Month: February 2018

The heir to “Titanic” is … “Jumanji: Welcome the Jungle”?

For the first time since James Cameron’s 1998 disaster epic, a December release has topped the weekend box office in February. Seven weeks after first opening in theaters, Sony Pictures’ “Jumanji” again took the top spot at the North American box office with an estimated $11 million in ticket sales, according to studio estimates Sunday.

On a sluggish Super Bowl weekend, that was good enough to surpass last week’s no. 1 film, “Maze Runner: The Death Cure.” The third installment in the YA trilogy slid 58 percent in its second week with $10.2 million in ticket sales. Though “The Death Cure” is behind the pace of the first two “Maze Runner” films, it’s made $142.9 million overseas, including an international-best $35.2 million this weekend.

But it’s the fourth weekend out of seven in which the “Jumanji” reboot, starring Dwayne Johnson and Kevin Hart, has led all films domestically. It has carved an unlikely path on route to its record-setting run. Met with little initial fanfare, “Jumanji” played second fiddle for its first two weeks of release to “Star Wars: The Last Jedi.”

But riding good word of mouth and relatively little family-film competition, “Jumanji” has become one of Sony’s biggest hits ever, ranking behind only its “Spider-Man” films. It has now grossed $352.6 million in the U.S. and Canada.

The Helen Mirren-led haunted-house horror film “Winchester” was the sole new wide release on a weekend that Hollywood typically cedes to football. The poorly reviewed Lionsgate-CBS Films release, about the true-life tale of the 19th-century heiress Sarah Winchester, opened with $9.3 million.

Total ticket sales were $92 million, according to comScore, a sum that falls behind recent Super Bowl weekends – always among the quietest movie weekends of the year – but above the lowest grossing ever.

Hollywood will instead be largely focused on the trailers debuting during Sunday’s NFL broadcast. About a dozen films will hope to capitalize on the largest U.S. broadcast of the year with high-priced commercial spots intended to raise the awareness of upcoming spring releases and some of the summer’s biggest would-be blockbusters.

Disney hasn’t announced plans, but “Star Wars” fans are hoping to see a spot for the Han Solo spinoff. More likely on tap are ads for “Jurassic World: Fallen Kingdom,” Jennifer Lawrence’s “Red Sparrow,” Tom Cruise’s “Mission: Impossible – Fallout” and another potential hit for Dwayne Johnson: “Skyscraper.”

And for the first time, Fox Searchlight had films playing in 4,000 or more theaters, thanks to its Oscar favorites “The Shape of Water” and “Three Billboards Outside Ebbing, Missouri.” Guillermo del Toro’s “The Shape of Water,” which took the top honor at the Directors Guild Awards on Saturday, boosted its theater count from 1,854 to 2,341. The leading Oscar nominee with 13 nods, “The Shape of Water” still slid 21 percent with $4.3 million.

Estimated ticket sales for Friday through Sunday at U.S. and Canadian theaters, according to comScore. Where available, the latest international numbers for Friday through Sunday are also included. Final three-day domestic figures will be released Monday.

1. “Jumanji: Welcome to the Jungle,” $11 million ($12.6 million international).

2. “Maze Runner: The Death Cure,” $10.2 million ($35.2 million international).

3. “Winchester,” $9.3 million.

4. “The Greatest Showman,” $7.8 million ($16.2 million international).

5. “Hostiles,” $5.5 million.

6. “The Post,” $5.2 million ($10.3 million international).

7. “12 Strong,” $4.7 million ($2.9 million international).

8. “Den of Thieves,” $4.7 million ($6.5 million international).

9. “The Shape of Water,” $4.3 million ($4.4 million international).

10. “Paddington 2,” $3.1 million ($2 million international).

Estimated ticket sales for Friday through Sunday at international theaters (excluding the U.S. and Canada), according to comScore:

1. “Maze Runner: The Death Cure,” $35.2 million.

2. “The Greatest Showman,” $16.2 million.

3. “The Tuche 3,” $14.3 million.

4. “Jumanji: Welcome to the Jungle,” $12.6 million.

5. “Coco,” $11.6 million.

6. “The Post,” $10.3 million.

7. “Secret Superstar,” $10.5 million.

8. “Till the End of the World,” $10 million.

9. “The Commuter,” $8.9 million.

10. “Three Billboards Outside Ebbing, Missouri,” $8.1 million.
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The second half is underway in Superbowl LII (52) and the underdog Philadelphia Eagles are leading the favored New England Patriots 22 to 12.

The game to determine the American football championship has been a lot closer than the halftime score indicates.

This year’s game is being played in Minneapolis, Minn., where the game-time temperature was around minus 17 degrees Celsius. But in the city’s indoor stadium, it is in the relatively balmy 20s.

