, Sy crafts a radiant and languorous fable tinged with myth and tragedy. 

Banel (Khady Mane) and Adama (Mamadou Diallo) are a deeply in love married couple living in a small village in northern Senegal. In their intimate romantic idyll, they wish to pull away from the local traditions. Adama is set to become village chief but is uninterested in doing so. Banel dreams of living outside the village, in a home buried under a mountain of sand. 

While Banel and Adama slowly work to sweep away the sand, their yearning to live on their own causes angst in the village, especially when a drought arrives that some take as a curse for their independence. Though often opaque, the film stays largely with the psychology of Banel, whose single-mindedness grows increasingly dark. 

“I was quite reluctant at the start to acknowledge that Banel is me,” Sy said. “Now I have to confess that it’s definitely me. I see myself, my questions, my struggle in her journey. How to become an individual inside a community is really my own question.” 

Sy began writing “Banel & Adama” in 2014 as a student at La Fémis, the French film school. Sy, the daughter of Senegalese immigrants, says she was first drawn to literature. Novels like Toni Morrison’s “Sula” and Elena Frenate’s “My Brilliant Friend” inspired “Banel & Adama.” 

“The love story was a pretext for to deal with myth,” she says. “I wanted to have this kind of mythological female character that you find in Greek tragedy.” 

Sy co-wrote Atiq Rahimi’s “Our Lady of the Nile” and Çagla Zencirci and Guillaume Giovanetti’s “Sibel” — both of which played at international festivals. Her first short film, “Astel,” was well-received. 

But little prepared her for the stresses of shooting in rural Senegal. Along with heat, sandstorms and bouts of illness among the crew, Sy struggled to find her Banel. In the end, she found Mane while walking around. 

“We had all the cast except for her. We started five months before shooting and one month before shooting we still didn’t have her. One day I was walking down the street and my eyes locked on this girl,” Sy said. “It was the way that she looked at me. Her gaze had something a bit wise and a bit crazy.” 

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Jennifer Lawrence-Produced Afghan Documentary Premieres at Cannes

While the world watched Kabul fall and the Taliban surge back to power in 2021 following the withdrawal of U.S. troops, actor Jennifer Lawrence and producer Justine Ciarrocchi were asking themselves what they could do to support women’s rights. 

“Jen’s first response was to find an Afghan filmmaker and give them a platform,” Ciarrocchi told The Hollywood Reporter. 

They eventually found director Sahra Mani, whose 2019 documentary “A Thousand Girls Like Me” looked at a sexually abused woman’s quest for justice. 

On Sunday, “Bread and Roses,” Mani’s documentary about the daily lives of three women after the Taliban’s resurgence, premiered at the Cannes Film Festival in a special screening. 

“This film has a message from women in Afghanistan, a soft message; please be their voice who are voiceless under Taliban dictatorship,” said Mani at the premiere. 

The director said in an interview on the Cannes website that she wanted to show the reality of how drastically life has changed under the Taliban for women, even if filming was difficult. “Now that women can no longer leave the house without the veil, I thought we should tell their stories,” she said. 

The safety of the camera crews and the people filmed was of top priority, said Mani, who currently lives in France. 

“The way in which their lives have changed under the Taliban is an everyday reality for us, it’s life under a dictatorship, a cruel reality we cannot ignore.” 

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‘Fast X’ Speeds to No. 1; Knocks ‘Guardians 3’ to 2nd

The 10th installment of the “Fast and Furious” franchise was off to the races this weekend, knocking “Guardians of the Galaxy Vol. 3” out of first place and easily claiming the No. 1 spot at the box office. “Fast X” earned $67.5 million in ticket sales from 4,046 North American theaters, according to estimates from Universal Pictures on Sunday.

It’s on the lower end of openings for the series which peaked with “Furious 7’s” $142.2 million launch, the sole movie in the series to surpass $100 million out of the gates. “Fast X’s” domestic debut only ranks above the first three. The last movie, “F9,” opened to $70 million in 2021.

But this is also a series that has usually made the bulk of its money internationally, often over 70%. True to form, overseas it’s on turbo drive. “Fast X” opened in 84 markets internationally, playing in over 24,000 theaters, where it earned an estimated $251.4 million. The top market was China with $78.3 million, followed by Mexico with $16.7 million. And it adds up to a $319 million global debut — the third biggest of the franchise.

“It’s a global franchise with a very broad audience,” said Jim Orr, Universal’s head of domestic distribution. “The themes resonate across the world.”

Directed by Louis Leterrier (who took over from Justin Lin during production), “Fast X” brings back the familiar crew including Vin Diesel, Michelle Rodriguez, Tyrese Gibson and Jordana Brewster and adds several newcomers, like Brie Larson, Rita Moreno and a villain played by Jason Momoa. The ever-expanding cast includes Jason Statham, Charlize Theron, Scott Eastwood and Helen Mirren.

