Day: June 15, 2017

Rio Olympics Price Tag Rises to $13.2 Billion

The cost of last year’s Rio Olympics has risen to 43.3 billion reais ($13.2 billion), around 14.5 billion reais more than originally planned, according to figures published by the federal agency for Olympic legacy (AGLO) on Wednesday.

The original budget when Brazil won the right to host the Games in 2009 was around 28.8 billion reais.

The total announced on Wednesday could still rise further, but it was in keeping with expectations that had been revised during the countdown to South America’s first Olympics.

The cost is below the 8.92 billion pounds ($14.3 billion) spent on London 2012, but still more than twice the $5.2 billion average cost of hosting the Summer Games, according to a 2015 study by the University of Oxford and Said Business School.

Some 7.23 billion reais was spent on venues, AGLO said.

The Globo sports website reported that the cost of infrastructure projects rose to 26.7 billion reais and another 9.2 billion reais was spent on operating costs.

Rio de Janeiro, which hosted the Olympics in August and the Paralympics in September, has been criticized for a lack of legacy planning, with some of the venues abandoned soon after the closing ceremony.

Other infrastructure projects, including a new metro line that does not extend all the way to the main Olympic Park, have had their effectiveness questioned.

Officials said that legacy planning was a major challenge but that they intended to hold an average of three events a month at the Olympic venues starting this June, a number they hope will increase to 10 events a month by December.

“It’s not easy to manage the legacy,” AGLO president Paulo Marcio Dias Mello told reporters. “London, for example, took two years to deliver the legacy and even today there is public investment in that legacy.”

“Even if it doesn’t meet everyone’s expectations, it will be a relief that what we have here will not be white elephants.”

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Report: More Women in Workforce Would Add Trillions to World Economy

A new report by the International Labor Organization (ILO) says getting more women into the world labor market would add trillions of dollars to the global economy and boost tax revenues. 

According to the report, the ILO World Employment and Social Outlook: Trends for Women 2017, just more than 49 percent of women globally are in the labor force, a rate nearly 27 percent lower than that for men.

The ILO is calling for a narrowing of the gender gap, which it says is widespread, persistent and substantial, in the world of work. But unfortunately, ILO says, this situation is expected to remain unchanged in 2018.

G-20 commitment

Deborah Greenfield, ILO deputy director for policy, says the Group of 20 (G-20) leaders have committed themselves to reducing the gender gap in work participation rates between men and women by 25 percent by the year 2025.

Greenfield says huge benefits would accrue to women, society and the economy if this goal is met.

“This would have the potential to add $5.8 trillion, measured in U.S. dollars, to the global economy,” Greenfield said. “This could also unlock large potential tax revenues. We estimate roughly $1.5 trillion globally, most of it in emerging and developed countries.”

Areas that would benefit most

The report says North Africa, the Arab states and southern Asia have the lowest number of women in paid labor. It says these regions would benefit most from narrowing the gaps, which exceed 50 percentage points, in participation rates between men and women.

The ILO says society must change its attitudes toward the role of women in the world of work and not fall back on the excuse that it is unacceptable for a woman to have a paid job.

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Homeless, But Not Voiceless, at Carnegie Hall

They’re homeless, but a group of men and women from Texas has made it to Carnegie Hall.

The storied New York City concert hall is the venue Wednesday evening for a performance by the Dallas Street Choir, all singers recruited from urban streets and homeless shelters that has been performing since 2015.

About 20 members of the choir were to be joined by 17 residents of a Manhattan homeless shelter.

The singers include Michael Brown, who lives under a bridge in Dallas when it rains and on a hilltop in sunny weather.

“We may be homeless, but we’re not voiceless,” he said at a rehearsal Tuesday, “so let’s use our effort to remind people that we still have hope and it will never die.”

Dallas Street Choir conductor Jonathan Palant has also brought in some world-class luminaries for the performance: mezzo-soprano Frederica von Stade, soprano Harolyn Blackwell, composer Jake Heggie and composer Stephen Schwartz, who wrote the Broadway hits “Godspell,” “Pippin” and “Wicked.”

Palant said he got the idea for the choir a few years ago while volunteering with a homeless services organization. It started out as a Christmas event – a big meal at a homeless shelter with entertainment by a group of singers that rehearsed with Palant for just a few hours. But that inspired Palant to start a weekly musical session open to anyone who wanted to sing.

Members of the choir come and go frequently. They don’t always produce perfect sounds, and there are moments of slight cacophony, “but our members sing with heart like no other choir I’ve ever worked with,” said Palant.

Never in its 126-year history has a musical ensemble of homeless performers appeared at Carnegie, said the hall’s archivist, Gino Francesconi.

Brown got his first shower and haircut in weeks for the tour. Normally, he survives going to soup kitchens, and aims to get a job as a waiter.

He’s an energetic, bright-eyed choir member, while some others are physically frail; one woman relies on a walker, another uses a cane.