Patriots quarterback Tom Brady could set several records during the game. He will be the oldest nonkicker to play in the Super Bowl, and could be the oldest quarterback to win, picking up his sixth title — the most of any NFL player in history.

Philadelphia is vying for its first Super Bowl win after two attempts. It lost to the Patriots in Super Bowl 39 in 2005. But the Patriots are favored in today’s game, which is expected to be viewed by more than 100 million people.

Among those watching will be No. 1 fan — President Donald Trump. He put out a pre-game statement thanking the American servicemen and women who he says are unable to watch the game with friends and family, but whose sacrifice makes such big events possible.

Advertisers are paying $5 million for a 30-second commercial during the broadcast, which is traditionally the most watched television show of the year in the United States.

Viewer ratings for this year’s Super Bowl are considered critical for the NFL. Its regular season ratings declined by 10 percent compared with the prior year.  

The drop in ratings has been attributed in part to people boycotting NFL games because of player protests, including kneeling for the national anthem. Other causes include reduced subscriptions to cable television, as online streaming services become more popular, and to some degree, declining interest.

 
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It’s -11 degrees Celsius here in Minneapolis, Minnesota, but it feels like -20. The sun has set and the wind is whipping — anywhere else and that would be the perfect excuse to stay indoors. 

But here, on the eve of the biggest football game of the year, the biggest party of the year is outside in the streets. Super Bowl Live is more than a week of non-stop entertainment, leading up to Sunday’s NFL championship between the Philadelphia Eagles and the New England Patriots.

The theme of this Super Bowl party is “the Bold North.” Minnesota is the very definition of the “Bold North” — to most, the idea of being outside in this weather is something more than bold, but here in the north, it’s just life.

WATCH: Thousands of Football Fans Party in the Streets on the Eve of the Super Bowl

​‘It isn’t that cold’

We asked a few local residents to explain Minnesota’s relationship with the cold.

“Where else are you going to be able to do this?” asked Troy Presler. “To come to a place like Minneapolis, where you spend three, four months in this kind of weather and just enjoy it, absorb it. It’s something that no other Super Bowl is ever going to have.”

Ryan Provos jumped in with a refrain we have heard many times on our trip to Minneapolis, regardless of the temperature outside:

“This isn’t that cold! This is warm right now!”

Katie, another local, agreed: “The weather is beautiful, and this is what we do! This is what we do as Minnesotans!”

​Food, and more food

Like any good party, Super Bowl Live has lots to do. You can take the ultimate winter selfie in a life-sized snow globe, dance and sing along with local bands, and eat — then eat some more. Pizza, pretzels, barbecue, french fries, you name it.

Americans probably eat more food on Super Bowl Sunday than any other day of the year, and tonight is your best chance to get warmed up for the big day.

Another annual highlight of Super Bowl Live has a new twist this year. On the same block as the food trucks — but inside, thankfully — you can also catch some adorable young cats playing in their own feline version of the Super Bowl, the Kitten Bowl, which replaces the traditional Puppy Bowl. Don’t worry, though: both the Kitten Bowl and Puppy Bowls can still be seen on television, but only the cats made the trip to Minneapolis this year.

​Let it snow

Back outside, the snow is really picking up, and locals, Brad and Allie Novy, berate us for our climate-controlled, indoor detour.

“You can’t just hide inside all day,” Brad scolds.

“This is Minnesota! Experience the culture and the weather … that’s what it’s all about,” Allie adds.

Heeding the advice of our new friends, that’s exactly what we do. Out in the cold, alongside thousands of others who have come to Minneapolis for the Super Bowl, and the local residents who show us how to truly party like Minnesotans.

VOA’s Arash Arabasadi contributed to this report.
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For a lot of people, there’s nothing better than a piece of candy. Sweets go back to the ancient Egyptians, who ate honey with sesame seeds. In the United States, candy has a fascinating history that can be traced back centuries at the True Treats Historic Candy store in Harpers Ferry, West Virginia. The shop sells an abundance of sweets that were popular during different time periods. VOA’s Deborah Block shows us the unusual assortment, ranging from classic chocolate kisses to edible bugs.
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Dozens of designers from Haiti and around the world showcased their spring-summer collections against a lush tropical background during the recent Haiti Fashion Week.

The January 28-31 event in Petionville focused on the theme “Innovation” and “haute couture” this year. Event founder Maguy Durce said her main goal was to show Haiti in a positive light, as opposed to negative images usually portrayed by the international media.

“Haiti Fashion Week is a cultural event. But we want to use it to respond to President [Donald] Trump — to his negative comments [about Haiti] — because we think if he saw what was happening this week at El Rancho [hotel], he would say, ‘Hey, I lied,’ or, ‘Hey, I was wrong,’ or, ‘I was misinformed,’ ” Durce said.

Trump’s reported use of a vulgar term to describe Haiti and African nations angered the Haitian-American community and sparked rallies in Port-au-Prince, New York, Palm Beach and Boston to denounce racism. Haiti’s ambassador to the United States said the comments about Haiti “hurt the country.”