Reports say the movie cost $340 million to produce, not including marketing.

Reviews were mixed for “Fast X,” the beginning of the end for the $6 billion franchise, which currently has a 54% on Rotten Tomatoes. AP’s Mark Kennedy wrote in his review that, “It has become almost camp, as if it breathed in too much of its own fumes” and that it’s also “monstrously silly and stupidly entertaining.”

According to exit polls, audiences were 29% Caucasian, 29% Hispanic and 21% Black, and 58% were between the ages of 18 and 34. They gave the film a B+ CinemaScore.

In its third weekend, Disney and Marvel’s ” Guardians of the Galaxy Vol. 3 ” made an estimated $32 million in North America to take second place. It’s now made $266.5 million domestically and $659.1 million globally.

Third place went to another Universal juggernaut, “The Super Mario Bros. Movie,” which is now in its seventh weekend and available to rent on VOD. Nevertheless, it earned an additional $9.8 million in North America, bringing its domestic total to $549.3 million.

“Book Club: The Next Chapter ” added $3 million in its second weekend to take fourth place, while “Evil Dead Rise” rounded out the top five in its fifth weekend with $2.4 million.

“Mario” and “Fast X” are just the latest success stories for Universal, following hits like “Cocaine Bear” and “M3GAN.” And later this summer, on July 21, they’ll release Christopher Nolan’s ” Oppenheimer.”

“Universal as a studio is just on a roll like no other by having this incredible slate of films from all different types of genres,” said Paul Dergarabedian, the senior media analyst for Comscore. “They’ve created a release strategy that’s really picture perfect so far.”

“Fast X” doesn’t have an entirely open runway though. Next weekend there will be sizable competition in Disney’s live-action “The Little Mermaid,” in addition to a slew of crowd-pleasers hoping to catch a Memorial Day weekend audience, including Julia Louis-Dreyfus in “You Hurt My Feelings” and the broad comedy “About My Father,” with Sebastian Maniscalco and Robert De Niro.

Estimated ticket sales for Friday through Sunday at U.S. and Canadian theaters, according to Comscore. Final domestic figures will be released Monday.

  1. “Fast X,” $67.5 million.

  2. “Guardians of the Galaxy Vol. 3,” $32 million.

  3. “The Super Mario Bros. Movie,” $9.8 million.

  4. “Book Club: The Next Chapter,” $3 million.

  5. “Evil Dead Rise,” $2.4 million.

  6. “John Wick: Chapter 4,” $1.3 million.

  7. “Are You There God? It’s Me, Margaret,” $1.3 million.

  8. “Hypnotic,” $825,000.

  9. “MET Opera: Don Giovanni,” $701,025.

  10. “BlackBerry,” $525,000.

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SpaceX Launching Saudi Astronauts on Private Flight to Space Station

SpaceX’s next private flight to the International Space Station awaited takeoff Sunday, weather and rocket permitting.

The passengers include Saudi Arabia’s first astronauts in decades, as well as a Tennessee businessman who started his own sports car racing team. They’ll be led by a retired NASA astronaut who now works for the company that arranged the 10-day trip.

It’s the second charter flight organized by Houston-based Axiom Space. The company would not say how much the latest tickets cost; it previously cited per-seat prices of $55 million.

With its Falcon rocket already on the pad, SpaceX targeted a liftoff late Sunday afternoon from NASA’s Kennedy Space Center. It’s the same spot where Saudi Arabia’s first astronaut, a prince, soared in 1985.

Representing the Saudi Arabian government this time are Rayyanah Barnawi, a stem cell researcher set to become the kingdom’s first woman in space, and Royal Saudi Air Force fighter pilot Ali al-Qarni.

Rounding out the crew: John Shoffner, the racecar buff; and Peggy Whitson, who holds the U.S. record for the most accumulated time in space at 665 days.

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Iraq Rebuilding Efforts Get High-Tech Boost

It’s been more than a decade since the end of the Iraq War. Much of the country still bears the scars of the U.S.-led invasion. But Iraqis today are working to clean up their country, and some have turned to technology for help. VOA’s Arash Arabasadi has more.

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Cholera Outbreak Claims Ten More Lives in South Africa 

The provincial health department in the South African province of Gauteng on Sunday announced 19 new cases of Cholera in Hammanskraal, including 10 deaths.

South Africa reported its first cholera death in February, after the virus arrived in the country from Malawi.

It was unclear how many cholera cases there was nationally as of Sunday, but the most populous province of Gauteng, where Johannesburg and Pretoria are situated, has been hardest hit.

