Day: August 15, 2017

Science Experiments, Ice Cream Head for Space Station

A SpaceX capsule rocketed to the International Space Station on Monday, carrying tons of science research, plus ice cream.

As has become customary on these cargo flights, SpaceX landed its leftover booster back at Cape Canaveral shortly after liftoff, a key to its long-term effort to recycle rockets and reduce costs.

“Gorgeous day, spectacular launch,” said Dan Hartman, NASA’s deputy manager of the space station program.

Experiments make up most of the 6,400 pounds of cargo, which should reach the orbiting lab Wednesday. That includes 20 mice that will return alive inside the SpaceX Dragon capsule in about a month.

Ice cream aboard

The Dragon is also doubling as an ice cream truck this time.

There was extra freezer space, so NASA packed little cups of vanilla, chocolate and birthday cake ice cream, as well as ice cream candy bars. Those treats should be especially welcomed by U.S. astronaut Peggy Whitson, in orbit since November. She’s due back at the beginning of September. Newly arrived U.S. spaceman Randolph Bresnik turns 50 next month.

The space station was zooming 250 miles above the Atlantic, just off Nova Scotia, when the Falcon took flight.

It was the 14th successful booster landing for SpaceX and the sixth on the giant X at the company’s touchdown spot at Cape Canaveral Air Force Station, just a few miles from its NASA-leased pad at Kennedy Space Center.

“It’s right on the bull’s-eye, and a very soft touchdown,” said SpaceX’s Hans Koenigsmann.

The experiments

The mice on board are part of a study of visual problems suffered in space by some male astronauts. Scientists will study the pressure in the animals’ eyes, as well as the movement of fluid in their brains. Thirty days for mice in space is comparable to three years for humans, according to Florida State University’s Michael Delp, who’s in charge of the experiment. The study may help explain why female astronauts don’t have this vision problem, which can linger long after spaceflight, he added.

The Dragon also holds an instrument to measure cosmic rays from the space station. This type of device has previously flown on high-altitude balloons. The Army has an imaging microsatellite on board for release this fall from the station. It’s a technology demo; the military wants to see how small satellites like this, with low-cost, off-the-shelf cameras and telescopes, might support critical ground operations. It’s about the size of a dormitory-room refrigerator.

Also going up on behalf of the Michael J. Fox Foundation: protein crystals that, in space, might shed light on Parkinson’s disease. The mission got a televised plug from Fox, an actor who has the disease.

Three Americans, one more than usual, and an Italian will tackle all this scientific work in orbit. The station also is home to two Russians; that number will go back up to three in a year or so.

SpaceX delivery

This is the 13th delivery by the Hawthorne, California-based SpaceX, one of two private shippers hired by NASA. The other is Orbital ATK; its next supply run is in November from Wallops Island, Virginia.

The SpaceX Dragon is the only supply ship capable of returning items to Earth. It parachutes into the Pacific; the others burn up during re-entry.

This particular Dragon is brand new, as is the Falcon rocket. In June, SpaceX launched its first reused Dragon, and in March, its first reused Falcon. From now on, the company said it may only fly used Dragons.

SpaceX is also developing a crew Dragon for NASA astronauts, set to debut next year. Boeing is working on its own capsule to ferry space station astronauts.

In the meantime, SpaceX is aiming for a November debut of its Falcon Heavy rocket, which will feature three first-stage boosters and 27 engines, versus the single booster and nine engines on the Falcon 9. It will have two-thirds the thrust of NASA’s Saturn V rocket, which was used during the Apollo moon program. All three of the Falcon Heavy’s first-stage boosters are meant to fly back to a touchdown.

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Downtown? Petula Clark Goes Down Farm

Grammy award-winner Petula Clark sang her global hit “Downtown” about as far from “where the neon signs are pretty” as she could at the weekend — to thousands in a field in rural England.

It was the 84-year-old’s first outdoor festival in a career spanning, well, eight decades.

“I’m always trying new things,” she told Reuters.

Clark’s set at the Fairport Cropredy Convention included some of her other ’60s hits, including “Color My World,” “I Know a Place” and “Don’t Sleep in the Subway,” but also new songs from her latest album “From Now On.”

“This is not an old ’60s thing by any means, I don’t do … looking back,” she said.

Indeed, she is working on a new album of French-Canadian songs ahead of a tour next May.

As might be expected, Clark closed her Cropredy show with her biggest hit, “Downtown”, leading the crowd as they sang along with the chorus.

“Downtown” topped the U.S. Billboard Hot 100 in 1964, reached number two in the U.K. chart, won Clark her first Grammy and was inducted into the Grammy Hall of Fame in 2003.

Clark, whose career stretches back to World War II, when she sang on BBC radio to entertain British troops aged nine, has never shied from breaking new ground.

In the 1950s, she moved to Paris and recorded numerous songs in French, working over the years with the likes of Jacques Brel, Serge Gainsbourg and Charles Aznavour. Her website lists 10 “gold record” singles that have sold a million copies, including one each in French and German.

She has appeared in numerous films, including singing and dancing with Fred Astaire in 1968’s “Finian’s Rainbow” directed by Francis Ford Coppola.

The same year, in a U.S. TV special, she sang a duet with African-American singer and civil rights activist Harry Belafonte. As they sang the anti-war song “On the Path of Glory” co-written by Clark, she touched his arm — to the dismay of the show’s sponsors.

A white woman touching a black man on television was taboo in 1960s America.

To head off the sponsors, Clark’s team destroyed all other takes.

“We were not going to be told what to do and what not to do,” she said. “Maybe I was naive. It seemed to me like a storm in a teacup but of course it was that particular time in that particular country.”

A U.S. tour in November and December takes Clark from California to New York. Then she plays eight dates in French Canada, where she will perform in French.

So no plans to slow down?

“Not at the moment. My voice is in great shape. I don’t really do anything to help it, I just go out and do it,” she said.

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