The fifth edition of Haiti Fashion Week had been scheduled for November 2017, but was rescheduled after some of the designers said their collections would not be ready in time.

Young fashion designer Maille Timothee, whose fashion line is called MAE, presented her designs for the first time this year. She won applause for her colorful dresses made with unconventional textiles.

“I wanted to do something unconventional. Something unexpected. So I mixed different fabrics that people would not expect, and even what I’m wearing is an example of that,” she explained.

Timothee is the daughter of seasoned Haitian designer Immacula Pericles, who runs a highly acclaimed fashion school called Academie Verona. She also participated in Haiti Fashion Week, showcasing a collection of dresses made in the colors of the national flag and representing the natural beauty of the Caribbean country. Her collection wowed the audience.

“Well, I’ve been doing these designs for a long time now, so it’s new to some people, but we’ve been around a while,” Pericles noted. “The theme of our fashion school is Haiti will survive – so my goal is first to incorporate sustainable materials and second to make the clothing using the same international standards the big fashion houses use so that we can sell our line anywhere in the world.”

Pericles said Haiti has huge potential to excel in the fashion world.

French designer Marie-Caroline Behue flew from Paris to Port-au-Prince and went straight to work on her collection. A first-time participant in the event, she admitted to being awed by the quality and intricacy of the designs.

“I knew nothing about Haiti Fashion Week and I was amazed by the level of detail in the designs,” she admitted. “I’ve worked in the French haute couture design houses and I can tell you the designs I saw here meet the bar – and to be honest, what really piqued my interest was the men’s haute couture, because when one thinks of haute couture, they naturally think of women’s fashion, but here in Haiti, I was like, ‘Wow! They’re got couture men’s clothing.’”

Haitian-American designer Marcia Roseme, whose collection features bright colored separates matched with muted tones, traveled from New York to show her first collection at Haiti Fashion Week.

“It was a great event; there were a lot of different styles that represented many markets. There was a lot of innovation, a lot of creativity and unique styles – I really like that,” she told VOA.

Organizer Durce, who put in many long hours to pull off a culturally rich and diverse showcase of Haitian and international artistry, was pleased with the turnout and the positive reviews from the national and international press.

“Africa Fashion TV has been here all four days, broadcasting our fashion shows live, so what we’re doing here in Haiti is being seen in 29 African countries and all over the world. Each time a person tweets or posts something about Fashion Week to Facebook, it raises Haiti’s image to a higher level.”

Durce said she’s looking forward to the sixth edition of Haiti Fashion Week – to be held in 2019.

​
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A provocative film that chronicles racism and brutality in the 1920s has been released in Australia. Set in the red dust of the outback, “Sweet Country” is the story of an Aboriginal herder who goes on the run after killing a white landowner in self-defense.

The film is a historical, Western-style epic that has at its heart racist aggression between white colonialists and Australia’s indigenous population they displaced. The movie is directed by celebrated Aboriginal filmmaker Warwick Thornton, whose first film was the highly acclaimed feature “Samson and Delilah,” which was released in 2009.

Thornton says “Sweet Country” shows the brutality of Australia in the 1920s.

“It is a bit of history you will not find in your everyday high school curriculum, even though it is all based on true stories. It is important for us as a country to learn more about our history so we can make better choices about our future, I guess.  You know, it has got a lot of connotations today. Racism is still around today. It is just that people are not allowed to openly say what they feel, but they are still racist,” Thornton said.

The cast includes veteran Australian actor Bryan Brown, who came to prominence in “Gorillas in the Mist” and “Cocktail,” alongside U.S. actor Tom Cruise.

“Sweet Country” also features the New Zealand actor Sam Neill, who starred in “The Piano” and “Jurassic Park.”

Hamilton Morris plays the character of Sam Kelly, the indigenous farm worker who goes on the run with his wife after killing a white landowner. Morris had no film experience before landing the role as Kelly, although he did have a role in an Australian TV series about a remote radio station. There was also a large cast of Aboriginal extras.

Many of the reviews of “Sweet Country” have been positive with the newspaper The Australian saying it was “Australian filmmaking at its best.”

Indigenous Australians make up about 3 percent of the population and are, by far, the most disadvantaged group in the country, suffering high rates of poverty, ill health and imprisonment.

Warwick’s “Sweet Country” already was awarded a Special Jury Prize at the Venice Film Festival last September at an early screening.
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After a season that started in early September, the NFL’s final game is just around the corner. Minneapolis, Minnesota, is hosting the single biggest event in American sports, despite local disappointment that the home team came one win short of a Super Bowl appearance. But that didn’t stop fans from braving brutally cold weather to check out the NFL’s Super Bowl Experience. Arash Arabasadi reports from Minneapolis.
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