Cholera can cause acute diarrhea, vomiting and weakness and is mainly spread by contaminated food or water. It can kill within hours if untreated.

The last outbreak in South Africa was in 2008/2009 when about 12,000 cases were reported following an outbreak in neighboring Zimbabwe, which led to a surge of imported cases and subsequent local transmission.

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Mexico Keeps Close Eye on Volcano That Threatens 22 Million

Mexico’s Popocatepetl volcano rumbled to life again this week, belching out towering clouds of ash that forced 11 villages to cancel school sessions.

The residents weren’t the only ones keeping a close eye on the towering peak. Every time there is a sigh, tic or heave in Popocatepetl, there are dozens of scientists, a network of sensors and cameras, and a roomful of powerful equipment watching its every move.

The 5,426-meter volcano, known affectionately as “El Popo,” has been spewing toxic fumes, ash and lumps of incandescent rock persistently for almost 30 years, since it awakened from a long slumber in 1994.

The volcano is 72 kilometers southeast of Mexico City, but looms much closer to the eastern fringes of the metropolitan area of 22 million people. The city also faces threats from earthquakes and sinking soil, but the volcano is the most visible potential danger — and the most closely watched. A severe eruption could cut off air traffic, or smother the city in clouds of choking ash.

Ringed around its summit are six cameras, a thermal imaging device and 12 seismological monitoring stations that operate 24 hours a day, all reporting back to an equipment-filled command center in Mexico City.

A total of 13 scientists from a multidisciplinary team take turns staffing the command center around the clock. Being able to warn of an impending ash cloud is key, because people can take precautions. Unlike earthquakes, warning times can be longer for the volcano and in general the peak is more predictable.

On a recent day, researcher Paulino Alonso made the rounds, checking the readings at the command center run by Mexico’s National Disaster Prevention Center, known by its initials as Cenapred. It is a complex task that involves seismographs that measure the volcano’s internal trembling, which could indicate hot rock and gas moving up the vents in the peak.

Monitoring gases in nearby springs and at the peak — and wind patterns that help determine where the ash could be blown — also play a role.

The forces inside are so great that they can temporarily deform the peak, so cameras and sensors must monitor the very shape of the volcano.

How do you explain all of this to 25 million non-experts living within a 62-mile (100-kilometer) radius who have grown so used to living near the volcano?

Authorities came up with the simple idea of a volcano “stoplight” with three colors: green for safety, yellow for alert and red for danger.

For most of the years since the stoplight was introduced, it has been stuck at some stage of “yellow.” The mountain sometimes quiets down, but not for long. It seldom shoots up molten lava: instead it’s more the “explosive” type, showering out hot rocks that tumble down its flanks and emitting bursts of gas and ash.

The center also has monitors in other states; Mexico is a country all too familiar with natural disasters.

For example, Mexico’s earthquake early alert system is also based at the command center. Because the city’s soil is so soft — it was built on a former lake bed — a quake hundreds of miles away on the Pacific coast can cause huge destruction in the capital, as happened in 1985 and 2017.

A system of seismic monitors along the coast sends messages that race faster than the quake’s shock waves. Once the sirens start blaring, it can give Mexico City residents up to half a minute to get to safety, usually on the streets outside.

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‘Bone-Chilling’ Auschwitz Drama Is Early Cannes Favorite

A powerful Auschwitz-set psychological horror film, The Zone of Interest, is emerging as the hot ticket at the Cannes Film Festival, with reviews Saturday were near-unanimous in their praise.

British director Jonathan Glazer’s film focuses on the family of Rudolf Hoess, the longest-serving commandant of the Auschwitz camp, who lived a stone’s throw from the incinerators.

While the screams and gunshots are audible from their beautiful garden, the family carries on as though nothing was amiss.

The horror “is just bearing down on every pixel of every shot, in sound and how we interpret that sound… It affects everything but them,” Glazer told AFP.

“Everything had to be very carefully calibrated to feel that it was always there, this ever-present, monstrous machinery,” he said.

The 58-year-old Glazer, who is Jewish, focused on the banality of daily lives around the death camp, viewing Hoess’s family not as obvious monsters but as terrifyingly ordinary.

“The things that drive these people are familiar. Nice house, nice garden, healthy kids,” he said.

“How like them are we? How terrifying it would be to acknowledge? What is it that we’re so frightened of understanding?”

“Would it be possible to sleep? Could you sleep? What happens if you close the curtains and you wear earplugs, could you do that?”

The film is all the more uncomfortable as it is shot in a realist style, with natural lighting and none of the frills that are typical of a period drama.

It has garnered gushing praise so far from critics at the French Riviera festival.

A “bone-chilling Holocaust drama like no other,” The Hollywood Reporter said of the “audacious film,” concluding that Glazer “is incapable of making a movie that’s anything less than bracingly original.”