In Dallas, they rehearse each Wednesday morning, learning melodies by rote, with printed lyrics. They leave with snacks and a public transportation voucher.

The evening at Carnegie Hall, starting at 8 p.m., is titled “Imagine a World – Music for Humanity.”

Von Stade will premiere Heggie’s new setting of Hub Miller’s “Spinning Song,” with Heggie at the piano.

With the choir, Schwartz will perform “For Good” from “Wicked,” along with Blackwell and von Stade. Rounding out the evening will be the homeless choir offering Broadway songs, capped by personal stories.

Tickets are $25 for any Carnegie seat, with proceeds going to organizations that support the homeless.

The New York City Department of Homeless Services has donated some tickets so members of the homeless community can attend.

The choir is also performing Thursday at Washington National Cathedral in Washington D.C.

About $200,000 needed for the New York and Washington trips came from previous concerts in Texas, plus a private grant. Carnegie’s Weill Music Institute pulled in the homeless singers from Manhattan. The New Yorkers are members of a community choir and will sing two numbers on the program.

At least while they’re in New York, the singers have a roof over their heads – a hotel on Manhattan’s Upper West Side near the Valley Lodge shelter where the local performers live.

“This is serious, man – Carnegie Hall in New York City,” says Brown. “We have to show people that we didn’t come from Texas for no reason.”

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Vintage Typewriters Gain Fans Amid ‘Digital Burnout’

Typewriter enthusiasts gather at an Albuquerque restaurant to experiment with vintage Smith Coronas. Fans in Boston kneel in a city square and type stories about their lives during a pro-immigration demonstration. A documentary on typewriters featuring Tom Hanks and musician John Mayer is set for release this summer.

In the age of smartphones, social media and hacking fears, vintage typewriters that once gathered dust in attics and basements are attracting a new generation of fans across the U.S.

From public “type-ins” at bars to street poets selling personalized, typewritten poems on the spot, typewriters have emerged as popular items with aficionados hunting for them in thrift stores, online auction sites and antique shops. Some buy antique Underwoods to add to a growing collection. Others search for a midcentury Royal Quiet De Luxe — like a model author Ernest Hemingway used — to work on that simmering novel.

The rescued machines often need servicing, leading fans to seek out the few remaining typewriter repair shops.

“I haven’t seen business like this in years,” said John Lewis, a typewriter repairman who has operated out of his Albuquerque shop for four decades. “There’s definitely a new interest, and it’s keeping me very busy.”

Renewed interest began around 10 years ago when small pockets of typewriter enthusiasts came together online, said Richard Polt, a philosophy professor at Xavier University in Cincinnati and author of The Typewriter Revolution: A Typist’s Companion for the 21st Century. Since then, the fan base has grown dramatically, and various public events have been organized around the typewriter.

“It’s beyond the phase where this is just a fad,” Polt said.

It’s almost impossible to gauge recent typewriter sales. Almost all of the original manufacturers are out of business or have been bought out and become different companies. Moonachie, New Jersey-based Swintec appears to be one of the last typewriter makers, selling translucent electronic machines largely to jails and prisons.

But operators of thrift stores and estate sales say typewriters are some of the quickest items to go.

“That’s part of the fun: the hunt,” said Joe Van Cleave, an Albuquerque resident who owns more than a dozen typewriters and runs a popular YouTube channel on restoring the machines. “Sometimes, like a little luck, you might find something from the 1920s in great condition.”

Link to the past

Doug Nichol, director of the upcoming documentary California Typewriter, said the interest stems from “digital burnout” and people wanting a connection to the past. That interest seems to transcend age, he said.

“Kids who grew up knowing only mobile phones and the computer are excited to see a letter typed with your own hand,” Nichol said. “It’s a one-on-one interaction that doesn’t get interrupted by Twitter alerts.”

In his film, set for release in August, Nichol interviews Hanks, who said he uses a typewriter almost every day to send memos and letters.

“I hate getting email thank-yous from folks,” Hanks says in the film. “Now, if they take 70 seconds to type me out something on a piece of paper and send to me, well, I’ll keep that forever. I’ll just delete that email.”

Hanks owns about 270 typewriters but often gives them to people who show an interest.

One way the typewriter craze is growing is through organized “type-ins” — meet-ups in public places where typewriter fans try different vintage machines. Such events have been held in Phoenix, Philadelphia, Seattle, Los Angeles and Cincinnati.

During a recent type-in at Albuquerque soul food restaurant Nexus Brewery, around three dozen fans took turns clicking the keys of an Italian-made 1964 Olivetti Lettera 32 and a 1947 Royal KMM, among others.

‘Real refreshing’

Rich Boucher spent most of his time on a 1960s-era Hermes 3000 crafting poetry.

“I haven’t used a typewriter in forever,” he said. “This is a real refreshing way to spend a summer afternoon.”

After finishing his work, Boucher grabbed his phone and sent a Facebook status update about the experience. He then started looking online for a Hermes 3000.

“That’s the typewriter I want,” he said. “I’m going to find one.”

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