Day: January 17, 2018

Curling, once a minority pastime played mostly by Scots and Canadians, will sweep onto the ice at next month’s Pyeongchang Olympics with the proud boast of being the world’s fastest-growing winter sport.

The “roaring game,” with its origins in the frozen ponds and mists of medieval Scotland, is now popping up in the sort of sunny places where ice usually comes in cubes to cool the drinks.

Qatar’s men’s curling team celebrated their first international victory last November, beating Kazakhstan on Australia’s sun-soaked Central Coast north of Sydney.

A few months earlier, Middle Eastern neighbors Saudi Arabia secured conditional membership of the World Curling Federation along with fellow-newcomers Kyrgyzstan, Afghanistan and Portugal.

Las Vegas, in Nevada’s Mojave desert, will host the men’s world championship next April.

“You’d obviously think curling is for winter sport countries, it’s not really,” said Kate Caithness, the Scottish head of World Curling and one of only two female presidents of any Olympic sports. “You can have curling anywhere in the world.

“Give us a hall and we’ll make ice. We’ve got these new facilities where we can almost roll out a mat, plug it in, add water and freeze it,” she told Reuters from her headquarters in Perth, Scotland.

In order to be included on the full program at the 1998 Nagano Olympics, curling needed to have 30 member nations. Twenty years on and there are 60, with more to come and a growth explosion predicted.

“We’ve never been in better shape, actually,” said Caithness. “Mexico and Guyana are new members, and there’s other members in South America waiting to come on board.”

At the 2010 Games in Vancouver, curling was the most watched Winter Olympic sport on television in Brazil — a country that recently challenged Canada for a place at the men’s world championships.

There are no member nations from Africa as yet, but there has been interest with South Africa most likely to be the first on board.

Looking to Beijing

Curling is big in Korea and Japan, and the main growth areas over the next four years for a sport also known as “chess on ice” are likely to be China, host of the 2022 Olympics, and the United States.

“China is a huge, huge market for us,” Caithness said. “We’ve just signed a $13.4 million contract with a sponsor [Kingdomway Sports] in China for the next four years in the runup between now and 2022.”

Curling at those Beijing Winter Games will be held in the “Water Cube” facility that hosted swimming at the 2008 summer Olympics.

Transformed into the “Ice Cube,” the plan is to have a three sheet rink in the basement so that fans can watch the competition upstairs and try their hand at the sport downstairs.

“I’m on the 2022 IOC co-ordination commission, so I do have the inside information. I’ve been there already with the IOC,” Caithness said.

“They are going to put 300 million people through winter sport [in China] between now and 2022. … I understand they are building 500 new ice rinks. I think the sport’s going to explode.”

Sleeping giant

Starting this year, a new made-for-television World Cup will start up with four city events on three continents forming the “Road to Beijing.”

In the United States, USA Curling last year signed a sponsorship deal with Pepsico’s Frito-Lay brand Cheetos that features tight end Vernon Davis of the National Football League’s Washington Redskins.

As part of the promotion, the cheese curl snack has come up with a rap video “Teach me how to Curl” featuring curling moves and dance.

Even if Cheetos said in a statement that the deal aimed to “help raise awareness for one of America’s least participated in sports,” Caithness felt things were moving in the right direction.

“I think we’re going to see things go crazy in the United States. They’ve woken up at last,” she said.

Curling, whose tournament starts a day before the opening ceremony in Pyeongchang and runs right through to the last Sunday, can also expect more television coverage than any other sport.

To win a gold medal in men’s or women’s curling takes up to 33 hours on the field of play, with nine round robin games of three hours each followed by a semi-final and final. Pyeongchang sees the debut also of mixed doubles.

“We’ll have non-stop curling every day from dawn until dusk. We have huge TV coverage and this is really going to help our sport as well,” Caithness said.

Watch related VOA video story: 
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No assistants. No wardrobe or make up people. No lighting technicians.

That’s how Afshin Shahidi spent his most cherished moments with Prince over nearly a decade as his go-to photographer, and he included many of their more intimate encounters among 250 photos in his recent book, Prince: A Private View.

Shahidi, also known as black-ish and grown-ish actress Yara Shahidi’s dad, is a Minnesota son like the superstar. He sheds light only he could provide on Prince, who died in 2016 of an accidental drug overdose.

There was the time Prince made him tea after a photo session and the two sat and talked about Rembrandt. There was a goofy side, too, with Prince clowning in an empty airport hallway, then clicking into his trademark deadpan when outsiders materialized.

While much of Shahidi’s work captured Prince onstage or was intended for official use in tour books or fodder for his fans, it’s the quieter times that sustain the 48-year-old Shahidi.

A conversation with Afshin Shahidi:

AP: You grew up in Minneapolis and were still a kid when Prince hit it big. What was running through your mind when you first met him in person?