Variety said that Glazer had “delivered the first instant sensation of the festival,” describing it as “profound, meditative and immersive, a movie that holds human darkness up to the light and examines it as if under a microscope.”

‘I cogitate a lot’

Glazer is known for taking his time — it has been a decade since his last film, the acclaimed, deeply strange sci-fi Under the Skin starring Scarlett Johansson.

He made his name with music videos for Radiohead, Blur and Massive Attack in the 1990s before moving into films with Sexy Beast (2000) and Birth (2004).

“I cogitate a lot. I think a lot about what I’m going to make, good or bad,” he said.

“This particular subject obviously is a vast, profound topic and deeply sensitive for many reasons and I couldn’t just approach it casually.”

A novel of the same title by Martin Amis was one catalyst for bringing him to this project.

It provided “a key that unlocked some space for me… the enormous discomfort of being in the room with the perpetrator.”

He spent two years reading other books and accounts on the subject before beginning to map out the film with collaborators.

Glazer’s film is one of 21 in competition for the Palme d’Or, the top prize at Cannes, which runs until May 27.

French reviewers were equally impressed by Glazer’s film, with Le Figaro calling it “a chilling film with dizzying impact” and Liberation saying it could well take home the Palme.

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National Treasure Wins Preakness Stakes

National Treasure won the Preakness Stakes at Pimlico Race Course in Baltimore on Saturday, giving Hall of Fame trainer Bob Baffert a record-breaking eighth win in the middle jewel of U.S. thoroughbred racing’s Triple Crown.

With John Velazquez aboard, National Treasure held off a late charge from Blazing Sevens. Kentucky Derby winner Mage finished third, meaning the chestnut colt will not have a shot at becoming U.S. thoroughbred racing’s 13th Triple Crown winner.

The win capped an emotional day for Baffert, whose colt Havnameltdown was euthanized on the track earlier on Saturday after going down with an injury during a race at Pimlico.

“Losing that horse today really hurt but I am happy for Johnny, he got the win,” Baffert said fighting back tears, referring to the jockey. “It’s been a very emotional day.”

For Baffert, one of the sport’s best-known figures, the Preakness marked his first Triple Crown race in two years due to a lengthy suspension after one of his horses, Medina Spirit, tested positive for a banned substance and was stripped of the Kentucky Derby title in 2021.

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WHO Launches Global Network to Detect Infectious Disease Threat

The World Health Organization on Saturday launched a global network to help swiftly detect the threat from infectious diseases, like COVID-19, and share the information to prevent their spread.

The International Pathogen Surveillance Network (IPSN) will provide a platform for connecting countries and regions, improving systems for collecting and analyzing samples, the agency said.

The network aims to help ensure infectious disease threats are swiftly identified and tracked and the information shared and acted on to prevent catastrophes like the COVID pandemic.

The network will rely on pathogen genomics to analyze the genetic code of viruses, bacteria and other disease-causing organisms to understand how infectious and deadly they are and how they spread.

The data gathered will feed into a broader disease surveillance system used to identify and track diseases, in a bid to contain outbreaks and to develop treatments and vaccines.

‘Ambitious’ goals

WHO chief Tedros Adhanom Ghebreyesus hailed the “ambitious” goals of the new network, saying it could “play a vital role in health security.”

“As was so clearly demonstrated to us during the COVID-19 pandemic, the world is stronger when it stands together to fight shared health threats,” he said.

The IPSN, announced a day before the annual meeting of WHO member states begins in Geneva, will have a secretariat within the WHO’s Hub for Pandemic and Epidemic Intelligence.

It is the latest of several initiatives launched since COVID that aim to bolster the world’s ability to prevent and more effectively respond to pandemic threats.

The network will bring together experts on genomics and data analytics, drawn from governments, academia, the private sector and elsewhere.

“All share a common goal: to detect and respond to disease threats before they become epidemics and pandemics, and to optimize routine disease surveillance,” the agency said.

COVID highlighted the critical role pathogen genomics plays when responding to pandemic threats, with the WHO noting that without the rapid sequencing of the SARS CoV-2 virus, vaccines would not have been as effective and would not have become available as quickly.

New and more transmissible variants of the virus would also not have been identified as quickly.

“Genomics lies at the heart of effective epidemic and pandemic preparedness and response,” the agency said, adding that it was also vital for surveillance of a range of diseases, from influenza to HIV.

Many countries lack effective systems

While the pandemic spurred countries to scale up their genomics capacity, the agency warned that many still lack effective systems for collecting and analyzing samples.

The IPSN would help address such challenges, Tedros said, since it could “give every country access to pathogen genomic sequencing and analytics as part of its public health system.”

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