Shahidi: I was in junior high and high school when I became aware of Prince and he was a big departure from the kind of music that I was listening to and the things I was into. He was this gender-bending phenom who could play all these instruments. I was always a fan but I wasn’t a hardcore fan who would go to every show and knew every fact, so I jumped at the opportunity to meet him in ’93.

I was starstruck. It was the era when he had “slave” written across his face and everything about him was mysterious and amazing to me. I had moved back to Minneapolis after finishing college and I was trying to get into the film business. I was 23 and got a page asking for a film loader to work on a music video and they wouldn’t say who it was for. I didn’t know how to load film but I thought I had a few days to learn, so I said, yeah, I can do it and then they said, well we need you right now and it’s in Chanhassen. That’s where Paisley Park is so I knew it had to be for Prince. I said, OK, I’m on my way.    

​AP: Did you and Prince talk about you doing this book?

Shahidi: I had done two books with him prior to this and we had discussed a third. We did not discuss this book in particular and quite honestly it took me months to be able to even look at any of the images that I had. They brought back a lot of memories that I wasn’t ready for.   

After he passed, a lot of fans had started reaching out asking if there was anything I was going to do so I toyed with the idea. Once I could finally start looking at the pictures I started putting something together. It felt very therapeutic for me. I felt like it would be selfish to keep them to myself. I have thousands of images.

AP: Why did you stop working for Prince and what did you do during those early years?

Shahidi: I started in the capacity of a technician and slowly made my way up to being a cinematographer, photographer and more of a creative collaborator. The last time I photographed him was in 2011. We continued to stay in touch and he would call occasionally to see if I was available. A big part of stopping was my family and just keeping the schedule that was necessary to keep up with Prince, to travel internationally at a moment’s notice and all the late nights and that sort of thing.

The other part is that Prince also didn’t need as many images of himself as he did when I first started working with him because a lot of the images were being used for his online music club, which was a subscription-based thing — and he was one of the first artists to do that — so once he dismantled the music club, the need to constantly update diminished. 

AP: Was it difficult to gain his trust?

Shahidi: It was a very organic process. We built a mutual trust. He was very guarded and he was also very guarded with his image. To break through that and to then be able to capture a more authentic, less-posed Prince, where I could be in a room with him and he’s not on for the camera was pretty special and it took a little bit of time. Being on the road with someone for months at a time, you decide you really like someone a lot or you don’t like them at all. 

AP: He kept a photo of Yara on his desk at Paisley Park.

Shahidi: I didn’t really know about it until after he had passed and somebody messaged me about it. It still brings tears.

AP: How did you steal all those unguarded moments?

Shahidi: I tried to blend in. It was important for me to try and capture those. We would just be hanging out and I would pick up my camera and shoot. I think he enjoyed looking at them. 

AP: What do you think Prince got out of your friendship, not only with you but your wife and kids?

Shahidi: I think normalcy. We were just a normal Minnesota family. He enjoyed children. He liked their energy and creativity. That would put a smile on his face.

There’s a lot that still makes me sad about his passing. He’s one of the first friends that I’ve lost. He exercised regularly, he ate healthy. I never saw him abuse anything, not even alcohol. To me it was a big shock. I had hopes that Prince would honor me by coming to my funeral, not the other way around.
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British-Indian sculptor Anish Kapoor donated $1 million Wednesday to five charities working with refugees worldwide, in a bid to alleviate a record-breaking global displacement crisis.

Kapoor, who was born to an Indian father and Iraqi Jewish mother, won the Genesis Prize — dubbed the Jewish Nobel — last year for his commitment to Jewish values.

“Like many Jews, I do not have to go far back in my family history to find people who were refugees,” he said in a statement. “Directing Genesis Prize funds to this cause is a way of helping people who, like my forebears not too long before them, are fleeing persecution.”

The United Nations says the world is witnessing the highest levels of displacement on record, with more than 65 million people forced to flee their homes, surpassing numbers after World War II more than 70 years ago.

U.N. efforts to agree a voluntary pact on safe, orderly and regular migration suffered a setback in December when the United States quit the negotiations.

“In recent months, awareness of the plight faced by tens of millions of refugees and displaced persons worldwide has fallen significantly while the refugee crisis continues unabated,” said Kapoor, a longtime social activist.

Holocaust memorial

Kapoor, who lived in Israel briefly before settling in Britain in the 1970s, won the Turner Prize in 1991 and created a Holocaust memorial for London’s Liberal Jewish Synagogue.

Winners of the Genesis Prize, which is granted by the Israeli government, award $1 million to charities of their choice, with the aim of inspiring the next generation of Jews.

One of Kapoor’s grantees is the International Rescue Committee, which is working with refugees in Uganda — home to more than 1 million people who have fled war in South Sudan — and with stateless Rohingya in Myanmar.

He is also providing food for refugees in Greece and France and medical care for Syrian refugees.

Previous winners include former New York City Mayor Michael Bloomberg and actor Michael Douglas. The 2018 winner, Oscar-winning actress Natalie Portman, plans to focus her award funds on promoting women’s equality.
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